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Out of Reach: The Poetry of Philip Larkin
by Andrew SwarbrickThis detailed study of Larkin's poetry, the first to take account of recent biographical and archival material, offers new insights into Larkin's development as a poet and a fresh assessment of his achievement. Focusing on Larkin's separately published volumes within the framework of the Collected Poems, this analysis of Larkin's practice and controversial status presents a poet more fundamentally challenging than often supposed. This book will appeal to the specialist, student and general reader alike.
Beyond East and West: A Story of Civilization through the Great Epics
by Suchethana SwaroopThis volume is a cross-cultural study of the evolution of civilisation. Drawing its material and inspiration from literature and culture, it looks at the achievements of humankind as a single imaginative experience. The book examines how traditions of poetry and literature have shaped cultures, societies and civilisations, and their inter-relatedness. Analysing stereotypes in Asia and Europe, the author raises questions fundamental to our perceptions of culture, democracy, and language. He throws light on dominant languages and languages cast aside by the tides of history, and attributes the status of English as a 'world language' to ideas propagated in the great epics of the West — particularly Roman — and the poetic heritage shaped by them. Discussing the fallout of that dream on other cultures and ‘non-technical’ languages of the world, this book investigates questions of legitimacy and desirability of a single language or culture becoming universal. A sensitive and nuanced work, it promises a good read for general readers as well as researchers interested in world literature, comparative literature, sociology and cultural studies, in the interaction between science and art, and in the forces that shape the world order.
Beyond East and West: A Story of Civilization through the Great Epics
by Suchethana SwaroopThis volume is a cross-cultural study of the evolution of civilisation. Drawing its material and inspiration from literature and culture, it looks at the achievements of humankind as a single imaginative experience. The book examines how traditions of poetry and literature have shaped cultures, societies and civilisations, and their inter-relatedness. Analysing stereotypes in Asia and Europe, the author raises questions fundamental to our perceptions of culture, democracy, and language. He throws light on dominant languages and languages cast aside by the tides of history, and attributes the status of English as a 'world language' to ideas propagated in the great epics of the West — particularly Roman — and the poetic heritage shaped by them. Discussing the fallout of that dream on other cultures and ‘non-technical’ languages of the world, this book investigates questions of legitimacy and desirability of a single language or culture becoming universal. A sensitive and nuanced work, it promises a good read for general readers as well as researchers interested in world literature, comparative literature, sociology and cultural studies, in the interaction between science and art, and in the forces that shape the world order.
Perspectives on Aspect (Studies in Theoretical Psycholinguistics #32)
by Henriette De Swart Angeliek Van Hout Henk J. VerkuylThis book offers both a retrospective view on how theories of aspectuality have developed over the past 30 years, and presents current, new directions of aspectuality research. The articles in this book take a wide crosslinguistic scope including aspectual analyses of the following languages: English and two varieties of English: African American English and Colloquial Singapore English, Italian, French, Bulgarian, Czech, Mandarin Chinese, West-Greenlandic, Wakashan languages, and Nahk-Daghestanian languages.
