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The Production of Political Television (Routledge Library Editions: Broadcasting #29)

The Production of Political Television (1977) is a study of the organization and methods of production of political television that covers not only news broadcasts and current affairs programmes but all programmes involved with the policy making process in Britain. It examines the procedures by which producers put their programmes together, and analyses the impact of external institutions on the programme-making process.

The Production of Political Television (Routledge Library Editions: Broadcasting #29)

The Production of Political Television (1977) is a study of the organization and methods of production of political television that covers not only news broadcasts and current affairs programmes but all programmes involved with the policy making process in Britain. It examines the procedures by which producers put their programmes together, and analyses the impact of external institutions on the programme-making process.

Slow Fade to Black

Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca. A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century.

André Bazin

André Bazin, often dubbed the father of the French New Wave, has had an immense impact on film art. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. The journal that he founded in 1951, Cahiers du Cinéma, remains the most influential archive of cinema criticism. He remains one of the most read, most studied, and most engaging figures ever to have written about film. The last few years have witnessed a massive resurgence of interest in Bazin among critics, scholars, and students of every persuasion. His writings, a mainstay of film theory courses, are now finding a place on the syllabi of core courses in film history, criticism, and appreciation. Andrew's intellectual biography is a landmark in film scholarship.

Audition: Everything an Actor Needs to Know to Get the Part

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.

Broadcasting in Ireland (Routledge Library Editions: Broadcasting #14)

Broadcasting in Ireland (1978) outlines the historical and sociological background of Ireland to place the progress of its broadcasting service in the context of its post-independence development. It analyses the difficulties of running public service broadcasting financed by both licence fee and advertising, and competing in half its television reception area with two of the premier broadcasting systems in the world. With regular broadcasting beginning with Independence, its development was inevitably bound up with the process of building the political, economic and social framework of the new State, and this book closely examines how the Irish broadcasting system coped with the attending economic, cultural and political difficulties.

Broadcasting in Ireland (Routledge Library Editions: Broadcasting #14)

Broadcasting in Ireland (1978) outlines the historical and sociological background of Ireland to place the progress of its broadcasting service in the context of its post-independence development. It analyses the difficulties of running public service broadcasting financed by both licence fee and advertising, and competing in half its television reception area with two of the premier broadcasting systems in the world. With regular broadcasting beginning with Independence, its development was inevitably bound up with the process of building the political, economic and social framework of the new State, and this book closely examines how the Irish broadcasting system coped with the attending economic, cultural and political difficulties.

Far To Go: Thursday's Child And Far To Go

Margaret Thursday, the unforgettable heroine of Thursday’s Child stars in this classic children’s adventure from Noel Streatfeild, the beloved author of Ballet Shoes.

Henry Irving and The Victorian Theatre (Routledge Library Editions: Victorian Theatre)

Originally published in 1978. Henry Irving achieved an astounding success in Britain and America as an actor; yet he lacked good looks, had spindly legs, and did not have a good voice. He said so himself. Today Irving is regarded as the archetype of the old-time actor, but in his own time he was regarded as a great theatrical innovator. Even Bernard Shaw, who attacked him pitilessly, even unto death, called him ‘modern’ when he first saw him act. Irving, the man, with his tenacious, obsessive talent, his human limitations and weaknesses, and his ephemeral glory is brought most sympathetically to life in this biography. It is written from contemporary sources, and from criticisms, lampoons, caricatures and gossip columns. If Irving reflected certain aspects of his age, this book underlines the Victorian ethic to which he appealed and the backcloths against which it was set – the extraordinary lavishness of the Lyceum productions and the incredible extravagance of social entertaining. Not the least absorbing aspect of this biography is the fascinating account of the long partnership between Irving and Ellen Terry, still in many respects an enigmatic one, but here portrayed with lively insight into character combined with understanding and deep knowledge of the social and theatrical context of the Victorian age.

