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Erosion

From Erosion:SAN SEPOLCRO Jorie Graham ? . . . . How cleanthe mind is,holy grave. It is this girlby Pierodella Francesca, unbuttoningher blue dress,her mantle of weather,to go intolabor. Come, we can go in.It is beforethe birth of god. No-onehas risen yetto the museums, to the assemblyline bodiesand wings to the open airmarket. This iswhat the living do: go in.It's a long way.And the dress keeps openingfrom eternityto privacy, quickening.Inside, at the heart,is tragedy, the present momentforever stillborn,but going in, each breathis a buttoncoming undone, something terriblynimble-fingeredfinding all of the stops. Jorie Graham grew up in Italy and now lives in northern California.She has received grants from the Ingram-Merrill Foundation, the Bunting Institute, and the John Simon Guggenheim Memorial Foundation.Her first book, Hybrids of Plants and of Ghosts (Princeton, 1980), won the Great Lakes Colleges Association Award as the best first book of poems published in 1980.

Erosion

From Erosion:SAN SEPOLCRO Jorie Graham ? . . . . How cleanthe mind is,holy grave. It is this girlby Pierodella Francesca, unbuttoningher blue dress,her mantle of weather,to go intolabor. Come, we can go in.It is beforethe birth of god. No-onehas risen yetto the museums, to the assemblyline bodiesand wings to the open airmarket. This iswhat the living do: go in.It's a long way.And the dress keeps openingfrom eternityto privacy, quickening.Inside, at the heart,is tragedy, the present momentforever stillborn,but going in, each breathis a buttoncoming undone, something terriblynimble-fingeredfinding all of the stops. Jorie Graham grew up in Italy and now lives in northern California.She has received grants from the Ingram-Merrill Foundation, the Bunting Institute, and the John Simon Guggenheim Memorial Foundation.Her first book, Hybrids of Plants and of Ghosts (Princeton, 1980), won the Great Lakes Colleges Association Award as the best first book of poems published in 1980.

Hybrids of Plants and of Ghosts

"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin Bell

Hybrids of Plants and of Ghosts

"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin Bell

Sea Change: Poems (PDF)

The New York Times has said that "Jorie Graham's poetry is among the most sensuously embodied and imaginative writing we have," and this new collection is a reminder of how startling, original, and deeply relevant her poetry is. In Sea Change, Graham brings us to the once-unimaginable threshold at which civilization as we know it becomes unsustainable. How might the human spirit persist, caught between its abiding love of beauty, its acknowledgment of continuing injury and damage done, and the realization that the existence of a "future" itself may no longer be assured? There is no better writer to confront such crucial matters than Jorie Graham. In addition to her recognized achievements as a poet of philosophical, aesthetic, and moral concerns, Graham has also been acknowledged as "our most formidable nature poet" (Publishers Weekly). As gorgeous and formally inventive as anything she has written, Sea Change is an essential work speaking out for our planet and the world we have known.

Shakespeare and Religious Change (Early Modern Literature in History)

This balanced and innovative collection explores the relationship of Shakespeare's plays to the changing face of early modern religion, considering the connections between Shakespeare's theatre and the religious past, the religious identities of the present and the deep cultural changes that would shape the future of religion in the modern world.

The House Where My Soul Lives: The Life of Margaret Walker

This first biography of poet and writer Margaret Walker (1915-98) offers a comprehensive close reading of a pillar in American culture for a majority of the 20th century. Without defining herself as a radical or even a feminist, Walker followed the precepts of both. She promoted the idea of the artist of tradition and social change, a public intellectual and an institution builder. Among the first to recognize the impact of black women in literature, Walker became a chief architect of what many have called the new Black South Renaissance. Her art was influenced early by Langston Hughes, her political understanding of the world by Richard Wright. Walker expanded both into a comprehensive view on art and humanism, which became a national platform for the center she founded in Mississippi that now bears her name. The House Where My Soul Lives provides a full account of Walker's life and new interpretations of her writings before and after the publication of her most well-known poem in the 1930s in Chicago. The book rejects the widely held view of Walker as the "angry black woman" and emphasizes what contemporary American culture owes to her decades of foundational work in what we know today as Black Studies, Women's Studies, and the Public Humanities. She was fierce in her claim to be "black, female and free" which gave her the authority to challenge all hierarchies, no matter at what cost. Featuring 80 archival photos and documents and based on never before examined personal papers and interviews with those who knew Walker personally, this book is required reading for all readers of biographies of American writers.

