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The Urewera Notebook by Katherine Mansfield
by Katherine Mansfield Anna PlumridgeAn authoritative scholarly edition of Mansfield’s camping journal, offering new understandings of her colonial life Katherine Mansfield filled the first half of the Urewera Notebook during a 1907 camping tour of the central North Island, shortly before she left New Zealand forever. Her camping notes offer a rare insight into her attitude to her country of birth, not in retrospective fiction but as a nineteen year old still living in the colony. This publication is theirst scholarly edition of the Urewera Notebook, providing an original transcription, a collation of the alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey. As a whole, this edition challenges the debate that has focused on Mansfield’s happiness or dissatisfaction throughout her last year in New Zealand to reveal a young writer closely observing aspects of a country hitherto beyond her experience and forming a complex critique of her colonial homeland. Key Features: A new, more accurate transcription of the notebook Textual notes provide significant variant readings from other extant editions of the notebook An introductory essay draws on important new developments in New Zealand literary criticism, advances in historiography of the period and legal history Includes a route map, revised itinerary and authoritative annotation for the text Includes 20 photographs, many previously unpublished, from Beauchamp family photograph albums at the Alexander Turnbull Library and Ebbett Papers at the Hawke’s Bay Museum
The Edinburgh Critical History of Nineteenth-Century Christian Theology
by Daniel WhistlerBridges the gap between Plutarch Studies and Achaemenid Studies through analysis of key texts
Love Among the Archives: Writing the Lives of George Scharf, Victorian Bachelor
by Helena Michie Robyn WarholTwo Literary Critics Romancing the Archive at London’s National Portrait Gallery. Part biography, part detective novel, part love story, and part meditation on archival research,　Love Among the Archives　is an experiment in writing a life. This is the story of two literary critics’　attempts to track down Sir George Scharf, the founding director of the National Portrait Gallery in London, famous in his day and strangely obscure in our own. After discovering Scharf’s scrapbook of menus and invitations from England’s most stately homes, the authors began their adventures in the archives of London, searching Scharf’s diaries, sketchbooks, and letters for traces of the man who so loved dining out. Addicted to Victorian novels, the authors looked for a marriage plot, but found Scharf’s passionate attachment to a younger man who had hidden from him a secret engagement; they looked for a Bildungsroman, but found that Scharf never left his beloved mother.　Always short of money, self-educated, talented, irascible, gregarious, prolific, and snobbish, this son of a poor immigrant artist was to become the right-hand man of an earl he called　“my best friend.†?　The written record of his nightmares, debts, gifts, and dinner parties　comes together to produce a rich Victorian character whose personal and professional lives challenge what we think we know about sex, class, and profession in his time. Helena Michie is Agnes Cullen Arnold Professor in Humanities and Professor of English at Rice University.　 She is the author of Victorian Honeymoons: Journeys to the Conjugal (2006), Sororophobia: Differences Among Women in Literature and Culture (1991) and The Flesh Made Word: Female Figures and Women’s Bodies (1987) and co-editor with Ronald Thomas of Nineteenth-Century Geographies: From the Victorian Age to the American Century (2002). Robyn Warhol is Arts and Humanities Distinguished Professor of English at the Ohio State University, where she is a core faculty member of Project Narrative.　 She is the author of Having a Good Cry: Effeminate Feelings and Pop Culture Forms (2003) and Gendered Interventions: Narrative Discourse in the Victorian Novel (1989) and co-editor with Susan S. Lanser of Narrative Theory Unbound: Queer and Feminist Interventions (2015).
Islands (Modern Plays)
by Caroline HortonThis is my world, I am the king, I make the rules and everyone else can go to hell. This is off-shore.Oxfam estimate that there is $18.5 trillion siphoned out of the world economy into tax havens by wealthy individuals alone. Christian Aid has calculated that 1,000 children die every day as a result of tax evasion. This is not just a political or social challenge: this is a matter of human rights.Islands is an illuminating, absurd and powerful new show about tax havens, little empires, enormous greed, and the few who have it all. Hilarious and unnerving, this ink-black comedy with music plunges you into a monstrous, secretive world where it really seems that no-one has to pay…. for anything. Head off-shore and frolic with those who have it all worked out as they feed their addiction to wealth, power and material stuff.The play received its world premiere at the Bush Theatre, London, on 15 January 2015.
City Stories (Modern Plays)
by James PhillipsWhat happens when someone tells you that you're the answer to the riddle of life? What happens when a stranger in Starbucks gives you something that will change your world forever? What happens if the world starts to fall asleep, hour by hour?City Stories is a new type of cabaret drama, a sequence of interwoven love stories, and a love-letter to London. Composed up of five discrete yet interwoven stories, each taking the form of a monologue or duologue, and performed with specifically composed songs, City Stories looks at a variety of experiences of love and loss via a range of people living in the UK's capital. Elegantly written and beautifully constructed, these pieces look at the varieties of love and how it might save us, showing James Phillips's writing at his very best. City Stories received its world premiere at St James's Theatre, London, in 2013 and has since gone on to establish a year-long residency at the theatre.
