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Bloodshot Monochrome
by Patience AgbabiBloodshot Monochrome is a glorious poetic take on all things black, white and read. Reinventing the sonnet, Patience Agbabi shines her euphoric, musical lines on everything from growing up to growing old, from Northern Soul to contract killers, from the retro to the brand new. Whether resurrecting the dead in 'Problem Pages', playing out noir dramas in 'Vicious Circle', or capturing moments of her own life in perfect snapshot, Agbabi's verse is sublimely lyrical and spiked with gleeful humour.
British Labouring-Class Nature Poetry, 1730-1837
by B. KeeganThis study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions.
British Labouring-Class Nature Poetry, 1730-1837 (PDF)
by Bridget KeeganThis study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions.
The Broken Word: Winner of the Costa Poetry Award 2008 and the Somerset Maugham Award 2009 (Penguin Poets Ser.)
by Adam FouldsSet in the 1950s, The Broken Word is an extraordinary poetic sequence that animates and illuminates a dark, terrifying period in British colonial history.The combination here of language and imagery that feel utterly contemporary, and subject matter - tribal violence and subsequent retribution - that seems almost Homeric, gives the narrative all the febrile energy of classical drama, re-charged and re-imagined. Tom has returned to his family's farm in Kenya for the summer vacation between school and university when he is swept up by the events of the Mau Mau uprising. Beginning with sporadic, brutal attacks by dispossessed Kikuyu on the British now occupying their land - attacks often executed with nothing more than traditional panga knives - the conflict escalates as the terrified British stop at nothing to re-impose order, eventually driving most of the Kikuyu population into the prison camps of what has become known as 'Britain's Gulag'. As Tom is propelled into violence and horror the poem mutates into a meditation on the inheritance of conflict, the destruction of innocence and the impossibility of afterwards saying what one has seen.Written with rigour, intelligence, and a fierce, unsparing clarity, this is profound, lyrical work with that rare confidence and thrilling originality that announce the arrival of a significant new voice.
Byron: Heritage and Legacy (Nineteenth-Century Major Lives and Letters)
by C. WilsonThis exciting collection represents a range of scholarly approaches and include close textual study, comparative readings, and broad cultural analysis. Contributors to this collection include Bernard Beatty, Peter Cochran, Marilyn Gaull, Charles E. Robinson, Andrew Stauffer, and Timothy Webb.
Celan-Handbuch: Leben - Werk - Wirkung
Begegnung mit Paul Celan. Er gilt als einer der bedeutendsten deutschsprachigen Dichter des 20. Jahrhunderts. Sein Werk, vor allem die Todesfuge , ist fester Bestandteil des literarischen Kanons, seine Wirkung auf Kunst, Musik, Theologie und Philosophie allgegenwärtig. Sein Leitmotiv: die Shoah. Das Handbuch schlüsselt Gedichte, Prosa und Übersetzungen auf, beleuchtet historische und biografische Hintergründe, setzt sich mit den Plagiats-Vorwürfen auseinander und führt durch die Celan-Forschung. Eine Annäherung an den Dichter, die bislang fehlte.