Wicked, Incomplete, and Uncertain: User Support in the Wild and the Role of Technical Communication
by Jason SwartsTechnology users are compulsive integrators, hybridizers, and bricoleurs, whose unpredictable applications and innovations create a challenging task for support-documentation writers. In Wicked, Incomplete, and Uncertain, Jason Swarts shows how to document technologies that may hybridize into forms that not even their designers would have anticipated and offers insight into the evolving role of a technical writer in an age of increasing user reliance on YouTube tutorials, message boards, and other resources for guidance. Technical writers traditionally create large volumes of idealized tasks and procedures in help documentation, but this is no longer the only approach, or even the best approach. Shifting responsibility for user support to users via crowdsourcing is a risky alternative. Just as with other mass-collaborative enterprises, contributors to a forum may not be aware of the kind of knowledge they are creating or how their contributions connect with those made by others. Wicked, Incomplete, and Uncertain describes the kinds of writing and help practices in which user forums engage, why users seem to find these forums credible and appealing, and what companies can learn about building user communities to support this form of assistance. Through investigation of user-forum activities, Swarts identifies a new set of contributions that technical communicators can make—not only by creating content but also by curating content, shaping conversations, feeding information back into the user community, and opening channels of discovery and knowledge creation that can speak to users and software developers alike
Understanding Digital Cinema: A Professional Handbook
by Charles S. SwartzUNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamentals of compression * Security* Basics of audio * Digital distribution* Digital projection technology* Theater systems* The international perspective: Views from Europe, Asia and Latin America* A realistic assessment of the future of digital cinemaWith contributions by:Richard Crudo, President, American Society of CinematographersLeon Silverman, Executive Vice President, Laser Pacific Media CorporationCharles Poynton, Color ScientistChris Carey, Senior Vice President, Studio New Technology, The Walt Disney StudiosBob Lambert, Corporate Senior Vice President New Technology & New Media,The Walt Disney CompanyBill Kinder, Pixar Animation StudiosGlenn Kennel, DLP CinemaPeter Symes, Manager, Advanced Technology, Thomson Broadcast & Media SolutionsRobert Schumann, President, Cinea, Inc., A Subsidiary of Dolby LabsDavid Gray, Vice President, Production Services, Dolby Laboratories, Inc.Darcy Antonellis, Executive Vice President, Distribution and Technology OperationsWarner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc.Matt Cowan, Principal and Founder, Entertainment Technology ConsultantsLoren Nielsen, Principal and Founder, Entertainment Technology ConsultantsMichael Karagosian, Partner, Karagosian MacCalla Partners (KMP)Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd.Patrick Von Sychowski, Senior Analyst, Screen DigestWendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc.
Understanding Digital Cinema: A Professional Handbook
by Charles S. SwartzUNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamentals of compression * Security* Basics of audio * Digital distribution* Digital projection technology* Theater systems* The international perspective: Views from Europe, Asia and Latin America* A realistic assessment of the future of digital cinemaWith contributions by:Richard Crudo, President, American Society of CinematographersLeon Silverman, Executive Vice President, Laser Pacific Media CorporationCharles Poynton, Color ScientistChris Carey, Senior Vice President, Studio New Technology, The Walt Disney StudiosBob Lambert, Corporate Senior Vice President New Technology & New Media,The Walt Disney CompanyBill Kinder, Pixar Animation StudiosGlenn Kennel, DLP CinemaPeter Symes, Manager, Advanced Technology, Thomson Broadcast & Media SolutionsRobert Schumann, President, Cinea, Inc., A Subsidiary of Dolby LabsDavid Gray, Vice President, Production Services, Dolby Laboratories, Inc.Darcy Antonellis, Executive Vice President, Distribution and Technology OperationsWarner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc.Matt Cowan, Principal and Founder, Entertainment Technology ConsultantsLoren Nielsen, Principal and Founder, Entertainment Technology ConsultantsMichael Karagosian, Partner, Karagosian MacCalla Partners (KMP)Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd.Patrick Von Sychowski, Senior Analyst, Screen DigestWendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc.
Social Justice and Communication Scholarship (Routledge Communication Series)
by Omar SwartzSocial Justice and Communication Scholarship explores the role of communication in framing and contributing to issues of social justice. This collection, a first on the subject of communication and social justice, investigates the theoretical and practical ways in which communication scholarship can enable inclusive and equitable communities within American society. It analyzes ways in which to construct communities that protect individual freedom while ensuring equality and dignity to everyone. In this unique anthology, Swartz brings together both senior scholars and junior colleagues to represent diverse applications of communication to issues of social justice. He supports partisan scholarship in order to revitalize intellectual activity and social commitment toward creating a progressive society. As a result; the volume serves the heuristic function of posing new research questions. In addition to its relevance within the field of communication, Social Justice and Communication Scholarship will be of interest in many of the humanities and social sciences, as research on the theme of social justice transcends disciplinary boundaries. The volume is particularly well suited for use in undergraduate and graduate courses in communication, rhetoric and composition, journalism, American studies, and cultural studies.
