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Lebanese Blonde: A Novel (Sweetwater Fiction: Originals)
by Joseph GehaLebanese Blondetakes place in 1975-76 at the beginning of Lebanon's sectarian civil war. Set primarily in the Toledo, Ohio, "Little Syria" community, it is the story of two immigrant cousins: Aboodeh, a self-styled entrepreneur; and Samir, his young, reluctant accomplice. Together the two concoct a scheme to import Lebanese Blonde, a potent strain of hashish, into the United States, using the family's mortuary business as a cover. When Teyib, a newly arrived war refugee, stumbles onto their plans, his clumsy efforts to gain acceptance raise suspicion. Who is this mysterious "cousin," and what dangers does his presence pose? Aboodeh and Samir's problems grow still more serious when a shipment goes awry and their links to the war-ravaged homeland are severed. Soon it's not just Aboodeh and Samir's livelihoods and futures that are imperiled, but the stability of the entire family.
Narrative Prosthesis: Disability and the Dependencies of Discourse (Corporealities: Discourses Of Disability)
by David T. Mitchell Sharon L. SnyderNarrative Prosthesis: Disability and the Dependencies of Discourse develops a narrative theory of the pervasive use of disability as a device of characterization in literature and film. It argues that, while other marginalized identities have suffered cultural exclusion due to a dearth of images reflecting their experience, the marginality of disabled people has occurred in the midst of the perpetual circulation of images of disability in print and visual media. The manuscript's six chapters offer comparative readings of key texts in the history of disability representation, including the tin soldier and lame Oedipus, Montaigne's "infinities of forms" and Nietzsche's "higher men," the performance history of Shakespeare's Richard III, Melville's Captain Ahab, the small town grotesques of Sherwood Anderson's Winesburg, Ohio and Katherine Dunn's self-induced freaks in Geek Love. David T. Mitchell is Associate Professor of Literature and Cultural Studies, Northern Michigan University. Sharon L. Snyder is Assistant Professor of Film and Literature, Northern Michigan University.
Late Sophocles: The Hero’s Evolution in Electra, Philoctetes, and Oedipus at Colonus
by Thomas Van NortwickOnly a few plays by Sophocles—one of the great tragic playwrights from Classical Athens—have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles’ treatment evokes issues that were vividly contemporary for Athenian audiences of the Periclean age: How could the Athenians incorporate older, aristocratic ideas about human excellence into their new democratic society? Could citizens learn to be morally excellent, or were these qualities only inherited? What did it mean to be a creature who knows that he or she must die? Late Sophocles traces the evolution of the Sophoclean hero through the final three plays, Electra, Philoctetes, and Oedipus at Colonus. The book’s main thesis, that Sophocles reimagined the nature of the tragic hero in his last three works, is developed inductively through readings of the plays. This balanced approach, in which a detailed argument about the plays is offered in a format accessible to nonspecialists, is unusual—perhaps unique—in contemporary Classical scholarship on Sophocles. This book will appeal to nonspecialist readers of serious literature as well as scholars of classical and other literatures. While including ample guidance for those not familiar with the plays, Late Sophocles goes beyond a generalized description of “what happens” in the plays to offer a clear, jargon-free argument for the enduring importance of Sophocles’ plays. The argument’s implications for longstanding interpretational issues will be of interest to specialists. All Greek is translated.
Reading for the Planet: Toward a Geomethodology
by Christian MoraruIn his new book, Christian Moraru argues that post-Cold War culture in general and, in particular, the literature, philosophy, and theory produced since 9/11 foreground an emergent “planetary” imaginary—a “planetarism”—binding in unprecedented ways the world’s peoples, traditions, and aesthetic practices. This imaginary, Moraru further contends, speaks to a world condition (“planetarity”) increasingly exhibited by human expression worldwide. Grappling with the symptoms of planetarity in the arts and the human sciences, the author insists, is a major challenge for today’s scholars—a challenge Reading for the Planet means to address. Thus, Moraru takes decisive steps toward a critical methodology—a “geomethodology”—for dealing with planetarism’s aesthetic and philosophical projections. Here, Moraru analyzes novels by Joseph O’Neill, Mircea Cartarescu, Sorj Chalandon, Zadie Smith, Orhan Pamuk, and Dai Sijie, among others, as demonstration of his paradigm.
