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Sophia Robot: Post Human Being (ISSN)
by Thomas RiccioThis book considers David Hanson’s robots as a performative expression of our cultural moment, serving as a paradigm for the evolution of humanoid social robots.Mechanical beings have occupied the human imagination since antiquity. Now, they inhabit the pop-cultural imagination, embodying the apotheosis of humanity’s technological aspirations and dread. Sophia, Hanson’s most advanced robot, anticipates the future as she articulates the mythic pattern, narrative, anxieties, and hopes as old as humanity. Gendered as an attractive female with a face inspired by Queen Nefertiti and Audrey Hepburn, Sophia is a cipher, avatar, and turning point that brings humanity and technology a step closer to the emergence of a post-human species. The author is a transdisciplinary artist/scholar/educator working internationally in experimental performance, indigenous performance (ritual, shamanism), and social robotics. Hanson’s robots and Sophia are examined as performance media and events, as characters evolving as post-human narratives of technological beings. The emergent, complex, and collaborative relationships social robots have with technology, AI, performance, anthropology, mythology, psychology, sociology, popular culture, social media, politics, and economics are considered.
Dramaturgy to Make Visible: The Legacies of New Dramaturgy for Politics and Performance in Our Times (ISSN)
by Peter EckersallThis book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows.This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
Dramaturgy to Make Visible: The Legacies of New Dramaturgy for Politics and Performance in Our Times (ISSN)
by Peter EckersallThis book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows.This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
This Is Shakespeare: How to Read the World's Greatest Playwright (Pelican Books)
by Emma SmithA THE TIMES BOOK OF THE YEAR 2019'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer'It makes you impatient to see or re-read the plays at once' Hilary MantelA genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.This is Shakespeare. And he needs your attention.
The Theban Plays: Antigone - Oedipus The King - Oedipus At Colonus (hardcover) (Johns Hopkins New Translations From Antiquity Ser.)
by SophoclesKing Oedipus/Oedipus at Colonus/AntigoneThree towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynastyThe legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority.Translated with an Introduction by E. F. WATLING
Cold Water (Modern Plays)
by Philippa LawfordWhen I'm walking with her the whole time I'm imagining I'm with someone else.Who do you imagine?You, sometimes.After university, Emma moves back in with her parents in Hertfordshire and gets a job at her old school, assisting in the Drama department. Before long, she's spending every day in the studio with Matt, her boss. Matt decides to teach Emma everything he knows, and Emma feels her life starting to change. Philippa Lawford's Cold Water is a play about wanting things so much you can't do anything about them. This edition was published to coincide with the world premiere at London's Park Theatre in May 2024.
Captain Amazing (Modern Plays)
by Mr Alistair McDowallWhat do you do as Captain Amazing?Fight… baddies and things. Save people… make people go to bed when they're supposed to go to bed… Join the world's most unassuming superhero in Alistair McDowall's (Pomona, The Glow, X, all of it) critically-acclaimed masterpiece. From battling his arch-nemesis, to getting his daughter to school on time, follow Captain Amazing on his incredible adventures and discover how even the invincible aren't immune to tragedy.A hilarious and heart-breaking adventure which reminds us that one day, even the bravest of superheroes will need to hang up their cape… forever.This edition was published to coincide with the 10th anniversary production at London's Southwark Playhouse in May 2024.
The Harmony Test (Modern Plays)
by Richard MolloyHe says, if we really wanna conceive now, he's got a little something he can sell me under the counter at a very reasonable price. It will not fail!Newlyweds Zoe and Kash are ready to start a family. Zoe wants to take a practical approach: fertility plans, vitamin supplements and a strict diet. Kash, on the other hand, would rather follow the advice of an intriguing man he just met in Holland and Barrett.Empty-nesters Naomi and Charlie have been living in matrimonial bliss for twenty odd years - or at least they had been according to Charlie. Frustrated and lonely, Naomi heads to the gym in search of a new lease on life. Instead, she finds Rocco – a much younger personal trainer willing to take a hands-on approach to the job…Richard Molloy's hilarious comedy The Harmony Test explores life's positives and negatives, from starting families, to ending marriages, and everything that comes in between. He and director Alice Hamilton collaborate for the second time following the hugely successful Every Day I Make Greatness Happen, which played Downstairs in 2018.This edition was published to coincide with the world premiere at London's Hampstead Theatre Downstairs in May 2024.