Social Justice and Communication Scholarship (Routledge Communication Series)
by Omar SwartzSocial Justice and Communication Scholarship explores the role of communication in framing and contributing to issues of social justice. This collection, a first on the subject of communication and social justice, investigates the theoretical and practical ways in which communication scholarship can enable inclusive and equitable communities within American society. It analyzes ways in which to construct communities that protect individual freedom while ensuring equality and dignity to everyone. In this unique anthology, Swartz brings together both senior scholars and junior colleagues to represent diverse applications of communication to issues of social justice. He supports partisan scholarship in order to revitalize intellectual activity and social commitment toward creating a progressive society. As a result; the volume serves the heuristic function of posing new research questions. In addition to its relevance within the field of communication, Social Justice and Communication Scholarship will be of interest in many of the humanities and social sciences, as research on the theme of social justice transcends disciplinary boundaries. The volume is particularly well suited for use in undergraduate and graduate courses in communication, rhetoric and composition, journalism, American studies, and cultural studies.
The New Normal: Trauma, Biopolitics and Visuality after 9/11
by SwatieThe New Normal explores the relation between the subject and the state after the events of 9/11 that left the world stunned. It looks at this relation through the lens of trauma for the mind, biopolitics for the body and visuality for the body politic. This interpretive frame helps examine how the 9/11 violence created a moment where the mind, body and body politiccould be redefined after 9/11. In an important theoretical intervention into 21st-century American Studies, it asks what the relation between the state and those it expels from its citizenry is. It makes a special mention of sites of incarceration such as Guantanamo Bay and Abu Ghraib as 9/11 phenomena. While referring to sources as diverse as 9/11 poetry, political and presidential speeches, journalistic accounts, atrocity photographs, and theories of trauma, biopolitics and visuality, the book argues for the presence of a new normal.
A Victorian Art of Fiction: Essays on the Novel in British Periodicals 1870-1900
by William H. Swatos Jr.First published in 1979, this collection of thirty-nine essays on the novel drawn from seventeen periodicals demonstrates the primary concerns of those discussing the nature and purpose of prose fiction in the period from 1870 to 1900. The essays reflect what was thought and said about the art of fiction and reveal what journalists of these periodicals thought were the most urgent critical concerns facing the working reviewer. Including an introduction which assesses the issues raised by the best periodicals at the time, this anthology is designed to provide students of Victorian fiction and critical theory with a collection of essays on the art of fiction in a convenient and durable form.
Rhetoric and Irony: Western Literacy and Western Lies
by C. Jan SwearingenThis pathbreaking study integrates the histories of rhetoric, literacy, and literary aesthetics up to the time of Augustine, focusing on Western concepts of rhetoric as dissembling and of language as deceptive that Swearingen argues have received curiously prominent emphasis in Western aesthetics and language theory. Swearingen reverses the traditional focus on rhetoric as an oral agonistic genre and examines it instead as a paradigm for literate discourse. She proposes that rhetoric and literacy have in the West disseminated the interrelated notions that through learning rhetoric individuals can learn to manipulate language and others; that language is an unreliable, manipulable, and contingent vehicle of thought, meaning, and communication; and that literature is a body of pretty lies and beguiling fictions. In a bold concluding chapter Swearingen aligns her thesis concerning early Western literacy and rhetoric with contemporary critical and rhetorical theory; with feminist studies in language, psychology, and culture; and with studies of literacy in multi- and cross-cultural settings.
Rhetoric, the Polis, and the Global Village: Selected Papers From the 1998 Thirtieth Anniversary Rhetoric Society of America Conference
by C. Jan Swearingen David S. KauferRhetoric, the Polis, and the Global Village represents current thought on the role of rhetoric in various disciplines, and includes such diverse topics as race, technology, and religion, demonstrating the expanding relevance of rhetoric in today's world. The essays included in this volume address the question of the polis in ancient and modern times, gradually converging with the more recent 30-year span between the decade of the Global Village and today's rhetorical rehearsals for a political global economy. Originating from the 1998 Rhetoric Society of America's biennial conference, and representing the 30-year anniversary of the organization, this volume offers to all readers the keynote lectures and selected papers celebrating the universality of rhetoric across cultures. As a benchmark for the scholarship and growth of the rhetoric discipline in recent history, it will be of great interest to scholars in classical and contemporary rhetoric, writing, and other fields in which rhetoric has attained critical significance and influence.
