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Musical Theatre Auditions and Casting: A performer's guide viewed from both sides of the audition table
by Neil RutherfordMusical theatre is a tough and over-crowded industry. Yet, despite the huge competition, many performers find auditioning difficult with little knowledge of what the directors, creative teams and producers are looking for, or how to win the panel over with their unique talent. As a leading international casting director, Neil Rutherford has seen thousands of hopefuls audition over the years. Uniquely, he also understands what it is like to audition from his years as a professional actor in musical theatre.This book provides a unique perspective on the musical theatre audition process and how to improve the chances of landing a role. With wit, humour and insight, Neil Rutherford guides the reader through the crucial elements of musical theatre auditions, opening up the process of casting and auditioning to the thousands of hopefuls trying to secure work in this industry every year, as well as anyone involved in musical theatre. With a foreword by Tony-award-winning director Bartlett Sher, the book also contains contributions from some of the world's leading directors and musical directors, including Sir Richard Eyre and Jerry Mitchell, adding further valuable insight from those at the centre of the musical theatre world. This book is a vital tool for anyone hoping to improve their audition chances and survive in the world of musical theatre.
My Prefect Cousin: A Short Biography of Paul Hamilton
by Kevin EldonEliot, Heaney, Auden, Larkin, Plath. Faber & Faber are famous the world over for publishing the works of the giants of poetry. And now with My Prefect Cousin they are proud to introduce to you the poems of cult poet Paul Hamilton. Paul who? A reasonable question. Hamilton, once described by the Poetic Literary Review as 'a diabolical libertarian', has remained firmly under the public radar ever since he first started writing poetry in the early nineties. But now it is time for him to receive the recognition he deserves. Hamilton's cousin, Kevin Eldon, stand up comedian and stalwart of numerous television and radio comedies over the last twenty years, presents a fascinating insight into the life, work and times of a poet who stands in a class all of his own. My Prefect Cousin charts the roller coaster ride of a life dedicated to verse; the emotional highs, the murky depths, with personal contributions from Hamilton that are often characterised by a brutal honesty that is not for the faint hearted. Or indeed the weak stomached. My Prefect Cousin also contains for the very first time on the printed page 'Shadows of Reflections', the anthology of poetry Hamilton has failed for so long to find a publisher for. Until now.
Myth of the Western
by Matthew CarterMyth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre’s socio-cultural, historical and political dimensions.
Naked Cinema: Working with Actors
by Sally PotterSally Potter has been renowned for her rapport with actors, and for the luminous performances she works with them to produce. Now she strips bare the art and craft of directing actors for the camera, from casting a film to the moment of first screening when the work goes public. A brilliant writer for the screen, here Potter shows herself to be expert at translating the experience of film directing to the page. She addresses us in prose that is both unsentimental and inspired, tracing the energies that pass between actor, director and audience; shaping for the reader the acts of transmission and imagination, performance and witness, the sum of which make up a film.In addition to the core text, the book contains interviews with actors with whom Sally Potter has worked, whose voices will counterpoint Sally Potter's, and will inform and illuminate the reader's sense of her work. Those interviewed include: Julie Christie, Johnny Depp, Jude Law, Judi Dench, Simon Abkarian, Annette Benning, Timothy Spall, Steve Buscemi, Riz Ahmed, Elle Fanning, Alessandro Nivola, and Lily Cole.
Nationalism and Youth in Theatre and Performance (Routledge Advances in Theatre & Performance Studies)
by Angela Sweigart-Gallagher Victoria Pettersen LantzNationalism and Youth in Theatre and Performance explores how children and young people fit into national political theatre and, moreover, how youth enact interrogative, patriotic, and/or antagonistic performances as they develop their own relationship with nationhood. Children are often seen as excluded from public discourse or political action. However, this idea of exclusion is false both because adults place children at the center of political debates (with the rhetoric of future generations) and because children actively insert themselves into public discourse. Whether performing a national anthem for visiting heads of state, creating a school play about a country’s birth, or marching in protest of a change in public policy, young people use theatre and performance as a means of publicly staking a claim in national politics, directly engaging with ideas of nationalism around the world. This collection explores the issues of how children fit into national discourse on international stages. The authors focus on national performances by/for/with youth and examine a wide range of performances from across the globe, from parades and protests to devised and traditional theatre. Nationalism and Youth in Theatre and Performance rethinks how national performance is defined and offers previously unexplored historical and theoretical discussions of political youth performance.