Never Better!: The Modern Jewish Picaresque (Michigan Studies In Comparative Jewish Cultures)
by Miriam UdelIt was only when Jewish writers gave up on the lofty Enlightenment ideals of progress and improvement that the Yiddish novel could decisively enter modernity. Animating their fictions were a set of unheroic heroes who struck a precarious balance between sanguinity and irony that author Miriam Udel captures through the phrase “never better.” With this rhetorical homage toward the double-voiced utterances of Sholem Aleichem, Udel gestures at these characters’ insouciant proclamation that things had never been better, and their rueful, even despairing admission that things would probably never get better. The characters defined by this dual consciousness constitute a new kind of protagonist: a distinctively Jewish scapegrace whom Udel denominates the polit or refugee. Cousin to the Golden Age Spanish pícaro, the polit is a socially marginal figure who narrates his own story in discrete episodes, as if stringing beads on a narrative necklace. A deeply unsettled figure, the polit is allergic to sentimentality and even routine domesticity. His sequential misadventures point the way toward the heart of the picaresque, which Jewish authors refashion as a vehicle for modernism—not only in Yiddish, but also in German, Russian, English and Hebrew. Udel draws out the contours of the new Jewish picaresque by contrasting it against the nineteenth-century genre of progress epitomized by the Bildungsroman. While this book is grounded in modern Jewish literature, its implications stretch toward genre studies in connection with modernist fiction more generally. Udel lays out for a diverse readership concepts in the history and theory of the novel while also explicating the relevant particularities of Jewish literary culture. In addressing the literary stylistics of a “minor” modernism, this study illuminates how the adoption of a picaresque sensibility allowed minority authors to write simultaneously within and against the literary traditions of Europe.
Spectacular Disappearances: Celebrity and Privacy, 1696-1801
by Julia H FawcettHow can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.
The Little Death of Self: Nine Essays toward Poetry (Poets On Poetry)
by Marianne BoruchA volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. The line between poetry (the delicate, surprising not-quite) and the essay (the emphatic so-there!) is thin, easily crossed. Both welcome a deep mulling-over, endlessly mixing image and idea and running with scissors; certainly each distrusts the notion of premise or formulaic progression. Marianne Boruch’s essays in The Little Death of Self emerged by way of odd details or bothersome questions that would not quit—Why does the self grow smaller as the poem grows enormous? Why does closure in a poem so often mean keep going? Must we stalk the poem or does the poem stalk us until the world clicks open? Boruch’s intrepid curiosity led her to explore fields of expertise about which she knew little: aviation, music, anatomy, history, medicine, photography, fiction, neuroscience, physics, anthropology, painting, and drawing. There’s an addiction to metaphor here, an affection for image, sudden turns of thinking, and the great subjects of poetry: love, death, time, knowledge. There’s amazement at the dumb luck of staying long enough in an inkling to make it a poem at all. Poets such as Keats, Stevens, Frost, Plath, Auden, and Bishop, along with painters, inventors, doctors, scientists, composers, musicians, neighbors, friends, and family—all traffic blatantly or under the surface—and one gets a glimpse of such fellow travelers now and then.
