- Table View
- List View
American Vandal: Mark Twain Abroad
by Roy MorrisUnintimidated by Old World sophistication or travel to undeveloped parts of the globe, Mark Twain spent a surprising amount of time outside the continental United States. Roy Morris, Jr. focuses on the dozen years he lived overseas and the books he wrote encouraging middle-class Americans to follow him around the world, at the dawn of mass tourism.
The Topological Imagination: Spheres, Edges, And Islands
by Angus FletcherIn a bold and boundary defining work, Angus Fletcher clears a space for an intellectual encounter with the shape of human imagining. Joining literature and topology—a branch of mathematics—he maps the ways the imagination’s contours are formed by the spherical earth’s patterns and cycles, and shows how the world we inhabit also inhabits us.
Marvellous Thieves: Secret Authors Of The Arabian Nights
by Paulo Lemos HortaRanging from the coffeehouses of Aleppo to the salons of Paris, from Calcutta to London, Paulo Lemos Horta introduces the poets and scholars, pilgrims and charlatans who made largely unacknowledged contributions to Arabian Nights. Each version betrays the distinctive cultural milieu in which it was produced.
The Untold Story of the Talking Book
by Matthew RuberyHistories of the book often move straight from the codex to the digital screen. Left out is nearly 150 years of audio recordings. Matthew Rubery uncovers this story, from Edison to today’s billion-dollar audiobook industry, and breaks from convention by treating audiobooks as a distinctive art form that has profoundly influenced the way we read.
Brothers of the Quill: Oliver Goldsmith In Grub Street
by Norma ClarkeOliver Goldsmith arrived in England a penniless Irishman and toiled for years in the anonymity of Grub Street. Norma Clarke tells how this destitute scribbler became one of literary London’s most celebrated authors, transmuting dark truths about the empire into fable and nostalgia whose undertow of Irish indignation remains just barely perceptible.
Tragic Modernities
by Miriam LeonardUnder the microscope of recent scholarship the universality of Greek tragedy has started to fade, as particularities of Athenian culture have come into focus. Miriam Leonard contests the idea of the death of tragedy and argues powerfully for the continued vitality and viability of Greek tragic theater in the central debates of contemporary culture.
A World of Empires: The Russian Voyage of the Frigate <i>Pallada</i>
by Edyta M. BojanowskaMany people are familiar with American Commodore Matthew Perry’s expedition to open trade relations with Japan in the early 1850s. Less well known is that on the heels of the Perry squadron followed a Russian expedition secretly on the same mission. Serving as secretary to the naval commander was novelist Ivan Goncharov, who turned his impressions into a book, The Frigate Pallada, which became a bestseller in imperial Russia. In A World of Empires, Edyta Bojanowska uses Goncharov’s fascinating travelogue as a window onto global imperial history in the mid-nineteenth century. Reflecting on encounters in southern Africa’s Cape Colony, Dutch Java, Spanish Manila, Japan, and the British ports of Singapore, Hong Kong, and Shanghai, Goncharov offers keen observations on imperial expansion, cooperation, and competition. Britain’s global ascendancy leaves him in equal measures awed and resentful. In Southeast Asia, he recognizes an increasingly interlocking world in the vibrant trading hubs whose networks encircle the globe. Traveling overland back home, Goncharov presents Russia’s colonizing rule in Siberia as a positive imperial model, contrasted with Western ones. Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an increasingly assertive empire, eager to position itself on the world stage among its American and European rivals and fully conversant with the ideologies of civilizing mission and race. Goncharov’s gripping narrative offers a unique eyewitness account of empire in action, in which Bojanowska finds both a zeal to emulate European powers and a determination to define Russia against them.
Hearing Things: The Work of Sound in Literature
by Angela LeightonHearing Things is a meditation on sound’s work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing. An established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets—Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald—Leighton’s scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. Hearing Things offers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.
The Surprising Adventures of Baron Munchausen
by Rudolph Erich RaspeThe fantastic story of the semimythical folk hero who has delighted generations of readers all over the world Published anonymously in 1785, The Surprising Adventures of Baron Munchausen defies logic, the laws of physics, and even rational thought. Karl Friedrich von Munchausen, also known as the Baron of Lies, was a retired army captain famed for his outlandish accounts of his war and hunting exploits. In this “memoir,” Munchausen regales readers with stories of dancing in the belly of a whale and riding on a horse cut in two. Other escapades include a balloon expedition to the moon, an encounter with the goddess Venus, a fiery battle with the Turkish army, and the experience of being swallowed up by a monstrous creature in the South Seas. It was not until 1824 that Rudolf Erich Raspe was revealed as the book’s author. Although most of Munchausen’s tales sprang from Raspe’s imagination, the author is reputed to have known the notorious baron personally. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
South Africa's Shakespeare and the Drama of Language and Identity (Global Shakespeares)
by Adele SeeffThis volume considers the linguistic complexities associated with Shakespeare’s presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare’s texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink’s Kinkels innie Kabel, a transposition of Shakespeare’s The Comedy of Errors into Kaaps, as a radical critique of apartheid’s obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani’s performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global Sha Any reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.
South Africa's Shakespeare and the Drama of Language and Identity (Global Shakespeares)
by Adele SeeffThis volume considers the linguistic complexities associated with Shakespeare’s presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare’s texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink’s Kinkels innie Kabel, a transposition of Shakespeare’s The Comedy of Errors into Kaaps, as a radical critique of apartheid’s obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani’s performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global Sha Any reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.
