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Three Plays by Squint & How They Were Made: Long Story Short, Molly, The Incredible True Story of the Johnstown Flood
by Squint TheatreAre you a theatre-maker looking for devising tools? A writer wanting to improve your dialogue? A director trying to create a story through improvisation? Three Plays by Squint & How They Were Made brings three of the company's plays together with the methods used to create them, in a practical, user-friendly toolkit. Three of Squint's plays - created by Lee Anderson, Adam Foster and Andrew Whyment - are published here for the first time. At the heart of each, a character is struggling to process their personal trauma under the intense glare of the public eye. Long Story Short (2014) dissects journalism in the digital age, Molly (2015) takes a reality television-style journey into the mind of a sociopath, and The Incredible True Story of the Johnstown Flood (2021) embarks on a transatlantic exploration of class, exploitation and appropriation.Developed over ten years through Squint's education programme, the exercises in this book distil the company's collaborative practice into over 25 tools for writing and devising. The Squint Toolkit covers the entire theatre-making process, from carrying out research and improvising story to writing subtext, devising from music and making cuts.
Reading Underwater Wreckage: An Encrusting Ocean (Environmental Cultures)
by Killian QuigleyPresenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments-the histories they tell, and the futures they presage-as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory.Earth's oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter-some of it living, some inanimate-anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations-as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor- this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.
Reading Underwater Wreckage: An Encrusting Ocean (Environmental Cultures)
by Killian QuigleyPresenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments-the histories they tell, and the futures they presage-as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory.Earth's oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter-some of it living, some inanimate-anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations-as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor- this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.
The Need for Words: Voice and the Text (Bloomsbury Revelations)
by Patsy RodenburgAs one of the world's leading voice coaches, Patsy Rodenburg describes practical ways to approach language, using Shakespeare, Romantic poetry, modern prose and a range of other texts to help each of us discover our own unique need for words.In Part One Rodenburg attacks the myth that there is only one correct way to speak by clearing away the blocks that can make language inaccessible. Part Two, a series of language and text exercises, connects the voice to the shape and quality of individual words and phrases. Drawing on Rodenburg's time spent coaching in the worlds of business and politics, this edition reflects on how the way we use words has changed since the book was first published. It brings a renewed focus on the language of power, spoken in the worlds of politicians and company directors. This gives readers an insight into the potency of clear, direct communication. Language and text exercises provide readers with unmediated access to this new research, allowing them to practice and master the language and words that drive the modern world.Foreword by Anthony Sher.
The Need for Words: Voice and the Text (Bloomsbury Revelations)
by Patsy RodenburgAs one of the world's leading voice coaches, Patsy Rodenburg describes practical ways to approach language, using Shakespeare, Romantic poetry, modern prose and a range of other texts to help each of us discover our own unique need for words.In Part One Rodenburg attacks the myth that there is only one correct way to speak by clearing away the blocks that can make language inaccessible. Part Two, a series of language and text exercises, connects the voice to the shape and quality of individual words and phrases. Drawing on Rodenburg's time spent coaching in the worlds of business and politics, this edition reflects on how the way we use words has changed since the book was first published. It brings a renewed focus on the language of power, spoken in the worlds of politicians and company directors. This gives readers an insight into the potency of clear, direct communication. Language and text exercises provide readers with unmediated access to this new research, allowing them to practice and master the language and words that drive the modern world.Foreword by Anthony Sher.
Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)
by Emily BrontëI am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.
Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)
by Emily BrontëI am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.
Mapping Middle-earth: Environmental and Political Narratives in J. R. R. Tolkien's Cartographies (Perspectives on Fantasy)
by Dr Anahit BehroozIn this cutting-edge study of Tolkien's most critically neglected maps, Anahit Behrooz examines how cartography has traditionally been bound up in facilitating power. Far more than just illustrations to aid understanding of the story, Tolkien's corpus of maps are crucial to understanding the broader narratives between humans and their political and environmental landscapes within his legendarium. Undertaking a diegetic literary analysis of the maps as examples of Middle-earth's own cultural output, Behrooz reveals a sub-created tradition of cartography that articulates specific power dynamics between mapmaker, map reader, and what is being mapped, as well as the human/nonhuman binary that represents human's control over the natural world.Mapping Middle-earth surveys how Tolkien frames cartography as an inherently political act that embodies a desire for control of that which it maps. In turn, it analyses harmful contemporary engagements with land that intersect with, but also move beyond, cartography such as environmental damage; human-induced geological change; and the natural and bodily costs of political violence and imperialism. Using historical, eco-critical, and postcolonial frameworks, and such theorists as Michel Foucault, Donna Haraway and Edward Said, this book explores Tolkien's employment of particular generic tropes including medievalism, fantasy, and the interplay between image and text to highlight, and at times correct, his contemporary socio-political epoch and its destructive relationship with the wider world.