The Harmony Test (Modern Plays)
by Richard MolloyHe says, if we really wanna conceive now, he's got a little something he can sell me under the counter at a very reasonable price. It will not fail!Newlyweds Zoe and Kash are ready to start a family. Zoe wants to take a practical approach: fertility plans, vitamin supplements and a strict diet. Kash, on the other hand, would rather follow the advice of an intriguing man he just met in Holland and Barrett.Empty-nesters Naomi and Charlie have been living in matrimonial bliss for twenty odd years - or at least they had been according to Charlie. Frustrated and lonely, Naomi heads to the gym in search of a new lease on life. Instead, she finds Rocco – a much younger personal trainer willing to take a hands-on approach to the job…Richard Molloy's hilarious comedy The Harmony Test explores life's positives and negatives, from starting families, to ending marriages, and everything that comes in between. He and director Alice Hamilton collaborate for the second time following the hugely successful Every Day I Make Greatness Happen, which played Downstairs in 2018.This edition was published to coincide with the world premiere at London's Hampstead Theatre Downstairs in May 2024.
Shakespeare & Collaborative Writing (Oxford Shakespeare Topics)
by Dr Will SharpeShakespeare and Collaborative Writing offers a rich account of Shakespeare's artistic development in, against, and beyond collaboration. We see him afresh as a poetic innovator in continual flux, and in continual artistic debt: an author shaped by others in a collaborative network of intellectual influence and dynamic interchange, and, the book argues, one that he helped substantially to create. In considering collaboration as a practice defining almost all of his earliest works, it shows that he was particularly active in its development in the early theatre scene of his nascent career, changing our sense of his development as a creative artist quite radically. Chapters exploring collaboration via theatre history, book history, and attribution debates complement the central three chapters detailing the different phases of Shakespeare's collaborative work, which reorient our shifting sense of what it meant to him, and what he gained from it, at these other key moments of his artistic career. In reconstructing the circumstances and outcomes of his pairings with other dramatists, and scrutinizing more closely their artistic contributions, Shakespeare and Collaborative Writing reconsiders the ways in which they influenced and challenged him to adapt and experiment with his writing in ways that go beyond the features of his solo-authored canon. In undertaking a rigorous appreciation of the structures and poetics of his co-authored works, this book presents them as distinctive works of art that transform our understanding of Shakespeare the poet, dramatist, and enduring cultural icon.
The Stranger: A gripping thriller from the #1 bestselling creator of hit Netflix show Fool Me Once
by Harlan CobenNOW A MAJOR NETFLIX SERIES. WE ALL HAVE SECRETS...'I wanted to finish it so fast so I could learn the truth about what really happened' ⭐⭐⭐⭐⭐'Right from page one this is a real pageturner' ⭐⭐⭐⭐⭐Adam Price has a lot to lose: a beautiful family, a big house, a good job - a perfect life.But then he meets a stranger in a bar and learns a shocking secret about his wife.With the mirage of perfection shattered, Adam finds himself caught up in something far darker than his wife's deception.And if he doesn't make the right moves, the conspiracy he's stumbled into will not only ruin lives - it will end them.
Unearthing Shakespeare: Embodied Performance and the Globe
by Valerie Clayman PyeWhat can the Globe Theatre tell us about performing Shakespeare?Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels.From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Shakespeare and the Political: Elizabethan Politics and Asian Exigencies
by Rita Banerjee and Yilin ChenShakespeare and the Political: Elizabethan Politics and Asian Exigencies is a collection of essays which show how selected Shakespearean plays and later adaptations engage with the political situations of the Elizabethan period as well as contemporary Asian societies. The various interpretations of the original plays focus on the institutions of family and honour, patriarchy, kingship and dynasty, and the emergent ideologies of the nation and cosmopolitanism, adopting a variety of approaches like historicism, presentism, psychoanalysis, feminism and close reading.The volume also looks at Shakespearean adaptations in Asia – Taiwanese, Japanese, Chinese and Indian. Using Douglas Lanier's concept of the 'rhizomatic' approach, it seeks to examine how Asian Shakespearean adaptations, films and stage performances, appropriate and reproduce originals often 'unfaithfully' in different social and temporal contexts to produce independent works of art.
