- Table View
- List View
Why Not Capitalism?
by Jason BrennanMost people believe capitalism is a compromise with selfish human nature. As Adam Smith put it, "It is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest." Capitalism works better than socialism, according to this thinking, only because we are not kind and generous enough to make socialism work. If we were saints, we would be socialists.In Why Not Capitalism?, Jason Brennan attacks this widely held belief, arguing that capitalism would remain the best system even if we were morally perfect. Even then, private property and free markets would be the best way to realize mutual cooperation, social justice, harmony, and prosperity. Socialists seek to capture the moral high ground by showing that ideal socialism is morally superior to realistic capitalism. But, Brennan responds, ideal capitalism is superior to ideal socialism, and so capitalism beats socialism at every level.Clearly, engagingly, and at times provocatively written, Why Not Capitalism? will cause readers of all political persuasions to re-evaluate where they stand vis-à-vis economic priorities and systems—as they exist now and as they might be improved in the future.In this expanded second edition, Brennan responds to his critics throughout the book and provides two new, final chapters. One argues against egalitarianism in a capitalist utopia because egalitarianism frequently misdiagnoses the problems (for example, the problem with poverty isn’t that poor people have less but that they don’t have enough). The other new chapter shows that we don’t need to be angels in an anarchic utopia, but merely decent people who are willing to adhere to four undemanding moral principles.
Why Not Capitalism?
by Jason BrennanMost people believe capitalism is a compromise with selfish human nature. As Adam Smith put it, "It is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest." Capitalism works better than socialism, according to this thinking, only because we are not kind and generous enough to make socialism work. If we were saints, we would be socialists.In Why Not Capitalism?, Jason Brennan attacks this widely held belief, arguing that capitalism would remain the best system even if we were morally perfect. Even then, private property and free markets would be the best way to realize mutual cooperation, social justice, harmony, and prosperity. Socialists seek to capture the moral high ground by showing that ideal socialism is morally superior to realistic capitalism. But, Brennan responds, ideal capitalism is superior to ideal socialism, and so capitalism beats socialism at every level.Clearly, engagingly, and at times provocatively written, Why Not Capitalism? will cause readers of all political persuasions to re-evaluate where they stand vis-à-vis economic priorities and systems—as they exist now and as they might be improved in the future.In this expanded second edition, Brennan responds to his critics throughout the book and provides two new, final chapters. One argues against egalitarianism in a capitalist utopia because egalitarianism frequently misdiagnoses the problems (for example, the problem with poverty isn’t that poor people have less but that they don’t have enough). The other new chapter shows that we don’t need to be angels in an anarchic utopia, but merely decent people who are willing to adhere to four undemanding moral principles.
Why the Nineties Matter
by Terry H. AndersonAn entertaining and deeply insightful history of a decade that matters more than we think: the 1990s. Nearly a quarter century after the decade of the 1990s ended, what really mattered in America during that era is finally coming into focus. Many of the most important developments in politics, culture, and society today have roots in that era: the rise of right-wing extremism, broad transformations in voting preferences among both the working and professional classes; the spread of neoliberal economic policy; and the rise of social media. In Why the Nineties Matter, Terry Anderson provides a broad-ranging history of America in that decade. Not simply a chronological account, the book focuses on key trends that either began or gained steam then and which have had lasting effects until this day. Threading together politics, economic transformations, and socio-cultural trends, he focuses on what mattered most in retrospect. Violent and extremist white nationalism intensified greatly in that decade, evidenced by the Oklahoma City bombing and the rise of the militia movement. The defection of the white working class from the Democratic Party began then as the Democrats expanded free trade and tried to cultivate professional-class Americans. Racial and gender politics transformed, birthing new movements that would grow in influence in the next century. Social media first emerged in the 1990s too, and its impact on all aspects of life cannot be underestimated. In foreign policy, America's long wars in the Middle East and Afghanistan have roots in US policies in the 1990s. And the current standoff between the US and Russia traces back to disagreements over NATO expansion a quarter century ago. A pithy and highly readable interpretive history of a decade that matters more than most think, this book will be an essential guide to anyone trying to understand that era.