Rhetoric, the Polis, and the Global Village: Selected Papers From the 1998 Thirtieth Anniversary Rhetoric Society of America Conference
by C. Jan Swearingen David S. KauferRhetoric, the Polis, and the Global Village represents current thought on the role of rhetoric in various disciplines, and includes such diverse topics as race, technology, and religion, demonstrating the expanding relevance of rhetoric in today's world. The essays included in this volume address the question of the polis in ancient and modern times, gradually converging with the more recent 30-year span between the decade of the Global Village and today's rhetorical rehearsals for a political global economy. Originating from the 1998 Rhetoric Society of America's biennial conference, and representing the 30-year anniversary of the organization, this volume offers to all readers the keynote lectures and selected papers celebrating the universality of rhetoric across cultures. As a benchmark for the scholarship and growth of the rhetoric discipline in recent history, it will be of great interest to scholars in classical and contemporary rhetoric, writing, and other fields in which rhetoric has attained critical significance and influence.
Performing the Body in Irish Theatre
by B. SweeneyThis title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.
Michel Houellebecq and the Literature of Despair
by Carole SweeneyWidely acknowledged as an important, if highly controversial, figure in contemporary literature, French novelist and poet Michel Houellebecq has elicited diverse critical responses.In this book Carole Sweeney examines his novels as a response to the advance of neoliberalism into all areas of affective human life. This historicizing study argues that le monde houellebecquien is an 'atomised society' of banal quotidian alienation populated by quietly resentful men who are the botched subjects of late-capitalism. Addressing Houellebecq's handling of the 'failure' of the radical thought of '68, Sweeney looks at the ways in which his fiction treats feminism, the decline of religion and the family, as well asthe obsolescence of French 'theory' and the Sartrean notion of 'engaged' literature. Reading the world with the disappointed idealism of a contemporary moralist, Houellebecq's novels, Sweeney argues, fluctuate between despair for the world as it is and a limp utopian hope for a post-humanity.
Michel Houellebecq and the Literature of Despair (Continuum Literary Studies)
by Carole SweeneyWidely acknowledged as an important, if highly controversial, figure in contemporary literature, French novelist and poet Michel Houellebecq has elicited diverse critical responses.In this book Carole Sweeney examines his novels as a response to the advance of neoliberalism into all areas of affective human life. This historicizing study argues that le monde houellebecquien is an 'atomised society' of banal quotidian alienation populated by quietly resentful men who are the botched subjects of late-capitalism. Addressing Houellebecq's handling of the 'failure' of the radical thought of '68, Sweeney looks at the ways in which his fiction treats feminism, the decline of religion and the family, as well asthe obsolescence of French 'theory' and the Sartrean notion of 'engaged' literature. Reading the world with the disappointed idealism of a contemporary moralist, Houellebecq's novels, Sweeney argues, fluctuate between despair for the world as it is and a limp utopian hope for a post-humanity.
Oxford Reading Tree, Level 15, TreeTops Graphic Novels: Riches of the Amazon (2014 edition) (PDF)
by Christopher SweeneyBook band 14 dark blue. Oxford level 15. In Riches of the Amazon Justin can't wait to go to the carnival in Rio de Janeiro! But when his mother is called to the rainforest on business, their holiday plans are put on hold. As Justin explores the Amazon rainforest he finds that it is anything but dull. . . TreeTops Graphic Novels bring historical periods to life. These 24 action-packed graphic novels combine fiction and non-fiction texts in the one theme - from Vikings to gladiators and pirates to code-breakers. Non-fiction pages throughout give context and add depth to the stories to support comprehension. A different kind of reading challenge to engage your readers, especially the boys. Short captions of text, closely linked to the pictures, are perfect for second-language learners. Incredible stories are woven around amazing characters and events, exciting themes and stunning artwork to engage both independent and reluctant readers. Cross-curricular topics in history and geography stimulate discussion and inspire creative writing. Alternate ISBN 9781554487493
Logic, Theology and Poetry in Boethius, Anselm, Abelard, and Alan of Lille: Words in the Absence of Things (The New Middle Ages)
by E. SweeneyThis interdisciplinary study offers an interpretation of the major logical, philosophical/theological and poetic writings of Boethius, Abelard and Alan of Lille. The author examines their theories of language and the ways in which they explore how words illuminate things, how the mind comprehends God and how the individual reaches beatitude.
