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Creative Shakespeare: The Globe Education Guide to Practical Shakespeare
by Fiona BanksThis unique book desribes the ways in which educational practitioners at Shakespeare's Globe theatre bring Shakespeare to life for students of all ages.The Globe approach is always active and inclusive - each student finds their own way into Shakespeare - focussing on speaking, moving and performing rather than reading. Drawing on her rich and varied experience as a teacher, Fiona Banks offers a range of examples and practical ideas teachers can take and adapt for their own lessons. The result is a stimulating and inspiring book for teachers of drama and English keen to enliven and enrich their students' experience of Shakespeare.
Shakespeare: Actors and Audiences
by Fiona BanksShakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.
Shakespeare: Actors and Audiences
by Fiona BanksShakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.
The Front Lawn's Songs from the Front Lawn (33 1/3 Oceania)
by Matthew BannisterThe Front Lawn is a multi-award-winning, much-loved New Zealand duo-turned-trio made up of Don McGlashan, Harry Sinclair and, eventually, Jennifer Ward-Lealand. A 1980s variety act, The Front Lawn was part of an Aotearoa/New Zealand alternative tradition of duos that combine music, comedy, theatre and film. Their debut album Songs from The Front Lawn (1989) distilled McGlashan and Sinclair's theatrical stage show and their groundbreaking short films, Walkshort and The Lounge Bar, while also thrusting the band into the burgeoning New Zealand indie scene. The album is a snapshot of '80s New Zealand, a turbulent, creative period for indie music, indie film and musical theatre, celebrating local identity in new ways.Starting with a social and cultural background of New Zealand in the late 1970s, the book covers McGlashan and Sinclair's upbringing on Auckland's North Shore, early artistic influences and overseas experiences leading to the formation of the group. Much attention is paid to the duo's philosophy, early performances, the process of recording the album – including The Front Lawn's collaboration with Wellington avant-garde/cabaret group Six Volts and the addition of Jennifer Ward-Lealand as the group's third member – and analysis of each of the album's 10 songs. In parting, Matthew Bannister discusses the group's second and final album, More Songs from The Front Lawn, as well as the individual members' subsequent artistic careers
The Front Lawn's Songs from the Front Lawn (33 1/3 Oceania)
by Matthew BannisterSongs From The Front Lawn documents a distinctively '80s NZ alternative variety act, in a tradition of NZ duos (The Topp Twins, Flight of the Conchords) who combine music, comedy and film, with classic songs like “Andy”, “How You Doing,” “When You Come Back Home” and “Claude Rains.” The album is a snapshot of '80s NZ, a turbulent, creative period for indie music (the album was self-released), indie film (the group made a number of influential short films including Walkshort and The Lounge Bar) and musical theatre, celebrating local identity in new ways. Both members, Don McGlashan and Harry Sinclair, went on to greater things – McGlashan to the Mutton Birds; Sinclair became a film director (Topless Women Talk About Their Lives) and actor (Lord of the Rings).
Considering Ethics in Dance, Theatre and Performance
by Fiona BannonThis book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter.In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
Considering Ethics in Dance, Theatre and Performance
by Fiona BannonThis book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter.In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
Shades (Modern Plays)
by Alia Bano'How religious are you? I never know how to answer that question. I mean how do you measure religiousness?' London worships many gods, but it often seems that Cupid isn't one of them. Sabrina, a single girl-about-town, is seeking Mr Right in a world where traditional and liberal brothers sit side-by-side, but rarely see eye-to-eye.Shades explores tolerance within and without the Muslim community. A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 28 January 2009.
Shades: Eden's Empire; Alaska; A Day At The Racists; Shades; The Westbridge (Modern Plays)
by Alia Bano'How religious are you? I never know how to answer that question. I mean how do you measure religiousness?' London worships many gods, but it often seems that Cupid isn't one of them. Sabrina, a single girl-about-town, is seeking Mr Right in a world where traditional and liberal brothers sit side-by-side, but rarely see eye-to-eye.Shades explores tolerance within and without the Muslim community. A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 28 January 2009.
Mrs Osmond
by John BanvilleA MASTERFUL TALE OF BETRAYAL AND CORRUPTION BY THE MAN BOOKER PRIZE-WINNING AUTHOR OF THE SEA'Banville is one of the writers I admire the most' Hanya Yanahigara, author of A Little Life 'A brilliant feat of literary ventriloquism' The Times Having fled Rome and a stultifying marriage, Isabel Osmond is in London, brooding on the recent disclosure of her husband's shocking, years-long betrayal of her. What should she do now, and which way should she turn, in the emotional labyrinth where she has been trapped for so long? Reawakened by grief and the knowledge of having been grievously wronged, she determines to resume her youthful quest for freedom and independence. Soon Isabel must return to Italy and confront her husband, and seek to break his powerful hold on her. But will she succeed in outwitting him, and securing her revenge?Mrs Osmond is a masterly novel of betrayal, corruption and moral ambiguity, from the Man Booker Prize-winning author of The Sea. 'A worthy sequel ... His book is not only an impressive recreation of James's atmospheres and pacing, but also full of minor cliff-hangers and page-turning suspenses that keep you guessing' Observer'John Banville is one of the best novelists in English, and an expert ventriloquist, among other things ... Mrs Osmond is both a remarkable novel in its own right and a superb pastiche' Guardian 'John Banville is simply the finest writer at work today, a prolific prose stylist whose work has only deepened in quality throughout his career' John Boyne
Contemporary Chinese Queer Performance (Routledge Advances in Theatre & Performance Studies)
by Hongwei BaoIn this ground-breaking study, Hongwei Bao analyses queer theatre and performance in contemporary China. This book documents various forms of queer performance – including music, film, theatre, and political activism – in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies.