Chameleon Hours (Phoenix Poets)
by Elise PartridgeFrom Ways of Goingfor Steve Will it be like paragliding— gossamer takeoff, seedlike drifting down into a sunlit, unexpected grove? Or ski-jumping—headlong soaring, ski-tips piercing clouds, crystal revelations astonishing my goggles? . . . . Skittery flicker of a glare-weary lizard startled into the sheltering wings of a leaf, rusting freighter with a brimming hold shimmering onto a crimson edge. . . . Sad rower pushed from shore, I'll disappear like circles summoned by an oar's dip. However I burn through to the next atmosphere, let your dear face be the last thing I see. Whether writing poems about North American life and landscape; or love poems; or elegies for family and friends; or poems on serious, debilitating illness and the transformations it can effect—Elise Partridge offers in Chameleon Hours words forged by suffering and courage. Full of wit and empathy, Partridge’s poems draw inspiration from sources as whimsical as tortoises and pontoons, as poignant as a homeless woman taking shelter inside a post office on a winter night, and as deeply personal as her own cancer diagnosis at a young age. Chameleon Hours is a book about the rewards of being reminded of one’s own mortality and the lyric expression of life in all its intensity. “In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”—Robert Pinsky, Washington Post “Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”—Stephen Burt “Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”—Jacqueline Osherow Praise for Fielder’s Choice “Partridge is a technical wizard for whom thinking and feeling are not separate activities. She is a hawk-like observer of the particular . . . many times ascending to pitch-perfect verse.”—Ken Babstock, Globe and Mail (Canada)
Chameleon Hours (Phoenix Poets)
by Elise PartridgeFrom Ways of Goingfor Steve Will it be like paragliding— gossamer takeoff, seedlike drifting down into a sunlit, unexpected grove? Or ski-jumping—headlong soaring, ski-tips piercing clouds, crystal revelations astonishing my goggles? . . . . Skittery flicker of a glare-weary lizard startled into the sheltering wings of a leaf, rusting freighter with a brimming hold shimmering onto a crimson edge. . . . Sad rower pushed from shore, I'll disappear like circles summoned by an oar's dip. However I burn through to the next atmosphere, let your dear face be the last thing I see. Whether writing poems about North American life and landscape; or love poems; or elegies for family and friends; or poems on serious, debilitating illness and the transformations it can effect—Elise Partridge offers in Chameleon Hours words forged by suffering and courage. Full of wit and empathy, Partridge’s poems draw inspiration from sources as whimsical as tortoises and pontoons, as poignant as a homeless woman taking shelter inside a post office on a winter night, and as deeply personal as her own cancer diagnosis at a young age. Chameleon Hours is a book about the rewards of being reminded of one’s own mortality and the lyric expression of life in all its intensity. “In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”—Robert Pinsky, Washington Post “Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”—Stephen Burt “Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”—Jacqueline Osherow Praise for Fielder’s Choice “Partridge is a technical wizard for whom thinking and feeling are not separate activities. She is a hawk-like observer of the particular . . . many times ascending to pitch-perfect verse.”—Ken Babstock, Globe and Mail (Canada)
Chameleon Hours (Phoenix Poets)
by Elise PartridgeFrom Ways of Goingfor Steve Will it be like paragliding— gossamer takeoff, seedlike drifting down into a sunlit, unexpected grove? Or ski-jumping—headlong soaring, ski-tips piercing clouds, crystal revelations astonishing my goggles? . . . . Skittery flicker of a glare-weary lizard startled into the sheltering wings of a leaf, rusting freighter with a brimming hold shimmering onto a crimson edge. . . . Sad rower pushed from shore, I'll disappear like circles summoned by an oar's dip. However I burn through to the next atmosphere, let your dear face be the last thing I see. Whether writing poems about North American life and landscape; or love poems; or elegies for family and friends; or poems on serious, debilitating illness and the transformations it can effect—Elise Partridge offers in Chameleon Hours words forged by suffering and courage. Full of wit and empathy, Partridge’s poems draw inspiration from sources as whimsical as tortoises and pontoons, as poignant as a homeless woman taking shelter inside a post office on a winter night, and as deeply personal as her own cancer diagnosis at a young age. Chameleon Hours is a book about the rewards of being reminded of one’s own mortality and the lyric expression of life in all its intensity. “In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”—Robert Pinsky, Washington Post “Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”—Stephen Burt “Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”—Jacqueline Osherow Praise for Fielder’s Choice “Partridge is a technical wizard for whom thinking and feeling are not separate activities. She is a hawk-like observer of the particular . . . many times ascending to pitch-perfect verse.”—Ken Babstock, Globe and Mail (Canada)
Chapman's Homeric Hymns and Other Homerica (Bollingen Series (General) #169)
by HomerGeorge Chapman's translations of Homer--immortalized by Keats's sonnet-- are the most famous in the English language. Swinburne praised their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." And the great critic George Saintsbury wrote, "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what the Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Homeric hymns. The hymns, believed to have been written not by Homer himself but by followers who emulated his style, are poems written to the gods and goddesses of the ancient Greek pantheon. The collection, originally titled by Chapman "The Crowne of all Homers Workes," also includes epigrams and poems attributed to Homer and known as "The Lesser Homerica," as well as his famous "The Battle of Frogs and Mice."
