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And Still I Rise: Selected Poems

by Dr Maya Angelou

Maya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams. 'The caged bird sings/ with a fearful trill/ of things unknown/ but longed for still/ and his tune is heard/ on the distant hill/ for the caged bird/ sings of freedom.' Of her poetry, KIRKUS REVIEWS has written, 'It is just as much a part of her biography as I KNOW WHY THE CAGED BIRD SINGS, GATHER TOGETHER in MY NAME, SINGIN' AND SWINGIN' AND GETTING MERRY LIKE CHRISTMAS, and HEART OF A WOMAN.

Celebrations: Rituals of Peace and Prayer

by Dr Maya Angelou

Grace, dignity, and eloquence have long been hallmarks of Maya Angelou's poetry. Her measured verses have stirred our souls, energized our minds, and healed our hearts. Celebrations is a collection of timely and timeless poems: the inspiring 'On the Pulse of Morning', read at President William Jefferson Clinton's 1993 inauguration; the heartening 'Amazing Peace'; 'A Brave and Startling Truth', which marked the fiftieth anniversary of the United Nations; and 'Mother', which beautifully honours the first woman in our lives. Angelou writes of celebrations public and private.Angelou is a chronicler of history, an advocate for peace, and a champion for the planet, as well as a patriot, a mentor, and a friend. To be shared and cherished, the wisdom and poetry of Maya Angelou proves there is always cause for celebration.

The Complete Collected Poems: The Complete Collected Poems

by Dr Maya Angelou

Maya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longings, partings; of Saturday night partying and the smells and sounds of Southern cities; of freedom and shattered dreams. Of her poetry, Kirkus Reviews has written, 'It is just as much a part of her autobiography as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin' and Swingin' and Gettin' Merry Like Christmas, and The Heart of a Woman'.

Maya Angelou: Complete Poetry

by Dr Maya Angelou

From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.

Royal Rap: Band 08/purple (Collins Big Cat Ser.)

by Laurence Anholt Alice Morentorn Collins Big Cat

A humorous poem with one couplet on every monarch from William the Conqueror to Elizabeth the Second. Purple/ Band 8 books offer developing readers literary language, with some challenging vocabulary. Text type - A poem. Curriculum links - History: 'Pupils should be taught about … events beyond living memory that are significant nationally'. A royal timeline on pages 22-23, showing dates on the throne of all monarchs, allows children to place the poem in context.

The Bloomsbury Handbook to Sylvia Plath (Bloomsbury Handbooks)

by Anita Helle, Amanda Golden, and Maeve O’Brien

Sylvia Plath is one of the most widely recognised and inspiring poets of the 20th century. With chapters written by more than 25 leading and emerging international scholars this is the most up-to-date and in-depth reference guide to 21st century scholarship on her life and work.The Bloomsbury Handbook to Sylvia Plath covers the full range of contemporary scholarship on Plath's work, including such topics as:· New insights from the publication of Plath's letters· Current scholarly perspectives: feminist and gender studies, race, medical humanities and ecocriticism· Plath's poetry, the major novel, The Bell Jar, and Plath's writing for children· Plath's literary contexts, from Ovid and Robert Lowell to Ted Hughes, Doris Lessing and Stevie Smith· Plath's broadcasting work for the BBCThe book also includes a substantial annotated bibliography of key primary and secondary writing by and on the author.

Crisis and Contemporary Poetry

by Anne Karhio, Seán Crosson and Charles I. Armstrong

What are the means available to poetry to address crisis and how can both poets and critics meet the conflicts and challenges they face? This collection of essays addresses poetic and critical responses to the various crises encountered by contemporary writers and our society, from the Holocaust to the ecological crisis.

Beowulf: An Anglo-Saxon Epic Poem

by Anonymous John Lesslie Hall

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath.

Antiemetic for Homesickness

by Romalyn Ante

'A day will come when you won't missthe country na nagluwal sa 'yo.'- 'Antiemetic for Homesickness'The poems in Romalyn Ante's luminous debut build a bridge between two worlds: journeying from the country 'na nagluwal sa 'yo' - that gave birth to you - to a new life in the United Kingdom. Steeped in the richness of Filipino folklore, and studded with Tagalog, these poems speak of the ache of assimilation and the complexities of belonging, telling the stories of generations of migrants who find exile through employment - through the voices of the mothers who leave and the children who are left behind. With dazzling formal dexterity and emotional resonance, this expansive debut offers a unique perspective on family, colonialism, homeland and heritage: from the countries we carry with us, to the places we call home.'Moving, witty and agile' Observer

The Poetics of the Obscene in Premodern Arabic Poetry: Ibn al-?ajj?j and Sukhf (Literatures and Cultures of the Islamic World)

by S. Antoon

The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.