Contemporary Chinese Queer Performance (Routledge Advances in Theatre & Performance Studies)
by Hongwei BaoIn this ground-breaking study, Hongwei Bao analyses queer theatre and performance in contemporary China. This book documents various forms of queer performance – including music, film, theatre, and political activism – in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies.
Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies)
by Huai BaoCross-Gender China, the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.
Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies)
by Huai BaoCross-Gender China, the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.
Theatre of Animation
by Marion BaraitserPublished in 1999, 'Theatre of Animation' is a valuable addition to the field of performance.
Theatre of Animation
by Marion BaraitserPublished in 1999, 'Theatre of Animation' is a valuable addition to the field of performance.
The Moon Rises from the Ganges: My journey through Asian acting techniques (Routledge Icarus)
by Eugenio BarbaA collection of texts by Eugenio Barba reconstructing the history of his relationships with the Asian classical theatres. Interweaving stories of journeys, meetings, anecdotes, reflections and technical descriptions, the author exposes the phases and changes in a passion that covers the fifty years of his professional trajectory. Little known or unpublished texts are included together with widely diffused articles which have become classics. The result is a book which examines in detail an important chapter of the dialogue between East and West in the theatre culture of the twentieth century.
The Moon Rises from the Ganges: My journey through Asian acting techniques (Routledge Icarus)
by Eugenio BarbaA collection of texts by Eugenio Barba reconstructing the history of his relationships with the Asian classical theatres. Interweaving stories of journeys, meetings, anecdotes, reflections and technical descriptions, the author exposes the phases and changes in a passion that covers the fifty years of his professional trajectory. Little known or unpublished texts are included together with widely diffused articles which have become classics. The result is a book which examines in detail an important chapter of the dialogue between East and West in the theatre culture of the twentieth century.
On Directing and Dramaturgy: Burning the House
by Eugenio Barba"A theatre which is able to speak to each spectator in a different and penetrating language is not a fantastic idea, nor a utopia. This is the theatre for which many of us, directors and leaders of groups, trained for a long time....." - from the Introduction On Directing is Eugenio Barba's unprecedented account of his own life and work. This is a major retrospective of Barba's working methods, his practical techniques, and the life experiences which fed directly into his theatre-making. On Directing is an inspirational resource. It is a dramaturgy of dramaturgies, and a professional autobiography, from one of the most significant and influential directors and theorists working today. It provides unique insights into a philosophy and practice of directing for the beginning student, the experienced practitioner, and everyone in between.
On Directing and Dramaturgy: Burning the House
by Eugenio Barba"A theatre which is able to speak to each spectator in a different and penetrating language is not a fantastic idea, nor a utopia. This is the theatre for which many of us, directors and leaders of groups, trained for a long time....." - from the Introduction On Directing is Eugenio Barba's unprecedented account of his own life and work. This is a major retrospective of Barba's working methods, his practical techniques, and the life experiences which fed directly into his theatre-making. On Directing is an inspirational resource. It is a dramaturgy of dramaturgies, and a professional autobiography, from one of the most significant and influential directors and theorists working today. It provides unique insights into a philosophy and practice of directing for the beginning student, the experienced practitioner, and everyone in between.
The Paper Canoe: A Guide to Theatre Anthropology
by Eugenio BarbaFirst published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The Paper Canoe: A Guide to Theatre Anthropology
by Eugenio BarbaFirst published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
A Dictionary of Theatre Anthropology: The Secret Art of the Performer
by Eugenio Barba Nicola SavareseFirst Published in 2005. A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer’s craft, from a wealth of Eastern and Western sources. More than just a dictionary, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance. It is the result of many years of research conducted by Eugenio Barba and the International School of Theatre Anthropology (ISTA) based in Denmark, and is now a classic foundational text. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor’s arduous and eclectic craft. The Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator’s response to the dynamics of performance. The Dictionary has practical sections on balance, opposition and montage among other techniques, and discusses issues including The Text and the Stage, The Dilated Body and Energetic Language. This revised edition includes: three new chapters on Eurasian Theatre, Exercises and Organicity; 50 new photographs showing the performer’s craft in black and white and colour; and, for the first time, a useful bibliography and index.
A Dictionary of Theatre Anthropology: The Secret Art of the Performer
by Eugenio Barba Nicola SavareseFirst Published in 2005. A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer’s craft, from a wealth of Eastern and Western sources. More than just a dictionary, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance. It is the result of many years of research conducted by Eugenio Barba and the International School of Theatre Anthropology (ISTA) based in Denmark, and is now a classic foundational text. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor’s arduous and eclectic craft. The Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator’s response to the dynamics of performance. The Dictionary has practical sections on balance, opposition and montage among other techniques, and discusses issues including The Text and the Stage, The Dilated Body and Energetic Language. This revised edition includes: three new chapters on Eurasian Theatre, Exercises and Organicity; 50 new photographs showing the performer’s craft in black and white and colour; and, for the first time, a useful bibliography and index.
Performing Gender Violence: Plays by Contemporary American Women Dramatists
by Barbara Ozieblo & Noelia Hernando-RealViolence against women in plays bywomen has earned little mention. This revolutionary collection fills that gap, focusing on plays by American women dramatists, written in the last thirty years, that deal with different forms of gender violence. Each author discusses specific manifestations of violence in carefully selected plays: psychological, familial, war-time, and social injustice. This book encompasses the theatrical devices used to represent violence on the stage in an age of virtual, immediate reality as much as the problematics of gender violence in modern society.