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Essentials of Stage Management (Backstage Ser.)
by Peter MaccoyFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Ethno-Techno: Writings on Performance, Activism and Pedagogy
by Guillermo Gomez-PenaGuillermo Gómez-Peña has spent many years developing his unique style of performance-activism; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching.The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.
Ethno-Techno: Writings on Performance, Activism and Pedagogy
by Guillermo Gomez-PenaGuillermo Gómez-Peña has spent many years developing his unique style of performance-activism; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching.The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.
The Faber Pocket Guide to Greek and Roman Drama
by John BurgessAn essential, refreshingly accessible guide to Greek and Roman drama containing entries for forty plays by all the major dramatists in the classical world - Aeschylus, Sophocles, Euripides, Aristophanes, Menander, Plautus, Terence and Seneca.Features include:Playwright biographiesSynopses and detailed commentaryAdvice on the best translations availableA survey of the ancient theatre and its social and political background.Written by John Burgess, freelance director and former Head of New Writing at the National Theatre, this book is an indispensable resource for the theatregoer, student and general reader.
Faust, Part I: Ein Mythos Und Seine Bearbeitungen (Faust)
by David Constantine GoetheGoethe's Faust reworks the late-medieval myth of Dr Faust, a brilliant scholar so disillusioned he resolves to make a contract or wager with the devil, Mephistopheles. The devil will do all he asks on Earth and seek to grant him a moment in life so glorious that he will wish it to last for ever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe's great work the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a life beyond his study and - in rejuvenated form - winning the love of the charming and beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire and self-delusion, Faust, served by the devil, heads inexorably towards destruction.
Feet of Clay: A Novel Of Discworld (Discworld Ser. #17)
by Terry Pratchett Stephen BriggsSomeone is killing Lord Vetinari, Patrician of Ankh- Morpork. No one knows who, no one knows why and, worst of all, no one knows how – he just gets weaker and weaker. But it’s not just Vetinari – across the city, people are being murdered, but there’s no trace of anything alive having been at the crime scene. Commander Vimes, Head of the City Watch, is a man who hates ‘clues’. He and his team must question everyone – the butcher, the baker, the candlestick maker. In a city teeming with vampires, werewolves, dwarfs with attitude and golems, Vimes must solve the crimes and save the Patrician. As all children know, the way you get into a fantasy world is by accident… You go into the wardrobe, looking for somewhere to hide and – bingo. And that’s how Stephen Briggs found Discworld. In 1990, he wrote to ask Terry if he could stage Wyrd Sisters. That was the first time anyone, anywhere in the world, had dramatised Terry’s work. He had no idea it would go any further than one play (possibly two). But it did. So far, he has now adapted, staged and published twenty-two plays. He and Terry also worked together to produce the original Discworld Maps and Diaries, Nanny Ogg's Cookbook, The Discworld Companion (now called Turtle RecallThe Wit & Wisdom of Discworld.
The Fence in its Thousandth Year (Oberon Modern Plays)
by Howard BarkerThe Fence in its Thousandth Year was inspired by the long distance fence whilst it was under construction in the Gaza to separate the Palestinian and Jewish communities.Set in a world of rising frontiers and illegal immigration, The Fence uses powerful poetic language, provocative ideas and rich, dark humour to build a compelling epic about scandal in a ruling monarchy and its subsequent downfall.At the heart of this tale is the intensely personal story of a blind boy’s struggle to discover his true identity in a world where nothing is what it seems...The Fence, produced by the Wrestling Company, opened at the Birmingham Rep in June 2005, followed by a UK tour.
Finding Balance: Fitness, Training, and Health for a Lifetime in Dance
by Gigi BerardiFinding Balance: Fitness, Health, and Training for a Lifetime in Dance gives an overview of issues faced by all performing dancers: injury and treatment; technique and training; fitness; nutrition and diet; and career management. The text includes both easy-to-read overviews of each topic and "profiles" of well known dancers and how they have coped with these issues. The new edition includes: Updated and new profiles. Expanded injury and injury treatment information. Updated dance science and physiology findings, and new references. Updated diet guidelines, Expanded and updated "Taking Control" section. It concludes with a list of selected dance/arts medicine clinics, a bibliography, glossary, and text notes.
Finding Balance: Fitness, Training, and Health for a Lifetime in Dance
by Gigi BerardiFinding Balance: Fitness, Health, and Training for a Lifetime in Dance gives an overview of issues faced by all performing dancers: injury and treatment; technique and training; fitness; nutrition and diet; and career management. The text includes both easy-to-read overviews of each topic and "profiles" of well known dancers and how they have coped with these issues. The new edition includes: Updated and new profiles. Expanded injury and injury treatment information. Updated dance science and physiology findings, and new references. Updated diet guidelines, Expanded and updated "Taking Control" section. It concludes with a list of selected dance/arts medicine clinics, a bibliography, glossary, and text notes.