Nationalism and Youth in Theatre and Performance (Routledge Advances in Theatre & Performance Studies)
by Victoria Pettersen Lantz Angela Sweigart-GallagherNationalism and Youth in Theatre and Performance explores how children and young people fit into national political theatre and, moreover, how youth enact interrogative, patriotic, and/or antagonistic performances as they develop their own relationship with nationhood. Children are often seen as excluded from public discourse or political action. However, this idea of exclusion is false both because adults place children at the center of political debates (with the rhetoric of future generations) and because children actively insert themselves into public discourse. Whether performing a national anthem for visiting heads of state, creating a school play about a country’s birth, or marching in protest of a change in public policy, young people use theatre and performance as a means of publicly staking a claim in national politics, directly engaging with ideas of nationalism around the world. This collection explores the issues of how children fit into national discourse on international stages. The authors focus on national performances by/for/with youth and examine a wide range of performances from across the globe, from parades and protests to devised and traditional theatre. Nationalism and Youth in Theatre and Performance rethinks how national performance is defined and offers previously unexplored historical and theoretical discussions of political youth performance.
Never Far from Dancing: Ballet artists in new roles
by Barbara NewmanA series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage. Barbara Newman has expertly edited each of her interviews to read as a monologue, addressing every aspect of ballet, from its styles and technical demands to its personalities, its celebrated roles and, most of all, to what happens when the dancing stops. While ballet invites all manner of writing from critics, admirers and academics, the thoughts and experiences of the dancers themselves are seldom recorded. Here, those who scaled the heights of their art hand down their wisdom and recount lives spent in this most enduring of art forms.
Never Far from Dancing: Ballet artists in new roles
by Barbara NewmanA series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage. Barbara Newman has expertly edited each of her interviews to read as a monologue, addressing every aspect of ballet, from its styles and technical demands to its personalities, its celebrated roles and, most of all, to what happens when the dancing stops. While ballet invites all manner of writing from critics, admirers and academics, the thoughts and experiences of the dancers themselves are seldom recorded. Here, those who scaled the heights of their art hand down their wisdom and recount lives spent in this most enduring of art forms.
The New Biographical Dictionary Of Film 6th Edition: Fifth Edition, Completely Updated And Expanded
by David ThomsonWith more than one hundred new entries, from Amy Adams, Benedict Cumberbatch and Cary Joji Fukunaga to Joaquin Phoenix, Mia Wasikowska and Robin Wright, and completely updated, here from David Thomson - 'The greatest living writer on the movies' (John Banville, New Statesman); 'Our most argumentative and trustworthy historian of the screen' (Michael Ondaatje) - is the latest edition of The New Biographical Dictionary of Film, which topped Sight & Sound's poll of international critics and writers as THE BEST FILM BOOK EVER WRITTEN.
New Documentaries in Latin America (Global Cinema)
by Juan Carlos Rodríguez Vinicius NavarroExamining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
New Documentary Ecologies: Emerging Platforms, Practices and Discourses
by Kate Nash Craig Hight Catherine SummerhayesProviding a unique collection of perspectives on the persistence of documentary as a vital and dynamic media form within a digital world, New Documentary Ecologies traces this form through new opportunities of creating media, new platforms of distribution and new ways for audiences to engage with the real.
The New Humor in the Progressive Era: Americanization and the Vaudeville Comedian (Palgrave Studies in Theatre and Performance History)
by R. DesRochersBy tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of "Americanness."