All The Names Given

by Raymond Antrobus

From the Sunday Times Young Writer of the Year 2019Raymond Antrobus’s astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All The Names Given, continues his essential investigation into language, miscommunication, place, and memory. Beginning with poems meditating on the author’s surname – one which shouldn’t have survived into the modern era – Antrobus then examines the rich and fraught history carried within it. As he describes a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet can reckon with his own ancestry, and bear witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space, shifting between England, South Africa, Jamaica, and the American South, and move fluently from family history, through the lust of adolescence, and finally into a vivid and complex array of marriage poems — with the poet older, wiser, and more accepting of love’s fragility.Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, which attempt to fill in the silences and transitions between the poems, as well as moments inside and outside of them. Direct, open, formally sophisticated, All The Names Given breaks new ground both in form and content: the result is a timely, humane and tender book from one of the most important young poets of his generation.

Poetry, Poetic Inquiry and Rwanda: Engaging with the Lives of Others (Studies in Arts-Based Educational Research #3)

by Laura Apol

This book describes the practice of poetic inquiry and takes the reader through the process of translating lived experience into poetry that attends to the lives of others. Using her own writing—from early drafts to published poems—Apol demonstrates elements of poetic inquiry that both give it strength and make it complicated: the importance of craft (the aesthetic); the imperative of accuracy and reliability (the investigative); the significance of ethical responsibility that leads to action (witness); and the centrality of relational connectedness and accountability (withness). Apol raises questions about what it means for poems to function as both research and art, and illustrates what happens when there are irresolvable conflicts between the demands of the poem and a commitment to relationship. Throughout, Apol addresses her white privilege, as well as the dominant white/colonial narrative that often seeps into arts-based work unless it is overtly and critically addressed. The book goes beyond arts-based research, speaking as well to other forms of cross-national, cross-cultural research. It is a call for relational scholarship that moves toward action, a heart-rending teaching, a post-traumatic aesthetic map laid down with clear and poignant theory and praxis to extend, serve and guide.

The Bestiary, or Procession of Orpheus: Or The Parade Of Orpheus (Pocket Paragon Ser.)

by Guillaume Apollinaire

Guillaume Apollinaire’s first book of poems has charmed readers with its brief celebrations of animals, birds, fish, insects, and the mythical poet Orpheus since it was first published in 1911. Though Apollinaire would go on to longer and more ambitious work, his Bestiary reveals key elements of his later poetry, among them surprising images, wit, formal mastery, and wry irony. X. J. Kennedy’s fresh translation follows Apollinaire in casting the poems into rhymed stanzas, suggesting music and sudden closures while remaining faithful to their sense. Kennedy provides the English alongside the original French, inviting readers to compare the two and appreciate the fidelity of the former to the latter. He includes a critical and historical essay that relates the Bestiary to its sources in medieval "creature books," provides a brief biography and summation of the troubled circumstances surrounding the book’s initial publication, and places the poems in the context of Apollinaire’s work as a poet and as a champion of avant garde art. This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.

Selected Poems: with parallel French text (Oxford World's Classics)

by Guillaume Apollinaire

'In the end you're tired of this antiquated world' Guillaume Apollinaire (1880-1918) is the most significant French poet of early modernism, and the most colourful. His exuberant, adventurous poetry matched the eventful times through which he lived, and his experimentalism heralded a new artistic order. In the Paris of the belle époque, Apollinaire's prolific writing - poems, short stories, erotic novels, art criticism - as well as his magnetic personality brought him fame and even some notoriety. His two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism', and he led the literary and artistic avant-garde right up to his death two days before the Armistice, weakened by injuries received earlier in the War. This new selection by Martin Sorrell covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

River Writing: An Eno Journal

by James Applewhite

"These poems are the waves emanating from the gravitational fall of my runs by the Eno river," writes James Applewhite, "and other travels, into a self I could not otherwise know. They are my repetitive song of belief in the possibility of presence in language."From "Observing the Sun":On a bank overlooking the Eno,I feel us as lightly alignedAs heads of the Queen Anne's lace,Their congregation of angles.Red sun, dilated, has us allIn its sights.Against its horizon,I spread my arms like a road signTo mark earth where we are.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

AQA GCSE Anthology: Moon on the Tides (PDF)

by Aqa

This Anthology is for use with the following specifications: • GCSE English (specification code: 4700) • GCSE English Language (specification code: 4705) • GCSE English Literature (specification code: 4710) U

The Event of Style in Literature

by M. Aquilina

The Event of Style in Literature brings discussions about the question of style up-to-date by schematising the principal issues relating to the topic through a critical overview of the canon of style studies. It reads the work of Jacques Derrida, Maurice Blanchot, and Hans-Georg Gadamer as groundbreaking and 'eventful' interventions.