Four Tragedies and Octavia
by Seneca E. WatlingBased on the legends used in Greek drama, Seneca's plays are notable for the exuberant ruthlessness with which disastrous events are foretold and then pursued to their tragic and often bloodthirsty ends. Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.
Gaslight: A Victorian Thriller In Three Acts (French's Acting Edition Ser.)
by Patrick HamiltonThis classic Victorian thriller was first produced in 1935. Jack Manningham is slowly, deliberately driving his wife, Bella, insane. He has almost succeeded when help arrives in the form of a former detective, Rough, who believes Manningham to be a thief and murderer. Aided by Bella, Rough proves Manningham's true identity and finally Bella achieves a few moments of sweet revenge for the suffering inflicted on her.
Gentlemen Callers: Tennessee Williams, Homosexuality, and Mid-Twentieth-Century Drama
by M. PallerGentlemen Callers provides a fascinating look at America's greatest Twentieth-century playwright and perhaps the most-performed, even today. Michael Paller looks at Tennessee Williams's plays from the 1940s through the 1960s against the backdrop of the playwright's life story, providing fresh details. Through this lens Paller examines the evolution of Mid-Twentieth-century America's acknowledgment and acceptance of homosexuality. From the early Cat on a Hot Tin Roof and one-act Auto-da-Fé , through The Two-Character Play and Something Cloudy, Something Clear , Paller's book investigates how Williams's earliest critics marginalized or ignored his gay characters and why, beginning in the 1970s, many gay liberationists reviled them. Lively, blunt, and provocative, this book will appeal to anyone who loves Williams, Broadway, and the theater.
Gladiator Games: Sheffield Theatres With Theatre Royal Stratford East Present (Oberon Modern Plays)
by Tanika GuptaOn the eve of his release from Feltham Young Offenders Institution, Zahid Mubarek, a young British Asian man, was attacked by his racist cellmate. One week later he died of his injuries.How was this allowed to happen? This new play traces the Mubarek family's pursuit of the truth. Based on evidence given to the Zahid Mubarek Inquiry and interviews taken, one of Britain's leading writers examines the incompetence of the official response to Zahid Mubarek's death.
The Government Inspector (Oberon Modern Plays)
by Nikolai GogolOne of the most famous comedies in world theatre, Gogol's masterpiece has lost none of its bite. In a small town corruption is rife, and the Mayor and his cronies have got it made. So when they learn they are going to be subject to an undercover government inspection they panic. Mistaking a penniless nobody for the inspector they swiftly fall victims to their own stupidity and greed.A dazzling blend of preposterous characters and familiar situations, Nabokov called The Government Inspector the greatest play in the Russian language. A production of this version of the play opened at the Chichester Festival in June 2005 starring the comedian Alistair McGowan.
Greek Tragedy: Antigone; Medea; Bacchae (Drama Classics Ser. #Vol. 3)
by Aeschylus Euripides SophoclesAgememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.
A Guide To The Plays Of Bertolt Brecht (Plays and Playwrights)
by Stephen UnwinStephen Unwin's A Guide to the Plays of Bertolt Brecht is an indispensable, comprehensive and highly readable companion to the dramatic work of this challenging and rewarding writer. Besides providing detailed accounts of nineteen key plays, it explores their context and Brecht's dramatic theory to equip readers with a rich understanding of how Brecht's work was shaped by his times and by his evolving thinking about the function of theatre.Bertolt Brecht's work as a director, his critical and theoretical writing, and above all the remarkable plays that emerged from one of the most turbulent periods in history have had a profound and lasting influence on theatre. Central to theatre studies courses and whose plays are frequently revived on stage, Brecht is nevertheless perceived as a difficult writer. This companion is divided into two sections: the first seven chapters outline the tumultuous historical, cultural and theatrical context of Brecht's work. They explore his theatrical theory and provide an account of his approach to staging his plays which informs an understanding of how they work in practice. The second section provides an analysis of nineteen plays in six chronological groupings, each prefaced by a brief sketch of Brecht's life and theatrical development in that period. For each play, Stephen Unwin offers a synopsis, a critical commentary and an account of the work in performance. The book concludes with an examination of Brecht's legacy and a chronicle of his life and times. Written by experienced theatre director Stephen Unwin, this is the perfect companion to Brecht's plays and life for student and theatre practitioner alike.
Hamlet: Drama En Tres Actes Y En Vers... (El\libro Aguilar Ser.)
by William Shakespeare Alan Sinfield Paul PrescottA young prince meets with his father's ghost, who alleges that his own brother, now married to his widow, murdered him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild madness while plotting a brutal revenge. But his apparent insanity soon begins to wreak havoc on innocent and guilty alike.
Hamlet: Drama En Tres Actes Y En Vers... (El\libro Aguilar Ser.)
by Robert Icke Ilinca Radulianghost / devil acting / madness be / not be This is the text that was performed during the run at the Almeida Theatre.