Why We Die: The New Science of Ageing and the Quest for Immortality
by Venki Ramakrishnan'Spectacular. It changed my perspective on the whole living world but most of all myself.' - CHRIS VAN TULLEKEN'Combines science, politics, memoir and medicine with ease, grace and lucidity. An incredible journey.' SIDDHARTHA MUKHERJEE'Utterly fascinating. Clear, enthralling and packed with insights.' - BILL BRYSON'A thrilling ride through the science of ageing and death. A must-read.' - STEPHEN FRY_________Would you want to live forever?Nobel Prize-winning molecular biologist Venki Ramakrishnan transforms our understanding of why we age and die - and whether there's anything we can do about it.We are living through a revolution in biology. Giant strides are being made in our understanding of why we age and die, and why some species live longer than others. Immortality, once a faint hope, has never been more within our grasp.Examining recent scientific breakthroughs, Ramakrishnan shows how cutting-edge efforts to extend lifespan by altering our natural biology raise profound questions. Although we might not like it, does death serve a necessary biological purpose? And how can we increase our chances of living long, healthy and fulfilled lives? As science advances, we have much to gain. But might we also have much to lose?
Wild-Tier-Fotografie: Ökologische, postkoloniale und ästhetische Perspektiven (Cultural Animal Studies #15)
by Martin Bartelmus Maurice SaßTechnische Innovationen der Fotografie erlaubten Ende des 19. Jahrhunderts, Wildtiere nicht mehr nur als Kadaver und Beute oder in Studio und Gehege abzulichten, sondern ihnen in ihrem natürlichen Habitat nachzuspüren. Die frühe Wildtierfotografie bediente damit ein populäres Interesse an der als lokal, national oder kolonial geschätzten Fauna, lieferte wichtige Beiträge zur zoologischen Forschung und verstand sich häufig als Vorkämpfer des Naturschutzes. Ganz neu stellte sich damit aber auch die Frage, wie man Tiere richtig fotografiert: technisch, ästhetisch, ethisch. Der Band beantwortet diese Fragen in historischer Perspektive und erschließt damit das Forschungsfeld der Wildtierfotografie.
Winnicott and Labor’s Eclipse of Life: Work is Where We Start From (Psychoanalytic Political Theory)
by Nathan GerardNathan Gerard draws upon the pathbreaking insights of a pediatrician and psychoanalyst D. W. Winnicott to offer a new set of ideas in the novel domain of contemporary work life and its discontents. Locating Winnicott within a broad landscape of critical scholarship that dissects work’s perils, the book positions Winnicott as both a radical critic and creative advocate for building a different kind of work life—one that might make room for the presence of self. By shuffling the discourse on neoliberal subjectivity to reclaim what Winnicott calls “unit status” of the separate self, Gerard differentiates Winnicott from the relational tradition by advocating for Winnicott’s non-relational aspects. Through such analysis, the book reveals how work and home have become two sides of the same impoverished coin, each contributing to a legitimately “bad environment” that perpetuates self-absence and annihilates one’s unique sense of “feeling real” and alive. Winnicott and Labor’s Eclipse of Life will be of interest to readers of Winnicott and psychoanalysis, organization and management studies, and anyone hoping to deepen their engagement with the dynamics of contemporary work life.
