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Comedy and Culture: England 1820-1900 (PDF)

by Roger B. Henkle

Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Discovering the Comic (PDF)

by George Mcfadden

Arguing that the comic is a quality of literary works of art in other forms as well as comedy, George McFadden finds its essence in the maintenance of some literary feature--a situation, a character--as itself despite threats to alter it.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

How to Tell a Joke: An Ancient Guide to the Art of Humor (Ancient Wisdom for Modern Readers)

by Marcus Tullius Cicero

Timeless advice about how to use humor to win over any audienceCan jokes win a hostile room, a hopeless argument, or even an election? You bet they can, according to Cicero, and he knew what he was talking about. One of Rome’s greatest politicians, speakers, and lawyers, Cicero was also reputedly one of antiquity’s funniest people. After he was elected commander-in-chief and head of state, his enemies even started calling him “the stand-up Consul.” How to Tell a Joke provides a lively new translation of Cicero’s essential writing on humor alongside that of the later Roman orator and educator Quintilian. The result is a timeless practical guide to how a well-timed joke can win over any audience.As powerful as jokes can be, they are also hugely risky. The line between a witty joke and an offensive one isn’t always clear. Cross it and you’ll look like a clown, or worse. Here, Cicero and Quintilian explore every aspect of telling jokes—while avoiding costly mistakes. Presenting the sections on humor in Cicero’s On the Ideal Orator and Quintilian’s The Education of the Orator, complete with an enlightening introduction and the original Latin on facing pages, How to Tell a Joke examines the risks and rewards of humor and analyzes basic types that readers can use to write their own jokes.Filled with insight, wit, and examples, including more than a few lawyer jokes, How to Tell a Joke will appeal to anyone interested in humor or the art of public speaking.

How to Tell a Joke: An Ancient Guide to the Art of Humor (Ancient Wisdom for Modern Readers)

by Marcus Tullius Cicero

Timeless advice about how to use humor to win over any audienceCan jokes win a hostile room, a hopeless argument, or even an election? You bet they can, according to Cicero, and he knew what he was talking about. One of Rome’s greatest politicians, speakers, and lawyers, Cicero was also reputedly one of antiquity’s funniest people. After he was elected commander-in-chief and head of state, his enemies even started calling him “the stand-up Consul.” How to Tell a Joke provides a lively new translation of Cicero’s essential writing on humor alongside that of the later Roman orator and educator Quintilian. The result is a timeless practical guide to how a well-timed joke can win over any audience.As powerful as jokes can be, they are also hugely risky. The line between a witty joke and an offensive one isn’t always clear. Cross it and you’ll look like a clown, or worse. Here, Cicero and Quintilian explore every aspect of telling jokes—while avoiding costly mistakes. Presenting the sections on humor in Cicero’s On the Ideal Orator and Quintilian’s The Education of the Orator, complete with an enlightening introduction and the original Latin on facing pages, How to Tell a Joke examines the risks and rewards of humor and analyzes basic types that readers can use to write their own jokes.Filled with insight, wit, and examples, including more than a few lawyer jokes, How to Tell a Joke will appeal to anyone interested in humor or the art of public speaking.

No Joke: Making Jewish Humor

by Ruth R. Wisse

Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking--as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being--and the price it may exact from its practitioners and audience. Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States. Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?

No Joke: Making Jewish Humor

by Ruth R. Wisse

Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking--as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being--and the price it may exact from its practitioners and audience. Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States. Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?

Zombies and Calculus

by Colin Adams

How can calculus help you survive the zombie apocalypse? Colin Adams, humor columnist for the Mathematical Intelligencer and one of today's most outlandish and entertaining popular math writers, demonstrates how in this zombie adventure novel.Zombies and Calculus is the account of Craig Williams, a math professor at a small liberal arts college in New England, who, in the middle of a calculus class, finds himself suddenly confronted by a late-arriving student whose hunger is not for knowledge. As the zombie virus spreads and civilization crumbles, Williams uses calculus to help his small band of survivors defeat the hordes of the undead. Along the way, readers learn how to avoid being eaten by taking advantage of the fact that zombies always point their tangent vector toward their target, and how to use exponential growth to determine the rate at which the virus is spreading. Williams also covers topics such as logistic growth, gravitational acceleration, predator-prey models, pursuit problems, the physics of combat, and more. With the aid of his story, you too can survive the zombie onslaught.Featuring easy-to-use appendixes that explain the book's mathematics in greater detail, Zombies and Calculus is suitable both for those who have only recently gotten the calculus bug, as well as for those whose disease has advanced to the multivariable stage.

Zombies and Calculus

by Colin Adams

How can calculus help you survive the zombie apocalypse? Colin Adams, humor columnist for the Mathematical Intelligencer and one of today's most outlandish and entertaining popular math writers, demonstrates how in this zombie adventure novel.Zombies and Calculus is the account of Craig Williams, a math professor at a small liberal arts college in New England, who, in the middle of a calculus class, finds himself suddenly confronted by a late-arriving student whose hunger is not for knowledge. As the zombie virus spreads and civilization crumbles, Williams uses calculus to help his small band of survivors defeat the hordes of the undead. Along the way, readers learn how to avoid being eaten by taking advantage of the fact that zombies always point their tangent vector toward their target, and how to use exponential growth to determine the rate at which the virus is spreading. Williams also covers topics such as logistic growth, gravitational acceleration, predator-prey models, pursuit problems, the physics of combat, and more. With the aid of his story, you too can survive the zombie onslaught.Featuring easy-to-use appendixes that explain the book's mathematics in greater detail, Zombies and Calculus is suitable both for those who have only recently gotten the calculus bug, as well as for those whose disease has advanced to the multivariable stage.