Afromodernisms: Paris, Harlem and the Avant-Garde
by Fionnghuala Sweeney Kate MarshPersuasively argues for a black Atlantic literary renaissance and its impact on modernist studies These 9 new chapters stretch current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers and intellectuals as key actors and core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the early twentieth century. This is the first book-length publication to explore the term 'Afromodernisms' and the first study to address together the fields of modernism and the black Atlantic. Key Features: Sets a new agenda for the study of blackness and modernism Opening essay from Tyler Stovall on Black Modernism and an Afterword from Bill Lawson Identifies key locations of modernism: Harlem, Paris and the Caribbean Addresses the question of gender, often overlooked in black Atlantic scholarship
Afromodernisms: Paris, Harlem and the Avant-Garde
by Fionnghuala Sweeney Kate MarshThis book stretches and challenges current canonical configurations of modernism by considering the centrality of black artists, writers and intellectuals as core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century.
Black Moon (Cape Poetry Ser.)
by Matthew SweeneyNegotiating the borders and hinterlands of Central and Eastern Europe - with occasional coracle trips or forays to Antarctica for a round of golf - the homesick flaneur surveys the surrounding devastation with the same mixture of fascination and alarm he feels when he discovers the sweat-mark on his T-shirt makes a perfect map of Ireland. All around, he sees natural and man-made catastrophe: the ruins and remnants of war peopled by kidnappers and assassins, feral dogs, death squads, the dispossessed and deracinated. These poems are parables of threat, parties for the end of the world; they speak eloquently of damage, displacement and the resulting swell of terror: 'I looked back at the door heard the lock click, then beyondanother lock, then another.'
Sanctuary (Cape Poetry Ser.)
by Matthew SweeneyIn this, Matthew Sweeney's eighth full-length collection, the disarming fabulist and mythmaker steps out on his own into fresh territory. These are poems from a mapless journey through the backwaters of Europe and the New World - imbued, as always, with the strange, unerring logic of dream, but carrying now a new, fugitive, lyrical note. The sanctuary of the title is fragile and hard-won, and the complexities of the emotional life are written into the architecture of the physical, making for a poetry that is both vulnerable and disturbing. Celebrated for his ability to blend the simple terror of folklore with the more sophisticated anxieties of Kafka and the contemporary, Sweeney moves through this book like a revenant - past monkeys dressed as doormen, through ice-hotels and showers of human hair, towards a scaffold or a lover. Obliquely sinister and wryly engaging, full of fright and grim hilarity, these are rootless poems - unsettled and unsettling, and very far from home.A Poetry Book Society Recommendation.
Selected Poems: Selected Poems
by Matthew SweeneyRepresenting the best of ten books and twenty years' work, Matthew Sweeney's Selected Poems is a magical mystery tour into his strange, unsettling world. Readers familiar with his poetry will be used to being led astray by his cordial, confiding wit, ambushed by his sinister twists, taken in by his intimate, untrustworthy narrators. Those who are coming to the work for the first time may feel a measure of alarm and disquiet at the way the poems shift - almost without your noticing - from a fireside chat to a tale of terror, from the commonplace to the hallucinatory, from the surprisingly real to the really surprising. These are the secret, spiky narratives from the arch story-teller, the mixer of hilarity and menace, the past-master of fractured realism. The world would be a poorer place without these oblique but oddly lucid poems from Matthew Sweeney's haunted imagination.