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Strict Wildness: Discoveries in Poetry and History
by Peter ViereckA reviewer once called Peter Viereck's thought "not common sense but inspired, electric common sense." This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase "strict wildness," which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form "net without the tennis." Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works.
Suzko lilia
by Hedoi EtxartePoema liburu bat, idazle baten lehena .(...) Lehen liburuak duen botere alkimiko hori ez da sekula errepikatuko. Tonuak eta tresnak hautatu ditu poetak: maitasunez, baina distantziarekin; ironiaz baina zinismorik gabe; surrealismoz, baina xalotasunik gabe (...) Harkaitz Cano.
Teaching Beauty in DeLillo, Woolf, and Merrill
by J. Green-Lewis M. SoltanWhat happened to beauty? How did the university literature classroom turn into a seminar on politics? Focusing on such writers as Don DeLillo, Virginia Woolf, and James Merrill, this book examines what has been lost to literature as a discipline, and to literary criticism as a practice, as a result of efforts to reduce the aesthetic to the ideological. Green-Lewis and Soltan celebrate the return of beauty as a subject in its own right to literary studies, a return all the more urgent given beauty s ability to provide not merely consolation but a sense of order and control in the context of a threatening political world.
Thomas Hardy: Selected Poems (Longman Annotated Texts)
by Tim ArmstrongIn Thomas Hardy: Selected Poems Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy's poetry. Unlike most previous selections, this edition preserves the shape of the poet's career by presenting the poems in the order in which they appeared in the Collected Poems of 1930, rather than re-ordering them thematically. Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy's manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy's notebooks, letters, and autobiography; and a bibliography suggests further reading.Tim Armstrong's critical Introduction discusses Hardy's career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence 'Poems of 1912-13' is included in its entirety.
Thomas Hardy: Selected Poems (Longman Annotated Texts)
by Tim ArmstrongIn Thomas Hardy: Selected Poems Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy's poetry. Unlike most previous selections, this edition preserves the shape of the poet's career by presenting the poems in the order in which they appeared in the Collected Poems of 1930, rather than re-ordering them thematically. Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy's manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy's notebooks, letters, and autobiography; and a bibliography suggests further reading.Tim Armstrong's critical Introduction discusses Hardy's career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence 'Poems of 1912-13' is included in its entirety.
Touchstones Now: An Anthology of Poetry for Key Stage 3 (PDF)
by Michael BentonMany thousands of pupils have developed a love of poetry through the classic Touchstones series. Now this bestselling Key Stage 3 anthology - celebrating its 40th anniversary - has been completely updated to meet the demands of today's classroom and the 2008 National Curriculum.
Toward a Theory of Cognitive Poetics: Second, Expanded & Updated Edition
by Reuven TsurThis book has three distinctive characteristics: (1) It offers a widely interdisciplinary perspective; (2) It provides a comprehensive view of poetry, with groups of chapters on the Sound Stratum of Poetry (rhyme patterns and gestalt theory; metre and rhythm; expressiveness and musicality of speech sounds); the Units-of-Meaning Stratum (semantic representation and information processing, metaphor, rhyme and meaning, literary synaesthesia); the World Stratum; Regulative Concepts (genre, period style, archetypal patterns); the Poetry of Orientation and Disorientation (experiential and mystic poetry versus poetry of emotional disorientation; and the grotesque); the Poetry of Altered States of Consciousness (hypnotic and ecstatic poetry); Critics and Criticism; and Cognitive Poetics vs. Cognitive Linguistics; (3) It goes into minute details of poetic texts, so as to account for subtle intuitions of readers. Updating from the first edition consists of samples from the author's later instrumental study of the rhythmical performance of poetry and the expressiveness of speech sounds; and in three chapters responding to the later work of three cognitive linguists.
