- Table View
- List View
Thomas Browne: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature. Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include the hauntingly meditative Urn-Burial, and the elaborate The Garden of Cyrus, a work that borders on a madness of infinite pattern. Religio Medici, probably Browne's most famous work, is at once autobiography, intricate religious-scientific paradox, and a monument of tolerance in the era of the English civil war. This volume also includes his Pseudodoxia Epidemica, an encyclopaedia of error which contains within its vast remit the entire intellectual landscape of the seventeenth century-its science, its natural history, its painting, its history, its geography and its biblical oddities. The volume enables students to experience the ways in which Browne brings his lucid, baroque and stylish prose to bear across this range of diverse material, together with a carefully poised wit. This volume contains almost all of the author's work that was published in his lifetime, as well as a selection of writings published after his death. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browne.
Robert Browning: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of Robert Browning (1812-1889). Accompanied by full scholarly apparatus, this is the first one-volume fully annotated edition of Browning's poetry. It presents work written across the breadth of his career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography that enables students to understand Browning's development over the course of his life. The edition reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a writing career of more than fifty years. Browning is best known for his dramatic monologues, and the dramatic monologues are fully represented in this volume, but he was also a narrative poet, a poet of philosophical reflection, and a poet who fashioned an extraordinary variety of lyric measures. This volume reveals Browning as a far more versatile poet than he is often taken to be. There are two important prose items, an essay on Shelley and a letter to Ruskin which clarify Browning's intellectual stance. The Notes include brief headnotes to each poem followed by detailed annotation, and they assist the reader in developing a full understanding of these masterful poems. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browning, and a Chronology.
The Reformation of Common Learning: Post-Ramist Method and the Reception of the New Philosophy, 1618 - 1670 (Oxford-Warburg Studies)
by Howard HotsonRamism was the most innovative and disruptive educational reform movement to sweep through the international Protestant world in the latter sixteenth and early seventeenth centuries. During the 1620s, the Thirty Years' War destroyed the network of central European academies and universities which had generated most of this innovation. Students and teachers, fleeing the conflict in all directions, transplanted that tradition into many different geographical and cultural contexts in which it bore are wide variety of interrelated fruit. Within the Dutch Republic, post-Ramist method played a crucial role in the rapid assimilation of Cartesianism into a network of thriving young academies and universities. From England to east-central Europe, the tradition was no less important in accelerating the reception of Baconianism. In the easternmost outpost of the Reformed world in Transylvania, the displaced tradition generated a final flourishing of philosophical innovation which exercised a formative influence on the young Leibniz. The failure of all of these efforts to assemble the fruits of this tradition into an encyclopaedic synthesis marks a major watershed in Western intellectual history. The Reformation of Common Learning brings together all of these aspects of the tradition in a manner which roots them in deeper historical developments and relates a series of far-flung and poorly understood developments together in new ways.
Pindar and the Poetics of Permanence (Oxford Classical Monographs)
by Henry SpelmanRecent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
Pindar and the Poetics of Permanence (Oxford Classical Monographs)
by Henry SpelmanRecent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
The Governance Report 2018 (Hertie Governance Report)
by The Hertie School of GovernanceThe Global Financial Crisis (GFC) of 2008-9 was the greatest economic stress test since the 1940s. It put not only financial markets and currencies at risk; entire economies and political systems were threatened as the GFC soon revealed major governance shortcomings and weaknesses felt across a wide spectrum of policy fields. Globalization seemed in jeopardy, the Washington Consensus of neoliberal policies broken, and democratic backsliding set in as populism and protectionism began to take root. The GFC triggered many responses to improve governance through reforms and regulatory measures of many kinds across a wide range of fields: most prominently in finance and banking, but also in fiscal policy, trade, labor markets and social security. Ten years after the GFC, the 2018 Governance Report takes stock and asks: How have countries fared, and are they better prepared to avoid or withstand another crisis of GFC proportions? To answer this question, the 2018 Report focuses on the performance of countries before and after the GFC. Using elaborate indicator and data systems, applying state-of-the-art analytics, and covering a wide range of countries, it offers a systematic comparison of governance performance from three perspectives: What public goods are being provided, at what quality and to what effect? How ready are countries to address governance challenges in the context of globalization? What are the administrative capacities of the public sector? With measures taken before the GFC and today, these perspectives on governance performance provide important benchmarks for measuring both resilience and progress and can assist policymakers in designing effective solutions.
The Governance Report 2018 (Hertie Governance Report)
by The Hertie School of GovernanceThe Global Financial Crisis (GFC) of 2008-9 was the greatest economic stress test since the 1940s. It put not only financial markets and currencies at risk; entire economies and political systems were threatened as the GFC soon revealed major governance shortcomings and weaknesses felt across a wide spectrum of policy fields. Globalization seemed in jeopardy, the Washington Consensus of neoliberal policies broken, and democratic backsliding set in as populism and protectionism began to take root. The GFC triggered many responses to improve governance through reforms and regulatory measures of many kinds across a wide range of fields: most prominently in finance and banking, but also in fiscal policy, trade, labor markets and social security. Ten years after the GFC, the 2018 Governance Report takes stock and asks: How have countries fared, and are they better prepared to avoid or withstand another crisis of GFC proportions? To answer this question, the 2018 Report focuses on the performance of countries before and after the GFC. Using elaborate indicator and data systems, applying state-of-the-art analytics, and covering a wide range of countries, it offers a systematic comparison of governance performance from three perspectives: What public goods are being provided, at what quality and to what effect? How ready are countries to address governance challenges in the context of globalization? What are the administrative capacities of the public sector? With measures taken before the GFC and today, these perspectives on governance performance provide important benchmarks for measuring both resilience and progress and can assist policymakers in designing effective solutions.
