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News of War: Civilian Poetry 1936-1945
by Rachel GalvinNews of War: Civilian Poetry 1936-1945 is a powerful account of how civilian poets confront the urgent problem of writing about war. The six poets Rachel Galvin discusses-W. H. Auden, Marianne Moore, Raymond Queneau, Gertrude Stein, Wallace Stevens, and César Vallejo-all wrote memorably about war, but still they felt they did not have authority to write about what they had not experienced firsthand. Consequently, these writers developed a wartime poetics engaging with both classical rhetoric and the daily news in texts that encourage readers to take critical distance from war culture. News of War is the first book to address the complex relationship between poetry and journalism. In two chapters on civilian literatures of the Spanish Civil War, five chapters on World War II, and an epilogue on contemporary poetry about the wars in Iraq and Afghanistan, Galvin combines analysis of poetic form with attention to socio-historical context, drawing on rare archival sources and furnishing new translations. In comparing how poets wrestled with the limits of bodily experience, and with the ethical, political, and aesthetic problems they faced, Galvin theorizes the concept of meta-rhetoric, a type of ethical self-interference. She argues that civilian writers employed strategies drawn from journalism precisely to question the objectivity and facticity of war reporting. Civilian poetics of the 1930s and 1940s was born from writers' desire to acknowledge their own socio-historical position and to write poems that responded ethically to the gravest events of their day.
The Day I Met Myself: Collected Poems
by Peter GammondSelected poems of author and musician Peter Gammond
Little Book of Betjeman
by Peter GammondThe Little Book of Betjeman is a perceptive evocation of the late Poet Laureate's life and work. The book is lavishly illustrated throughout, in both colour and black and white, with some hitherto unpublished pictures of the poet and many very rate first editions from the author's personal collection. Peter Gammond knew John Betjeman and the members of his circle of friends at Oxford, such as Maurice Bowra, and, as Vice-Chairman and a former Chairman of The Betjeman Society, he is uniquely qualified to write about Britain's best-loved poet of the 20th century.
A Greek Ballad: Selected Poems (The Margellos World Republic of Letters)
by Michalis GanasA stunning collection that draws from four decades of verse by one of modern Greece’s most lauded poets This is the first English-language collection of work by the renowned Greek poet Michális Ganás. Originally from a remote village on the northwest border of Greece, Ganás witnessed the Greek Civil War as a young child, and was taken into enforced exile in Eastern Europe with his family. Weaving together subtle references to the events and places that have defined his life’s story, Ganás’s terse and technically accomplished poems are a combination of folklore, autobiography, and recent history. Whether describing the mountains of his youth or the difficulties of acclimation in Athens of the 1960s and 1970s, Ganás’s writing is infused with striking and original imagery inspired by love, memory, and loss. Featuring expert translations—made in collaboration with Ganás himself—by David Connolly and Joshua Barley, this volume also includes a scholarly introduction to the poet’s life and work.
Muriel Rukeyser and Documentary: The Poetics of Connection
by Catherine GanderThis study of twentieth-century American poet Muriel Rukeyser explores the multiple avenues of her ‘poetics of connection’ to reveal a profound engagement with the equally intertextual documentary genre. It examines previously overlooked photo narratives, poetry, prose and archival material and demonstrates an enduring dialogue between the poet’s relational aesthetics and documentary’s similarly interdisciplinary and creative approach to the world. By considering the sources of documentary in Rukeyser’s work, the study provides insight into her guiding poetic principles, situating her as a vital figure in the history of twentieth-century American literature and culture, and as a pioneering personality in the development of American Studies. Key Features Provides a new, interdisciplinary perspective situating Rukeyser firmly within the canon of essential twentieth-century American poets Examines Rukeyser’s photo narratives, poetry, prose, and archival material Outlines the development of documentary in the 1930s, and its role in the formation of an American literary and cultural aesthetic
Muriel Rukeyser and Documentary: The Poetics of Connection
by Catherine GanderProvides a new perspective on the documentary diversity of Muriel Rukeyser’s work and influences Winner of the inaugural Peggy O'Brien Book Prize of the Irish Association for American Studies (IAAS)
Deeds of Utmost Kindness (Wesleyan Poetry Series)
by Forrest GanderA haunting and peculiar travelogue, Deeds of the Utmost Kindness employs forms as diverse as haiku and prose poetry in settings that range from Japan to the rural Ozarks to contemporary Moscow. The compelling strangeness of the poems' precise details exposes varied rhythms of thought and illustrated how different logics work in the metaphoric structures of changing places. Yet behind the uneasy sense of dislocation felt by the constant traveler lies the personal, essentially moral, voice of the poet as observer.
