Screening the Operatic Stage: Television and Beyond (Opera Lab: Explorations in History, Technology, and Performance)

Synopsis

An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.

Copyright:

2024

Book Details

Book Quality:

Publisher Quality

Book Size:

288 Pages

ISBN-13:

9780226831299

Related ISBNs:

9780226831275

Publisher:

University of Chicago Press

Date of Addition:

03/28/24

Copyrighted By:

The University of Chicago

Adult content:

No

Language:

English

Has Image Descriptions:

No

Categories:

History, Entertainment, Nonfiction, Art and Architecture, Music

Submitted By:

Bookshare Staff

Usage Restrictions:

This is a copyrighted book.