Living in the Future: Sovereignty and Internationalism in the Canterbury Tales
by Susan NakleyNationalism, like medieval romance literature, recasts history as a mythologized and seamless image of reality. Living in the Future analyzes how the anachronistic nationalist fantasies in Geoffrey Chaucer’s Canterbury Tales create a false sense of England’s historical continuity that in turn legitimized contemporary political ambitions. This book spells out the legacy of the Tales that still resonates throughout English literature, exploring the idea of England in the medieval literary imagination as well as critiquing more recent centuries’ conceptions of Chaucer’s nationalism. Chaucer uses two extant national ideals, sovereignty and domesticity, to introduce the concept of an English nation into the contemporary popular imagination and reinvent an idealized England as a hallowed homeland. For nationalist thinkers, sovereignty governs communities with linguistic, historical, cultural, and religious affinities. Chaucerian sovereignty appears primarily in romantic and household contexts that function as microcosms of the nation, reflecting a pseudo-familial love between sovereign and subjects and relying on a sense of shared ownership and judgment. This notion also has deep affinities with popular and political theories flourishing throughout Europe. Chaucer’s internationalism, matched with his artistic use of the vernacular and skillful distortions of both time and space, frames a discrete sovereign English nation within its diverse interconnected world. As it opens up significant new points of resonance between postcolonial theories and medieval ideas of nationhood, Living in the Future marks an important contribution to medieval literary studies. It will be essential for scholars of Middle English literature, literary history, literary political and postcolonial theory, and literary transnationalism.
Robert Hayden in Verse: New Histories of African American Poetry and the Black Arts Era
by Derik SmithThis book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates.
Black Cultural Life in South Africa: Reception, Apartheid, and Ethics (African Perspectives)
by Lily SaintUnder apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
Monstrous Kinds: Body, Space, and Narrative in Renaissance Representations of Disability (Corporealities: Discourses Of Disability)
by Elizabeth BeardenMonstrous Kinds is the first book to explore textual representations of disability in the global Renaissance. Elizabeth B. Bearden contends that monstrosity, as a precursor to modern concepts of disability, has much to teach about our tendency to inscribe disability with meaning. Understanding how early modern writers approached disability not only provides more accurate genealogies of disability, but also helps nuance current aesthetic and theoretical disability formulations. The book analyzes the cultural valences of early modern disability across a broad national and chronological span, attending to the specific bodily, spatial, and aesthetic systems that contributed to early modern literary representations of disability. The cross section of texts (including conduct books and treatises, travel writing and wonder books) is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange. Bearden questions grand narratives that convey a progression of disability from supernatural marvel to medical specimen, suggesting that, instead, these categories coexist and intersect.
After the Silence: Inspector Rykel Book 1 (Amsterdam Quartet with Inspector Jaap Rykel #1)
by Jake Woodhouse"Will thrill fans of The Girl With the Dragon Tattoo and bears comparison to Fatherland" The Sun. After the Silence is an utterly gripping crime thriller you won't be able to put down. A body is found hanging on a hook above the canals of Amsterdam's old town, a mobile phone forced into the victim's mouth.Inspector Jaap Rykel is hunting a clever and brutal murderer. Still grieving from the violent death of his last partner, Rykel must work alongside a junior out-of-town detective with her own demons to face, if he has any hope of stopping the killer from striking again.Their investigation reveals two dark truths: everybody in this city harbours secrets - and hearing those secrets comes at a terrible price...After the Silence introduces Inspector Jaap Rykel in a gripping debut police procedural from Jake Woodhouse, which is sure to appeal to fans of Ian Rankin, Peter Robinson and Stuart MacBride. This is the first novel in The Amsterdam Quartet series.PRAISE FOR JAKE WOODHOUSE:'This gripping detective novel will thrill fans of The Girl With the Dragon Tattoo and bears comparison to Fatherland ... Utterly unputdownable' The Sun'Utterly enthralling ... looks set to be one of the key sequences in modern crime fiction' Barry Forshaw, Crimetime'Jake Woodhouse's taut, twisty plots are expertly woven and beautifully written. They are peopled with complex characters that will have you turning the pages to see what becomes of them. He has created a flawed gem in Inspector Jaap Rykel, a cop with an assured literary future' Craig Robertson, author of Witness the Dead and The Last Refuge'After the Silence is as dark and twisty as the Amsterdam it navigates and Rykel a fascinating and original protagonist. A promising start to what could be a great series.' Stav Sherez, author of A Dark Redemption
The Curious Case of Benjamin Button: And Six Other Stories (Penguin Modern Classics)
by F Scott FitzgeraldFull grown with a long, smoke-coloured beard, requiring the services of a cane and fonder of cigars than warm milk, Benjamin Button is a very curious baby indeed. And, as Benjamin becomes increasingly youthful with the passing years, his family wonders why he persists in the embarrassing folly of living in reverse. In this imaginative fable of ageing and the other stories collected here – including ‘The Cut-Glass Bowl’ in which an ill-meant gift haunts a family’s misfortunes, ‘The Four Fists’ where a man’s life shaped by a series of punches to his face, and the revelry, mobs and anguish of ‘May Day’ – F. Scott Fitzgerald displays his unmatched gift as a writer of short stories.
