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A Comprehensive Study of Tang Poetry I (China Perspectives)
by Lin GengTang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language, and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). In this volume, the author provides a general understanding of poetry in the “High Tang” era from a range of perspectives. Starting with an in-depth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of the poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. This book will appeal to researchers, scholars, and students of Chinese literature and especially of classical Chinese poetry. People interested in Chinese culture more widely will also benefit from this book.
A Comprehensive Study of Tang Poetry I (China Perspectives)
by Lin GengTang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language, and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). In this volume, the author provides a general understanding of poetry in the “High Tang” era from a range of perspectives. Starting with an in-depth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of the poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. This book will appeal to researchers, scholars, and students of Chinese literature and especially of classical Chinese poetry. People interested in Chinese culture more widely will also benefit from this book.
A Comprehensive Study of Tang Poetry II (China Perspectives)
by Lin GengTang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great Literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). This volume focuses on the prominent poets and poems of Tang poetry. Beginning with an introduction to the “four greatest poets” - Li Bai, Du Fu, Wang Wei and Bai Juyi - the author discusses their subjects, language, influence, and key works. The volume also includes essays on the masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirations and seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes our invigorates our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.
A Comprehensive Study of Tang Poetry II (China Perspectives)
by Lin GengTang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great Literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). This volume focuses on the prominent poets and poems of Tang poetry. Beginning with an introduction to the “four greatest poets” - Li Bai, Du Fu, Wang Wei and Bai Juyi - the author discusses their subjects, language, influence, and key works. The volume also includes essays on the masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirations and seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes our invigorates our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.
The Epic of Gilgamesh: A New Translation (Penguin Classics Ser.)
by Andrew GeorgeThe ancient Sumerian poem The Epic of Gilgamesh is one of the oldest written stories in existence, translated with an introduction by Andrew George in Penguin Classics.Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world's oldest epic, predating Homer by many centuries. The story tells of Gilgamesh's adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, The Epic of Gilgamesh is, above all, about mankind's eternal struggle with the fear of death.The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian. Andrew George's gripping translation brilliantly combines these into a fluid narrative and will long rank as the definitive English Gilgamesh. If you enjoyed The Epic of Gilgamesh, you might like Homer's Iliad, also available in Penguin Classics.'A masterly new verse translation'The Times'Andrew George has skilfully bridged the gap between a scholarly re-edition and a popular work'London Review of Books
Congratulations, Rhododendrons
by Mary GermaineIn her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.Through poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason.In anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, Congratulations, Rhododendrons makes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.
A Companion to Eighteenth-Century Poetry (Blackwell Companions to Literature and Culture #36)
by Christine GerrardThis broad-ranging Companion offers readers a thorough grounding in both the background and the substance of eighteenth-century poetry in all its rich variety. Provides an up-to-date and wide-ranging guide to eighteenth-century poetry Reflects the dramatic transformation which has taken place in the study of eighteenth-century poetry over the past two decades Opens with a section on contexts, discussing poetry’s relationships with patriotism, politics, science, and the visual arts, for example Discusses poetry by male and female poets from all walks of life Includes numerous close readings of individual poems, ranging from Pope’s The Rape of the Lock to Mary Collier’s The Woman’s Labour Includes more provocative contributions on subjects such as rural poetry and the self-taught tradition, British poetry 'beyond the borders', the constructions of femininity, women as writers and women as readers. Designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology, 3rd edition (Wiley Blackwell, 2014)
A Companion to Eighteenth-Century Poetry (Blackwell Companions to Literature and Culture)
by Christine GerrardThis broad-ranging Companion offers readers a thorough grounding in both the background and the substance of eighteenth-century poetry in all its rich variety. Provides an up-to-date and wide-ranging guide to eighteenth-century poetry Reflects the dramatic transformation which has taken place in the study of eighteenth-century poetry over the past two decades Opens with a section on contexts, discussing poetry’s relationships with patriotism, politics, science, and the visual arts, for example Discusses poetry by male and female poets from all walks of life Includes numerous close readings of individual poems, ranging from Pope’s The Rape of the Lock to Mary Collier’s The Woman’s Labour Includes more provocative contributions on subjects such as rural poetry and the self-taught tradition, British poetry 'beyond the borders', the constructions of femininity, women as writers and women as readers. Designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology, 3rd edition (Wiley Blackwell, 2014)
Handbuch Idylle: Verfahren – Traditionen – Theorien
by Jan Gerstner Jakob C. Heller Christian SchmittDas Handbuch dokumentiert den Stand der Idyllenforschung und zeigt neue Wege auf, um die ‚Idylle‘ und das ‚Idyllische‘ literatur- und kulturwissenschaftlich zu erfassen. Damit erfüllt es das Desiderat eines zeitgenössischen Konzepts der Gattung, das auch idyllische Phänomene im weiteren Sinne umfasst. Beiträge aus unterschiedlichen Philologien sowie aus Musik-, Theater-, Medien- und Kunstwissenschaften ergänzen den germanistischen Schwerpunkt des Handbuchs. Sie legen die transnationalen und transmedialen Traditionslinien der Gattung von der Antike bis zur Gegenwart frei, erproben etablierte ebenso wie neue theoretische Ansätze und erläutern konstitutive Topoi. Das Handbuch begreift die Idylle als Effekt idyllisierender Verfahren und präsentiert sie so als in sich dynamische und widerspruchsvolle Form. Damit eröffnet es auch neue Wege, zeitgenössischen Transformationen des Idyllischen in Kultur und Politik analytisch zu begegnen.
