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Siouxsie and the Banshees' Peepshow (33 1/3 #132)

In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scène, thus framing the record cinematically, as Siouxsie Sioux recalled, 'It was as if we were doing the whole thing on the set of The Wicker Man'.Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.

Dreaming of a Duke Like You

A duke with a reputation to uphold and a woman with a scandalous past take a gamble on their forbidden love in this Regency romance—perfect for fans of USA Today bestsellers Sophie Jordan and Kerrigan Byrne! Raised in a foundling home and now proprietor of a successful club, Gabriel Cadieux hasn&’t ever been welcomed by polite society. But when he discovers he&’s the legitimate heir to a dukedom, he must make a choice: accept the debt-ridden title and the trappings of the peerage who shunned him or decline and leave his six rebellious half sisters to fend for themselves. As much as he hates the idea, Gabriel can&’t abandon his siblings, even if it means making a deal with the most frustrating—and aggravatingly beautiful—woman he&’s ever met. Vivienne Tremeer storms into Cadieux&’s club with one thing on her mind: get the loathsome owner to discharge her brother&’s gambling debts. So when Gabriel offers her a trade—if she&’ll teach his wild sisters the ways of the ton, he&’ll clear the notes—she has no choice but to accept. But with her reputation already on a knife&’s edge, falling for the duke could cause the scandal of the season.

Theatre and Museums (Theatre And)

Bennett explores the relationship between theatre and museums, looking particularly at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.

Theatre and Museums (Theatre And)

Bennett explores the relationship between theatre and museums, looking particularly at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.

Theory for Theatre Studies: Sound (Theory for Theatre Studies)

Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at:https://bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/

Theory for Theatre Studies: Sound (Theory for Theatre Studies)

Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at:https://bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/

Ivo van Hove: From Shakespeare to David Bowie (Performance Books)

This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove's internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove's directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove's own contribution to the book, which includes a foreword, interview and his director's notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works. An informative introduction provides an overview of van Hove's unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove's collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.

Ivo van Hove: From Shakespeare to David Bowie (Performance Books)

This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove's internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove's directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove's own contribution to the book, which includes a foreword, interview and his director's notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works. An informative introduction provides an overview of van Hove's unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove's collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.

Performing Environments: Site-Specificity in Medieval and Early Modern English Drama

This ground-breaking collection explores the assumptions behind and practices for performance implicit in the manuscripts and playtexts of the medieval and early modern eras, focusing on work which engages with performance-oriented research.

Theory for Theatre Studies: Space (Theory for Theatre Studies)

Space: it's everywhere, all around, a given. It's abstract and yet not abstract at all, because it governs all human relations, shapes the way we understand our place on the planet, and orients us toward others (for better and for worse). How do theatre scholars understand space and place in performance? What tools do they use to theorize the political work space does on – and beyond – the stage? How can students use these tools to unpack the workings of space and place in the performances they see, the plays they study, and the experiences they have outside their classrooms?Theory for Theatre Studies: Space provides a comprehensive introduction to the 'spatial turn' in modern theatre and performance theory, exploring topics as diverse as embodied space, environmental performance politics and urban performance studies. The book is written in accessible prose and features in-depth case studies of Platform's audio walk And While London Burns, Katie Mitchell's Fraülein Julie, Young Jean Lee's The Shipment, and Evalyn Parry and Laakkuluk Williamson Bathory's Kiinalik: These Sharp Tools. TfTS: Space begins with fresh readings of historical dramatic theory, discusses twentieth-century theoretical trends at length, and ends by asking what it will take (and what work is already underway) to decolonize the Western, settler-colonial stage.Online resources to accompany this book are available at:www.bloomsbury.com/uk/theory-for-theatre-studies-space-9781350006072/

Culture, Class, Distinction

Choice Recommended Title, February 2010 Culture, Class, Distinction is major contribution to international debates regarding the role of cultural capital in relation to modern forms of inequality. Drawing on a national study of the organisation of cultural practices in contemporary Britain, the authors review Bourdieu’s classic study of the relationships between culture and class in the light of subsequent debates. In doing so they re-appraise the relationships between class, gender and ethnicity, music, film, television, literary, and arts consumption, the organisation of sporting and culinary practices, and practices of bodily and self maintenance. As the most comprehensive account to date of the varied interpretations of cultural capital that have been developed in the wake of Bourdieu’s work, Culture, Class, Distinction offers the first systematic assessment of the relationships between cultural practice and the social divisions of class, gender and ethnicity in contemporary Britain. It is essential reading for anyone interested in the relationships between culture and society.

Culture, Class, Distinction (PDF)

Choice Recommended Title, February 2010 Culture, Class, Distinction is major contribution to international debates regarding the role of cultural capital in relation to modern forms of inequality. Drawing on a national study of the organisation of cultural practices in contemporary Britain, the authors review Bourdieu’s classic study of the relationships between culture and class in the light of subsequent debates. In doing so they re-appraise the relationships between class, gender and ethnicity, music, film, television, literary, and arts consumption, the organisation of sporting and culinary practices, and practices of bodily and self maintenance. As the most comprehensive account to date of the varied interpretations of cultural capital that have been developed in the wake of Bourdieu’s work, Culture, Class, Distinction offers the first systematic assessment of the relationships between cultural practice and the social divisions of class, gender and ethnicity in contemporary Britain. It is essential reading for anyone interested in the relationships between culture and society.

Popular Culture And Social Relations

Blood Royal

The story of a great queen, a woman of enormous courage who made her own rules, and a true survivor. This is the first in a series of early medieval novels by Vanora Bennett, the author of Portrait of an Unknown Woman.