The News Is Read
by Charlotte GreenFor twenty-seven years Charlotte Green was one of the most iconic newsreaders on Radio 4. Her rich, velvety voice was a staple on the radio and a treat for millions of listeners. Charlotte joined the BBC in 1978 and became one of the regular readers on the Today programme, where her voice proved to be a reassuring constant in the midst of momentous occasions and terrible tragedies alike - her bulletins have covered everything from the fall of the Berlin Wall in 1989 to the 7/7 London bombings in 2005. After leaving Radio 4 in 2013, Charlotte joined Classic FM, where she now presents an arts and culture programme, Charlotte Green's Culture Club. In this highly entertaining and touching autobiography, Charlotte tells the story of the woman behind the voice, with all the endearing qualities that have delighted her listeners for years and gained her various prestigious accolades. The News is Read is a must-have for anyone wanting to spend a few hours in the company of this warm, charming and wonderfully modest woman whose writing is as engaging as her voice.
No Regrets
by Coleen NolanNo Regrets is Coleen Nolan's gripping new memoir about love and heartbreak.As a member of the Nolan sisters, Coleen Nolan was born into the spotlight and has stayed there ever since. She has now become one of the nation's favourite TV presenters and is used to newspapers and magazines claiming to have the inside story of her private life. In No Regrets Coleen finally reveals the truth of what really happened during the last few rollercoaster years, truly the worst of her life.Whilst it's certainly been a traumatic time for the whole family, Coleen is a survivor. First and foremost, she is a mum and is determined to hold her family together.The Nolans finally put aside their infamous feud to rally round their beloved sister Bernie, who tragically lost her fight with cancer on the 4th of July last year, aged just 52. In this memoir, Coleen movingly describes her struggle to deal with the emotional scars that come from losing someone so close and the effect it has had on her own life.Coleen also reveals the secret that she has been hiding from prying eyes: her second marriage and 'happy ever after' with musician Ray Fensome was pushed to breaking point by a series of rows and separations. Here, for the first time, Coleen reveals how she has battled to save her marriage and to stop her family being torn apart.In this incredibly candid memoir, Coleen writes with raw honesty about her family troubles, her career highs and lows, and her struggle with her body image. In recent years, Coleen has found herself in both a plastic surgeon's office looking at a £20,000 bill to 'fix her face' and at a breast cancer clinic asking for the removal of her healthy breasts to avoid becoming the fourth sister in the family to be struck down by cancer.Wonderfully warm and moving, and brilliantly funny and honest, No Regrets will take you from laughter to tears and back again as you share in Coleen's very personal journey.
Noel Coward In His Own Words
by Noël Coward Barry Day'In my time I have said some noteworthy and exceptionally memorable things' Noël Coward.A delightful and revealing collection of quotations from the masterwordsmith, Noël Coward. In his plays, verse, song lyrics, storiesand everyday life, he chose his words to uniquely stylish and truthfuleffect.This insightful portrait includes not only his best-loved witticisms, bons mots andlyrics but also excerpts from his private papers and hidden gems fromunpublished material. Barry Day delves into the whole range of Coward'stalents, as well as his thoughts on theatre, England, the Arts,religion, life and the man himself. In His Own Words displays the usual frivolity, and a surprising capacity for depth and compassion.
The Noise from the Streets: A musical journey in nine key dates
by Nik CohnNik Cohn is a rock legend and music journalist - a Derry boy who became the omnipresent man in music's developing story from the 50s to the present; a self-styled rat, addicted to adventure, forever at the heart of the real action. This short memoir provides a strong flavour of the person whose writing inspired Saturday Night Fever and several other pop-culture landmarks. Cohn leads us, in reverse order, through the decades of his musical life and times. Along the way, we meet familiar heroes and rogues - let readers decide the categories to which Jimi Hendrix, Keith Moon, PJ Proby, Sid Vicious et al belong. The Noise From The Streets is elegiac, charming and thoughtful - wallow in it. Nik Cohn recently topped Jarvis Cocker's top 10 music books in The Guardian (13 June 2014) for his title Awopbopaloobop Alopbamboom. 'The original title for this book was 'Pop from the Beginning' and that pretty much sums it up. Nik Cohn was only just out of his teens when he wrote it and it's the book to read if you want to get some idea of the original primal energy of pop music. Loads of unfounded, biased assertions that almost always turn out to be right. He went on to provide the inspiration for Saturday Night Fever (Hurrah!) and Tommy (Boo!), but this is still his best book. Absolutely essential.'