Closely Watched Trains (European Classics)
by Edith Pargeter Bohumil HrabalA classic of postwar literature, a small masterpiece of humour, humanity and heroism from one of the best Czech writersFor twenty-two-year-old Milos, bumbling apprentice at a sleepy Czech railway station, life is full of worries: his burdensome virginity, his love for the pretty conductor Masha, the scandalous goings-on in the station master's office. Beside them, the part he will come to play against the occupying Germans seems a simple affair, in Bohumil Hrabal's touching, absurd masterpiece of humour, humanity and heroism. Closely Watched Trains, which became the award-winning Jiri Menzel film of the 'Prague Spring', is a masterpiece that fully justifies Hrabal's reputation as one of the best Czech writers of the twentieth century.
Outside Looking In: A Novel
by T. C. BoyleOne family's adventures in LSD: the brilliantly strange new novel from the mind of 'one of the most inventive, adventurous and accomplished fiction writers in the US today' (Lionel Shriver)It is Harvard in the early 1960s. Just off campus, Dr Timothy Leary plays host for his PhD students, laying on a spread of cocktails, pizza and LSD. Among the guests is Fitzhugh Loney, a psychology student, and his librarian wife Joanie. Married young, and both diligently and unglamorously toiling to support their son, theirs are hardly the faces you would put to the spectre of counterculture haunting the campus. But their nights on LSD prove so extraordinary – so revelatory, so earth-shattering, so downright seductive – that Fitz and Joanie soon find themselves captivated captives to the whims of the charismatic and subversive Dr Tim.Join Fitz and Joanie for the trip: as sultry Mexican nights at Hotel Catalina give way to a ramshackle mansion in upstate New York, where thirty devotees – students, wives and children – play out the final act of a terrible, beautiful experiment.
Allegorical Imagery: Some Mediaeval Books and Their Posterity (Princeton Legacy Library #5417)
by Rosemond TuveExamining those medieval texts which were extant for sixteenth-century use and reading, Professor Tuve attempts to discover how certain writers at a given time and for reasons we can trace read the allegorical books of the Middle Ages.Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Poet Shen Yueh: The Reticent Marquis (Princeton Legacy Library #5399)
by Richard B. MatherThis book is a literary biography of Shen Yueh, a statesman, historian, poet, and devout lay defender of both Buddhism and Taoism. The title "Reticient Marquis" (Yin-hou) was awarded posthumously by the Liang Emperor Wu, who, though owning his own rise to power partly to Shen's bold counsel, had found him less than forthcoming from that point onward. Shen was indeed very reserved, and continually tortured by the conflicting claims of his ascetic Buddhist ideals and his love for luxury, his chameleon-like ability to preserve his influence through three regimes, and his high social and political status. Richard B. Mather provides the first full description in a Western language of Shen's life and though and supplies numerous translations of his surviving letters, memorials, poems, and essays.Richard B. Mather is Professor Emeritus and East Asian Studies at the University of Minnesota.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Homer's Ancient Readers: The Hermeneutics of Greek Epic's Earliest Exegetes (Princeton Legacy Library #5402)
by Robert Lamberton John J. KeaneyAlthough the influence of Homer on Western literature has long commanded critical attention, little has been written on how various generations of readers have found menaing in his texts. These seven essays explore the ways in which the Illiad and the Odyssey have been read from the time of Homer through the Renaissance. By asking what questions early readers expected the texts to answer and looking at how these expectations changed over time, the authors clarify the position of the Illiad and the Odyssey in the intellectual world of antiqueity while offering historical insight into the nature of reading.The collection surveys the entire field of preserved ancient interpretations of Homer, beginning with the fictional audiences portrayed within the poems themselves, proceedings to readings by Aristotle, the Stoics, and Aristarchus and Crates, and culminating in the spritiualized allegorical reading current among Platonists of the fifth and sixth centuries C.E. The influence of these ancient interpretations is then examined in Byzantium and in the Latin West during the Renaissance. Contributors to this volume are Robert Browning, Anthony Grafton, Robert Lamberton, A.A. Long, James Porter, Nicholas Richardson, and Charles Segal.Robert Lamberton is Assistant Professor of Classics and John J. Keaney is Professor of Classics, both at Princeton University.