Charles Lamb, Coleridge and Wordsworth: Reading Friendship in the 1790s
by Felicity JamesThis book makes the case for a re-placing of Lamb as reader, writer and friend in the midst of the lively political and literary scene of the 1790s. Reading his little-known early works alongside others by the likes of Coleridge and Wordsworth, it allows a revealing insight into the creative dynamics of early Romanticism.
Charlotte Smith in British Romanticism (The Enlightenment World)
by Jacqueline LabbeCharlotte Smith's early sonnets established the genre as a Romantic form; her novels advanced sensibility beyond its reliance on emotional facility; and her blank verse initiated one of the most familiar of Romantic verse forms. This volume draws together the best of current scholarship.
Charlotte Smith in British Romanticism (The Enlightenment World #5)
by Jacqueline LabbeCharlotte Smith's early sonnets established the genre as a Romantic form; her novels advanced sensibility beyond its reliance on emotional facility; and her blank verse initiated one of the most familiar of Romantic verse forms. This volume draws together the best of current scholarship.
Coleridge, the Bible, and Religion (Nineteenth-Century Major Lives and Letters)
by Jeffrey W. BarbeauBarbeau reconstructs the system of religion that Coleridge develops in Confessions of an Inquiring Spirit (1840). Coleridge's late system links four sources of divinity the Bible, the traditions of the church, the interior work of the Spirit, and the inspired preacher to Christ, the Word. In thousands of marginalia and private notebook entries, Coleridge challenges traditional views of the formation and inspiration of the Bible, clarifies the role of the church in biblical interpretation, and elucidates the relationship between the objective and subjective sources of revelation. In late writings that develop a robust system of religion, Coleridge conveys his commitment to biblical wisdom.
The Collected Lyric Poems of Luís de Camões
by Luís De Camões Landeg WhiteLuís de Camões is world famous as the author of the great Renaissance epic The Lusíads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luís de Camões, the award-winning translator of The Lusíads gives English readers the first comprehensive collection of Camões's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camões (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camões's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camões's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camões would deserve his place among the great poets even if he had never written his epic.
Collected Poems
by Allan Ahlberg Charlotte VoakeAllan Ahlberg's five poetry books, written over a period of twenty-five years – Please Mrs Butler, Heard it in the Playground, Friendly Matches, The Mighty Slide and The Mysteries of Zigomar – have delighted generations of children and received many accolades and prizes. Allan has sifted through them and chosen a collection to delight and entrance a new generation of readers and their parents. Here are all the trials and tribulations of childhood, embracing school, quarrels, friendships, football and storytelling from a much-loved author and poet.Charlotte Voake's black-and-white illustrations enchance the charm of this handsome and definitive collection.
The Collected Poems 1956 - 1998: 1956-1998
by Zbigniew HerbertZbigniew Herbert is one of the outstanding poets of the last century. This exceptional new translation brings together, for the first time in English in one volume, his entire poetic output - from his first book of poems, String of Light, in 1956, to his final volume, previously unpublished in English, Epilogue of the Storm. As Joseph Brodsky said of Herbert's Selected Poems, this definitive collection is 'bound for a much longer haul than any of us can anticipate'.
Come On In!: New Poems
by Charles BukowskiBukowski's unmistakable charisma – an ex-down-and-outer who wrote of booze and loneliness in maverick, confident free verse – made him one of the world’s most popular poets long before he died in 1994. More than a decade later, death has not slowed his production. This collection is selected from an archive of verse that the author left to be published after his death. It includes poems of love and sex, advice to so-called losers (as he once was) to have confidence in themselves (as he did), gambling laments and humbling poems accepting his own imminent ultimate full stop.