Chaucerian Theatricality (PDF)
by John M. GanimWhereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer.This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Style and Consciousness in Middle English Narrative
by John M. GanimJohn M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex forms of narrative characterized by discontinuity, distortion, and disorientation.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Self, Text, and Romantic Irony: The Example of Byron
by Frederick GarberFrederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Poetry & Barthes: Anglophone Responses 1970–2000 (Poetry &... #7)
by Callie GardnerWhat kinds of pleasure do we take from writing and reading? What authority has the writer over a text? What are the limits of language’s ability to communicate ideas and emotions? Moreover, what are the political limitations of these questions? The work of the French cultural critic and theorist Roland Barthes (1915–80) poses these questions, and has become influential in doing so, but the precise nature of that influence is often taken for granted. This is nowhere more true than in poetry, where Barthes’ concerns about pleasure and origin are assumed to be relevant, but this has seldom been closely examined. This innovative study traces the engagement with Barthes by poets writing in English, beginning in the early 1970s with one of Barthes’ earliest Anglophone poet readers, Scottish poet-theorist Veronica Forrest-Thomson (1947–75). It goes on to examine the American poets who published in L=A=N=G=U=A=G=E and other small but influential journals of the period, and other writers who engaged with Barthes later, considering his writings’ relevance to love and grief and their treatment in poetry. Finally, it surveys those writers who rejected Barthes’ theory, and explores why this was. The first study to bring Barthes and poetry into such close contact, this important book illuminates both subjects with a deep contemplation of Barthes’ work and a range of experimental poetries.
Poetry and Popular Protest: Peterloo, Cato Street and the Queen Caroline Controversy (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by J. GardnerThis book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: 'Peterloo', a peaceful protest that became a massacre; 'Cato Street', a government scripted rebellion; and the 'Queen Caroline Controversy', when the estranged wife of George IV tried to claim her crown.
Building Jerusalem: Elegies on Parish Churches
by Kevin J. GardnerNostalgia and love of parish churches is deeply embedded in the British psyche. Following the success of Poems in the Porch, a collection of hitherto unpublished poems on parish churches by Sir John Betjeman, Kevin Gardner has now assembled a new anthology of poems on the same theme yet with a greater diversity of post-war authors – Philip Larkin, R. S. Thomas, John Betjeman, C. Day Lewis, U. A. Fanthorpe and many others. The collection is introduced by a fascinating critical introduction, 'Anglican Memory and Post-war British Poetry' and will appeal to church and poetry lovers alike in their droves.
Poems in the Porch: The Radio Poems of John Betjeman
by Kevin J. GardnerBetween 1953-57, John Betjeman read a series of poems on 'The Faith in the West' program airing on the BBC's West of England Home Service. This series, called 'Poems in the Porch,' was so popular that Betjeman received constant requests to publish the poems. Although he deprecatingly referred to the poems as mere 'verses', Betjeman at last capitulated to the public. The result was a slim volume of six poems, entitled Poems in the Porch. What few people now realize is that Betjeman read at least 20 original poems on the radio in this series, perhaps even more, although owing to the haphazard records of both the BBC and Betjeman himself it is impossible to reconstruct with complete accuracy the history of this series.  Kevin Gardner has been able to identify and collect 26 of these poems and has written a fascinating introductory essay recounting the story of Betjeman as a radio poet and discussing the artistry of these poems. Most have never been published and currently exist only in manuscript. We know for certain of 20 occasions when Betjeman read his poems on the 'Faith in the West' program, and of these we know 16 specific titles. Despite the gap between the BBC records on the one hand and the printed and manuscript texts on the other, Gardner has been able to construct a relatively reliable edition of Betjeman's Poems in the Porch.This book will cause a radical reassessment of his canon and will create great waved n the Betjeman community.  Â
Among The Monarchs (Phoenix Poets Ser.)
by Christine GarrenIn poems of haunting lyricism, and in a voice wholly unlike any other American poet, Christine Garren's second book of poetry explores common themes such as love, loss, and family with an uncommon sensibility. Among the Monarchs is filled with unforgettable metaphors, unconventional and unpredictable juxtapositions, turns and angles of perception, and seductive free verse rhythms. Through all of this, Garren captivates readers in a unique exploration of the nature of desire, the raptures and burdens of love and loss, the peculiarities of family life and, perhaps most compelling, the power of poetic imagination to shape what we see and feel. At once engaging and disquieting, Among the Monarchs attests to the inexhaustible possibilities of lyric poetry.