The House Where My Soul Lives: The Life of Margaret Walker

This first biography of poet and writer Margaret Walker (1915-98) offers a comprehensive close reading of a pillar in American culture for a majority of the 20th century. Without defining herself as a radical or even a feminist, Walker followed the precepts of both. She promoted the idea of the artist of tradition and social change, a public intellectual and an institution builder. Among the first to recognize the impact of black women in literature, Walker became a chief architect of what many have called the new Black South Renaissance. Her art was influenced early by Langston Hughes, her political understanding of the world by Richard Wright. Walker expanded both into a comprehensive view on art and humanism, which became a national platform for the center she founded in Mississippi that now bears her name. The House Where My Soul Lives provides a full account of Walker's life and new interpretations of her writings before and after the publication of her most well-known poem in the 1930s in Chicago. The book rejects the widely held view of Walker as the "angry black woman" and emphasizes what contemporary American culture owes to her decades of foundational work in what we know today as Black Studies, Women's Studies, and the Public Humanities. She was fierce in her claim to be "black, female and free" which gave her the authority to challenge all hierarchies, no matter at what cost. Featuring 80 archival photos and documents and based on never before examined personal papers and interviews with those who knew Walker personally, this book is required reading for all readers of biographies of American writers.

New Collected Poems

'I first read a W. S. Graham poem in 1949. It sent a shiver down my spine. Forty-five years later nothing has changed. His song is unique and his work an inspiration.' Harold Pinter. From his first publications in the early 1940s, to his final works of the late 1970s, W. S. Graham has given us a poetry of intense power and inquisitive vision - a body of work regarded by many as among the best Romantic poetry of the twentieth century. This New Collected Poems, edited by poet and Graham-scholar Matthew Francis and with a foreword by Douglas Dunn, offers the broadest picture yet of Graham's work.

New Selected Poems of W. S. Graham

One hundred years after his birth, W. S. Graham's words seem more awake than ever. His subtle exploration of the paradoxes of language, his passionate conviction of the importance of art and the love he expresses for the people and landscapes of his native Clydeside and adopted home of Cornwall attract more readers each year. In startlingly original poems, he celebrates family and friendship and probes the limits of our understanding of the world and our place in it. Graham's New Collected Poems (2004) marked a crucial point in the growth of his reputation, bringing together for the first time all the poems of his seven collections as well as some of the unpublished material that had come to light since his death in 1986. Now, as we honour his centenary, this New Selected Poems presents his best and most characteristic: from his epic seafaring masterpiece 'The Nightfishing' to the quirky metaphysics of 'Implements in their Places', as well as a selection of his early neo-romantic poems, which Graham himself believed were essential to a full understanding of his oeuvre, and some remarkable uncollected work. There is no better way to make the acquaintance of one of the greatest British poets of the twentieth century.

Selected Poems: Selected Poems

When T.S. Eliot wrote of W.S. Graham's collection, The Nightfishing, that 'some of these poems - by their sustained power, their emotional depth and maturity and their superb technical skill - may well be among the more important poetical achievements of our time', he could not have stated the truth more clearly.Graham's career, which ended with his death in 1986, followed a pattern of steady refinement of vision and ever-deepening enquiry. In Selected Poems, taken from both the publications of his lifetime and posthumous volumes, and containing at least one major poem never collected before, the full stature of this still insufficiently appreciated genius is revealed.