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Metamorphic Verse: The Elizabethan Minor Epic (Princeton Legacy Library #5393)
by Clark HulseTo Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet.Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry.He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth.Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The German NOVELLE (Princeton Legacy Library #5426)
by Martin SwalesAlthough the influence of Homer on Western literature has long commanded critical attention, little has been written on how various generations of readers have found menaing in his texts. These seven essays explore the ways in which the Illiad and the Odyssey have been read from the time of Homer through the Renaissance. By asking what questions early readers expected the texts to answer and looking at how these expectations changed over time, the authors clarify the position of the Illiad and the Odyssey in the intellectual world of antiqueity while offering historical insight into the nature of reading.The collection surveys the entire field of preserved ancient interpretations of Homer, beginning with the fictional audiences portrayed within the poems themselves, proceedings to readings by Aristotle, the Stoics, and Aristarchus and Crates, and culminating in the spritiualized allegorical reading current among Platonists of the fifth and sixth centuries C.E. The influence of these ancient interpretations is then examined in Byzantium and in the Latin West during the Renaissance. Contributors to this volume are Robert Browning, Anthony Grafton, Robert Lamberton, A.A. Long, James Porter, Nicholas Richardson, and Charles Segal.Robert Lamberton is Assistant Professor of Classics and John J. Keaney is Professor of Classics, both at Princeton University.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Flat Stanley (PDF)
by Jeff Brown Scott Nash Jon MitchellThe classic adventures of everybody’s favourite flat boy – It’s Jeff Brown’s Flat Stanley. Stanley Lambchop is an ordinary boy with an extraordinary problem. One night, a giant pinboard falls on top of him leaving him completely flat. At first, Stanley enjoys the benefits of his strange predicament - it can be fun going in out of rooms simply by sliding under the door. And it's a hoot being posted to your friends in California for a holiday. But it's not always easy being different, and, once the novelty begins to wear off, Stanley wishes he could be just like everybody else again. But how will he ever fill out? Jeff Brown’s world-famous character Flat Stanley continues to charm half a century after he first found his way into print.
Cities in the Sea (Michigan Literary Fiction Awards)
by Maura StantonIn Cities in the Sea, Maura Stanton taps into the mysterious force of the fairy tale, with its fantastic images and magical narrative patterns. Her stories blur the boundaries between fairy tale and verité, and comment on the art of storytelling. A range of characters -- from a business man to a pianist, from a county coroner to a hardware store clerk, from a Greek immigrant to a Danish artist -- come to discover that the past is a ruined kingdom, lost forever, but still a place to visit in wish, dream, and memory. Throughout her stories, Stanton attempts to wrest a deeper pattern, full of humor and wonder, out of the disturbing events of contemporary life. Maura Stanton's previous books include the novel Molly Companion and the story collections The Country I Come From and Do Not Forsake Me, Oh My Darling. Stanton is a recipient of the Yale Series of Younger Poets award and a two-time winner of the PEN Syndicated Fiction Award. She teaches in the M.F.A. program at Indiana University.