The Governance Report 2019 (Hertie Governance Report)
by The Hertie School of GovernanceHealth promotion and protection for all citizens and health care for patients represent some of the most important policy challenges worldwide. Virtually every single area of life-professional productivity, cultural creativity, political and social participation, and citizens' quality of life-is influenced by the state of health at the individual and at the population level. But are current forms of health governance and health care services sufficient to overcome inequalities, ensure health security, harness technological developments, and cover future needs? The Governance Report 2019 focuses on health governance and the models and strategies used to make health policy an integral part of modern social policy and meet growing challenges. Health governance involves state, market, non-governmental, professional, and individual actors often working across sectors and depends on interactions at multiple levels-from local clinics to global forums. The Report traces the development of health governance institutions and actors, examines factors influencing the health-related decisions of individuals and policy-makers alike, highlights innovations both at international level and at the intersection between individuals and professionals, and offers recommendations to ensure that health care and health policy are governed to meet future challenges.
The Governance Report 2019 (Hertie Governance Report)
by The Hertie School of GovernanceHealth promotion and protection for all citizens and health care for patients represent some of the most important policy challenges worldwide. Virtually every single area of life-professional productivity, cultural creativity, political and social participation, and citizens' quality of life-is influenced by the state of health at the individual and at the population level. But are current forms of health governance and health care services sufficient to overcome inequalities, ensure health security, harness technological developments, and cover future needs? The Governance Report 2019 focuses on health governance and the models and strategies used to make health policy an integral part of modern social policy and meet growing challenges. Health governance involves state, market, non-governmental, professional, and individual actors often working across sectors and depends on interactions at multiple levels-from local clinics to global forums. The Report traces the development of health governance institutions and actors, examines factors influencing the health-related decisions of individuals and policy-makers alike, highlights innovations both at international level and at the intersection between individuals and professionals, and offers recommendations to ensure that health care and health policy are governed to meet future challenges.
Plutarch's Rhythmic Prose
by G. O. HutchinsonGreek literature is divided, like many literatures, into poetry and prose, but in Greek the difference between them is not that all prose is devoid of firm rhythmic patterning. In the earlier Roman Empire, from 31 BC to about AD 300, much Greek (and Latin) prose was actually written to follow one organized rhythmic system. How much Greek prose adopted this patterning has hitherto been quite unclear; the present volume for the first time establishes an answer on an adequate basis: substantial data drawn from numerous authors. It constitutes the first extensive study of prose-rhythm in later Greek literature. The book focuses particularly on one of the greatest Imperial works: Plutarch's Lives. It rests on a scansion of the whole work, almost 100,000 phrases. Rhythm is seen to make a vital contribution to the literary analysis of Plutarch's writing, and prose-rhythm is revealed as a means of expression, which draws attention to words and word-groups. Some passages in the Lives pack rhythms together more closely than others; much of the discussion concentrates on such rhythmically dense passages, examining them in detail in commentary form. These passages do not occur randomly, but attract attention to themselves. They are marked out as climactic in the narrative, or as in other ways of highlighted significance: joyful summations, responses to catastrophe, husbands and wives, fathers and sons compared. These remarkable passages make apparent the greatness of Plutarch as a prose-writer - a side of him fairly little considered amid the huge resurgence of work on Plutarch as an author and as a major historical source. Some passages from three Greek novelists, both rhythmic and unrhythmic, are closely analysed too. The book demonstrates how rhythm can be integrated with other aspects of criticism, and how it has the ability to open up new vistas on three prolific centuries of literary history.
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry: Between Page and Stage (Oxford Modern Languages and Literature Monographs)
by Leo ShtutinThis study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry: Between Page and Stage (Oxford Modern Languages and Literature Monographs)
by Leo ShtutinThis study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.
Manuscript Matters: Reading John Donne's Poetry and Prose in Early Modern England
by Lara M. CrowleyManuscript Matters illuminates responses to some of John Donne's most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers' exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers–men and women who shared in Donne's political, religious, and social contexts–offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study's findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artefacts containing Donne's works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne's satiric, lyric, and religious poetry, as well as his prose paradoxes and problems. Analysing his texts within their manuscript contexts enables modern readers to interpret Donne's poetry and prose through an early modern lens.
Manuscript Matters: Reading John Donne's Poetry and Prose in Early Modern England
by Lara M. CrowleyManuscript Matters illuminates responses to some of John Donne's most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers' exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers–men and women who shared in Donne's political, religious, and social contexts–offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study's findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artefacts containing Donne's works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne's satiric, lyric, and religious poetry, as well as his prose paradoxes and problems. Analysing his texts within their manuscript contexts enables modern readers to interpret Donne's poetry and prose through an early modern lens.