Bileterik gabe

by Jon Arano

helezin<P><P> ia, eskerrak ematen nizkien, nere baitarako, <P> itxoiten nuenaren antza zutenei<P> ez dut gogoratzen norena den hau

From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature (Routledge Studies in Renaissance Literature and Culture)

by Anthony Archdeacon

This book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship. In early modern literature, there were expressions of humanistic self-congratulation that sometimes verged on narcissism, and at the same time expressions of self-doubt and anxiety that verged on nihilism. The themes of self-love and self-negation had a long history in western thought, and this book shows how the medieval treatments of the themes developed into something distinctive in the sixteenth century. The two themes, either individually or combined, encompass such topics as poverty, unrequited love, transgressive sexuality, sexual violence, suicidality, self-worth, authorship, religious penitence, martyrdom, courtly ambition and tyranny. Archdeacon uses over 100 texts from the sixteenth and early seventeenth centuries to show how the early modern writer existed in a culture of contrary forces pulling towards either self-affirmation or self-erasure. Writers attempted to negotiate between the polarised extremes of self-love and self-negation, realising that they are fundamental to how we respond to each other, our selves and the world.

From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature (Routledge Studies in Renaissance Literature and Culture)

by Anthony Archdeacon

This book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship. In early modern literature, there were expressions of humanistic self-congratulation that sometimes verged on narcissism, and at the same time expressions of self-doubt and anxiety that verged on nihilism. The themes of self-love and self-negation had a long history in western thought, and this book shows how the medieval treatments of the themes developed into something distinctive in the sixteenth century. The two themes, either individually or combined, encompass such topics as poverty, unrequited love, transgressive sexuality, sexual violence, suicidality, self-worth, authorship, religious penitence, martyrdom, courtly ambition and tyranny. Archdeacon uses over 100 texts from the sixteenth and early seventeenth centuries to show how the early modern writer existed in a culture of contrary forces pulling towards either self-affirmation or self-erasure. Writers attempted to negotiate between the polarised extremes of self-love and self-negation, realising that they are fundamental to how we respond to each other, our selves and the world.

Spoken Emotion: A Collection Of Poetry About Adoption (Wordcatcher Modern Poetry)

by Elizabeth Archer Oliver Archer

A collection of poetry about adoption In this collection, mother and son Elizabeth and Oliver, explore the emotions and feelings inherent in family life. From this unique perspective of adult and child, this collection views the things said and unsaid that go on in a family with an adopted child. Elizabeth, through her words, encompasses the feelings many other families may feel; whether through adoption, fostering or just living life. Their poetry is about the light and shade of family life; the emotional journeys we take, which will resonate with many families.

Citizen Shakespeare: Freemen and Aliens in the Language of the Plays (Early Modern Cultural Studies 1500–1700)

by J. Archer

Shakespeare was not a citizen of London. But the language of his plays is shot through with the concerns of London 'freemen' and their wives, the diverse commercial class that nevertheless excluded adult immigrants from country towns and northern Europe alike. This book combines London historiography, close reading, and recent theories of citizen subjectivity to demonstrate for the first time that Shakespeare's plays embody citizen and alien identities despite their aristocratic settings. Through three chapters, the book points out where the city shadows the country scenes of the major comedies, shows how London's trades animate the 'civil butchery' of the history plays, ans explains why England's metropolis becomes the fractured Rome of tragedy,

Technically Alive: Shakespeare’s Sonnets

by J. Archer

Drawing on the later writings of Martin Heidegger, the book traces the correspondence between the philosopher's concept of technology and Shakespeare's poetics of human and natural productivity in the Sonnets.

Food and the Literary Imagination

by J. Archer R. Marggraf Turley H. Thomas Richard Marggraf Turley

Food and the Literary Imagination explores ways in which the food chain and anxieties about its corruption and disruption are represented in poetry, theatre and the novel. The book relates its findings to contemporary concerns about food security.

The Blue Grove: The Poetry of the Uraons (Routledge Revivals)

by W. G. Archer

Originally published in 1940, The Blue Grove is a study of the poetry of the Uraons. This unique consideration of the poetry and folk song of the Uraons presents a wide range of poems organised by theme, including dance poems, cultivation poems, and marriage poems. It also includes examples of a Uraon marriage sermon, a Uraon farewell address, and Uraon riddles. The poems are preceded by a detailed analysis of Uraon marriages and dancing, providing important contextual information. The Blue Grove will appeal to anyone with an interest in the rich history of Uraon folk songs, poetry, and dance.

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