Henry Irving and The Victorian Theatre (Routledge Library Editions: Victorian Theatre)

Originally published in 1978. Henry Irving achieved an astounding success in Britain and America as an actor; yet he lacked good looks, had spindly legs, and did not have a good voice. He said so himself. Today Irving is regarded as the archetype of the old-time actor, but in his own time he was regarded as a great theatrical innovator. Even Bernard Shaw, who attacked him pitilessly, even unto death, called him ‘modern’ when he first saw him act. Irving, the man, with his tenacious, obsessive talent, his human limitations and weaknesses, and his ephemeral glory is brought most sympathetically to life in this biography. It is written from contemporary sources, and from criticisms, lampoons, caricatures and gossip columns. If Irving reflected certain aspects of his age, this book underlines the Victorian ethic to which he appealed and the backcloths against which it was set – the extraordinary lavishness of the Lyceum productions and the incredible extravagance of social entertaining. Not the least absorbing aspect of this biography is the fascinating account of the long partnership between Irving and Ellen Terry, still in many respects an enigmatic one, but here portrayed with lively insight into character combined with understanding and deep knowledge of the social and theatrical context of the Victorian age.

The Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams And Their Friends

Critically acclaimed, award-winning biography of CS Lewis, JRR Tolkien and the brilliant group of writers to come out of Oxford during the Second World War.

Lady Unknown: The Life of Angela Burdett-Coutts

In 1837, at the age of twenty-three, Angela Burdett-Coutts inherited a vast fortune from her banker grandfather, making her one of the richest and thus potentially powerful women in Victorian England. She moved in the highest social circles: entertaining the rising stars of the political scene, Disraeli and Gladstone; attending scientific lectures with Faraday; pursuing her philanthropic work with Dickens; and falling in love with the aged Duke of Wellington. Her acts of charity were enormous and wide-ranging-establishing a home for 'fallen women', pioneering model housing, battling for sanitary reform, supporting the NSPCC and the RSPCA, and promoting technical education and domestic science. A devout Anglican, she built churches, founded colonial bishoprics and encouraged the missionary work of Livingstone and others. Despite all this activity, Angela remained throughout her life a shy and supremely private person. The full range of her charity will probably never be known, for she often acted through intermediaries such as Dickens, describing herself only as 'lady unknown'. And a 'lady unknown' she has largely remained, her role in Victorian England strangely overlooked or forgotten. Edna Healey has uncovered much new material, including unpublished correspondence from Dickens, Livingstone, Gladstone, Wellington, Faraday and Henry Irving, to provide a fascinating insight into this most remarkable lady.

Monty: His Part in My Victory (Spike Milligan War Memoirs #3)

Spike Milligan's legendary war memoirs are a hilarious and subversive first-hand account of the Second World War, as well as a fascinating portrait of the formative years of this towering comic genius, most famous as writer and star of The Goon Show. They have sold over 4.5 million copies since they first appeared.'The most irreverent, hilarious book about the war that I have ever read' Sunday Express'Brilliant verbal pyrotechnics, throwaway lines and marvelous anecdotes' Daily Mail'Desperately funny, vivid, vulgar' Sunday Times'It's all over, Von Arnheim has surrendered and he's very angry.' 'This could mean war...'The third volume of Spike Milligan's laugh-a-line account of life as a gunner in World War Two resumes on the eve of victory in North Africa. Now Britain's looniest war hero must combat some of the direst threats a soldier has ever faced - boredom ('Christ, I just thought of Catford'), a cold ('In this weather?' 'Yed.'), moving camp ('It's a sort of Brighton with camels'), relaxing on the beach ('Life was golden, and we were the assayers'), moving camp again ('We're already somewhere else'), a visit to Carthage ('It's terrible, it's like Catford') and a perilous encounter with the gloriously endowed Mademoiselle Villion ('"Help! massage," I said weakly'). Against the odds, they survive and are sent at last to Italy to be killed...'That absolutely glorious way of looking at things differently. A great man' Stephen Fry'Milligan is the Great God to all of us' John Cleese'The Godfather of Alternative Comedy' Eddie Izzard'Manifestly a genius, a comic surrealist genius and had no equal' Terry Wogan'A totally original comedy writer' Michael Palin'Close in stature to Lewis Carroll and Edward Lear in his command of the profound art of nonsense' GuardianSpike Milligan was one of the greatest and most influential comedians of the twentieth century. Born in India in 1918, he served in the Royal Artillery during WWII in North Africa and Italy. At the end of the war, he forged a career as a jazz musician, sketch-show writer and performer, before joining forces with Peter Sellers and Harry Secombe to form the legendary Goon Show. Until his death in 2002, he had success as on stage and screen and as the author of over eighty books of fiction, memoir, poetry, plays, cartoons and children's stories.