The Fall of the Roman Republic: Roman History, Books 36-40 (Oxford World's Classics)
by Cassius Dio'That was how things stood in the city at the time. With no one in charge, murders were taking place almost every day and the elections could not be held.' Books 36-40 of the Roman History by Cassius Dio (born ca. 163 CE), covers 69-50 BCE, the last twenty years before the Roman Republic collapsed in a long series of civil wars, leading to the monarchy of the emperors. Although Dio's history was written over 250 years later, it provides the fullest surviving account of this crucial period in Roman history and is a key source of information on many of the chief developments. Dio fashions his account of these years to foreshadow the coming civil war, exposing the violence and corruption of the political life of the time, and portraying the gradual eclipse of the great general Pompey by his younger rival Caesar. Robin Waterfield's lively and up-to-date translation is accompanied by an introduction by John Rich, which sets Dio's work in its context and explores both literary and historical features of the text, and his portraits of major characters such as Pompey, Cicero, and Caesar. This edition also includes full explanatory notes, a glossary, and maps of Central Rome, Gaul, and the East. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Fall of the Roman Republic: Roman History, Books 36-40 (Oxford World's Classics)
by Cassius Dio'That was how things stood in the city at the time. With no one in charge, murders were taking place almost every day and the elections could not be held.' Books 36-40 of the Roman History by Cassius Dio (born ca. 163 CE), covers 69-50 BCE, the last twenty years before the Roman Republic collapsed in a long series of civil wars, leading to the monarchy of the emperors. Although Dio's history was written over 250 years later, it provides the fullest surviving account of this crucial period in Roman history and is a key source of information on many of the chief developments. Dio fashions his account of these years to foreshadow the coming civil war, exposing the violence and corruption of the political life of the time, and portraying the gradual eclipse of the great general Pompey by his younger rival Caesar. Robin Waterfield's lively and up-to-date translation is accompanied by an introduction by John Rich, which sets Dio's work in its context and explores both literary and historical features of the text, and his portraits of major characters such as Pompey, Cicero, and Caesar. This edition also includes full explanatory notes, a glossary, and maps of Central Rome, Gaul, and the East. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Italian Empire and the Great War (The Greater War)
by Vanda WilcoxThe Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911–12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915–18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism.
The Italian Empire and the Great War (The Greater War)
by Vanda WilcoxThe Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911–12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915–18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism.
Invisible Agents: Women and Espionage in Seventeenth-Century Britain
by Nadine AkkermanIt would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women — from playwright to postmistress, from lady-in-waiting to laundry woman — acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.
Invisible Agents: Women and Espionage in Seventeenth-Century Britain
by Nadine AkkermanIt would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women — from playwright to postmistress, from lady-in-waiting to laundry woman — acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.
Snapshot Stories: Visuality, Photography, and the Social History of Ireland, 1922-2000
by Erika HannaDuring the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland's cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often still focused on the image of Ireland as bucolic rural landscape, Irish photographers-snapshotter and professional alike-were creating and curating photographs which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. Erika Hanna examines a diverse array of photographic sources, including family photograph albums, studio portraits, the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. The volume shows how Irish men and women used photography in order to explore their sense of self and society and examines how we can use these images to fill in the details of Ireland's social history. By exploring this rich array of sources, Snapshot Stories asks what it means to see-to look, to gaze, to glance-in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.
Snapshot Stories: Visuality, Photography, and the Social History of Ireland, 1922-2000
by Erika HannaDuring the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland's cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often still focused on the image of Ireland as bucolic rural landscape, Irish photographers-snapshotter and professional alike-were creating and curating photographs which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. Erika Hanna examines a diverse array of photographic sources, including family photograph albums, studio portraits, the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. The volume shows how Irish men and women used photography in order to explore their sense of self and society and examines how we can use these images to fill in the details of Ireland's social history. By exploring this rich array of sources, Snapshot Stories asks what it means to see-to look, to gaze, to glance-in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.
The Game of Love in Georgian England: Courtship, Emotions, and Material Culture (Emotions in History)
by Sally HollowayCourtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.
The Game of Love in Georgian England: Courtship, Emotions, and Material Culture (Emotions in History)
by Sally HollowayCourtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.
The Ties That Bind: Siblings, Family, and Society in Early Modern England
by Bernard CappThe family is a major area of scholarly research and public debate. Many studies have explored the English family in the sixteenth and seventeenth centuries, focusing on husbands and wives, parents and children. The Ties that Bind explores in depth the other key dimension: the place of brothers and sisters in family life, and in society. Moralists urged mutual love and support between siblings, but recognized that sibling rivalry was a common and potent force. The widespread practice of primogeniture made England distinctive. The eldest son inherited most of the estate and with it, a moral obligation to advance the welfare of his brothers and sisters. The Ties that Bind explores how this operated in practice, and shows how the resentment of younger brothers and sisters made sibling relationships a heated issue in this period, in family life, in print, and also on the stage.