Fort Necessity (Phoenix Poets)
by David GewanterWho are the lords of labor? The owners, or the working bodies? In this smart, ambitious, and powerful book, David Gewanter reads the body as creator and destroyer—ultimately, as the broken mold of its own work. Haunted by his father’s autopsy of a workman he witnessed as a child, Gewanter forges intensely personal poems that explore the fate of our laboring bodies, from the Carnegie era’s industrial violence and convict labor to our present day of broken trust, profiteering, and the Koch brothers. Guided by a moral vision to document human experience, this unique collection takes raw historical materials—newspaper articles, autobiography and letters, court testimony, a convict ledger, and even a menu—and shapes them into sonnets, ballads, free verse, and prose poems. The title poem weaves a startling lyric sequence from direct testimony by steelworkers and coal-miners, strikers and members of prison chain-gangs, owners and anarchists, revealing an American empire that feeds not just on oil and metal, but also on human energy, impulse, and flesh. Alongside Gewanter’s family are hapless souls who dream of fortune, but cannot make their fates, confronting instead the dark outcomes of love, loyalty, fantasy, and betrayal.
Fort Necessity (Phoenix Poets)
by David GewanterWho are the lords of labor? The owners, or the working bodies? In this smart, ambitious, and powerful book, David Gewanter reads the body as creator and destroyer—ultimately, as the broken mold of its own work. Haunted by his father’s autopsy of a workman he witnessed as a child, Gewanter forges intensely personal poems that explore the fate of our laboring bodies, from the Carnegie era’s industrial violence and convict labor to our present day of broken trust, profiteering, and the Koch brothers. Guided by a moral vision to document human experience, this unique collection takes raw historical materials—newspaper articles, autobiography and letters, court testimony, a convict ledger, and even a menu—and shapes them into sonnets, ballads, free verse, and prose poems. The title poem weaves a startling lyric sequence from direct testimony by steelworkers and coal-miners, strikers and members of prison chain-gangs, owners and anarchists, revealing an American empire that feeds not just on oil and metal, but also on human energy, impulse, and flesh. Alongside Gewanter’s family are hapless souls who dream of fortune, but cannot make their fates, confronting instead the dark outcomes of love, loyalty, fantasy, and betrayal.
The Sleep of Reason (Phoenix Poets)
by David GewanterThe Sleep of Reason plunges us into a macabre world where good impulses bring on evil consequences—a world not unlike our own. In David Gewanter's alternately delightful and startling poems, allegory comes alive and stalks a bookstore's musty aisles, comedians eviscerate their families for a laugh, lovers love each other for withholding affection, and theaters collapse on audiences hungry for spectacle. Amidst such surreal subjects, Gewanter's delicate musicality and keen sense of humor sparkle; his inquisition regarding a fallen world becomes a dark comedy of errors haunted by the most unexpected characters—from JFK Jr. to Tacitus, Redd Foxx to General Motors, Mariah Carey to 100 rabbits with herpes. An offbeat satire for an off-kilter age, The Sleep of Reason offers an incisive guide to moral behavior in an immoral world.
The Sleep of Reason (Phoenix Poets)
by David GewanterThe Sleep of Reason plunges us into a macabre world where good impulses bring on evil consequences—a world not unlike our own. In David Gewanter's alternately delightful and startling poems, allegory comes alive and stalks a bookstore's musty aisles, comedians eviscerate their families for a laugh, lovers love each other for withholding affection, and theaters collapse on audiences hungry for spectacle. Amidst such surreal subjects, Gewanter's delicate musicality and keen sense of humor sparkle; his inquisition regarding a fallen world becomes a dark comedy of errors haunted by the most unexpected characters—from JFK Jr. to Tacitus, Redd Foxx to General Motors, Mariah Carey to 100 rabbits with herpes. An offbeat satire for an off-kilter age, The Sleep of Reason offers an incisive guide to moral behavior in an immoral world.