Demeaning of Wife: Overcoming Adultery, Abuse, and Anxiety (Wordcatcher Modern Poetry)

Experiences of adultery, abuse, and struggles with anxiety decorate these pages with truths so many wish they had the courage to share. This may be perceived as a collection of words written by a woman scorned, but it's so much more than that. These words tell the story of a woman treated with immense disrespect, whose life was seemingly worthless to the man she was supposed to mean everything to. The damage that does to a person is unimaginable. She overcame that - and so much more - to achieve a power known and understood by a rare few; self-worth. Within this collection you'll discover a depth of emotion you might not find in conventional poetry - so don't be fooled by recognisable rhyming patterns. If you're ready to be inspired by one woman's journey that reflects the story of millions across the world, then please read on.

Auld Lang Syne: A Song and its Culture

In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of individuals and communities around the world. This engaging study traces different stages in the journey of Auld Lang Syne, from the precursors to the song made famous by Robert Burns to the traditions and rituals that emerged around the song in the nineteenth and early twentieth centuries, including its use as a song of parting, and as a song of New Year. Grant’s painstaking study investigates the origins of these varied traditions, and their impact on the transmission of the song right up to the present day. Grant uses Auld Lang Syne to explore the importance of songs and singing for group identity, arguing that it is the active practice of singing the song in group contexts that has made it so significant for so many. The book offers fascinating insights into the ways that Auld Lang Syne has been received, reused and remixed around the world, concluding with a chapter on more recent versions of the song back in Scotland. This highly original and accessible work will be of great interest to non-expert readers as well as scholars and students of musicology, cultural and social history, social anthropology and Scottish studies. The book contains a wealth of illustrations and includes links to many more, including manuscript sources. Audio examples are included for many of the musical examples. Grant’s extensive bibliography will moreover ease future referencing of the many sources consulted.

Personalism and the Politics of Culture: Readings in Literature and Religion from the New Testament to the Poetry of Northern Ireland

This book deals with interrelationships between literature and religion to examine the idea of the person in relation to the politics of culture. Throughout, Patrick Grant maintains that ideology separates value from fact, spirit from matter, and this separation depersonalises. In a series of chapters dealing with body, city, others, freedom, and transgression, and through a selection of texts from the New Testament to the Northern Irish poets, he shows how literature, spirituality, and postmodern culture might jointly liberate persons in a society committed to democratic process and socialist values.

Of All That Ends

The final work of Nobel Prize-winning writer Günter Grass – a witty and elegiac series of meditations on writing, growing old, and the world.Suddenly, in spite of the trials of old age, and with the end in sight, everything seems possible again: love letters, soliloquies, scenes of jealousy, swan songs, social satire, and moments of happiness.Only an ageing artist who had once more cheated death could get to work with such wisdom, defiance and wit. A wealth of touching stories is condensed into artful miniatures. In a striking interplay of poetry, lyric prose and drawings, Grass creates his final, major work of art.A moving farewell gift, a sensual, melancholy summation of a life fully lived.

The Complete Poems (Penguin Modern Classics)

Graves described poetry as his ruling passion, and for him love was 'the main theme and origin of true poems'. He created a rich mythology where love, fear, fantasy and the supernatural play an essential role. Intimate yet universal, passionate yet precise, their brilliant alchemy of realism and magic made Graves's poems some of the finest of the last century. In this edition the poems appear without critical apparatus or commentary. The volume represents in its purest form the achievement of Graves's seventy productive years.

Country Sentiment

Synopsis not available

Selected Poems (Penguin Twentieth Century Classics Ser.)

A new and essential selection from the range and bulk of Robert Graves's poetry, edited by Ulster poet Michael Longley. This edition will restore Graves to view as a major twentieth century poet, and demonstrate his manifold achievement as war poet, as love poet, and as - in the round - a secular visionary whose poems are 'inimitable, eccentric marvels - some of which are extraordinary, many are masterly, all are like nothing else ever written' (Randall Jarrell).

Cyril and Pat

Cyril and Pat is a very funny, rhyming romp through the park from the CILIP Kate Greenaway Medal-winning Emily Gravett, author of Tidy and Meerkat Mail.'Enormous fun to read aloud.' – GuardianCyril is the only squirrel in Lake Park, and he's very lonely. Until one day he meets Pat – Pat the big, grey . . . other squirrel. Cyril and Pat have lots of adventures and fun together and Cyril is so pleased he's made a friend. But everyone says that Cyril and Pat simply cannot be friends, and they soon reveal why: Pat, as the reader has known all along, is actually a RAT!But Cyril's life turns out to be a lot duller and quite a bit scarier without Pat by his side, and in the end the two friends learn that some things are more important than being the same, or listening to others.

