- Table View
- List View
Providing Public Space in a Contemporary Metropolis: Dilemmas and Lessons from London and Hong Kong (Urban Policy, Planning and the Built Environment)
by Louie Sieh Claudio De MagalhãesIncreasingly, public space provision and management are being transferred from the public sector to real estate developers, private sector organisations, voluntary groups and community bodies. Contrasting the more historical, horizontal character of London with the intense street life of high-rise Hong Kong, this book tells the story of the two cities’ relationships with non-traditional forms of public space governance. The authors consider the implications for the ‘publicness’ of these complex spaces and the challenges and impacts that different forms of provision have on those with a stake in them, and on the cities as a whole.
Providing Public Space in a Contemporary Metropolis: Dilemmas and Lessons from London and Hong Kong (Urban Policy, Planning and the Built Environment)
by Louie Sieh Claudio De MagalhãesIncreasingly, public space provision and management are being transferred from the public sector to real estate developers, private sector organisations, voluntary groups and community bodies. Contrasting the more historical, horizontal character of London with the intense street life of high-rise Hong Kong, this book tells the story of the two cities’ relationships with non-traditional forms of public space governance. The authors consider the implications for the ‘publicness’ of these complex spaces and the challenges and impacts that different forms of provision have on those with a stake in them, and on the cities as a whole.
The Oneiric in the Films of David Lynch: A Phenomenological Approach
by Raphael MorschettThe Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch's films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director's different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to 'turn back' on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch's films is thus of phenomenological, media-theoretical, and philosophical interest.
The Oneiric in the Films of David Lynch: A Phenomenological Approach
by Raphael MorschettThe Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch's films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director's different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to 'turn back' on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch's films is thus of phenomenological, media-theoretical, and philosophical interest.
Relational Improvisation: Music, Dance and Contemporary Art
by Simon RoseRelational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance. Building upon the growing research into improvisation, the book explores contemporary transdisciplinary collaborations between improvised music and other fields including dance and visual arts, offering insights from a wide range of practitioners. Author Simon Rose takes a ground-up approach that places value on lived experience and reflects the value of collaboration. Mirroring improvisation’s relationality, chapters are co-authored by musicians, dancers and visual artists from diverse backgrounds who are engaged in active artistic collaborations with the author.The relational approach allows for the inclusion of improvisation’s scope and many levels. Showcasing a range of different voices, the chapters address topics in artistic improvisation including cybernetics, interspecies work, working with light, phenomenology, sympoiesis and identity, and utilise a range of approaches including autoethnography and philosophical analysis. Considering the relationships of improvisation to emotion, space, embodiment and philosophy, this book shows how improvisation, collaboration and transdisciplinary artistic practices combine to generate new creative possibilities. It provides vital insights for practicing artists, arts researchers, philosophy and pedagogy and all those studying improvisation and collaborative creativity in contemporary music, dance and visual arts.
Relational Improvisation: Music, Dance and Contemporary Art
by Simon RoseRelational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance. Building upon the growing research into improvisation, the book explores contemporary transdisciplinary collaborations between improvised music and other fields including dance and visual arts, offering insights from a wide range of practitioners. Author Simon Rose takes a ground-up approach that places value on lived experience and reflects the value of collaboration. Mirroring improvisation’s relationality, chapters are co-authored by musicians, dancers and visual artists from diverse backgrounds who are engaged in active artistic collaborations with the author.The relational approach allows for the inclusion of improvisation’s scope and many levels. Showcasing a range of different voices, the chapters address topics in artistic improvisation including cybernetics, interspecies work, working with light, phenomenology, sympoiesis and identity, and utilise a range of approaches including autoethnography and philosophical analysis. Considering the relationships of improvisation to emotion, space, embodiment and philosophy, this book shows how improvisation, collaboration and transdisciplinary artistic practices combine to generate new creative possibilities. It provides vital insights for practicing artists, arts researchers, philosophy and pedagogy and all those studying improvisation and collaborative creativity in contemporary music, dance and visual arts.