The Sleep of Reason (Phoenix Poets)
by David GewanterThe Sleep of Reason plunges us into a macabre world where good impulses bring on evil consequences—a world not unlike our own. In David Gewanter's alternately delightful and startling poems, allegory comes alive and stalks a bookstore's musty aisles, comedians eviscerate their families for a laugh, lovers love each other for withholding affection, and theaters collapse on audiences hungry for spectacle. Amidst such surreal subjects, Gewanter's delicate musicality and keen sense of humor sparkle; his inquisition regarding a fallen world becomes a dark comedy of errors haunted by the most unexpected characters—from JFK Jr. to Tacitus, Redd Foxx to General Motors, Mariah Carey to 100 rabbits with herpes. An offbeat satire for an off-kilter age, The Sleep of Reason offers an incisive guide to moral behavior in an immoral world.
War Bird (Phoenix Poets)
by David GewanterFrom Three at 4:43 And here comes my friend, limping on his heavy boot, the heel come off. A cobbler's shop appears, and I buy the black nails, the dwarf's hammer, glue and strapping. I work hard on it, bending there until he speaks and walks on. But as he is dead, his voice and step make no sound. In his third book of poems, David Gewanter takes on wartime America, showing our personal costs and inextricable complicities. The constructs of our social lives, the conventions of our political values, the ambitions of our private fantasies—all these collide comically and tragically. Here, the far right marries the far left, and the sacred is undone by the profane. Gewanter's ironic vision pulls together details from science, history, philosophy, the disappearing dailies, and the emotional life of an engaged and singular mind into poems on the move with tense rhythms, rich correspondences, and daring hairpin turns. War Bird gives the lie to the shining moral complacencies of the homefront. Unsettling yet radiant, this collection is a book for troubled times, for what Whitman called, in “1861,” our “hurrying, crashing, sad, distracted year.”
War Bird (Phoenix Poets)
by David GewanterFrom Three at 4:43 And here comes my friend, limping on his heavy boot, the heel come off. A cobbler's shop appears, and I buy the black nails, the dwarf's hammer, glue and strapping. I work hard on it, bending there until he speaks and walks on. But as he is dead, his voice and step make no sound. In his third book of poems, David Gewanter takes on wartime America, showing our personal costs and inextricable complicities. The constructs of our social lives, the conventions of our political values, the ambitions of our private fantasies—all these collide comically and tragically. Here, the far right marries the far left, and the sacred is undone by the profane. Gewanter's ironic vision pulls together details from science, history, philosophy, the disappearing dailies, and the emotional life of an engaged and singular mind into poems on the move with tense rhythms, rich correspondences, and daring hairpin turns. War Bird gives the lie to the shining moral complacencies of the homefront. Unsettling yet radiant, this collection is a book for troubled times, for what Whitman called, in “1861,” our “hurrying, crashing, sad, distracted year.”
Lucy Hutchinson and the English Revolution: Gender, Genre, and History Writing
by Claire Gheeraert-GraffeuilleIn Lucy Hutchinson and the English Revolution, Claire Gheeraert-Graffeuille explores Lucy Hutchinson's historical writings and the Memoirs of the Life of Colonel Hutchinson, which, although composed between 1664 and 1667, were first published in 1806. The Memoirs were a best-seller in the nineteenth century, but largely fell into oblivion in the twentieth century. They were rediscovered in the late 1980s by historians and literary scholars interested in women's writing, the emerging culture of republicanism, and dissent. By approaching the Memoirs through the prism of history and form, this book challenges the widely-held assumption that early modern women did not - and could not - write the history of wars, a field that was supposedly gendered as masculine. On the contrary, Gheeraert-Graffeuille shows that Lucy Hutchinson, a reader of ancient history and an outstanding Latinist, was a historian of the English Revolution, to be ranked alongside Richard Baxter, Edmund Ludlow, and Edward Hyde.