Winnicott and Labor’s Eclipse of Life: Work is Where We Start From (Psychoanalytic Political Theory)
by Nathan GerardNathan Gerard draws upon the pathbreaking insights of a pediatrician and psychoanalyst D. W. Winnicott to offer a new set of ideas in the novel domain of contemporary work life and its discontents. Locating Winnicott within a broad landscape of critical scholarship that dissects work’s perils, the book positions Winnicott as both a radical critic and creative advocate for building a different kind of work life—one that might make room for the presence of self. By shuffling the discourse on neoliberal subjectivity to reclaim what Winnicott calls “unit status” of the separate self, Gerard differentiates Winnicott from the relational tradition by advocating for Winnicott’s non-relational aspects. Through such analysis, the book reveals how work and home have become two sides of the same impoverished coin, each contributing to a legitimately “bad environment” that perpetuates self-absence and annihilates one’s unique sense of “feeling real” and alive. Winnicott and Labor’s Eclipse of Life will be of interest to readers of Winnicott and psychoanalysis, organization and management studies, and anyone hoping to deepen their engagement with the dynamics of contemporary work life.
Wisecracks: Humor and Morality in Everyday Life
by David ShoemakerA philosopher’s case for the importance of good—if ethically questionable—humor. A good sense of humor is key to the good life, but a joke taken too far can get anyone into trouble. Where to draw the line is not as simple as it may seem. After all, even the most innocent quips between friends rely on deception, sarcasm, and stereotypes and often run the risk of disrespect, meanness, and harm. How do we face this dilemma without taking ourselves too seriously? In Wisecracks, philosopher David Shoemaker examines this interplay between humor and morality and ultimately argues that even morally suspect humor is an essential part of ethical life. Shoemaker shows how improvised “wisecracks” between family and friends—unlike scripted stand-up, sketches, or serials—help us develop a critical human skill: the ability to carry on and find the funny in tragedy. In developing a new ethics of humor in defense of questionable gibes, Wisecracks offers a powerful case for humor as a healing presence in human life.
With Power Comes Responsibility: The Politics of Structural Injustice
by Maeve McKeownWhat is structural injustice, and who ultimately bears responsibility for it? In answering these questions Maeve McKeown goes beyond the widely accepted narrative of unintended consequences and blameless participation to explain how power and responsibility truly function in today's world.Drawing on case studies from sweatshops to climate change, McKeown identifies three types of structural injustice: the pure and unintended accumulation of disparate activities; the avoidable injustice that could be ameliorated by the powerful but nevertheless continues; the deliberate perpetuation of structural processes that benefit powerful political and economic agents. In each of these, the role of power is different which changes the allocation of responsibility. From this understanding, we can shape a deeper, more sophisticated idea of how structural injustice operates and what we as individuals can do about it. What is the political responsibility of ordinary individuals? How can ordinary individuals with very little power pressure morally responsible, powerful agents to address structural injustice? Do we have the same responsibility for historical injustice as we do for that which we see in today's world? This is fundamental reassessment of the relationship between power, ordinary people and responsibility for structural injustice.
Wittgenstein and Ethics (Elements in the Philosophy of Ludwig Wittgenstein)
by null Anne-Marie Søndergaard ChristensenIn Ludwig Wittgenstein's writings, ethics takes a central place in his thinking. This element investigates his engagement with ethics in both early and later thinking. Starting from the remarks on ethics in the Tractatus Logico-Philosophicus and the framing of these remarks, it presents two influential approaches to Tractarian ethics, before it develops a coherent reading of ethics in the early thinking, focusing on ethical silence and the relationship notions of world and the philosophical 'I'. The reading of 'A Lecture on Ethics' focuses on the critique of ethical theory and the personal dimension of ethics, two themes also running through Wittgenstein's later thinking. It considers Wittgenstein's later ethical investigations, of ethical examples, ethically relevant language uses of language and the connections between reflections on ethics and living. It also considers the role of the other in Wittgenstein's later thinking.