Transplantings: Essays on Great German Poets with Translations
by Peter ViereckOn being told that translation is an impossible thing, Anatole France replied: precisely, my friend; the recognition of that truth is a necessary preliminary to success in art. The task of Transplantings is to add flesh and bones to that familiar quip. Indeed, Daniel Weissbort notes that Viereck's study represented a sixty-five year long project. Now, it is finally being brought to print in its full form, with the completion of the final manuscript shortly before Viereck's death.If translation is a special genre in its own right, the translation of poetry, especially from major foreign languages, is a special subset of that genre. What emerges in the imperfect act of translation is an aesthetic dimension that Viereck considers unique in its own right. Transplantings provides new insight into Viereck as a poet of substance, but more than that as a public intellectual. He is critical in probing the work of the major figures such as Stefan George and Georg Heym. To round out this monumental new look at German poetical history, Viereck reviews Goethe, Novalis, and Rilke among others.For Viereck, the difference between the poetical and the political is critical. The quality of poetry is not measured by politics, nor can the worth of political action be defined by commitment to the poetical. The experience of German thought, as well as French and Italian efforts, reveals a divide that can be narrowed but hardly bridged by rhetoric. Transplantings does not simplify the task of the reader. Rather it shows without doubt that the passion of great poetry is part of a national tradition. Efforts at translation indicate how such poetry becomes part of an international culture. This is a major work by one of the great thinkers of the twentieth century. It merits reading, and then, re-reading.
Transplantings: Essays on Great German Poets with Translations
by Peter ViereckOn being told that translation is an impossible thing, Anatole France replied: precisely, my friend; the recognition of that truth is a necessary preliminary to success in art. The task of Transplantings is to add flesh and bones to that familiar quip. Indeed, Daniel Weissbort notes that Viereck's study represented a sixty-five year long project. Now, it is finally being brought to print in its full form, with the completion of the final manuscript shortly before Viereck's death.If translation is a special genre in its own right, the translation of poetry, especially from major foreign languages, is a special subset of that genre. What emerges in the imperfect act of translation is an aesthetic dimension that Viereck considers unique in its own right. Transplantings provides new insight into Viereck as a poet of substance, but more than that as a public intellectual. He is critical in probing the work of the major figures such as Stefan George and Georg Heym. To round out this monumental new look at German poetical history, Viereck reviews Goethe, Novalis, and Rilke among others.For Viereck, the difference between the poetical and the political is critical. The quality of poetry is not measured by politics, nor can the worth of political action be defined by commitment to the poetical. The experience of German thought, as well as French and Italian efforts, reveals a divide that can be narrowed but hardly bridged by rhetoric. Transplantings does not simplify the task of the reader. Rather it shows without doubt that the passion of great poetry is part of a national tradition. Efforts at translation indicate how such poetry becomes part of an international culture. This is a major work by one of the great thinkers of the twentieth century. It merits reading, and then, re-reading.
Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film
by M. MenonUnhistorical Shakespeare argues against the ideas of difference that underpin historicist studies of the past and its desires, offering, instead, the idea of homo-history to engage with issues of narcissism, anachronism, and recursiveness in conjunction with sexual desire.
Victorian Women Poets: An Annotated Anthology
by Virginia BlainThere has been a huge revival of interest in Victorian women's poetry in the last ten years, and it has led to a major reconfiguration of the English poetic landscape of the nineteenth century. This title offers a key selection of poems by 13 Victorian women poets from Christina Rosetti and Felicia Hemans to the witty, iconoclastic May Kendall. The book starts with a substantial general Introduction which places the work of the poets into a context both historical (that of the poems' production) and modern (that of their past and present reception). Each poet's work is introduced by an expansive headnote which tells the story of her life and writing career. The poems all have full explanatory notes to help readers unfamiliar with the period. A Bibliography lists general sources as well as useful further readings. Written in an engaging and accessible manner, the extensive annotations throughout Victorian Women Poets ensure that this fascinating poetry is enjoyable for undergraduate and non-specialist readers.
Victorian Women Poets: An Annotated Anthology
by Virginia BlainThere has been a huge revival of interest in Victorian women's poetry in the last ten years, and it has led to a major reconfiguration of the English poetic landscape of the nineteenth century. This title offers a key selection of poems by 13 Victorian women poets from Christina Rosetti and Felicia Hemans to the witty, iconoclastic May Kendall. The book starts with a substantial general Introduction which places the work of the poets into a context both historical (that of the poems' production) and modern (that of their past and present reception). Each poet's work is introduced by an expansive headnote which tells the story of her life and writing career. The poems all have full explanatory notes to help readers unfamiliar with the period. A Bibliography lists general sources as well as useful further readings. Written in an engaging and accessible manner, the extensive annotations throughout Victorian Women Poets ensure that this fascinating poetry is enjoyable for undergraduate and non-specialist readers.
