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The Architecture and Geography of Sound Studios: Sonic Heritage (Routledge Research in Architecture)
by Even Smith WergelandThis is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process.Through ten in-depth studies, it examines the design, evolution and current function of sound studios amidst economic and technological shifts in the music industry. Traditional studios are in flux between the past and future. The industry, while steeped in romanticism and nostalgia, also embraces forward-driven pragmatism and an extensive reuse culture, encompassing heritage audio, building materials and existing buildings. A surprisingly diverse architectural heritage, the most significant feature is the host building, the framework around the studio capsule. Many traditional studios adapt to digitalization with hybrid solutions, reflecting a shift toward smaller, more versatile spaces. In a time when recordings in theory can happen anywhere, destination studios must excel to attract clients, balancing historical legacies with diversification. Although they may be easy to deconstruct, many of the myths endure, sustaining ideas of landmark recordings, unique locations and distinct remnants of sonic heritage. Courtesy of their capacity to keep the past alive in the present, traditional sound studios are best described as museums that work.This book aims to reach scholars and students with an interest in history, theory and preservation, as well as practicing architects and architectural students who wish to find out more about the relationship between sound and space, acoustic design and retrofitting of historical buildings into specialized functions. It also aims to reach practicing musicians, producers, music students and music scholars.
The Architecture and Geography of Sound Studios: Sonic Heritage (Routledge Research in Architecture)
by Even Smith WergelandThis is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process.Through ten in-depth studies, it examines the design, evolution and current function of sound studios amidst economic and technological shifts in the music industry. Traditional studios are in flux between the past and future. The industry, while steeped in romanticism and nostalgia, also embraces forward-driven pragmatism and an extensive reuse culture, encompassing heritage audio, building materials and existing buildings. A surprisingly diverse architectural heritage, the most significant feature is the host building, the framework around the studio capsule. Many traditional studios adapt to digitalization with hybrid solutions, reflecting a shift toward smaller, more versatile spaces. In a time when recordings in theory can happen anywhere, destination studios must excel to attract clients, balancing historical legacies with diversification. Although they may be easy to deconstruct, many of the myths endure, sustaining ideas of landmark recordings, unique locations and distinct remnants of sonic heritage. Courtesy of their capacity to keep the past alive in the present, traditional sound studios are best described as museums that work.This book aims to reach scholars and students with an interest in history, theory and preservation, as well as practicing architects and architectural students who wish to find out more about the relationship between sound and space, acoustic design and retrofitting of historical buildings into specialized functions. It also aims to reach practicing musicians, producers, music students and music scholars.
Phonurgia Universalis: Universals in Music (Numanities - Arts and Humanities in Progress #28)
by François-Bernard MâcheThis translation of Musique au singulier (2001) from the French identifies what is common to music of all times and cultures. The author, François-Bernard Mâche is a composer and internationally renowned musicologist. He addresses the question of universals in music and demonstrates how musical play is a poetic and natural game that already takes shape in the animal world. Mâche invites the reader to reconsider the traditional opposition between nature and culture and to reflect on experiencing such intense emotions when both listening to and manipulating sounds. This title appeals to students and researchers working in musicology.
Living Well with Dementia through Music: A Resource Book for Activities Providers and Care Staff
by Sarah Metcalfe Nigel Marshall Ruth Melhuish Alison Acton Clare Barone Arash Bazrafshan Melanie Burton Evan Dawson Melissa Elliott Maggie Grady Tobias Kaye Nicola Jacobson-Wright Harriet Powell Trish Vella-Burrows Ian SpinkMusic is an essential tool in dementia care. This accessible guide embraces ways in which music can enhance the daily lives of those with dementia. It draws on the expertise of practitioners regularly working in dementia settings, as well as incorporating research on people with dementia, to help anyone, whether or not they have any musical skills or experience, to successfully use music in dementia care.Guiding the reader through accessible activities with singing, percussion, sounding bowls and other musical tools, the book shows how music may can be used from the early to late stages of dementia. This creative outlet can extend to inspire dance, movement, poetry and imagery. The chapters include creative uses of technology, such as tablets and personal playlists.The book also covers general considerations for using music with people living with dementia in institutional settings, including evaluating and recording outcomes.Living Well with Dementia through Music is the perfect go-to guide for music-based activities with people living with dementia.
Flute, Accordion or Clarinet?: Using the Characteristics of Our Instruments in Music Therapy
by Amelia Oldfield Jo Tomlinson Dawn LoombeMusic therapists are trained to use their first study instrument in clinical practice, yet existing literature focuses almost exclusively on the use of piano, basic percussion and voice.This illuminating book brings together international music therapists who use a diverse range of musical instruments in their clinical work: the clarinet, the piano accordion, the flute, the cello, the trumpet and flugelhorn, the bassoon, the violin, the viola, the harp, the guitar, lower brass instruments (the trombone and the euphonium), the oboe, the saxophone and bass instruments (double bass and bass guitar). Each therapist reflects on their relationship with their instrument and the ways in which they use it in therapeutic settings, discussing its advantages and disadvantages in a variety of clinical populations: children and adolescents, adults with learning disabilities, adults with mental health problems and older people.This will be essential reading for any music therapist or student music therapist who uses or is interested in using a musical instrument in their work, and will be of interest to other caring and healthcare professionals, teachers, musicians and carers wanting to learn more about instrumental music therapy.