National Theatre Connections 2024: 10 Plays for Young Performers (Plays for Young People)
by Luke Barnes Titas Halder Mojisola Adebayo Sian Owen Josh Azouz Abi Zakarian Alexis Zegerman Charlie Josephine Elgan Rhys Yasmeen KhanNational Theatre Connections 2024 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities.The plays offer young performers an engaging and diverse range of material to perform, read or study. Touching on themes like trans-rights, the mental health crisis, colonial history, disability activism, and climate change, the collection provides topical, pressing subject matter for students to explore in their performance.This 2024 anthology represents the full set of ten plays offered by the National Theatre 2024 Festival (eight brand-new plays, and two returning favourites), as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.
National Theatre Connections 2024: 10 Plays for Young Performers (Plays for Young People)
by Luke Barnes Titas Halder Mojisola Adebayo Sian Owen Josh Azouz Abi Zakarian Alexis Zegerman Charlie Josephine Elgan Rhys Yasmeen KhanNational Theatre Connections 2024 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities.The plays offer young performers an engaging and diverse range of material to perform, read or study. Touching on themes like trans-rights, the mental health crisis, colonial history, disability activism, and climate change, the collection provides topical, pressing subject matter for students to explore in their performance.This 2024 anthology represents the full set of ten plays offered by the National Theatre 2024 Festival (eight brand-new plays, and two returning favourites), as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.
Advertising in America: A Reference Handbook (Contemporary World Issues)
by Danielle Sarver CoombsThis book provides an accessible resource for understanding the world behind the advertising jingles and Super Bowl commercials and digital algorithms. Advertising has become a ubiquitous force in American life, penetrating almost every aspect of our daily routines. Additionally, as technology has evolved throughout American history, so too has advertising proliferated as media has become increasingly sophisticated and ever-present, whether it takes the form of algorithms governing your social media feed, television commercials, paid influencers, or stadiums branded with the names of corporate sponsors/owners. This authoritative one-stop resource provides a rich overview of the evolution and present state of advertising in all its forms, as well as the multitude of connected issues-data collection, privacy, consumerism, technology, and others-regarding advertising and its role as both a shaper and reflector of American culture. It surveys various advertising media, discusses the social and cultural contexts in which it is consumed, and highlights key moments in the history of advertising in the United States. In addition, the book is supplemented with carefully curated primary sources, personal essays, a glossary of advertising terms, and other resources to provide readers with a full picture of advertising as both an industry and a shaper of American culture.
Planning and Designing the Absent City: Campsites as Temporary Settlements
by Luca TrabattoniThis book concerns the study of open-air accommodation facilities. The market evolutions allow us to look at these structures as temporary settlements characterised by a low-density dwelling and a close connection with natural elements and the landscape.This new and different point of view is sustained by the tendency of outdoor tourism to go in the direction of temporary villages, and this tendency is directly related to "time" and "landscape". The landscape is the reason why the campsite is settled. The time is linked to the holiday season timing. Today, both are greatly influenced by the introduction of the "Maxi-Caravan". This removable living unit can be placed on the empty pitch, occupying the landscape without ruining the soil. By the settlement of Maxi-Caravans, the campsite is transformed from an empty landscape with tents to a temporary settlement, whose timing is divided between the seasonal timing of the campsite and the "timing" of the product, and whose landscape is organised by the relation with the prevalent landscape and the internal one. The book's core defines the outdoor facility structure, using Italy as the main case study. To identify design strategies, the book analyses temporary settlement examples (quick time) and projects from historic outdoor tourism (medium time). Finally, the last chapter reflects on open-air accommodation facilities by showing their applicability in the different contexts of the refugee camps (long time).The aim of this research is to enhance the theme of open-air accommodation facilities, highlighting the need to equalise the study of temporary settlements with that of permanent settlements. It will be of interest to researchers and students of planning, landscape and tourism.