Mapping Middle-earth: Environmental and Political Narratives in J. R. R. Tolkien's Cartographies (Perspectives on Fantasy)
by Dr Anahit BehroozIn this cutting-edge study of Tolkien's most critically neglected maps, Anahit Behrooz examines how cartography has traditionally been bound up in facilitating power. Far more than just illustrations to aid understanding of the story, Tolkien's corpus of maps are crucial to understanding the broader narratives between humans and their political and environmental landscapes within his legendarium. Undertaking a diegetic literary analysis of the maps as examples of Middle-earth's own cultural output, Behrooz reveals a sub-created tradition of cartography that articulates specific power dynamics between mapmaker, map reader, and what is being mapped, as well as the human/nonhuman binary that represents human's control over the natural world.Mapping Middle-earth surveys how Tolkien frames cartography as an inherently political act that embodies a desire for control of that which it maps. In turn, it analyses harmful contemporary engagements with land that intersect with, but also move beyond, cartography such as environmental damage; human-induced geological change; and the natural and bodily costs of political violence and imperialism. Using historical, eco-critical, and postcolonial frameworks, and such theorists as Michel Foucault, Donna Haraway and Edward Said, this book explores Tolkien's employment of particular generic tropes including medievalism, fantasy, and the interplay between image and text to highlight, and at times correct, his contemporary socio-political epoch and its destructive relationship with the wider world.
The Scholarship of Creative Writing Practice: Beyond Craft, Pedagogy, and the Academy
The first study to explore deeply and intimately the complex and multifaceted nature of creative writing practice, The Scholarship of Creative Writing and Practice offers a new route in scholarly inquiry for creative writing studies, probing beyond pedagogical methods (with which most of the field's scholarship is occupied) to explore the writing life as it is experienced by a wealth of international writer/academics. With academic creative writing programs beginning to adopt a more pragmatic, industry-focused stance, students of writing increasingly need and expect to complete their degrees moderately prepared to monetize the skills they have learned – so there is now more than ever a great responsibility to present studies, methodologies and experience that can inform students and instructors. In response, Sam Meekings and Marshall Moore have pulled together academic investigations from some of the most prominent names in creative writing studies to take stock of the diverse definitions and pluralities of creative practice, to examine how they have carved out a 'writing life', what work habits they have adopted to achieve this, how these practitioners work as creatives both within and outside of the academy and to put forward strategies for a viable writing life. Offering intelligent, philosophical, pragmatic and actionable methods for robust writing practice, this book provides a multi-national perspective on the various aspects of practice and process. Essays explore what writing practice means for individuals and how this can be modeled for students; how the mythic nature of creativity can be channeled though practical working habits; practice through the lenses of social responsibility, sensitivity, empathy and imagination; writing during times of duress and the barriers writers encounter in their craft; the demand of author platforms; the role of the creative writing academic/writer; and the process of learning from published and practicing authors. Wide-ranging in its investigations and generous in insight, The Scholarship of Creative Writing and Practice presents creative, imaginative and transdisciplinary approaches to this under-researched area.
The Scholarship of Creative Writing Practice: Beyond Craft, Pedagogy, and the Academy
by Marshall Moore and Sam MeekingsThe first study to explore deeply and intimately the complex and multifaceted nature of creative writing practice, The Scholarship of Creative Writing and Practice offers a new route in scholarly inquiry for creative writing studies, probing beyond pedagogical methods (with which most of the field's scholarship is occupied) to explore the writing life as it is experienced by a wealth of international writer/academics. With academic creative writing programs beginning to adopt a more pragmatic, industry-focused stance, students of writing increasingly need and expect to complete their degrees moderately prepared to monetize the skills they have learned – so there is now more than ever a great responsibility to present studies, methodologies and experience that can inform students and instructors. In response, Sam Meekings and Marshall Moore have pulled together academic investigations from some of the most prominent names in creative writing studies to take stock of the diverse definitions and pluralities of creative practice, to examine how they have carved out a 'writing life', what work habits they have adopted to achieve this, how these practitioners work as creatives both within and outside of the academy and to put forward strategies for a viable writing life. Offering intelligent, philosophical, pragmatic and actionable methods for robust writing practice, this book provides a multi-national perspective on the various aspects of practice and process. Essays explore what writing practice means for individuals and how this can be modeled for students; how the mythic nature of creativity can be channeled though practical working habits; practice through the lenses of social responsibility, sensitivity, empathy and imagination; writing during times of duress and the barriers writers encounter in their craft; the demand of author platforms; the role of the creative writing academic/writer; and the process of learning from published and practicing authors. Wide-ranging in its investigations and generous in insight, The Scholarship of Creative Writing and Practice presents creative, imaginative and transdisciplinary approaches to this under-researched area.