Julius Caesar's Self-Created Image and Its Dramatic Afterlife (Bloomsbury Studies in Classical Reception)
by Miryana DimitrovaThe book explores the extent to which aspects of Julius Caesar's self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century. Caesar, in his own words, constructs his image as a supreme commander characterised by exceptional celerity and mercifulness; he is also defined by the heightened sense of self-dramatization achieved by the self-referential use of the third person and emerges as a quasi-divine hero inhabiting a literary-historical reality. Channelled through Lucan's epic Bellum Civile and ancient historiography, these Caesarean qualities reach drama and take the shape of ambivalent hubris, political role-playing, self-institutionalization, and an exceptional relationship with temporality.Focusing on major dramatic texts with rich performance history, such as Shakespeare's Julius Caesar, Handel's opera Giulio Cesare in Egitto and Bernard Shaw's Caesar and Cleopatra but also a number of lesser known early modern plays, the book encompasses different levels of drama's active engagement with the process of reception of Caesar's iconic and controversial personality.
Euripides: A Satyr Play (Companions to Greek and Roman Tragedy)
by Carl A. ShawWith its ribald chorus of ithyphallic, half-man / half-horse creatures, satyr drama was a peculiar part of the Athenian theatrical experience. Performed three times each year after a trilogy of tragedies, it was an integral part of the 5th- and 4th-century City Dionysia, a large festival in honour of the god Dionysus. Euripides: Cyclops is the first book-length study of this fascinating genre's only complete, extant play, a theatrical version of Odysseus' encounter with the monster Polyphemus. Shaw begins with a look at the history of the genre, following its development from early 6th-century religious processions up to the Hellenistic era. He then offers a comprehensive analysis of the Cyclops' plot and performance, using the text (alongside ancient literary fragments and visual evidence) to determine the original viewing experience: the stage, masks, costumes, actions and emotions. A detailed examination of the text reveals that Euripides associates and distinguishes his version of the story from previous iterations of the myth, especially book nine of Homer's Odyssey. Euripides handles many of the same themes as his predecessors, but he updates the Cyclops for the Athenian stage, adapting his work to reflect and comment upon contemporary religious, philosophical and literary-musical trends.
A Year of Shakespeare: Re-living the World Shakespeare Festival
by Paul Edmondson Paul Prescott Erin SullivanA Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:• a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;• a dynamic visual record through a wide range of production photographs;• incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up…
Shakespeare's Shakespeare: How the Plays Were Made (Shakespeare: Bloomsbury Academic Collections)
by John MeagherIn this work of scholarship and creativity, Meagher argues that Shakespeare has been misunderstood because of a failure to recognize his own directions as a playwright. Through an examination of several of his plays Meagher uncovers Shakespeare as artist, director, and actor.
Two Tragedies: Hector and La Reine d'Escosse (Shakespeare: Bloomsbury Academic Collections)
by Antoine De MontchrestienAntoine de Montchrestien's tragedies have been the object of increased critical attention over the years. This annotated edition makes two of his most interesting plays available – Hector, often recognised as one of the masterpieces of French regular rhetorical tragedy, and La Reine d'Escosse, a showcase of Montchrestien's concept of tragedy.
Shakespeare, Catholicism, and Romance (Shakespeare: Bloomsbury Academic Collections)
by Velma Bourgeois RichmondThis book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.
Shakespeare In The New Europe (Shakespeare: Bloomsbury Academic Collections)
by Boika Sokolova Derek Roper Michael HattawayShakespeare is the national poet of many nations besides his own, though a peculiarly subversive one in both east and west. This volume contains a score of essays by scholars from Britain, Bulgaria, Croatia, Germany, Poland, Romania, Spain, Ukraine and the USA, written to show how the momentous changes of 1989 were mirrored in the way Shakespeare has been interpreted and produced. The collection offers a valuable record of what Shakespeare has meant in the modern world and some pointers to what he may mean in the future.
The Strengths of Shakespeare's Shrew: Essays, Memoirs and Reviews (Shakespeare: Bloomsbury Academic Collections)
by William Empson John HaffendenPassionate, controversial and illuminating – this collection contains Empson's best short pieces on Shakespeare, a sally on George Herbert, a defence of Coleridge, and an eager introduction to a French farce, a group of incomparably witty autobiographical articles, and the text to his extraordinary Inaugural Lecture as Professor of English Literature at Sheffield University.