Planning and Designing the Absent City: Campsites as Temporary Settlements
by Luca TrabattoniThis book concerns the study of open-air accommodation facilities. The market evolutions allow us to look at these structures as temporary settlements characterised by a low-density dwelling and a close connection with natural elements and the landscape.This new and different point of view is sustained by the tendency of outdoor tourism to go in the direction of temporary villages, and this tendency is directly related to "time" and "landscape". The landscape is the reason why the campsite is settled. The time is linked to the holiday season timing. Today, both are greatly influenced by the introduction of the "Maxi-Caravan". This removable living unit can be placed on the empty pitch, occupying the landscape without ruining the soil. By the settlement of Maxi-Caravans, the campsite is transformed from an empty landscape with tents to a temporary settlement, whose timing is divided between the seasonal timing of the campsite and the "timing" of the product, and whose landscape is organised by the relation with the prevalent landscape and the internal one. The book's core defines the outdoor facility structure, using Italy as the main case study. To identify design strategies, the book analyses temporary settlement examples (quick time) and projects from historic outdoor tourism (medium time). Finally, the last chapter reflects on open-air accommodation facilities by showing their applicability in the different contexts of the refugee camps (long time).The aim of this research is to enhance the theme of open-air accommodation facilities, highlighting the need to equalise the study of temporary settlements with that of permanent settlements. It will be of interest to researchers and students of planning, landscape and tourism.
Needlepoint: Over 100 creative stitches and techniques for tapestry embroidery
by Emma HomentThe ultimate resource for needlepoint, canvaswork and tapestry embroidery, packed with over 100 decorative stitches and techniques. You may have tried tent stitch and cross stitch and you’ve probably seen some Bargello popping up in craft magazines, but did you know that these are only a couple of the needlepoint stitches out there? This essential guide to needlepoint will allow you to bring far greater texture and interest to your stitching, with expert guidance on how to embroider the stitches and how to choose the best stitches for your designs. Always worked on an open-weave, grid-like canvas, even needlepoint’s most decorative stitches are surprisingly easy. In this step-by-step guide, packed full of handy how-to illustrations, beginners and expert stitchers alike will feel confident enough to give every stitch a go. Alongside the stitch directory, you’ll find all the information you need on materials and equipment, and 10 bite-sized projects with full-colour charts to show off your new stitching superpowers. Author Emma Homent has been pioneering the rediscovery of all the incredible stitches in her popular #stitchmondays posts on Instagram. In this book, Emma shares her passion for this traditional craft in a fresh and contemporary way, with a desirable modern aesthetic for a new generation of needlepointers. You'll learn about the tools and materials needed, how to organise threads, and how to frame up your canvas for stitching. Over 100 stitches are demonstrated with both photos and diagrams, with 10 easy and accessible projects to help ease you into trying out some of the fancier stitches - including a glasses case, plant hanger, accessories, gifts and more. Emma also shares her guidance on what stitches are best for backgrounds, for filling large areas more quickly, and which are best for adding structure and interest. Whether you are a keen embroiderer or an absolute beginner, this invaluable guide is your go-to resource for everything needlepoint.
Crochet Collage Garden: 100 patterns for crochet flowers, plants and petals
by Chris NorringtonA collection of 100 crochet motifs arranged in 10 crochet collages based on the beautiful flowers and plants found in author, crochet designer and gardener, Chris Norrington's, stunning cottage garden. Each of the collages will have a different, sometimes seasonal, theme and the compositions will change -sometimes the plants will be in a vase or a jug, sometimes presented as a wreath or growing straight from the ground. All of the crochet motifs will have written crochet patterns so they are very accessible. You can enjoy making the same collages in the book or mix and match your favourite plants and flowers to create your own compositions. There is advice for what yarn and crochet hooks to use as well as suggestions for adapting the materials to make your own versions of the patterns.
The Art of Image Processing with Java
by Kenny A. HuntThis introductory image processing text is ideal for college students studying computer science or software engineering. With an emphasis on software design, the text builds on an accessible mathematical foundation and on extensive sample Java code to teach students the fundamentals of image processing. The text is accompanied by rich illustrations that demonstrate the results of performing processing on famous art pieces. This approach gives readers real-world examples of ways they may use image processing. Each chapter includes problems for students, and an online supplement offers instructor resources.