Nordic Dance Spaces: Practicing and Imagining a Region (The Nordic Experience)
by Petri HoppuDance has been connected to the practices and ideologies that have shaped notions of a Nordic region for more than a century and it is ingrained into the culture and society of the region. This book investigates different dance phenomena that have either engaged with or dismantled notions of Nordicness. Looking to the motion of dancers and dance forms between different locations, organizations and networks of individuals, its authors discuss social dancing, as well as historical processes associated with collaborations in folk dance and theatre dance. They consider how similarities and differences between the Nordic countries may be discerned, for instance in patterns of reception at the arrival of dance forms from outside the Nordic countries - and vice versa, how dance from the Nordic countries is received in other parts of the world, as seen for example in the Nordic Cool Festival at the Kennedy Centre in 2013. The book opens a rare window into Nordic culture seen through the prism of dance. While it grants the reader new insights into the critical role of dance in the formation and imagining of a region, it also raises questions about the interplay between dance practices and politics.
Nordic Dance Spaces: Practicing and Imagining a Region (The Nordic Experience #4)
by Petri HoppuDance has been connected to the practices and ideologies that have shaped notions of a Nordic region for more than a century and it is ingrained into the culture and society of the region. This book investigates different dance phenomena that have either engaged with or dismantled notions of Nordicness. Looking to the motion of dancers and dance forms between different locations, organizations and networks of individuals, its authors discuss social dancing, as well as historical processes associated with collaborations in folk dance and theatre dance. They consider how similarities and differences between the Nordic countries may be discerned, for instance in patterns of reception at the arrival of dance forms from outside the Nordic countries - and vice versa, how dance from the Nordic countries is received in other parts of the world, as seen for example in the Nordic Cool Festival at the Kennedy Centre in 2013. The book opens a rare window into Nordic culture seen through the prism of dance. While it grants the reader new insights into the critical role of dance in the formation and imagining of a region, it also raises questions about the interplay between dance practices and politics.
Not in the Script: An If Only novel (If Only . . . #3)
by Amy FinneganAs a gorgeous, glamorous and talented teen actress, it's no surprise to her friends and family that Emma Taylor lands a part on Coyote Hills, a hot new TV show being filmed in the Arizona desert. But it's going to be harder than she thinks to keep things professional when she meets Jake Elliott, THE supermodel of the moment and her co-star! With temperatures rising, on and off set, how will she keep her mind on the script?
Not in the Script: An If Only novel (If Only . . . #3)
by Amy FinneganEnjoy Not in the Script and the other standalone titles in Bloomsbury's contemporary If Only romance line centered around an impossible problem: you always want what you can't have!Millions of people witnessed Emma Taylor's first kiss-a kiss that needed twelve takes and four camera angles to get right. After spending years performing on cue, Emma can't help but wonder if any part of her life is real anymore . . . particularly her romances. She's been burned by heartthrobs (and the press) one too many times, but there's something about Emma's co-star on her new TV show Coyote Hills that is irresistible. Jake Elliott is gorgeous, smart and actually cares about Emma's charitable foundation. But she's sworn off on-set relationships. They always end badly . . . don't they? This third novel in the deliciously fun If Only romance line proves that the best kinds of love stories don't follow a script.