Facing It: AIDS Diaries and the Death of the Author
by Ross ChambersFor a generation or more, literary theorists have used the metaphor of "the death of the author" in considering the observation that to write is to abdicate control over the meanings one's text is capable of generating. But in the case of AIDS diaries, the metaphor can be literal. Facing It examines the genre not in classificatory terms but pragmatically, as the site of a social interaction. Through a detailed study of three such diaries, originating respectively in France, the United States, and Australia, Ross Chambers demonstrates that issues concerning the politics of AIDS writing and the ethics of reading are linked by a common concern with the problematics of survivorhood. Two of the diaries chosen for special attention in this light are video diaries: La Pudeur ou l'impudeur by Hervé Guibert (author of To the Friend Who Did Not Save My Life), and Silverlake Life, by the American videomaker Tom Joslin (aided by his lover and friends, notably Peter Friedman). The third is a defiant but anxious text, Unbecoming, by an American anthropologist, Eric Michaels, who died in Brisbane, Australia, in 1988. Other authors more briefly examined include Pascal de Duve, Bertrand Duquénelle, Alain Emmanuel Dreuilhe, David Wojnarowicz, Gary Fisher, and the filmmaker (not a diarist) Laurie Lynd. Finally, Facing It takes on the issue of its own relevance, asking what contributions literary criticism can make in the midst of an epidemic. "Groundbreaking in its approach and potentially wide in its appeal. . . . The rigor of the ideas, their dramatic nature, and the political drive of the rhetoric all should win Facing It a large readership that could extend far beyond students of narrative or queer theory." --David Bergman, Towson University, editor of Camp Grounds: Style and Homosexuality Ross Chambers is Distinguished University Professor of French and Comparative Literature, University of Michigan, and author of Room for Maneuver: Reading (the) Oppositional (in) Narrative and Story and Situation: Narrative Seduction and the Power of Fiction.
The Secret Marriage of Sherlock Holmes and Other Eccentric Readings
by Michael AtkinsonThe Secret Marriage of Sherlock Holmes is about reading, a process that we take for granted. But Sherlock Holmes, the cultural icon to whose exploits Michael Atkinson gives new readings, became famous by taking nothing for granted. Holmes's adventures can be read in new ways, including ways that he himself would have found startling, but which can give contemporary readers satisfaction. In clear, accessible prose that will engage specialists and lay readers alike, Atkinson engages in "a series of flirtations" with nine of Arthur Conan Doyle's favorite detective fictions, using the tools of modern literary theory, from depth psychology to deconstruction. Bluebeard, the kundalini serpent, and Conan Doyle's mother pop up alongside Jung, Nietzsche, and Derrida as guides to new understandings of these classic stories. Just as Holmes uses treatises on tobacco ash and tattoos to give fresh readings to puzzling facts, Atkinson employs widely different critical strategies to unravel the mysteries of reading itself. "What a delightful book! This is surely the most interesting writing you will ever read about Sherlock Holmes, but it is much more. Michael Atkinson gives us literary criticism at its best: the sheer fun of watching a bold and imaginative reader breathe into well-loved, but well-worn, fictions new and enchanting life. Atkinson's mind races as nimbly as Holmes's own, and he makes the stories our hansom cab through human nature itself. A tour de force!" ---Norman N. Holland, author of Murder in a Dephi Seminar "A book that speaks directly to readers. . . Atkinson sees far beneath the surface of the Sherlock stories to provide fascinating commentary." ---Cincinnati Post "Atkinson demonstrates a love and knowledge of the Holmes stories. . . I would recommend The Secret Marriage of Sherlock Holmes enthusiastically to any lover of the Canon who is prepared to have their perceptions widened." ---Mystery Writers of America Michael Atkinson is Professor of English and Comparative Literature, University of Cincinnati.
The Americanist
by Daniel Aaron“ I have read all of Daniel Aaron’ s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” — Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’ s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” — David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’ s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’ s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “ I am large, I contain multitudes,” he could have been describing Daniel Aaron— the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’ s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’ s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’ s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed— miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.