Shakespeare For All: An Account of the RSA ‘Shakespeare in Schools’ Project (Shakespeare: Bloomsbury Academic Collections)
by Maurice GilmourThis book focuses on teaching Shakespeare to young pupils and deals with issues of interest to all educationalists. It raises questions about the general content of the primary curriculum while underlining the range of teaching strategies which are available to teachers wishing to convey complex ideas to children of all ages and abilities.
Reader in Comedy: An Anthology of Theory and Criticism
by Magda Romanska Alan AckermanThis unique anthology presents a selection of over seventy of the most important historical essays on comedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span it traces the development of comic theory, highlighting the relationships between comedy, politics, economics, philosophy, religion, and other arts and genres. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to the twenty-first century, in which special attention has been paid to writings since the start of the twentieth century.Reader in Comedy is arranged in five sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts from the period:* Antiquity and the Middle Ages* The Renaissance* Restoration to Romanticism* The Industrial Age* The Twentieth and Early Twenty-First CenturiesAmong the many authors included are: Plato, Aristotle, Horace, Donatus, Dante Alighieri, Erasmus, Trissino, Sir Thomas Elyot, Thomas Wilson, Sir Philip Sidney, Ben Jonson, Battista Guarini, Molière, William Congreve, John Dryden, Henry Fielding, Samuel Johnson, Oliver Goldsmith, Jean Paul Richter, William Hazlitt, Charles Lamb, Søren Kierkegaard, Charles Baudelaire, Bernard Shaw, Mark Twain, Henri Bergson, Constance Rourke, Northrop Frye, Jacques Derrida, Mikhail Bakhtin, Georges Bataille, Simon Critchley and Michael North.As the selection demonstrates, from Plato and Aristotle to Henri Bergson and Sigmund Freud, comedy has attracted the attention of serious thinkers. Bringing together diverse theories of comedy from across the ages, the Reader reveals that, far from being peripheral, comedy speaks to the most pragmatic aspects of human life.
Performing Architectures: Projects, Practices, Pedagogies (Methuen Drama Engage)
by Andrew Filmer Juliet RuffordPerforming Architectures offers a coherent introduction to the fields of performance and contemporary architecture, exploring the significance of architecture for performance theory and theatre and performance practice. It maps the diverse relations that exist between these disciplines and demonstrates how their aims, concerns and practices overlap through shared interests in space, action and event. Through a wide range of international examples and contributions from scholars and practitioners, it offers readers an analytical survey of current practices and equips them with the tools for analyzing site-specific and immersive theatre and performance.The essays in this volume, contributed by leading theorists and practitioners from both disciplines, focus on three key sites of encounter:* Projects: examines recent trends in architecture for performance; * Practices: looks at cross-currents in artistic practice, including spatial dramaturgies, performance architectonics and performative architectures; and * Pedagogies: considers the uses of performance in architectural education and architecture in teaching performance.The volume provides an essential introduction to the ways in which performance and architecture, as socio-spatial processes and as things made or constructed, operate as generating, shaping and steering forces in understanding and performing the other.
Scottish Gothic: An Edinburgh Companion (Edinburgh Companions to the Gothic)
by Carol Margaret Davison Monica GermanÃWritten from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors — all specialists in their fields — combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.
Mamet Plays: Duck Variations; Sexual Perversity in Chicago; Squirrels; American Buffalo; The Water Engine; Mr Happiness
by David MametDuck Variations: "A brilliant little play...about two old men sitting on a park bench discussing ducks" (Guardian); Sexual Perversity in Chicago, bar-room banter and sexual exploits in Mamet's home town "sweet sad understanding and utterly believable" (Chicago Daily News); Squirrels is a sequence of philosophising between a younger writer, an older writer and a cleaning lady which "memorably captures the agony of the creative process" (Daily Telegraph); American Buffalo, one of Mamet's most famous plays, is set in a junk shop where Three small-time crooks plot to carry out the midnight robbery of a coin collection - in the hours leading up to the heist, friendship becomes the victim in a conflict between loyalty and business. The Water Engine is "a propulsive, kaleidoscopic nightmare" and Mr Happiness is a short ironic monologue by a Radio DJ commenting on the letters from his listeners.