Among the Monarchs (Phoenix Poets)
by Christine GarrenIn poems of haunting lyricism, and in a voice wholly unlike any other American poet, Christine Garren's second book of poetry explores common themes such as love, loss, and family with an uncommon sensibility. Among the Monarchs is filled with unforgettable metaphors, unconventional and unpredictable juxtapositions, turns and angles of perception, and seductive free verse rhythms. Through all of this, Garren captivates readers in a unique exploration of the nature of desire, the raptures and burdens of love and loss, the peculiarities of family life and, perhaps most compelling, the power of poetic imagination to shape what we see and feel. At once engaging and disquieting, Among the Monarchs attests to the inexhaustible possibilities of lyric poetry.
A Browning Chronology: Elizabeth Barrett and Robert Browning (Author Chronologies Series)
by M. GarrettSeveral thousand letters to and from Elizabeth Barrett and Robert Browning have survived, together with other information on the composition and context of works from Barrett's 'lines on virtue' written at the age of eight in 1814 to Browning's Asolando (1889). The Chronology seeks to guide readers through this mass of material in three main sections: youth, contrasting early backgrounds and careers, and growing interest in each other's work to 1845; courtship, marriage, Italy, and work including Aurora Leigh and Men and Women (1845-61); Browning's later life of relentless socializing and prolific writing from his return to London to his death in Venice in 1889. The book provides not only precise dating but much matter on such topics as the Brownings' extensive reading in English, French and classical literature, their many friendships, and their sometimes conflicting political beliefs.
The Palgrave Literary Dictionary of Byron (Palgrave Literary Dictionaries)
by M. GarrettA comprehensive guide to the poems, prose, biography, ideas and contexts of Byron, entries range from detailed coverage of the major poems to items on Byron's songs, conversation, interest in boxing, swimming and vampires, and sexual liaisons; also the 'Byronic Hero', Byron in fiction and drama, and his pervasive influence on subsequent literature.
The Palgrave Literary Dictionary of Shelley (Palgrave Literary Dictionaries)
by M. GarrettThis comprehensive guide to the poems, prose, biography, ideas and contexts of Percy Bysshe Shelley features entries on all the major poems and prose works (including inspiration, composition and publication), Shelley's politics, relationships and travels, his representation in novels, drama, film and portraits, and his critical reception.
The Palgrave Literary Dictionary of Samuel Taylor Coleridge (Palgrave Literary Dictionaries)
by Martin GarrettThis volume explores ‘the labyrinth of what we call Coleridge’ (Virginia Woolf): his poems and prose, their sources, interpretation and reception; his life, troubled marriage and fatherhood, conversation, changing intellectual contexts and legacy. Major entries cover such canonical works as The Rime of the Ancient Mariner, Christabel, ‘Kubla Khan’, the ‘conversation poems’ and Biographia Literaria. But a fuller understanding of Coleridge must embrace many lesser-known poems – lyrics, satire, comical squibs. The prose – critical, philosophical, political, religious – ranges from his early radical writings to the more conservative On the Constitution of the Church and State, his influential Shakespeare lectures, and the vast resource of the notebooks. Coleridge read widely throughout his life and engaged extensively with the work of, among many others, Milton, Fielding, Berkeley, Priestley, Kant, Schelling. One of his most important relationships was with William Wordsworth. Another was with Sara Hutchinson. Entries trace Coleridge’s changing reputation, from brilliant young activist to the ‘Sage of Highgate’ to the later apostle of the theories of the imagination and of Practical Criticism. Other topics covered include opium, plagiarism, the French Revolution, Pantisocracy, Unitarianism, and the Salutation and Cat tavern.
A Romantics Chronology, 1780-1832 (Author Chronologies Series)
by Martin GarrettThis book covers the life and work of a wide range of writers from Coleridge to Wollstonecraft, Hemans, Beckford and their contemporaries. Also encompassing a wealth of material on contexts from the treason trials of 1794 to the coming of gas-light to the London stage in 1817, it provides a panorama of one of the richest periods in British culture.
Coming In: A Collection of Poetry
by Steve GarrettSteve Garrett is a Cardiff-based social entrepreneur, writer, poet and musician. Originally from Wrexham, Steve spent many years living in Canada trying out a lot of different occupations before returning to settle in Wales, where, amongst other things, he has set up and run farmers markets.Steve insists that writing poetry helps him respond to experiences (often, inevitably, affairs of the heart) that have amused, inspired, or annoyed him. With these verbal outbursts he shares observations and insights, inspired by the belief that words can help us know and appreciate each other more. And to smile at life.Writing from a male perspective, Steve hopes his work can speak to everyone, and especially to men who haven’t read much poetry before.