The Oberon Book of Comic Monologues for Women: Volume One
by Katy Wix Jennifer Saunders'So Katy Wix has written this book of comic monologues and I may have to steal some of them. Although written for the female voice, I dare say they would stand up very well if you were a gentleman and changed the odd word or two. Here you have a book filled with brilliant characters and much funny. Each piece is bubbling with the quirky genius that makes Miss Wix one of the funniest performers / writers around. If I was ever called to audition, which I am not often despite being largely available and willing to try my hand at most things, I would be most grateful to Miss Wix for this fantastic collection. However most likely I shall keep it by my bed to dip into for laughs. It is a very good read. Well done Miss Wix.' Jennifer Saunders There are many monologues books on the market but very few provide rich material for comedy. This collection from up and coming comedian & actress Katy Wix plugs that gap and provides female performers with the kind of wonderfully warm and interesting characters that they need – and deserve. A comedian and writer, Wix has for the past few years been writing audition speeches for students at drama schools including RADA, LAMDA, Drama Centre and The Royal Welsh College of Music and Drama. A book of contemporary comedy monologues does not exist for today's actor or indeed a book comprising solely of showcase speeches. This is a collection of very funny and original audition speeches filling a significant gap in the market: made up of monologues for various age ranges, each with a running time of two to three minutes. The brevity in length makes these ideal for auditions or showcases and the variety in age and style encompasses different comedic approaches; from the very quirky to the more traditional – perfect for every type of performer.
Of All the Gin Joints: Stumbling through Hollywood History
by Mark BaileyTrue tales of celebrity hijinks are served up with an equal measure of Hollywood history, movie-star mayhem, and a frothy mix of forty cocktail recipes.Humphrey Bogart got himself arrested for protecting his drinking buddies, who happened to be a pair of stuffed pandas. Ava Gardner would water-ski to the set of Night of the Iguana holding a towline in one hand and a cocktail in the other. Barely legal Natalie Wood would let Dennis Hopper seduce her if he provided a bathtub full of champagne. Bing Crosby’s ill-mannered antics earned him the nickname “Binge Crosby.” And sweet Mary Pickford stashed liquor in hydrogen peroxide bottles during Prohibition. From the frontier days of silent film up to the wild auteur period of the 1970s, Mark Bailey has pillaged the vaults of Hollywood history and lore to dig up the true—and often surprising—stories of seventy of our most beloved actors, directors, and screenwriters at their most soused.Bite-size biographies are followed by ribald anecdotes and memorable quotes. If a star had a favorite cocktail, the recipe is included. Films with the most outrageous booze-soaked stories, like Apocalypse Now, From Here to Eternity, and The Misfits, are featured, along with the legendary watering holes of the day (and the recipes for their signature drinks). Edward Hemingway’s portraits complete this spirited look at America’s most iconic silver-screen legends.“This book is like being at the best dinner party in the world. And I thought I was the first person to put a bar in my closet. I was clearly born during the wrong era.” —Chelsea Handler
Olga's Room: Olga's Room - Innocence - Land Without Words (Oberon Modern Plays)
by Dea Loher David TushinghamThe only way not to be a heroine, a martyr, a victim, is to make myself an accomplice, a collaborator. Communist. Jew. Revolutionary. Lover. Mother. Olga Benario's story is a searing tale of survival as alongside her fellow prisoners she struggles to hold onto her disintegrating sense of self. Based on real events of the 1930s-40s focusing on Benario's time in Brazil and Germany, this gripping play was the first work by one of Europe's foremost contemporary dramatists, Dea Loher, and was originally performed in 1992. After their highly successful run in Luxembourg City, Speaking in Tongues bring the English-language world premiere to London.
Omnibus Films: Theorizing Transauthorial Cinema
by David Scott DiffrientOmnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory? As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient’s Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio ’70, (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t’aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do. Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.
Omnibus Films: Theorizing Transauthorial Cinema (Edinburgh University Press)
by David Scott DiffrientOmnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory? As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient’s Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio ’70, (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t’aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do. Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.