Klavierakkorde für Dummies (Für Dummies)
by Maxime Pawlak Renaud PawlakVerbessern Sie Ihre Akkordarbeit Dieses Buch ist ein toller Einstieg in das Spielen von Klavierakkorden. Zunächst bietet es Ihnen ein wenig Musiktheorie als Grundlage: Sie lernen, wie Akkorde grundsätzlich aufgebaut sind, was Akkorderweiterungen und -umkehrungen sind. Und dann stellt es Ihnen über 600 Akkorde vor und ist damit ein perfektes Nachschlagewerk, das idealerweise griffbereit neben Ihrem Klavier liegen sollte. Zu jedem Akkord finden Sie die Notenschrift, die Ihnen sagt, welche Noten zum Akkord gehören, und ein Foto, das Ihnen zeigt, wie Sie den Akkord am Klavier spielen. So werden Sie schon bald immer mehr Akkorde beherrschen. Sie erfahren Wie Sie die Akkorde greifen Welche Akkordvarianten es gibt Was Akkorderweiterungen und Akkordumkehrungen sind Welche Akkorde zu welchem Stil passen
Major French Cities facing Metropolization
by Alain BourdinThis book characterizes a type of city, i.e. the metropolis, by using characteristics which have very little to do with its size. It distinguishes between metropolises and megacities and defines these different characteristics by bringing together elements related to facilities, accessibility and economic power on one hand and other elements which relate more to the capacity for innovation and, more generally, to the knowledge society and economy. All of which demonstrate the process of metropolization, as well as elements of daily life and, more generally, elements which relate to the urban experience. To live in a metropolis is not only to benefit from more urban amenities, but also to live in a different way, in particular, in a world which is much more diverse in every respect. Based on a series of metropolization criteria constructed and discussed, this book goes beyond ordinary statistical approaches to integrate the interterritorial scale of metropolitan systems as well as their qualitative dimension. Following in Simmel's footsteps, it shows that a city is also an atmosphere, a mentality, a spirit, all of which are poorly captured by statistical data. As such, the book focuses on five major themes: networks, economic development, social issues, urban form and the ecological and digital transition. The books makes an interesting read for urban planners, sociologists, planners and architects, and all specialists working in this field.
The Art of Stagecraft: Reflections on Design and Creation in Theatre
by F. Randy deCelleThe Art of Stagecraft: Reflections on Design and Creation in Theatre is a thoughtful examination of the intersection of design, art, and the modern and contemporary theatrical design practitioner.Utilizing a recently discovered folio of materials of stagecraft practices that was being compiled by Mobile, Alabama artist Edmond Carl deCelle, who was nationally known for his sketches, paintings, murals, Mardi Gras pageants and parades, and theatre productions along the Gulf Coast in the years 1930–1970, the book examines methodologies of production using sketches from the artist as well as his thoughts on design, art, and the shifts that were happening in the industry during the time. The book looks at a sampling of traditional theatrical design and stagecraft practices that became formalized in the mid-20th century and compares them to contemporary practices, offering a reflection on the current state of theatre production, stagecraft practices, and the theatre practitioner as an artist.For those just coming into theatre production, The Art of Stagecraft provides a resource for a selection of well-proven, straightforward techniques that have been developed over many years. For those in theatre production, the book serves as a guide for an assortment of traditional techniques that are still in use today but may not be known by everyone. For all readers, this book will also look at a sample of traditional techniques that have been phased out in favor of contemporary methods due to the development of modern materials.
The Art of Stagecraft: Reflections on Design and Creation in Theatre
by F. Randy deCelleThe Art of Stagecraft: Reflections on Design and Creation in Theatre is a thoughtful examination of the intersection of design, art, and the modern and contemporary theatrical design practitioner.Utilizing a recently discovered folio of materials of stagecraft practices that was being compiled by Mobile, Alabama artist Edmond Carl deCelle, who was nationally known for his sketches, paintings, murals, Mardi Gras pageants and parades, and theatre productions along the Gulf Coast in the years 1930–1970, the book examines methodologies of production using sketches from the artist as well as his thoughts on design, art, and the shifts that were happening in the industry during the time. The book looks at a sampling of traditional theatrical design and stagecraft practices that became formalized in the mid-20th century and compares them to contemporary practices, offering a reflection on the current state of theatre production, stagecraft practices, and the theatre practitioner as an artist.For those just coming into theatre production, The Art of Stagecraft provides a resource for a selection of well-proven, straightforward techniques that have been developed over many years. For those in theatre production, the book serves as a guide for an assortment of traditional techniques that are still in use today but may not be known by everyone. For all readers, this book will also look at a sample of traditional techniques that have been phased out in favor of contemporary methods due to the development of modern materials.