Fair Play (Modern Plays)
by Ella RoadThe clocks are set. The line is drawn. They've got a chance to be champions. But at what cost?When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable – dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster… But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) – 'the most promising young playwright in Britain' (The Telegraph).This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021.
Fair Play (Modern Plays)
by Ella RoadThe clocks are set. The line is drawn. They've got a chance to be champions. But at what cost?When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable – dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster… But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) – 'the most promising young playwright in Britain' (The Telegraph).This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021.
Dry Swallow (Modern Plays)
by Lucas BaischTook me twenty years, from fetus to fuck-up,to know what weight looked like, whatweight feels like, what weight makes a bodydo in place of freedom.Sitting within the confines of a shipping container, people are rendered commodity and turf is marked for value. Chula and Pal create competition on a Boyle Heights street corner. Nasir and Porter offer medicinal intake as artistic practice. Sik and Dori turn to drastic measures in order to save their family.Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?Lucas Baisch's play was the recipient of The Kennedy Center's KCACTF 2020 Latinx Playwriting Award, the Princess Grace Award in Playwriting (2021) and the Chesley/Bumbalo Award in Playwriting (2021).
Dry Swallow (Modern Plays)
by Lucas BaischTook me twenty years, from fetus to fuck-up,to know what weight looked like, whatweight feels like, what weight makes a bodydo in place of freedom.Sitting within the confines of a shipping container, people are rendered commodity and turf is marked for value. Chula and Pal create competition on a Boyle Heights street corner. Nasir and Porter offer medicinal intake as artistic practice. Sik and Dori turn to drastic measures in order to save their family.Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?Lucas Baisch's play was the recipient of The Kennedy Center's KCACTF 2020 Latinx Playwriting Award, the Princess Grace Award in Playwriting (2021) and the Chesley/Bumbalo Award in Playwriting (2021).
Move (Modern Plays)
by Julia TaudevinShe remembers the feeling inside her lungs when they start bursting for air. She remembers twirling her fingers through the water as she pushes up towards the surface. Inspired by ancient keening rituals, Move is about migration, loss and communal healing. Weaving storytelling, choral soundscape and Gaelic song, five women portray the ebb and flow of people across the globe throughout the ages.Move is the inaugural show from Disaster Plan – a new company from the team behind Blow Off, Beats and Heads Up. This edition was published to coincide with the premiere, originally staged in an open-air performance at Edinburgh's Silverknowes Beach as well as being filmed for streaming.
Move (Modern Plays)
by Julia TaudevinShe remembers the feeling inside her lungs when they start bursting for air. She remembers twirling her fingers through the water as she pushes up towards the surface. Inspired by ancient keening rituals, Move is about migration, loss and communal healing. Weaving storytelling, choral soundscape and Gaelic song, five women portray the ebb and flow of people across the globe throughout the ages.Move is the inaugural show from Disaster Plan – a new company from the team behind Blow Off, Beats and Heads Up. This edition was published to coincide with the premiere, originally staged in an open-air performance at Edinburgh's Silverknowes Beach as well as being filmed for streaming.
Typical Girls (Modern Plays)
by Morgan Lloyd MalcolmIn a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?Written by Morgan Lloyd Malcolm (Emilia), Typical Girls is a funny, fierce and furious part-gig, part-play, co-commissioned by Clean Break theatre company.
Typical Girls (Modern Plays)
by Morgan Lloyd MalcolmIn a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?Written by Morgan Lloyd Malcolm (Emilia), Typical Girls is a funny, fierce and furious part-gig, part-play, co-commissioned by Clean Break theatre company.
The Neo-Latin Verse of Urban VIII, Alexander VII and Leo XIII: Three Papal Poets from Baroque to Risorgimento (Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies)
by Stephen HarrisonA fascinating insight into the most talented Latin poets to occupy the Papal throne after Pius II Piccolomini in the 15th century, this book offers translations of and commentaries on the major poems of the three popes (all Italians): Urban VIII Barberini, Alexander VII Chigi and Leo XIII Pecci. Their highly accomplished Neo-Latin poems owe much to the major Latin poets and are significant instances of classical reception, but also cast an interesting light on their lives, times and papacies.Urban (elected pope in 1623) published a mixture of secular and religious verse, drawing on the hexameter epistles of Horace and the lyrics of Catullus and writing Horatian material in praise of Alessandro Farnese, governor of the Netherlands for Philip II of Spain, and the Spanish martyr St Laurence. Alexander (elected pope in 1655) like Urban combines secular and religious themes and often uses Horatian frameworks, writing hexameter accounts of some of the journeys he made as a papal diplomat in Germany and an Horatian ode on the fall of the Protestant stronghold of La Rochelle (1628). Leo's poetry was mostly religious and published during his papacy (1878-1903); his Horatian ode on the new millennium of 1900 was widely read, and other works include an elegy which links a shrine of the Virgin with the Battle of Lepanto; an Horatian satire on moderate diet; and hymns to saints which combine early Christian and Horatian forms.