Wittgenstein and Russell: The Vicissitudes Of Judgment And Proposition (Elements in the Philosophy of Ludwig Wittgenstein)
by null Sanford ShiehResponding to Russell is a constant throughout Wittgenstein's philosophizing. This Element focuses on Wittgenstein's criticisms of Russell's theories of judgment in the summer of 1913. Wittgenstein's response to these criticisms is of first-rate importance for his early philosophical development, setting the path to the conceptions of proposition and of logic in Tractatus Logico-Philosophicus. This Element also touches on further aspects of Wittgenstein's responses to Russell: the rejection of Russell's and Frege's logicisms in the Tractatus, the critique of Russell's causal-behavioristic philosophy of mind in Wittgenstein's 'middle' period, the Russellian origins of notions of privacy dialectically treated in Philosophical Investigations, and the discussion of 'surveyability' of mathematical proof in Remarks on the Foundations of Mathematics, which is, again, a response to Russellian logicism.
Wittgenstein on Music (Elements in the Philosophy of Ludwig Wittgenstein)
by null Eran GuterIn this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-à-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity as 'knowledge of people.' This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically inclined philosophy of music.
Wittgenstein's Tractatus Logico-Philosophicus: A Critical Guide (Cambridge Critical Guides)
by José L. ZalabardoPublished just over a century ago, Wittgenstein's Tractatus Logico-Philosophicus is the only book-length work to have been published during his lifetime and it continues to generate interest and scholarly debate. It is structured as a series of propositions on metaphysics, language, the nature of philosophy, and the distinction between what can be said and what can be shown. This volume brings together eleven new essays on the Tractatus covering a wide variety of topics, from the central Tractarian doctrines concerning representation, the structure of the world and the nature of logic, to less prominent issues including ethics, natural science, mathematics and the self. Individual essays advance specific exegetical debates in important ways, and taken as a whole they offer an excellent showcase of contemporary ideas on how to read the Tractatus and its relevance to contemporary thought.
Women in Nineteenth-Century Czech Musical Culture: Apostles of a Brighter Future (Slavonic and East European Music Studies)
by Anja Bunzel Christopher Campo-BowenThis volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.
Women in Nineteenth-Century Czech Musical Culture: Apostles of a Brighter Future (Slavonic and East European Music Studies)
by Anja Bunzel Christopher Campo-BowenThis volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.
Women, Music and Leadership
by Helen RusakWomen, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music. Women have always participated in music as performers, teachers, composers and professionals, but remain underrepresented in leadership positions. Covering women’s leadership across a wide variety of roles and musical genres, this book addresses women in classical music, gospel, blues, jazz, popular music, electronic music and non-Western musical contexts, and considers women working as composers, as conductors, and in music management and the music business. Each chapter includes several case studies of women’s careers, exploring their groundbreaking contributions to music and the challenges they faced as leaders. Connecting management theory and leadership research with feminist musicology, this book paints a new picture of women’s major contributions as leaders in music and their ongoing struggles for equity. It will be relevant to students and scholars in arts and music management, as well as all those studying music, gender or leadership, and women music professionals.
Women, Music and Leadership
by Helen RusakWomen, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music. Women have always participated in music as performers, teachers, composers and professionals, but remain underrepresented in leadership positions. Covering women’s leadership across a wide variety of roles and musical genres, this book addresses women in classical music, gospel, blues, jazz, popular music, electronic music and non-Western musical contexts, and considers women working as composers, as conductors, and in music management and the music business. Each chapter includes several case studies of women’s careers, exploring their groundbreaking contributions to music and the challenges they faced as leaders. Connecting management theory and leadership research with feminist musicology, this book paints a new picture of women’s major contributions as leaders in music and their ongoing struggles for equity. It will be relevant to students and scholars in arts and music management, as well as all those studying music, gender or leadership, and women music professionals.
