Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion

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Synopsis
Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did the terms ‘finished’ or ‘incomplete’ mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are ‘under construction’ in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.
Copyright:
2014

Book Details

Book Quality:
Publisher Quality
ISBN-13:
9781526103284
Related ISBNs:
9780719084973, 9781847798916
Publisher:
Manchester University Press
Date of Addition:
Copyrighted By:
Chloe Porter, 2
Adult content:
No
Language:
English
Has Image Descriptions:
No
Categories:
History, Nonfiction, Literature and Fiction, Social Studies, Drama, Plays and Theater, Language Arts
Submitted By:
Bookshare Staff
Usage Restrictions:
This is a copyrighted book.

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