The Neo-Latin Verse of Urban VIII, Alexander VII and Leo XIII: Three Papal Poets from Baroque to Risorgimento (Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies)
by Stephen HarrisonA fascinating insight into the most talented Latin poets to occupy the Papal throne after Pius II Piccolomini in the 15th century, this book offers translations of and commentaries on the major poems of the three popes (all Italians): Urban VIII Barberini, Alexander VII Chigi and Leo XIII Pecci. Their highly accomplished Neo-Latin poems owe much to the major Latin poets and are significant instances of classical reception, but also cast an interesting light on their lives, times and papacies.Urban (elected pope in 1623) published a mixture of secular and religious verse, drawing on the hexameter epistles of Horace and the lyrics of Catullus and writing Horatian material in praise of Alessandro Farnese, governor of the Netherlands for Philip II of Spain, and the Spanish martyr St Laurence. Alexander (elected pope in 1655) like Urban combines secular and religious themes and often uses Horatian frameworks, writing hexameter accounts of some of the journeys he made as a papal diplomat in Germany and an Horatian ode on the fall of the Protestant stronghold of La Rochelle (1628). Leo's poetry was mostly religious and published during his papacy (1878-1903); his Horatian ode on the new millennium of 1900 was widely read, and other works include an elegy which links a shrine of the Virgin with the Battle of Lepanto; an Horatian satire on moderate diet; and hymns to saints which combine early Christian and Horatian forms.
Pink Lemonade (Modern Plays)
by Mika Onyx JohnsonWas the juice worth the squeeze?Just when Mika was starting to feel at home in their own body, they find themselves caught between Simmi who's sweet like sugar but ain't a lesbian and Token Toni who loves a bitta bashment and only dates black and brown butches. How can they catch a break when straight women are like junk food?In Mika Onyx Johnson's Edinburgh Fringe 2019 smash hit Pink Lemonade, original beats collide with poetry and movement to create an explosive autobiographical piece of storytelling. This edition is published to coincide with its transfer to the Bush Theatre, London in September 2021.
Pink Lemonade (Modern Plays)
by Mika Onyx JohnsonWas the juice worth the squeeze?Just when Mika was starting to feel at home in their own body, they find themselves caught between Simmi who's sweet like sugar but ain't a lesbian and Token Toni who loves a bitta bashment and only dates black and brown butches. How can they catch a break when straight women are like junk food?In Mika Onyx Johnson's Edinburgh Fringe 2019 smash hit Pink Lemonade, original beats collide with poetry and movement to create an explosive autobiographical piece of storytelling. This edition is published to coincide with its transfer to the Bush Theatre, London in September 2021.
curious (Modern Plays)
by Jasmine Lee-JonesBeing a woman is blood and gutsIt's intestineFuck florals and ballgownsIt's ballsIt's livers and kidneys and puke and mucusRipping and tearing and shreddingRed stain on linen beddingIt's sheddingJaz is in her second year at drama school. Jaz is tired of performing. Hence her conundrum. But when she stumbles across a piece of forgotten history – her life is changed forever…What does it mean to find yourself? Especially when it seems the world you live in is diametrically set against you doing just that?Set against the sprawling backdrop of urban London across centuries, curious is a frank, funny and moving excavation of the lives of two actresses who are young, Black, queer and trying to find out who they are. It is written and performed by Jasmine Lee-Jones, the winner of Evening Standard Award 2019 and Critics' Circle Theatre Award for Most Promising Playwright for her play seven methods of killing kylie jenner.
curious (Modern Plays)
by Jasmine Lee-JonesBeing a woman is blood and gutsIt's intestineFuck florals and ballgownsIt's ballsIt's livers and kidneys and puke and mucusRipping and tearing and shreddingRed stain on linen beddingIt's sheddingJaz is in her second year at drama school. Jaz is tired of performing. Hence her conundrum. But when she stumbles across a piece of forgotten history – her life is changed forever…What does it mean to find yourself? Especially when it seems the world you live in is diametrically set against you doing just that?Set against the sprawling backdrop of urban London across centuries, curious is a frank, funny and moving excavation of the lives of two actresses who are young, Black, queer and trying to find out who they are. It is written and performed by Jasmine Lee-Jones, the winner of Evening Standard Award 2019 and Critics' Circle Theatre Award for Most Promising Playwright for her play seven methods of killing kylie jenner.