Monkey and Me

Monkey and Me by Emily Gravett, twice winner of the Kate Greenaway Medal, is a beautifully illustrated story full of animal fun!A mischievous little girl and her toy monkey swing irresistibly through the pages of this playful book. Young children will love guessing what animal they are pretending to be, before shouting out the answers as the pages are turned to reveal the real creatures. Soon everyone will be waddling like a penguin, jumping like a kangaroo and waving their arm like an elephant's trunk!

Wordsworth’s Bardic Vocation, 1787–1842

From 1787 to 1842, Wordsworth was preoccupied with the themes of loss and death, and with 'natural piety' in the lives of people and nations. Beginning with his consciousness of the Bards and Druids of Cumbria, this book treats Wordsworth's oeuvre , including the 'Gothic' juvenilia, The Ruined Cottage , Lyrical Ballads , Poems in Two Volumes , The Excursion , and the Poems of 1842, as unified by a Bardic vocation, to bind 'the living and the dead' and to nurture 'the kind'.

Coleridge Connection: Essays For Thomas Mcfarland (pdf)

Milton Now: Alternative Approaches and Contexts (Early Modern Cultural Studies 1500–1700)

By bringing together Milton specialists with other innovative early modern scholars, the collection aims to embrace and encourage a methodologically adventurous study of Milton's works, analyzing them both in relation to their own moment and their many ensuing contexts.

Scribbles in the Margins: 50 Eternal Delights of Books SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARDS!

SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARDS!We lead increasingly time-poor lifestyles, bombarded 24/7 by petrifying news bulletins, internet trolls and endless noises. Where has the joy and relaxation gone from our daily lives? Scribbles in the Margins offers a glorious antidote to that relentless modern-day information churn. It is here to remind you that books and bookshops can still sing to your heart. Warm, heartfelt and witty, here are fifty short essays of prose poetry dedicated to the simple joy to be found in reading and the rituals around it. These are not wallowing nostalgia; they are things that remain pleasurable and right, that warm our hearts and connect us to books, to reading and to other readers: smells of books, old or new; losing an afternoon organising bookshelves; libraries; watching a child learn to read; reading in bed; impromptu bookmarks; visiting someone's home and inspecting the bookshelves; stains and other reminders of where and when you read a book.An attempt to fondly weigh up what makes a book so much more than paper and ink – and reading so much more than a hobby, a way of passing time or a learning process – these declarations of love demonstrate what books and reading mean to us as individuals, and the cherished part they play in our lives, from the vivid greens and purples of childhood books to the dusty comfort novels we turn to in times of adult flux. Scribbles in the Margins is a love-letter to books and bookshops, rejoicing in the many universal and sometimes odd little ways that reading and the rituals around reading make us happy.

The Art of Love Poetry

Love begets poetry; poetry begets love. So thinkers from Plato onwards have claimed; and even today, when poetry has largely disappeared from the mainstream of popular culture, it is still commonly considered the most seductive of all forms of art. But why should this be? What are the connections between poetry and love that lead us to associate them so strongly with one another? In this study Erik Gray draws on a broad range of Western thought and poetry to reveal the qualities and structures that love and poetry share. Above all, he argues, both are founded on paradox. Love is at once necessarily public (because interpersonal) and intensely private; hence love both requires expression and resists it. Likewise the experience of love is simultaneously surprising and familiar, singular and conventional. In poetry, especially lyric poetry - which is similarly both dependent on and resistant to language, both exceptionally regular and exceptionally irregular - love finds a natural outlet. The Art of Love Poetry illuminates many of the recurrent tropes that poets across the centuries have employed to represent and express love, exploring such topics as the poetic kiss, the lyric of conjugal love, and the role of animals in love poetry. In describing the inherent erotics of poetry, it offers new insights not only into the long tradition of love lyric but into the nature of love itself.