Autofiction in English (Palgrave Studies in Life Writing)
by Hywel DixThis innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.
Autofiction in English (Palgrave Studies in Life Writing)
by Hywel DixThis innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.
No Enemies, No Hatred: Selected Essays And Poems
by Václav Havel Perry Link Liu Xiaobo Tienchi Martin-Liao Xia LiuWhen the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called “incitement to subvert state power.” In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: “I stand by the convictions I expressed in my ‘June Second Hunger Strike Declaration’ twenty years ago—I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.” That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, Han Chinese in Tibet, child slavery, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel. These works not only chronicle a leading dissident’s struggle against tyranny but enrich the record of universal longing for freedom and dignity.
The World of Persian Literary Humanism
by Hamid DabashiHumanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.
The Ancient Greek Hero in 24 Hours
by Gregory NagyThe ancient Greeks’ concept of “the hero” was very different from what we understand by the term today. In 24 installments, based on the Harvard course Gregory Nagy has taught and refined since the 1970s, The Ancient Greek Hero in 24 Hours explores civilization’s roots in Classical literature, a lineage that continues to challenge and inspire us.
Milosz: A Biography
by Andrzej FranaszekAndrzej Franaszek’s award-winning biography of Czeslaw Milosz—winner of the Nobel Prize in Literature—recounts the poet’s odyssey through WWI, the Bolshevik revolution, the Nazi invasion of Poland, and the USSR’s postwar dominance of Eastern Europe. This edition contains a new introduction by the translators, along with maps and a chronology.
The Boatman: Henry David Theoreau's River Years
by Robert M. ThorsonRobert Thorson gives readers a Thoreau for the Anthropocene. The boatman and backyard naturalist was keenly aware of the way humans had altered the waterways and meadows of his beloved Concord River Valley. Yet he sought out for solace and pleasure those river sites most dramatically altered by human invention and intervention—for better and worse.
The Story of Alice: Lewis Carroll And The Secret History Of Wonderland
by Robert Douglas-FairhurstRobert Douglas-Fairhurst illuminates two entangled lives: the Oxford mathematician Charles Dodgson (Lewis Carroll) and Alice Liddell, the child for whom he invented the Alice stories. This relationship influenced Carroll’s imaginative creation of Wonderland—a sheltered world apart during the stormy transition from the Victorian to the modern era.
Elements of Surprise: Our Mental Limits and the Satisfactions of Plot
by Vera TobinWhy do some surprises delight—the endings of Agatha Christie novels, films like The Sixth Sense, the flash awareness that Pip’s benefactor is not (and never was!) Miss Havisham? Writing at the intersection of cognitive science and narrative pleasure, Vera Tobin explains how our brains conspire with stories to produce those revelatory plots that define a “well-made surprise.” By tracing the prevalence of surprise endings in both literary fiction and popular literature and showing how they exploit our mental limits, Tobin upends two common beliefs. The first is cognitive science’s tendency to consider biases a form of moral weakness and failure. The second is certain critics’ presumption that surprise endings are mere shallow gimmicks. The latter is simply not true, and the former tells at best half the story. Tobin shows that building a good plot twist is a complex art that reflects a sophisticated understanding of the human mind. Reading classic, popular, and obscure literature alongside the latest research in cognitive science, Tobin argues that a good surprise works by taking advantage of our mental limits. Elements of Surprise describes how cognitive biases, mental shortcuts, and quirks of memory conspire with stories to produce wondrous illusions, and also provides a sophisticated how-to guide for writers. In Tobin’s hands, the interactions of plot and cognition reveal the interdependencies of surprise, sympathy, and sense-making. The result is a new appreciation of the pleasures of being had.
The Temptation of Despair: Tales Of The 1940s
by Werner SollorsIn Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
World Philology
by Sheldon PollockPhilology—the discipline of making sense of texts—is enjoying a renaissance within academia. World Philology charts the evolution of philology across the many cultures and time periods in which it has been practiced and demonstrates how this branch of knowledge, like philosophy and mathematics, is essential to human understanding.
The Prairie: A Tale By The Author Of The Pioneers... (The\john Harvard Library #140)
by James Fenimore CooperIn The Prairie (1827), Cooper's most celebrated literary work, Natty Bumppo, now aged, is reduced to making a living by trapping. As his journey from Atlantic to Pacific nears its end in a vast uninhabited grassland that Cooper consistently imagines as an ocean of the interior, nothing less than the future identity of America is at stake.
More than Real: A History Of The Imagination In South India
by David ShulmanFrom the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision. In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates this distinctiveness and shows how it differed radically from Western notions of reality and models of the mind. Shulman's explication offers insightful points of comparison with ancient Greek, medieval Islamic, and early modern European theories of mind, and returns Indology to its rightful position of intellectual relevance in the humanities. At a time when contemporary ideologies and language wars threaten to segregate the study of pre-modern India into linguistic silos, Shulman demonstrates through his virtuoso readings of important literary works—works translated lyrically by the author from Sanskrit, Tamil, Telugu, and Malayalam—that Sanskrit and the classical languages of southern India have been intimately interwoven for centuries.
No Enemies, No Hatred: Selected Essays And Poems
by Xiaobo Liu E. Perry Link Tienchi Martin-LiaoWhen the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called “incitement to subvert state power.” In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: “I stand by the convictions I expressed in my ‘June Second Hunger Strike Declaration’ twenty years ago—I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.” That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, Han Chinese in Tibet, child slavery, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel. These works not only chronicle a leading dissident’s struggle against tyranny but enrich the record of universal longing for freedom and dignity.