The Need for Words: Voice and the Text (Bloomsbury Revelations)

As one of the world's leading voice coaches, Patsy Rodenburg describes practical ways to approach language, using Shakespeare, Romantic poetry, modern prose and a range of other texts to help each of us discover our own unique need for words.In Part One Rodenburg attacks the myth that there is only one correct way to speak by clearing away the blocks that can make language inaccessible. Part Two, a series of language and text exercises, connects the voice to the shape and quality of individual words and phrases. Drawing on Rodenburg's time spent coaching in the worlds of business and politics, this edition reflects on how the way we use words has changed since the book was first published. It brings a renewed focus on the language of power, spoken in the worlds of politicians and company directors. This gives readers an insight into the potency of clear, direct communication. Language and text exercises provide readers with unmediated access to this new research, allowing them to practice and master the language and words that drive the modern world.Foreword by Anthony Sher.

The Rise of the Victorian Actor (Routledge Library Editions: Victorian Theatre)

Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.

The Rise of the Victorian Actor (Routledge Library Editions: Victorian Theatre)

Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.

Banjaxed

Banjaxed was a Christmas bestseller for Terry Wogan in 1979 after his rise to fame on Radio 2. b.. Based around his radio shows readers will be able to recall his famous segments including Fight the Flab and Wogan's Winner; human sacrifices on the roof of broadcasting house; the suburban delights of Penge; and Terry's daily banter with Jimmy Young. After a brief break from the radio in the late 80s Terry returned to his breakfast show in 1993 and added a new generation of listeners. When he retired in 2009 his audience was approximately 8 million making him the most listened to broadcaster in Europe. Terry's TOGs (Terry's Old Geezers/Gals) remain a loyal and dedicated fan base raising millions for Children in Need. Terry Wogan is frequently referred to as a 'national treasure' and Banjaxed is a timeless reminder of Terry at his best.

Broadcasting in Mexico (Routledge Library Editions: Broadcasting #15)

Broadcasting in Mexico (1979) traces the birth and growth of Mexico’s broadcasting services against the background of its geographical, cultural, demographic, economic and political structure. The development of Mexican radio and television has been characterised by innovation and experiment by both government and private enterprise, and sometimes the country has been the beneficiary of these efforts and sometimes the victim. Up to a certain point, the cultural infrastructure of the country itself dictated the path taken by the media, although there have been temptations to imitate the established structure of other countries.

Broadcasting in Mexico (Routledge Library Editions: Broadcasting #15)

Broadcasting in Mexico (1979) traces the birth and growth of Mexico’s broadcasting services against the background of its geographical, cultural, demographic, economic and political structure. The development of Mexican radio and television has been characterised by innovation and experiment by both government and private enterprise, and sometimes the country has been the beneficiary of these efforts and sometimes the victim. Up to a certain point, the cultural infrastructure of the country itself dictated the path taken by the media, although there have been temptations to imitate the established structure of other countries.

Playboy of the Western World

First published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.

Playboy of the Western World

First published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.

ScreenAge: How TV shaped our reality, from Tammy Faye to RuPaul’s Drag Race

'Like a superheated kernel of corn, the world has gone Pop... Drag has become mainstream. Being gay became cool. From being the criminal outsider, being queer has even become representative of the way the outsider voice is common to us all.'When he moved to New York in 1982, Fenton Bailey saw the world go Pop. Together with filmmaking partner Randy Barbato, their production company World of Wonder would pioneer the genre of Reality TV and chronicle the emerging Screen Age through their extraordinary programs and outrageous subjects - from Bible Belt televangelists and conspiracy theories to pioneering drag queens.Working with icons such as Britney Spears, Tammy Faye Bakker and RuPaul, the production company's shows tell a wider story of how television has fundamentally shifted our reality.Packed with glorious insider gossip and amazing celebrity stories, these are the riotous tales behind the shows that would make ScreenAgers of us all.

Television and Political Life: Studies in six European countries

Television Fraud: The History and Implications of the Quiz Show Scandals (Contributions in American Studies)

Anderson provides an unprecedented probe into the inner workings of the quiz shows. He details their honest beginnings and explains how the practice of supplying answers grew out of a desire to keep popular contestants on the air as long as possible to boost ratings.

Visionary Film: The American Avant-Garde, 1943-2000

Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.