Mamet Plays: Reunion; Dark Pony; A Life in the Theatre; The Woods; Lakeboat; Edmond
by David Mamet"The finest American playwright of his generation" (Sunday Times)Reunion shows the meeting between a father and daughter after nearly twenty years of separation: "It would be hard to over-praise the way Mr Mamet suggests behind the probing, joshing family chat, an extraordinary sense of pain and loss...although the play has a strong social comment about the destructively cyclical effect of divorce, it is neither sour nor defeatist" (Guardian); In Dark Play, a father tells his five-year-old daughter a story about an Indian boy and his pony "a subtle, lyrical, dreamlike vignette" (Star Tribune); in The Woods, a young man and woman spend the night in a cabin together "a beautifully conceived love story" (Chicago Daily News); Lakeboat portrays eight crew members of a merchant ship exchanging wild fantasies about sex, gambling and violence "Richly overheard talk...loopy, funny construction." (Village Voice); Edmond is an odyssey through the disturbing, suspended dark void of a contemporary New York "it is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions." (Financial Times)
The Style of Sleaze: The American Exploitation Film, 1959 - 1977
by Calum WaddellWhy do so many states adopt a position of non-recognition of gains from war?
Mamet Plays: Glengarry Glen Ross; Prairie du Chien; The Shawl; Speed-the-Plow
by David Mamet"The finest American playwright of his generation" (Sunday Times)Glen Garry Glen Ross (also made in to a film starring Jack Lemmon and Al Pacino) "his superb play about real estate salesmen in a cut-throat sales competition" (New Society); in Prairie du Chien a railway carriage speeding through the Wisconsin night is the setting for a violent story of obsessive jealousy, murder and suicide, told within shooting distance of a card-hustler and his victim. "A short poignant study in violence and the twin drives of love and money, told with hypnotic power thorugh a travelling raconteur" (City Limits); The Shawl shows a clairvoyant wondering whether to cheat a bereaved woman of her inheritance and "confirms Mamet's place as about the best living writer of vivid American dialogue" (Daily Telegraph). Set in the cut-throat world of Hollywood, Speed-the-Plow sees two old-time movie collaborators manipulate the aspirations of a young woman who will do anything to attain her dream of success "a brilliant black comedy, a dazzling dissection of Hollywood cupidity." (Newsweek)
Mamet Plays: Crytogram; Oleanna; the Old Neighborhood
by David MametA collection of outstanding plays from one of America's greatest playwrightsCryptogram: "Mamet's play suggests that deception is an endless spiralling process that eventually corrodes the soul. But it also harps on a theme that runs right throughout Mamet's work: the notion that we use words as a destructive social camouflage to lie to others and ourselves...And here through all the repetitions, half sentences and echoing encounter of one question with another, you feel the characters devalue experience through their use of language. As Del cries in desperation at the end, 'If we could speak the truth for one instant, then we would be free.' Mamet's point is that we are held spiritually captive by our bluster and evasions." (Michael Billington, Guardian)Oleanna: "An exploration of male-femal conflicts which cogently demonstrates that whe free thought and dialogue are imperilled, nobody wins" (Independent) The Old Neighborhood: "Mamet, ranked with Miller, Albee and Shepard as America's finest living playwrights, distills the raw, rank flavour of people wading down streams of consciousness...A play of riveting disquiet" (Evening Standard)
I and The Village (Modern Plays)
by Silva SemerciyanSo maybe I just want to opt out you know? Maybe I don't to be part of the master plan. The big assembly line in the sky.Summer in small-town America. Aimee Stright wants to be Banksy in a town that hates vandals. As outsiders investigate what happened on the day she walked into a church with a gun, it seems Aimee is one against the world and the world wants to know why.Shortlisted for the Bruntwood Playwriting Prize, I And The Village is a coming-of-age story that asks pointed questions about conformity, dissent and America's devotion to guns.The play received its world premiere at Theatre503, London, on 9 June 2015.
Research Methods for Reading Digital Data in the Digital Humanities (Research Methods for the Arts and Humanities)
by Gabriele Griffin Matt HaylerThe first volume to introduce the techniques and methods of reading digital material for research Digital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods. Key features First volume centred on the navigation and interpretation of digital material as research methods in the Humanities Up-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additions Based on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings
Literature Now: Key Terms and Methods for Literary History
by Sascha Bru Ben De BruynIntroduces the most important terms for understanding literature, past and present. Literature Now argues that modern literary history is currently the main site of theoretical and methodological reflection in literary studies. Via 19 key terms, the book takes stock of recent scholarship and demonstrates how analyses of particular historical phenomena have modified our understanding of crucial notions like archive, book, event, media, objects, style and the senses. The book not only reveals a rich diversity of subjects and approaches but also identifies the most salient traits of literature and literary studies today. Leading literary critics and historians offer thought-provoking arguments as well as authoritative explorations of the key terms of literary studies providing students as well as scholars with a rich resource for exploring theoretical issues from a historically informed perspective. Key Features Organised around the key terms used in literary studies today: archive, book, medium, translation, subjects, senses, animals, objects, politics, time, invention, event, generation, period, beauty, mimesis, style, popular and genre Puts literary history at the forefront of theoretical and methodological reflection in literary studies Original chapters by leading literary critics, theorists and historians