Comedy Matters: From Shakespeare to Stoppard
by W. DemastesComedy Matters traces the long tradition of the expansive comic embrace of cultural difference and diversity that manages to survive even in some of mankind s darkest moments. Demastes argues that comedy has a hard-nosed, pragmatic dimension that can be mobilized against belligerent cultural forces. Drawing from the works of Shakespeare, Stoppard, and a number of other comic masters, Comedy Matters demonstrates how comedy continues to work against cultural regimentation by striving to re-calibrate our decision-making processes and challenging the stultifying rigidity of human economy in the broadest sense of the term.
The Culture of Obesity in Early and Late Modernity: Body Image in Shakespeare, Jonson, Middleton, and Skelton
by E. Levy-NavarroThis book offers the first sustained examination of fatness in the early modern period. Using readings of such major figures as Shakespeare, Jonson, Middleton, and Skelton, this book considers alternative ways that fat was constructed before the introduction of the modern pathologized category of 'obesity'.
Desire and Gender in the Sonnet Tradition
by N. DistillerThis new study explores the poetic tradition of the love sonnet sequence in English as written by women from 1621-1931. It connects this tradition to ways of speaking desire in public in operation today, and to the development of theories of subjectivity in Western culture.
Drives (Cape Poetry Ser.)
by Leontia FlynnFollowing on from the assured day-to-day poems of her first collection, Leontia Flynn's second, Drives, is a book of restless journeys - real and imaginary - interspersed with a series of sonnets on writers. Beginning in Belfast, where she lives, she visits a disjointed number of cities in Europe and the States - each one the occasion for an elliptical postcard home to herself.Alongside these reports from abroad, portraits of dead writers flicker through the pages of this book - Baudelaire, Proust and Beckett; Bishop, Plath and Virginia Woolf - all revealing aspects of themselves, their frailties and their sicknesses, but also, we suspect, aspects of their ventriloquising author.What these poems share is a furious refusal of received opinion, of a language recycled and redundant; they are raw exposed and angrily aware of distance - the distance between what one needs and what one receives, between love and what is lost. In particular, the lives here are haunted by the lost idyll of childhood, while poems about the poet's own mother and ageing father bring the collection to a close. With an alert ear for fracture and disarray and a tender eye for damage, Drives is a passionate enquiry into what shapes us as individuals.
The Dunciad in Four Books
by Valerie RumboldThe Dunciad in Four Books of 1743 was the culmination of the series of Dunciads which Alexander Pope produced over the last decade and a half of his life. It comprises not only a poem, but also a mass of authorial annotation and appendices, and this authoritative edition is the only one available which gives all the verse and the prose in a clearly laid-out form, with a full modern commentary. Accessibly presented on the same page as Pope’s text are explanatory notes, written in a style adapted to the needs of undergraduate readers, but still comprehensive enough to address the interests of scholars. The many books and pamphlets to which Pope refers have been examined in detail, and the commentary takes advantage of the fifty years’ scholarship on literary, bibliographical, cultural and political aspects of the period which has accumulated since James Sutherland’s The Dunciad, volume five of the Twickenham Edition. A substantial introduction offers a stimulating and helpful approach to the work, and the bibliography includes extensive suggestions for further reading.
The Dunciad in Four Books
by Valerie RumboldThe Dunciad in Four Books of 1743 was the culmination of the series of Dunciads which Alexander Pope produced over the last decade and a half of his life. It comprises not only a poem, but also a mass of authorial annotation and appendices, and this authoritative edition is the only one available which gives all the verse and the prose in a clearly laid-out form, with a full modern commentary. Accessibly presented on the same page as Pope’s text are explanatory notes, written in a style adapted to the needs of undergraduate readers, but still comprehensive enough to address the interests of scholars. The many books and pamphlets to which Pope refers have been examined in detail, and the commentary takes advantage of the fifty years’ scholarship on literary, bibliographical, cultural and political aspects of the period which has accumulated since James Sutherland’s The Dunciad, volume five of the Twickenham Edition. A substantial introduction offers a stimulating and helpful approach to the work, and the bibliography includes extensive suggestions for further reading.
Early Modern Ecostudies: From the Florentine Codex to Shakespeare (Early Modern Cultural Studies 1500–1700)
by I. Kamps K. Raber Thomas HallockThe essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.