The Humid Condition: (More) Overheated Observations

by Dominic Pettman

The Humid Condition: (More) Overheated Observations continues on the clicking heels of Dominic Pettman’s Humid, All Too Humid (2016), providing a companion volume of pithy and witty observations for our overheated age. Covering topics from pop culture to academia to romance to politics to human mortality to everything in between, this collection of pointed musings aims to amuse, edify, instruct, provoke, tease, caution, and inspire. As with the first installment, the spirit of this book represents a fusion of Montaigne and Wilde; a mashup of Adorno and Yogi Berra; a parallel channeling of Marx and Marx (both Karl and Groucho). No doubt, Hannah Arendt would be appalled at the irreverence on display within these pages. Then again, “Heidegger has left the bildung.” And as the author himself notes: “I have nothing new to say. And I’m saying it!”

Resistant Form: Aristophanes and the Comedy of Crisis

by Mario Telò

Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic experimentation with language invites a radically “oversensitive” hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or “too-close” reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern – one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.

PIG and the Big Quiz (Pig Ser.)

by Barbara Catchpole

There's a school quiz against The Academy and Pig joins the team.

PIG and the Fancy Pants: Set 1 (Pig Ser.)

by Barbara Catchpole

PIG is late for school and he can't find his pants - so he borrows his sister's sparkly pink Drama Diva panties.

Pig and the Ice-Cream Cake (Pig Ser.)

by Barbara Catchpole

It's Pig's birthday party and everything goes wrong.

PIG and the Long Fart: Set 1 (Pig Ser.)

by Barbara Catchpole

PIG agrees to make a speech at the school assembly, but a long fart creeps out.

PIG and the Rainbow Hair (Pig Ser.)

by Barbara Catchpole

Pig is fed up with getting picked on - especially by that Dean Gosnall, who always wants a fight. Pig decides that it's his red hair that's the problem, so Gran and Suki decide to help him change its colour. But it goes a bit wrong and Pig ends up with bright, radioactive orange hair. How can Pig go to school with dayglo orange hair? The teachers will ban him and Goofy Gosnall will beat him up. Can Pig's mum come to the rescue? Boys love PIG! Peter Ian Green has another hilarious adventure in this book, one of the bestselling series 'PIG' by Barbara Catchpole. Coupled with fantastic black-and-white illustrations and an easy-to-read diary format, the laugh-out-loud humour and tale of friendship will appeal to all readers.

PIG and the Talking Poo: Set 1 (Pig Ser.)

by Barbara Catchpole

Pig loses his huge brown plastic dog poo that reminds him of his dad.

PIG Gets Angry (Pig Ser.)

by Barbara Catchpole

Pig's mum wants to get a divorce from his dad and Pig gets really angry.

PIG Gets the Black Death: Set 1 (Pig Ser.)

by Barbara Catchpole

Pig hates needles, but then he thinks that he might have the Black Death.

Pig is a Blue Baboon's Bottom (Pig Ser.)

by Barbara Catchpole

Pig's class at school all have to bring in something they don't use anymore. It all starts well (even though Pig takes in his mum's wedding ring), but then things go wrong and Pig accuses Raj of something terrible. Raj is very upset and calls Pig a blue baboon's bottom. That's Raj's worst insult. Can Pig do anything to restore his friendship with Raj? Boys love PIG! Peter Ian Green has another hilarious adventure in this book, one of the bestselling series 'PIG' by Barbara Catchpole. Coupled with fantastic black-and-white illustrations and an easy-to-read diary format, the laugh-out-loud humour and tale of friendship will appeal to all readers.

PIG is a Hairy Snotter (Pig Ser.)

by Barbara Catchpole

Pig finally gets to go on his surfing holiday with the school. (He got the holiday because he was in the Head Teacher's Secret Toilet without asking.) While Pig is away, Suki tells him that he has lost his bedroom. Mum has got rid of all his stuff and from now on he will have to live under the stairs, just like Hairy Snotter. This must be Bob's Revenge. What can Pig do? Boys love PIG! Peter Ian Green has another hilarious adventure in this book, one of the bestselling series 'PIG' by Barbara Catchpole. Coupled with fantastic black-and-white illustrations and an easy-to-read diary format, the laugh-out-loud humour and tale of friendship will appeal to all readers.

Pig Leaves Home (Pig Ser.)

by Barbara Catchpole

Pig decides to run away to Spain to live with his real dad.

PIG plays Cupid: Set 1 (Pig Ser.)

by Barbara Catchpole

PIG sets his mum up on the Kissy Kissy Online Dating Site. How can it end well?

PIG Saves the Day: Set 1 (Pig Ser.)

by Barbara Catchpole

PIG wants to be in the school football team, but he is completely rubbish at football.

Pig Skives off School (Pig Ser.)

by Barbara Catchpole

Pig and Raj take the day off school - and find themselves on TV.

PIG tells a Whopping Great Fib (Pig Ser.)

by Barbara Catchpole

Raj spots Bob (Pig's mum's boyfriend) kissing Tish (the one with the pink hair) outside the spare gold shop.

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