Faust: (Part Two) (Thrift Editions Ser.)
by Johann Wolfgang GoetheThe second part of Goethe's masterpiece opens with Faust struggling to recover from the death of his beloved Gretchen. The quick-witted demon Mephistopheles soon persuades him to look beyond his sorrow and enter the world of politics and power, but the great scholar is still eager for new sensations, and asks Mephistopheles to reveal Helen of Troy to him in a vision. Overwhelmed by her beauty, Faust demands she be brought back from the underworld - but even this fails to bring him contentment, and his appetite for knowledge remains unsated. Completed a few months before Goethe's death, this rich and allusive work weaves together a wealth of diverse philosophical ideas and influences, reworking the medieval myth of Dr Faustus and speculating upon the search for truth in the Age of Enlightenment.
The Poetics of Performance Diagrams (Elements in Contemporary Performance Texts)
by null Andrej MirčevThis Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijević). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies.
The Sugar Wife (Nhb Modern Plays Ser.)
by Elizabeth Kuti'We choose the world we live in. We make it, day by day...' Dublin, 1850. The delicate balance at the heart of an affluent couple's marriage and family business is challenged when two visitors – a former enslaved woman and her emancipator – come to Ireland to speak to the public about trade, money and the abolition of slavery. Exploring the dark side of global commodities, Elizabeth Kuti's's play The Sugar Wife offers an engrossing examination of sexual politics and political morality. The play won the Susan Smith Blackburn Prize in 2006. It was first produced by Rough Magic, and performed at Project Arts Centre, Dublin, in 2005, before transferring to Soho Theatre, London. It was revived, in the version published here, at the Abbey Theatre, Dublin, in 2024, directed by Annabelle Comyn.
People, Places and Things (Modern Plays)
by Duncan Macmillan"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial TimesEmma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York. This edition is published to coincide with the return to the West End in June, 2024
People, Places and Things (Modern Plays)
by Duncan Macmillan"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial TimesEmma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York. This edition is published to coincide with the return to the West End in June, 2024
Local/Global Shakespeare and Advertising (Routledge Studies in Shakespeare)
Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Local/Global Shakespeare and Advertising (Routledge Studies in Shakespeare)
by Márta Minier Cristina Paravano Maria Elisa MontironiLocal/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Text and Performance in Contemporary British Theatre
by Catherine LoveText and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text.Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
TikTok Broadway: Musical Theatre Fandom in the Digital Age
by Trevor BoffoneAre you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself? TikTok Broadway: Musical Theatre Fandom in the Digital Age takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations. From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical. TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.
TikTok Broadway: Musical Theatre Fandom in the Digital Age
by Trevor BoffoneAre you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself? TikTok Broadway: Musical Theatre Fandom in the Digital Age takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations. From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical. TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.
Acoustics of Multi-Use Performing Arts Centers
by Mark HoldenMulti-use performing arts centers are among the most complex of all building types and require excellent and flexible acoustics in order to suit the facility's varied programming needs. This technical and practical book by renowned acoustician Mark Holden delivers a full discussion of the challenges and solutions that arise in the concept, design, construction and commissioning phases. It serves students, architects, engineers, designers and acousticians.
Creative Production and Management in the Performing Arts: Modus Operandi (ISSN)
by Vânia RodriguesThis volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance – through the lenses of creative producers.This book suggests that social protection failures, longstanding institutional shortcomings, and the dilemmas of social and environmental sustainability are pushing arts management and production modi operandi towards a review of its expansionist assumptions and managerial hyper-productivist processes. By documenting singular ‘counter-management’ experiences in Portugal, Belgium, France, and Brazil, this study makes a strong claim for a reassessment of the role of producers and art managers as reflective practitioners and as pivotal elements towards more sustainable artistic practices.This study will be of great interest to students and scholars in theatre and performance studies, policymakers, and cultural professionals.