Breath in Action: The Art of Breath in Vocal and Holistic Practice
by Lisa Wilson David Carey Rocco Dal Vera Michael Morgan Kristin Linklater Floyd Kennedy Jessica Wolf Debbie Green Mel Churcher April Pierrot Yolanda Heman-Ackah Gillyanne Kayes Judy Lee Vivier Katya Bloom Joanna Weir Ouston Stephanie Martin Rebecca Cuthbertson Roger Smart Tara McAllister-Viel Marj McDaidBreath in Action looks at the significance of breath to human life - not just the simple fact that if we stop breathing, we die, but also the more subtle ways in which our breath interacts with our voice and our being. Combining theory with practice, many of the chapters also offer clearly laid out breathing exercises and techniques.
Music Therapy with Children and their Families
by Amelia Oldfield Claire FlowerThe contributors describe their approaches to family work with different client groups. Their experiences demonstrate that involving the family in a child's music therapy can be beneficial for everyone, and that it is possible to address relationship issues within the family as part of the treatment.
Interactive Music Therapy - A Positive Approach: Music Therapy at a Child Development Centre
by Amelia OldfieldAmelia Oldfield explains how her approach to music therapy sessions establishes a constructive musical dialogue with children that emphasises positive experiences - these establish trust and allow feelings to be expressed through music. This practical book will be of use to clinicians and teachers working with children with a variety of needs.
Dying, Bereavement and the Healing Arts
by Amy Kuebelbeck Julie Sanders Mike White Christopher Johns Nigel Hartley Ted Bowman Hilary Elfick Lindsay Buckell Lesley Schatzberger Mitzi Blennerhassett Ashley Barnes Christina Mason Steve Seagull Bobbie Farsides Anna Lidzey Filipa Pereira-Stubbs Kieran Walsh Judy Clinton Sinead Donnelly Sue Eckstein Monica Suswin Frans Meulenberg Oliver Samuel Kate D'Lima Robert Hamberger Corine Koppenol Paul Schatzberger Haifa Al Sanousi Yvonne Yi-Wood Mak Tim Metcalf Chris Rawlence Giles Legood Rogan Wolf River Wolton Sheelagh Gallagher Tim Jeeves Mark Cobb Kaichiro Tamba Sandra Bertman Diana Greenman John Graham-Pole David HeadThis book describes a range of successful programmes pioneered by artists, writers, nurses, musicians, therapists, social workers, and chaplains in palliative care settings. These range from simple painting and writing activities to organized communal activities like writing and performing a play.
Receptive Methods in Music Therapy: Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students
by Tony Wigram Denise GrockeThis practical book describes the specific use of receptive (listening) methods and techniques in music therapy clinical practice and research, including relaxation with music for children and adults, the use of visualisation and imagery, music and collage, song-lyric discussion, vibroacoustic applications, music and movement techniques.
The Music Effect: Music Physiology and Clinical Applications
by Dorita S. Berger Daniel J. SchneckThis book explains what 'music' is, how it is processed by and affects the body, and how it can be applied in a range of physiological and psychological conditions. Rhythm, melody, timbre, harmony, dynamics, form, and their effects are explored, helping practitioners create effective therapy interventions that complement other treatment systems.
Interactive Music Therapy in Child and Family Psychiatry: Clinical Practice, Research and Teaching
by Amelia OldfieldThis book outlines the rationale for using music therapy in child and family psychiatry. The author reflects on research methodology and describes characteristics of her own approach to therapy, including how to start and end the session, how to motivate children and establish a positive musical dialogue with them, and how to include parents.
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
by Thomas Wosch and Tony WigramThe contributors to this groundbreaking book look at methods of micro process analyses used in a variety of music therapy contexts, both clinical and research-based. They outline their methods and also give examples of the practical application of microanalysis from their clinical experience.
Songwriting: Methods, Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students
by Amelia Oldfield Jeanette Tamplin Jeanette Kennelly Lucanne Magill Emma DaviesThis comprehensive and groundbreaking book describes the effective use of songwriting in music therapy with a variety of client populations, from children with cancer and adolescents in secondary school to people with traumatic brain injury and mental health issues. This practical book will prove indispensable to students, therapists and educators.
Desolation: A Heavy Metal Memoir
by Mark MortonA gritty, revealing heavy metal memoir by Lamb of God&’s guitarist and lyricist, Mark Morton, which explores both his life in music and his tumultuous path through addiction and into recovery
Music, Music Therapy and Trauma: International Perspectives
by Diane Snow AustinMusic communicates where words fail, and music therapy has been proven to connect with those who were thought to be unreachable, making it an ideal medium for working with those who have suffered psychological trauma. Music, Music Therapy and Trauma addresses the need for an exploration of current thinking on music and trauma.
Groups in Music: Strategies from Music Therapy
by Mercedes PavlicevicMusic therapist Mercédès Pavlicevic develops a broad-based discourse to describe, analyse and guide the practice of group musicking, drawing on her own extensive experience. The text is illustrated with vignettes drawn from a range of formal and informal settings. If you're involved in any kind of group musicking, this book is for you.
Timpani Tone and the Interpretation of Baroque and Classical Music
by Steven L. SchweizerTimpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
The Periodic Table of HIP HOP
by Neil KulkarniWelcome to The Periodic Table of Hip Hop. Instead of hydrogen to helium, here you'll find James Brown to Kendrick Lamar - 94 artists that have defined Hip Hop arranged following the logic of The Periodic Table of Elements.MCs, DJs, rappers and producers are the elements here, and this expert guide orders them to reveal their contrasts and connections, along with key movements and moments in the history of this music genre.Includes: James Brown, P-Funk, Kool Herc, Melle Mel, Sugarhill Records, Fab Five Freddy, Whodini, Run DMC, Rick Rubin, LL Cool J, Kendrick Lamar and Jay Z and many, many more...