Critical Readings on Hammer Horror Films (Routledge Advances in Horror)
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed.Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings.This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Critical Readings on Hammer Horror Films (Routledge Advances in Horror)
by Fernando Gabriel Pagnoni Berns Matthew EdwardsThis collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed.Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings.This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Inventing the Built Environment: Planning, Science, and Control in British Architecture (Routledge Research in Architectural History)
by Juliana Yat KeiWhy and how was the term ‘built environment’ first introduced? Inventing the Built Environment retrieves the origin of this ubiquitous term. The articulation of the ‘built environment,’ Kei demonstrates, coincided with the redefinition of education, research, and professional practices in architecture and town planning in 1960s Britain.Concentrating on the half-decade during which the term permeated the architectural and planning professions, this book recalls a time when the ‘built environment’ was conceived as a part of the British government’s effort in national economic planning. Inventing the Built Environment unpacks the proposal for a Research Council for the Built Environment to mobilise architecture and town planning for political economy. How a relatively small group of architects, planners, politicians, and researchers transposed scientific thoughts from biology, economics, and computation into the ‘built environment’ will be considered, too. Kei highlights the assumptions about and classification of the population that were made when inventing the ‘built environment.’ The architectural and biosocial implications of the making and remaking of this architectural-environmental notion, in Britain and beyond, will be revealed through the works of pre-eminent architect-planners including Richard Llewelyn-Davies and William Holford.At a time when environmental concerns again take the front seat of architectural and planning debates, this book offers, for scholars and students, an alternative lens to reflect on the assumptions and bias that can be embedded in our architectural lexicons.
Inventing the Built Environment: Planning, Science, and Control in British Architecture (Routledge Research in Architectural History)
by Juliana Yat KeiWhy and how was the term ‘built environment’ first introduced? Inventing the Built Environment retrieves the origin of this ubiquitous term. The articulation of the ‘built environment,’ Kei demonstrates, coincided with the redefinition of education, research, and professional practices in architecture and town planning in 1960s Britain.Concentrating on the half-decade during which the term permeated the architectural and planning professions, this book recalls a time when the ‘built environment’ was conceived as a part of the British government’s effort in national economic planning. Inventing the Built Environment unpacks the proposal for a Research Council for the Built Environment to mobilise architecture and town planning for political economy. How a relatively small group of architects, planners, politicians, and researchers transposed scientific thoughts from biology, economics, and computation into the ‘built environment’ will be considered, too. Kei highlights the assumptions about and classification of the population that were made when inventing the ‘built environment.’ The architectural and biosocial implications of the making and remaking of this architectural-environmental notion, in Britain and beyond, will be revealed through the works of pre-eminent architect-planners including Richard Llewelyn-Davies and William Holford.At a time when environmental concerns again take the front seat of architectural and planning debates, this book offers, for scholars and students, an alternative lens to reflect on the assumptions and bias that can be embedded in our architectural lexicons.
Architecture and the Image at the Turn of the 21st Century: After Visibility (Routledge Research in Architecture)
by Sanja RodešThis book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements.Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended.This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.
Architecture and the Image at the Turn of the 21st Century: After Visibility (Routledge Research in Architecture)
by Sanja RodešThis book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements.Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended.This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.
Experiments in Art Research: How Do We Live Questions Through Art?
by Sarah Travis Jorge Lucero Azlan Guttenberg Smith Catalina Hernández-CabalExperiments in Art Research: How Do We Live Questions Through Art? is not a conventional research methods guide; it's an encounter for asking questions through art.Originating from the work of a community of tightly connected scholars, artists, and teachers, the book unfolds through a tapestry of moments, practices, and people, embracing the celebration of works in progress and in community. Rooted in the practice of permission-giving, the narrative intertwines personal stories—laying bare the transformative power of unconventional teaching methods, risky endeavors, and the breaking of scholarly norms—and begins by understanding that “art” and “research” are not separate. After that, there are endless directions to take up. Instead of a handbook offering rules or best practices, this text offers an inspiring collection of joy, longing, and determination. This is fascinating reading for arts-based researchers, artists, educators in the arts, education scholars, research-creators, performance theorists, art history scholars, art education scholars, inter- and anti-disciplinary scholars, qualitative and post-qualitative researchers, decolonization scholars, public humanities scholars, and writing pedagogy scholars.