Wonderstruck: How Wonder and Awe Shape the Way We Think
by Helen De CruzA philosopher explores the transformative role of wonder and awe in an uncertain worldWonder and awe lie at the heart of life&’s most profound questions. Wonderstruck shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.Drawing on the latest psychological insights on emotions, Helen De Cruz argues that wonder and awe are emotional drives that motivate us to inquire and discover new things, and that humanity has deliberately nurtured these emotions in cultural domains such as religion, science, and magic. Tracing how wonder and awe unify philosophy, the humanities, and the sciences, De Cruz provides new perspectives on figures such as Plato, Aristotle, Adam Smith, William James, Rachel Carson, Maurice Merleau-Ponty, Jean-Paul Sartre, and Abraham Heschel. Along the way, she explains how these singular emotions empower us to be open-minded, to experience joy and hope, and to be resilient in the face of personal troubles and global challenges.Taking inspiration from Descartes&’s portrayal of wonder as &“that sudden surprise of the soul,&” this illuminating book reveals how wonder and awe are catalysts that can help us reclaim what makes life worth living and preserve the things we find wonderful and valuable in our lives.
Wonderstruck: How Wonder and Awe Shape the Way We Think
by Helen De CruzA philosopher explores the transformative role of wonder and awe in an uncertain worldWonder and awe lie at the heart of life&’s most profound questions. Wonderstruck shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.Drawing on the latest psychological insights on emotions, Helen De Cruz argues that wonder and awe are emotional drives that motivate us to inquire and discover new things, and that humanity has deliberately nurtured these emotions in cultural domains such as religion, science, and magic. Tracing how wonder and awe unify philosophy, the humanities, and the sciences, De Cruz provides new perspectives on figures such as Plato, Aristotle, Adam Smith, William James, Rachel Carson, Maurice Merleau-Ponty, Jean-Paul Sartre, and Abraham Heschel. Along the way, she explains how these singular emotions empower us to be open-minded, to experience joy and hope, and to be resilient in the face of personal troubles and global challenges.Taking inspiration from Descartes&’s portrayal of wonder as &“that sudden surprise of the soul,&” this illuminating book reveals how wonder and awe are catalysts that can help us reclaim what makes life worth living and preserve the things we find wonderful and valuable in our lives.
The Word in the World: Essays and Lectures on Indian Literature and Aesthetics
by H S ShivaprakashThe Word in the World is a collection of essays and lectures by H S Shivaprakash, a well-known poet, playwright, and translator. Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash’s interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India. Distinctively, these are essays on subjects ranging from the nature and significance of medieval works of literature in India to issues arising out of developments in Indian aesthetics. The unfeigned magnitude of this work must be found among students and scholars, who will gain from it a perspective significantly different from the ones available in the prevailing academic discourses, thus indicating a way beyond poststructuralist/postmodernist frameworks. This is a book that will interest a wide variety of readers with its engaging insights and breadth of reference especially because it is written in a comprehensible style. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
The Word in the World: Essays and Lectures on Indian Literature and Aesthetics
by H S ShivaprakashThe Word in the World is a collection of essays and lectures by H S Shivaprakash, a well-known poet, playwright, and translator. Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash’s interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India. Distinctively, these are essays on subjects ranging from the nature and significance of medieval works of literature in India to issues arising out of developments in Indian aesthetics. The unfeigned magnitude of this work must be found among students and scholars, who will gain from it a perspective significantly different from the ones available in the prevailing academic discourses, thus indicating a way beyond poststructuralist/postmodernist frameworks. This is a book that will interest a wide variety of readers with its engaging insights and breadth of reference especially because it is written in a comprehensible style. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
The Worlds of Classical Chinese Aesthetics
by Paul R. GoldinThis book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions:What is art?Why do we produce it?How do we judge it?The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures.Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes
The Worlds of Classical Chinese Aesthetics
by Paul R. GoldinThis book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions:What is art?Why do we produce it?How do we judge it?The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures.Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes
Written in Water: The Ephemeral Life of the Classic in Art
by Rochelle GursteinA deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.
Yoga – Anticolonial Philosophy: An Action-Focused Guide to Practice
by Shyam RanganathanA decolonial guide to yoga from an expert in Indian moral philosophy and Yoga, with exploration and advice on unlearning colonialism, learning the activism of Yoga from various sources such as the Yoga Sūtra and Bhagavad gītā, and how to bring authenticity into your daily practice.