Lucy Hutchinson and the English Revolution: Gender, Genre, and History Writing
by Claire Gheeraert-GraffeuilleIn Lucy Hutchinson and the English Revolution, Claire Gheeraert-Graffeuille explores Lucy Hutchinson's historical writings and the Memoirs of the Life of Colonel Hutchinson, which, although composed between 1664 and 1667, were first published in 1806. The Memoirs were a best-seller in the nineteenth century, but largely fell into oblivion in the twentieth century. They were rediscovered in the late 1980s by historians and literary scholars interested in women's writing, the emerging culture of republicanism, and dissent. By approaching the Memoirs through the prism of history and form, this book challenges the widely-held assumption that early modern women did not - and could not - write the history of wars, a field that was supposedly gendered as masculine. On the contrary, Gheeraert-Graffeuille shows that Lucy Hutchinson, a reader of ancient history and an outstanding Latinist, was a historian of the English Revolution, to be ranked alongside Richard Baxter, Edmund Ludlow, and Edward Hyde.
John Keats' Medical Notebook: Text, Context, and Poems (English Association Monographs: English at the Interface #6)
by Hrileena GhoshJohn Keats was a trained surgeon who studied at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected Keats manuscript: the notebook he maintained during this period. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, it seeks to show the intriguing connections between Keats’ medical knowledge and his greatest poetry. It offers new research on Keats’ medical career – including a new edition of his medical Notebook compiled from the manuscript – and recovers the various ways in which Keats’ creativity found expression in his two careers of medicine and poetry, enriching both. Topics explored include the ‘hospital poems’ Keats wrote at Guy’s; the medical milieu of his daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and the collection Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820).John Keats’ Medical Notebook: Text, Context and Poems reveals how Keats’ visceral knowledge of human life, gained during his medical training at Guy’s, transformed him into ‘a mighty poet of the human heart’.
Transcultural Poetics and the Concept of the Poet: From Philip Sidney to T. S. Eliot (Routledge Interdisciplinary Perspectives on Literature)
by Ranjan GhoshCritiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.
Transcultural Poetics and the Concept of the Poet: From Philip Sidney to T. S. Eliot (Routledge Interdisciplinary Perspectives on Literature)
by Ranjan GhoshCritiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.
Roughly Speaking: New and Rejected Poems
by Eddie GibbonsEvery poet has a drawerful of rejection letters.The poems in Roughly Speaking by Eddie Gibbons have for many years - some since as long ago as 1980 - lived in the shadows of their siblings who went on to have wildly exciting lives in Eddie's published poetry collections.Roughly Speaking is Eddie Gibbons' fifth volume of poetry and contains both new and rejected poems. Though some of the works included in Roughly Speaking have had brief moments of infamy in poetry magazines the majority have never seen the bright light of public acceptance, their prime achievement to date being the collection of rejection slips.To keep these overlooked orphans company there is a small band of brand new poems ― although the readers will have to make up their minds which is which.WHAT THEY SAID ABOUT HIM:”This particular selection would not be a good fit for our coming edition.”The OFI Press” Unfortunately, we will not be accepting your work this time.” Ink, Sweat & Tears”However, we do not feel the work is quite right for the magazine.”Atrium”Eddie’s boundless capacity for forging a funny and poignant poetic language from common speech makes everyday things shine.”Seán Bradley”Eddie can be formally elegant, devastatingly iconoclastic, and is a master of everything he puts his pen to.”Anna Crowe”None of the work you sent is suitable for our magazine.”Obsessed With Pipework”Eddie’s poems should be on the national curriculum.”Kirsty Gunn* * *Eddie Gibbons was born in Huyton, Liverpool. He moved to Scotland in 1981. His first collection Stations of the Heart was published in 1999, when he was fifty.In 2008, he was a prize winner in the inaugural Edwin Morgan International Poetry Competition. His fifth collection, What They Say About You, was shortlisted for the Scottish Poetry Book of the Year award, 2011.A regional judge for the Faber / Ottakars National Poetry Competition, Eddie has been a guest reader at the Berlin British Council, Stanza International Poetry Festival, Dundee Literary Festival, Aberdeen University’s WORD festival, and the Edinburgh International Book Festival.
What They Say About You
by Eddie GibbonsEddie Gibbons’ fourth full length collection, WHAT THEY SAY ABOUT YOU, is a poetry book like no other.Playful, thoughtful, inventive, and much larger than your average slim volume What They Say About You was shortlised in poetry for Scottish Book of the Year.Eddie Gibbons was born in Liverpool, but lives in Scotland. He was a winner at the Inaugural Edwin Morgan poetry prize at the Edinburgh International Book Festival in 2008.The poetry in What They Say About You covers love, family life, glorious wordplay and celebrations of Eddie's beloved Liverpool Football Club.
How Poems Think
by Reginald GibbonsTo write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.
How Poems Think
by Reginald GibbonsTo write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.