Hamlet (PDF)
by William Shakespeare Richard Andrews Rex GibsonThis edition of Hamlet is part of the groundbreaking Cambridge School Shakespeare series established by Rex Gibson. Remaining faithful to the series' active approach it treats the play as a script to be acted, explored and enjoyed. As well as the complete script of the play, you will find a variety of classroom-tested activities, an eight-page colour section and a selection of notes including information on characters, performance, history and language.
Harvest: Harvest (Oberon Modern Plays Ser.)
by Richard BeanOn 14th May 1875 Lord Primrose Agar, drunk as a skunk, wagered one of his tenant farmers, Orlando Harrison, that his border collie pup Jip would outlive the 94 year-old Harrison. The prize would be 82 acres of up and down known as Kilham Wold Farm, near Driffiels in East Yorkshire. Thirteen years later, having buried his dog, Agar shook hands with Orlando and conferred on the Harrisons a century of struggle.
Head/Case (Oberon Modern Plays)
by Ron HutchinsonSomebody hit Tracy on the head with a brick. And something just as bad has happened to Julia. But how can you hang on to your identity when you don't know who you are anymore? Head/Case is a powerful drama about identity and a mind damaged almost beyond repair.How do you define yourself when you literally don't know who you are anymore? How do you begin to heal when you cannot fix your sense of self? And how much does nationality, culture and memory shape who you actually are? Produced at the Soho Theatre in January 2005.
Hecuba: translated by Tony Harrison
by EuripidesThe first great war between the east and west is over. Hecuba, once queen of Troy, is widowed and enslaved by the conquering Greeks. When her captors demand that her daughter be sacrificed in honour of the great warrior Achilles, and she finds her only surviving son murdered, her mourning turns to a hunger for retribution. One of the most powerful dramas ever written, Hecuba is a vital examination of the psychology of the powerful and the powerless in time of conflict.Euripides' Hecuba, in this translation by Tony Harrison, premiered at the Albery Theatre in March 2005 as part of the RSC's London season.
Hide-And-Seek With Angels: The Life of J.M. Barrie
by Lisa ChaneyWhen James Matthew Barrie died, in 1937, his funeral was an occasion for national mourning. Crowds gathered; reporters and newsreel men came to record the day, and many well-known figures followed the coffin to its resting place in the little churchyard up on the hill. In London, a month later at St Paul's Cathedral a memorial service was held for the Scottish weaver's son who died Britain's playwright extraordinaire.A succession of novels and long-running plays had brought Barrie enormous wealth, critical acclaim, an hereditary Baronetcy and the Order of Merit. His public following extended to Hollywood where his work was performed by the stars of the silver screen. Unhappily such achievements did little to ameliorate the strains in Barrie's private life. Hampered by a stigmatising divorce, he was also struck by a series of tragic bereavements from which he never fully recovered. At the same time as savouring his public image, Barrie gave no more than a handful of interviews. During his lifetime this inscrutable, enigmatic man succeeded in his desire to remain only partially known.Barrie was already famous for sophisticated political satires and social comedies when, with the creation of Peter Pan, his immense artistic gift was displayed at its extraordinary best. In the play, where 'All children except one grow up', Barrie had touched on a universal nerve, the problem of growing up. With Peter Pan he created one of the greatest twentieth-century myths and a work of art quite unlike anything that had gone before. It became a part of the common culture of the Western world, and is as relevant today as on that first performance one hundred years ago.
The Home Place: Three Sisters; A Month In The Country; Uncle Vanya; The Yalta Game; The Bear; Afterplay; Performances; The Home Place; Hedda Gabler (Gallery Books)
by Brian FrielThe year is 1878. The widowed Christopher Gore, his son David and their housekeeper Margaret, the woman with whom they are both in love, live at The Lodge in Ballybeg. But in this era of unrest at the dawn of Home Rule, their seemingly serene life is threatened by the arrival of Christopher's English cousin, who unwittingly ignites deep animosity among the villagers of Ballybeg. The Home Place premiered at the Gate Theatre, Dublin, in February 2005.
The Hot Zone: Individual Truth Vs. The Global War On Terror (Oberon Modern Plays)
by Nirjay Mahindru‘The original reason for creating the concentration camps was to keep there such people whom we rightfully considered enemies of the State’ Herman Goering, Nuremberg Trial, 1946 Three British Asians are incarcerated in an unfamiliar land. Guilty or innocent? The journey of five characters is explored at their point of intersection. All is not what it seems. Truth and deception, reality and fabrication are woven together in this powerful tale that explores one of the most controversial aspects of modern day counter-terrorism. Inspired by the Guardian dossiers of interviews at Guantanamo Bay, this illuminative and daring new play looks at how the global ‘war on terror’ has rocked our perceptions of national and religious identity. Mixing fact and fiction, horror and dark humour, The Hot Zone boldly addresses the political abuse of human rights today.