Vita Nuova: (pdf) (Oxford World's Classics Ser.)
by Dante Dante Alighieri Mark MusaVita Nuova (1292-94) is the first of Dante's major writings. It is a supreme work of love; thirty-one poems are linked by a lyrical prose narrative poem celebrating and debating the subject of love. In the opening chapter Dante sets himself the task of giving meaning to the poetry which he composed and the events which took place after his meeting with Beatrice and the `Lord of Love'. The `new life' which this meeting inspired is the subject of Dante's most profound creation, which has been read variously as biography, religious allegory, and a meditation on poetry itself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Wallace Stevens across the Atlantic
by B. Eeckhout E. RaggIn a unique collection of essays devoted to one of America's most significant twentieth-century poets, a group of international contributors considers the Transatlantic nature of Stevens' poetry, providing original accounts of how a poet wary of 'influence' created a poetics which continues to haunt contermporary verse.
The War Poems (The World At War)
by Siegfried SassoonSiegfried Loraine Sassoon, CBE, MC (8 September 1886 – 1 September 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of 1917, culminating in his admission to a military psychiatric hospital. (Excerpt from Wikipedia)
William Wordsworth: Everyman's Poetry (Everyman's Poetry)
by William WordsworthA revolutionary voice in English verse, and a much loved and celebrated lyric poet.
Yevtushenko: Selected Poems
by Yevgeny Yevtushenko Peter Levi Robin Milner-GullandThis volume contains a selection of early works by Yevgeny Alexandrovich Yevtushenko who blazed a trail for a generation of Soviet poets with a confident poetic voice that moves effortlessly between social and personal themes. ‘Zima Junction’ vividly describes his idyllic childhood in Siberia and his impressions of home after a long absence in Moscow. Private moments are captured in ‘Waking’, on the joys of discovering the unexpected in a lover, and ‘Birthday’, on a mother’s concern for her son, while ‘Encounter’ depicts an unexpected meeting with Hemingway in Copenhagen. ‘The Companion’ and ‘Party Card’ show war from a child’s eye, whether playing while oblivious to German bombs falling nearby or discovering a fatally wounded soldier in the forest, while Yevtushenko’s famous poem, ‘Babiy Yar’, is an angry exposé of the Nazi massacre of the Jews of Kiev.
Poems in the Porch: The Radio Poems of John Betjeman
by Kevin J. GardnerBetween 1953-57, John Betjeman read a series of poems on 'The Faith in the West' program airing on the BBC's West of England Home Service. This series, called 'Poems in the Porch,' was so popular that Betjeman received constant requests to publish the poems. Although he deprecatingly referred to the poems as mere 'verses', Betjeman at last capitulated to the public. The result was a slim volume of six poems, entitled Poems in the Porch. What few people now realize is that Betjeman read at least 20 original poems on the radio in this series, perhaps even more, although owing to the haphazard records of both the BBC and Betjeman himself it is impossible to reconstruct with complete accuracy the history of this series.  Kevin Gardner has been able to identify and collect 26 of these poems and has written a fascinating introductory essay recounting the story of Betjeman as a radio poet and discussing the artistry of these poems. Most have never been published and currently exist only in manuscript. We know for certain of 20 occasions when Betjeman read his poems on the 'Faith in the West' program, and of these we know 16 specific titles. Despite the gap between the BBC records on the one hand and the printed and manuscript texts on the other, Gardner has been able to construct a relatively reliable edition of Betjeman's Poems in the Porch.This book will cause a radical reassessment of his canon and will create great waved n the Betjeman community.  Â
The Art of Poetry: How to Read a Poem
by Shira WoloskyIn The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.
