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Popular Music Scenes and Cultural Memory (Pop Music, Culture and Identity)
by Andy Bennett Ian RogersThis volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.
Literary Taste: How to Form It / With Detailed Instructions for Collecting a Complete Library of English Literature
by Arnold BennettAt the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a high entertainment, or of their inability to ride a horse if suddenly called upon to do so. There are certain things that a man ought to know, or to know about, and literature is one of them :such is their idea.
The Defective Art of Poetry: Sappho to Yeats
by B. BennettTreating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis.
Transatlantic Spiritualism and Nineteenth-Century American Literature
by B. BennettThis book asks about the cultural and political meanings of spiritualism in the Nineteenth century United States. In order to re-assess both transatlantic spiritualism and the culture in which it emerged, Bennet locates spiritualism within a highly technologized transatlantic capitalist culture.
Lives of the Great Romantics, Part III
by Betty T BennettThis volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
Word of Mouth: Gossip and American Poetry (Hopkins Studies in Modernism)
by Chad BennettCan the art of gossip help us to better understand modern and contemporary poetry? Gossip;€™s ostensible frivolity may seem at odds with common conceptions of poetry as serious, solitary expression. But in Word of Mouth, Chad Bennett explores the dynamic relationship between gossip and American poetry, uncovering the unexpected ways that the history of the modern lyric intertwines with histories of sexuality in the twentieth century. Through nuanced readings of Gertrude Stein, Langston Hughes, Frank O;€™Hara, and James Merrill;¢;‚¬;€?poets who famously absorbed and adapted the loose talk that swirled about them and their work;¢;‚¬;€?Bennett demonstrates how gossip became a vehicle for alternative modes of poetic practice. By attending to gossip;€™s key role in modern and contemporary poetry, he recognizes the unpredictable ways that conventional understandings of the modern lyric poem have been shaped by, and afforded a uniquely suitable space for, the expression of queer sensibilities.Evincing an ear for good gossip, Bennett presents new and illuminating queer contexts for the influential poetry of these four culturally diverse poets. Word of Mouth establishes poetry as a neglected archive for our thinking about gossip and contributes a crucial queer perspective to current lyric studies and its renewed scholarly debate over the status and uses of the lyric genre.
Word of Mouth: Gossip and American Poetry (Hopkins Studies in Modernism)
by Chad BennettCan the art of gossip help us to better understand modern and contemporary poetry? Gossip;€™s ostensible frivolity may seem at odds with common conceptions of poetry as serious, solitary expression. But in Word of Mouth, Chad Bennett explores the dynamic relationship between gossip and American poetry, uncovering the unexpected ways that the history of the modern lyric intertwines with histories of sexuality in the twentieth century. Through nuanced readings of Gertrude Stein, Langston Hughes, Frank O;€™Hara, and James Merrill;¢;‚¬;€?poets who famously absorbed and adapted the loose talk that swirled about them and their work;¢;‚¬;€?Bennett demonstrates how gossip became a vehicle for alternative modes of poetic practice. By attending to gossip;€™s key role in modern and contemporary poetry, he recognizes the unpredictable ways that conventional understandings of the modern lyric poem have been shaped by, and afforded a uniquely suitable space for, the expression of queer sensibilities.Evincing an ear for good gossip, Bennett presents new and illuminating queer contexts for the influential poetry of these four culturally diverse poets. Word of Mouth establishes poetry as a neglected archive for our thinking about gossip and contributes a crucial queer perspective to current lyric studies and its renewed scholarly debate over the status and uses of the lyric genre.
Islam as Imagined in Eighteenth and Nineteenth Century English Literature (Routledge Interdisciplinary Perspectives on Literature)
by Clinton BennettSince medieval times, English literature has often demonized Muslims. The term ‘Islamophobia’ is recent, but the phenomenon is old. This survey of literature focusing on the modern period up to 1914 identifies negative ideas about Islam in novels and plays. Some works are iconic, some more obscure. However, the book highlights writers who challenged stereotypes and tended to see Muslims as equally capable of virtue and vice as Christians and others. The book deals with the role of the imagination in depicting others and how this serves authors’ agendas. The conclusion brings the book’s thesis into dialogue with the debate in the USA today between supporters of multiculturalism and its critics. Anyone interested in how stereotypes are formed, perpetuated and can be challenged will profit from this book. It is aimed at a non-specialist readership.
Islam as Imagined in Eighteenth and Nineteenth Century English Literature (Routledge Interdisciplinary Perspectives on Literature)
by Clinton BennettSince medieval times, English literature has often demonized Muslims. The term ‘Islamophobia’ is recent, but the phenomenon is old. This survey of literature focusing on the modern period up to 1914 identifies negative ideas about Islam in novels and plays. Some works are iconic, some more obscure. However, the book highlights writers who challenged stereotypes and tended to see Muslims as equally capable of virtue and vice as Christians and others. The book deals with the role of the imagination in depicting others and how this serves authors’ agendas. The conclusion brings the book’s thesis into dialogue with the debate in the USA today between supporters of multiculturalism and its critics. Anyone interested in how stereotypes are formed, perpetuated and can be challenged will profit from this book. It is aimed at a non-specialist readership.