Figures in Silk

A sumptuous wedding feast, two advantageous marriages and a blessing from the golden king

Midnight in St Petersburg: A Novel

Set in St Petersburg during the Russian Revolution, a sweeping novel of love and loss as one woman fights for her own personal survival - and for the man she loves. By the acclaimed author of Blood Royal and Queen of Silks.St Petersburg,1911: Inna Feldman has fled the pogroms of her native Kiev to take refuge with distant relatives in Russia’s capital city. Welcomed into the flamboyant Leman family, she is apprenticed into their violin-making workshop, and feels instantly at home in their bohemian circle of friends. But revolution is in the air and, as society begins to fracture, she is forced to choose between following her heart or her head. Her brooding cousin, Yasha is wild, destructive and bent on rebellion. While Horace, the Englishman who works for Fabergé, promises security and respectability. As the city descends into anarchy and blood-letting, Inna is offered a chance to escape. But which man will she choose to take with her? And is she already too late?

The People’s Queen

Set in late fourteenth century England, Vanora Bennett's rich, dramatic new novel presents an England uncannily like our own.

Portrait of an Unknown Woman

Perfect for fans of ‘Girl with a Pearl Earring’, this is a remarkable love story with a background of religious and political turmoil in Tudor England.

Queen of Silks

A sumptuous wedding feast, two advantageous marriages and a blessing from the golden king

The White Russian: A Novel Of Paris

From the author of Midnight in St Petersburg, a novel of love, art, music and family secrets set amongst the Russian émigré community of Paris in 1937.Evie, a rebellious young American leaves New York in search of art and adventure in jazz-age Paris, where her grandmother lives. But on arrival, her grandmother’s sudden death leaves Evie compelled to carry out her dying wish: to find a man from her past called Zhenya. The quest leads Evie deep into the heart of the Russian émigré community of Paris. With the world on the brink of war, she becomes embroiled in murder plots, conspiracies and illicit love affairs as White faces Red Russian and nothing is as it seems. With Jean, a liberal Russian writer by her side, Evie finally seems to have found the passion and excitement she's yearned for. But is she any nearer to discovering the identity of the mysterious Zhenya, or the heartbreak of her grandmother's past?

Taken by Storm: The Media, Public Opinion, and U.S. Foreign Policy in the Gulf War (American Politics and Political Economy Series)

In the most comprehensive study of the media and foreign policy, twenty distinguished scholars and analysts explain the role played by the mass media and public opinion in the development of United States foreign policy in the Gulf War. Tracing the flow of news, public opinion, and policy decisions from Sadam Hussein's rise to power in 1979, to the Iraqi invasion of Kuwait, through the outbreak and conclusion of the war, the contributors look at how the media have become key players in the foreign policy process. They examine the pre-war media debate, news coverage during and after the war, how the news-gathering process shaped the content of the coverage, and the media's effect on public opinion and decision makers. We see what goes on behind the scenes in the high tech world of political communication, and are confronted by troubling questions about the ways the government managed coverage of the war and captured journalists at their own news game. Taken by Storm also examines more general patterns in post-Cold war journalism and foreign policy, particularly how contemporary journalistic practices determine whose voices and what views are heard in foreign policy coverage. At stake are the reactions of a vast media audience and the decision of government officials who see both the press and the public and key elements of the policy game. The first book to fully integrate our understanding of the news business, public opinion, and government action, Taken by Storm transcends the limits of the Gulf War to illuminate the complex relationship between the media, the public, and U.S. foreign policy in the late twentieth century.

Diagnosing Dissent: Hysterics, Deserters, and Conscientious Objectors in Germany during World War One

Although physicians during World War I, and scholars since, have addressed the idea of disorders such as shell shock as inchoate flights into sickness by men unwilling to cope with war's privations, they have given little attention to the agency many soldiers actually possessed to express dissent in a system that medicalized it. In Germany, these men were called Kriegszitterer, or "war tremblers," for their telltale symptom of uncontrollable shaking. Based on archival research that constitutes the largest study of psychiatric patient files from 1914 to 1918, Diagnosing Dissent examines the important space that wartime psychiatry provided soldiers expressing objection to the war.Rebecca Ayako Bennette argues that the treatment of these soldiers was far less dismissive of real ailments and more conducive to individual expression of protest than we have previously thought. In addition, Diagnosing Dissent provides an important reevaluation of German psychiatry during this period. Bennette's argument fundamentally changes how we interpret central issues such as the strength of the German Rechtsstaat and the continuities or discontinuities between the events of World War I and the atrocities committed—often in the name of medicine and sometimes by the same physicians—during World War II.

Fighting for the Soul of Germany: The Catholic Struggle For Inclusion After Unification (Harvard historical studies ; #178)

Historians have long believed that Catholics were late and ambivalent supporters of the German nation. Rebecca Ayako Bennette’s bold new interpretation demonstrates definitively that from the beginning in 1871, when Wilhelm I was proclaimed Kaiser of a unified Germany, Catholics were actively promoting a German national identity for the new Reich.

Fighting for the Soul of Germany: The Catholic Struggle For Inclusion After Unification (Harvard historical studies ; #178)

Historians have long believed that Catholics were late and ambivalent supporters of the German nation. Rebecca Ayako Bennette’s bold new interpretation demonstrates definitively that from the beginning in 1871, when Wilhelm I was proclaimed Kaiser of a unified Germany, Catholics were actively promoting a German national identity for the new Reich.

Political Culture under Institutional Pressure: How Institutional Change Transforms Early Socialization (Political Evolution and Institutional Change)

Are world views once formed during childhood and adolescence stable over life or do they change when they come under pressure from new institutional contexts? This book seeks the answer by revisiting an aged political generation growing up in historically unique interwar Estonia but living their adult lives in exile.