Imaginative Transcripts: Selected Literary Essays
by Willard SpiegelmanWillard Spiegelman is considered one of the finest critics of poetry writing today and this volume collects his best work on the subject, offering essays that span his entire career and chart his changing relationship to an elusive form. He takes the measure of a wide spectrum of poetry, ranging from the Romantic era to the present, through an examination of those poets whose language, formal experiments, and music have fascinated him throughout his career. With his trademark engaging and stylish prose, Spiegelman takes readers on a tour of the rich and diverse landscape of British and American poetry, as he provides nuanced, insightful readings of works by William Wordsworth, John Keats, Robert Lowell, Elizabeth Bishop, and John Ashbery, to name just a few.
Aesthetics and World Politics (Rethinking Peace and Conflict Studies)
by R. BleikerThis book presents one of the first systematic assessments of aesthetic insights into world politics. It examines the nature of aesthetic approaches and outlines how they differ from traditional analysis of politics. The book explores the potential and limits of aesthetics through a series of case studies on language and poetics.
An Algebra (Phoenix Poets)
by Don Bogenfrom Bagatelles Bagatelles, mere gestures in dry air, each pluck a dot, strokes marked on silence reaching into the dark. Beauty is strict, it passes: an echo, a wedge of harmony, sudden, broken—Who goes there? An Algebra is an interwoven collection of eight sequences and sixteen individual poems, where images and phrases recur in new contexts, connecting and suspending thoughts, emotions and insights. By turns, the poems leap from the public realm of urban decay and outsourcing to the intimacies of family life, from a street mime to a haunting dream, from elegy to lyric evocation. Wholeness and brokenness intertwine in the book; glimpsed patterns and startling disjunctions drive its explorations. An Algebra is a work of changing equivalents, a search for balance in a world of transformation and loss. It is a brilliantly constructed, moving book by a poet who has achieved a new level of imaginative expression and skill. Praise for After the Splendid Display “In his best work . . . conscience and craft fuse seamlessly, and the result is original and arresting."—The Nation
An Algebra (Phoenix Poets)
by Don Bogenfrom Bagatelles Bagatelles, mere gestures in dry air, each pluck a dot, strokes marked on silence reaching into the dark. Beauty is strict, it passes: an echo, a wedge of harmony, sudden, broken—Who goes there? An Algebra is an interwoven collection of eight sequences and sixteen individual poems, where images and phrases recur in new contexts, connecting and suspending thoughts, emotions and insights. By turns, the poems leap from the public realm of urban decay and outsourcing to the intimacies of family life, from a street mime to a haunting dream, from elegy to lyric evocation. Wholeness and brokenness intertwine in the book; glimpsed patterns and startling disjunctions drive its explorations. An Algebra is a work of changing equivalents, a search for balance in a world of transformation and loss. It is a brilliantly constructed, moving book by a poet who has achieved a new level of imaginative expression and skill. Praise for After the Splendid Display “In his best work . . . conscience and craft fuse seamlessly, and the result is original and arresting."—The Nation
Animal Pants
by Brian MosesFrom long johns to bloomers, Y-fronts to boxers - Animal Pants is quite simply packed with pants! There's a cat who buys her pants from a catalogue and a frog who wears pants when he's off for a jog. Not to mention a penguin with frozen pants, or the difficulties of finding undies for an octopus. With an infectious rhyming text from the brilliant Brian Moses, and wonderfully entertaining artwork by Anja Boretzki, there's a giggle guaranteed on every page.
Antigona and Me
by Kate Clanchy‘Antigona,’ I said. ‘How would you feel if I wrote your life down in a book?’ ‘Good,’ she said at once. ‘Good. And then a feature film, actually. Mini-series.’ One morning in London, two neighbours start to chat over the heads of their children. Kate Clanchy is a writer, privileged and sheltered, Antigona is a refugee from Kosovo. On instinct, Kate offers Antigona a job as a nanny, and Antigona, equally shrewdly, accepts. Over the next five years and a thousand cups of coffee Antigona’s extraordinary story slowly emerges. She has escaped from a war, she has divorced a violent husband, but can she escape the harsh code she was brought up with, the Kanun of Lek? At the kitchen table where anything can be said, the women discover they have everything, as well as nothing, in common. ‘Clanchy’s portrait of Antigona is wonderfully vivid, as are her reflections on her own complex feelings. A powerfully written, refreshingly honest work.’ Observer