Readers Theatre for Global Explorers (Readers Theatre)
by Doraine BennettThis exciting compilation of readers theatre scripts for the 4th to 8th grade social studies classroom brings history to life via the adventures of explorers across the globe.Throughout history, powerful kings and queens have sent their emissaries on quests for land and wealth to expand their empires. But what about those emissaries? A man who ventures to sail into uncharted seas, knowing he may never return. A woman who disguises herself and walks into forbidden lands. What gave them the courage and the strength to face many daunting challenges? How did they feel during the worst and best times in their adventures?Readers Theatre for Global Explorers gives social studies teachers and school librarians a tool to introduce students to the determined men and women who ventured into unknown territory. This collection of short scripts for 4th–8th grade students teaches about explorers, their native cultures, and the lands they found. Just as importantly, they make learning fun.
Contemporary Legend: A Reader
by Gillian Bennett Paul SmithFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Contemporary Legend: A Reader
by Gillian Bennett Paul SmithFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Time and Intimacy: A New Science of Personal Relationships (LEA's Series on Personal Relationships)
by Joel B. BennettThere is a mysterious connection between our experiences of intimacy--of love, the longing to feel connected, and sexual embrace--and the human sense of time--eternity, impermanence, and rhythm. In this critical analysis of the time-intimacy equation, Bennett shows how the scientific study of personal relationships can address this mystery. As a study of transpersonal science, this book points to the possible evolution of intimacy and of our consciousness of time, and how the two evolutionary paths weave together. Dr. Bennett draws from a wide array of resources to advance and marry two compelling themes: first, the social and clinical science of personal relationships should integrate the spiritual or transpersonal dimension of intimacy, and second, science can contribute to lay understandings by describing the richly temporal aspects of relationships. In blending popular literature, transpersonal psychology, and scientific research and theory, this work also attempts to address the lack of dialogue between academics who study personal intimacy and those writers in the popular press who give advice and guidelines for building intimacy. Time and Intimacy is written for a broad audience, intended for those with a general interest in relationships, as well as for students, counselors, and psychologists. It can be used as a text in courses on personal relationships, as well as to supplement courses in humanistic psychology, transpersonal psychology, interpersonal communication, relationships, marital and family counseling, human relations, and related areas. Because it advances an interdisciplinary understanding of personal relationships, this book is certain to challenge prevailing views about the meaning of intimacy in both the academic and popular literatures.
Time and Intimacy: A New Science of Personal Relationships (LEA's Series on Personal Relationships)
by Joel B. BennettThere is a mysterious connection between our experiences of intimacy--of love, the longing to feel connected, and sexual embrace--and the human sense of time--eternity, impermanence, and rhythm. In this critical analysis of the time-intimacy equation, Bennett shows how the scientific study of personal relationships can address this mystery. As a study of transpersonal science, this book points to the possible evolution of intimacy and of our consciousness of time, and how the two evolutionary paths weave together. Dr. Bennett draws from a wide array of resources to advance and marry two compelling themes: first, the social and clinical science of personal relationships should integrate the spiritual or transpersonal dimension of intimacy, and second, science can contribute to lay understandings by describing the richly temporal aspects of relationships. In blending popular literature, transpersonal psychology, and scientific research and theory, this work also attempts to address the lack of dialogue between academics who study personal intimacy and those writers in the popular press who give advice and guidelines for building intimacy. Time and Intimacy is written for a broad audience, intended for those with a general interest in relationships, as well as for students, counselors, and psychologists. It can be used as a text in courses on personal relationships, as well as to supplement courses in humanistic psychology, transpersonal psychology, interpersonal communication, relationships, marital and family counseling, human relations, and related areas. Because it advances an interdisciplinary understanding of personal relationships, this book is certain to challenge prevailing views about the meaning of intimacy in both the academic and popular literatures.
Being Property Once Myself: Blackness and the End of Man
by Joshua BennettA prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal. Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.
The Semiperiphery of Academic Writing: Discourses, Communities and Practices
by Karen BennettWith researchers around the world are under increasing pressure to publish in high-profile international journals, this book explores some of the issues affecting authors on the semiperiphery, who often find themselves torn between conflicting academic cultures and discourses.
Hybrid Englishes and the Challenges of and for Translation: Identity, Mobility and Language Change (Routledge Advances in Translation and Interpreting Studies)
by Karen Bennett Rita Queiroz De BarrosThis volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.
Hybrid Englishes and the Challenges of and for Translation: Identity, Mobility and Language Change (Routledge Advances in Translation and Interpreting Studies)
by Karen Bennett Rita Queiroz de BarrosThis volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.
Cornerstones for Writing: Year 2 pupil book (PDF)
by Leonie Bennett Chris BucktonBy placing an emphasis on modelling, Cornerstones for Writing Year 2 Pupils Book equips pupils with essential writing skills and ensures that they are confident in contructing their own texts. And by offering a rich variety of differentiated activities, with clear progression, Cornerstones for Writing provides real inspiration. Equips children with essential writing skills and provides real inspiration.
Narrating the Past through Theatre: Four Crucial Texts
by M. BennettThis cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences.
Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter
by M. BennettFifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism
by M. BennettIn this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.
Between the Lines: A Philosophy of Theatre
by Michael Y. BennettIn Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text. Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
Between the Lines: A Philosophy of Theatre
by Michael Y. BennettIn Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text. Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
Edward Albee's Who's Afraid of Virginia Woolf? (The Fourth Wall)
by Michael Y. BennettEdward Albee’s Who’s Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object—the nonexistent "son"—that upends the audience’s sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new." As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O’Neill, Wilder, Miller, Williams, and Albee.