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T.S. Eliot and the Failure to Connect: Satire on Modern Misunderstandings
by G. AtkinsHere, G. Douglas Atkins offers a fresh new reading of the past century's most famous poem in English, T.S. Eliot's The Waste Land (1922). Using a comparatist approach that is both intra-textual and inter-textual, this book is a bold analysis of satire of modern forms of misunderstanding.
T.S. Eliot and the Fulfillment of Christian Poetics
by G. AtkinsThe culmination of a trilogy that began with T.S. Eliot, Lancelot Andrewes, and the Word, and continued with T.S. Eliot: The Poet as Christian, this gracefully executed new book brings to a triumphant conclusion the unique effort to pinpoint and identify the Christian characteristics of Eliot's poetic art. The book offers a close but companionable reading of each of the complex poems that make up Four Quartets, the essay-poem that is Eliot's masterwork. Focusing on the range of speaking voices dramatized, Atkins reveals for the first time the Incarnational form that governs the work's 'purposive movement' toward purification and fulfilment of points of view that were represented earlier in the poems.
T.S. Eliot, Lancelot Andrewes, and the Word: Intersections Of Literature And Christianity
by G. AtkinsWith special attention to the poems For Lancelot Andrewes, Journey of the Magi, and Ash-Wednesday , G. Douglas Atkins offers an exciting new analysis of T.S. Eliot's debt to the seventeenth-century churchman Lancelot Andrewes and his theories of reading and writing texts.
T.S. Eliot Materialized: Literal Meaning And Embodied Truth
by G. AtkinsBy reading T.S. Eliot literally and laterally, and attending to his intra-textuality, G. Douglas Atkins challenges the familiar notion of Eliot as bent on escaping this world for the spiritual. This study culminates in the necessary, but seemingly impossible, union of reading and writing, literature and commentary.
T.S. Eliot’s Christmas Poems: An Essay in Writing-as-Reading and Other “Impossible Unions”
by G. AtkinsThis is the first full-scale analysis of T.S. Eliot's six "Ariel Poems" as Christmas poems. Through close readings, Atkins argues that these poems considered together emerge as clearly related representations of the "impossible union" that occurred in the Incarnation.
On Keats’s Practice and Poetics of Responsibility: Beauty and Truth in the Major Poems
by G. Douglas AtkinsThis accessible, informed, and engaging book offers fresh, new avenues into Keats’s poems and letters, including a valuable introduction to “the responsible poet.” Focusing on Keats’s sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T.S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot’s treatment of similar subjects; “The Eve of St. Agnes” by adding to his respected earlier article on the poem an addendum outlining a bold new reading; “Lamia” by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats’s successful and often sophisticated poetic treatment of ideas, accentuating the image of him as “the responsible poet.”
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
The Anglo-Scottish Ballad and its Imaginary Contexts (PDF)
by David AtkinsonThis is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.
The Black Flamingo
by Dean Atta'I loved every word' - Malorie Blackman 'Atta's bold verse novel calls to its readers to find their own blazing, performative inner truth' - Guardian A boy comes to terms with his identity as a mixed-race gay teen - then at university he finds his wings as a drag artist, The Black Flamingo. A bold story about the power of embracing your uniqueness. Sometimes, we need to take charge, to stand up wearing pink feathers - to show ourselves to the world in bold colour. 'I masquerade in makeup and feathers and I am applauded.'SHORTLISTED FOR THE BOOKS ARE MY BAG READER AWARDS 2019
I Am Nobody's Nigger
by Dean AttaRevolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours … Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted.' Benjamin Zephaniah 'Righteous and forceful' Peter Tatchell'I can do nothing but take my hat off to Dean Atta for speaking out, saying what he believed, and doing it so effectively and powerfully that countless people heard it who would never normally have done so. Poetry is a powerful tool, and I Am Nobody's Nigger is a perfect example of when that tool shows its full strength.' Huffington Post' Huffington Post 'Raconteur Dean Atta doing what he does best; articulating London's dark, deep-rooted social cancers through a beautiful and intricately personal narrative.' Clash
Only on the Weekends
by Dean AttaMack. Karim. Finlay. Mack never thought he'd find love, let alone with two people. Will he make the right choice? And can love last for ever? A must-read queer love story for fans of Sex Education, written in verse by Dean Atta. Fifteen-year-old Mack is a hopeless romantic - he blames the films he's grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend - it feels like love. But when Mack's dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It's horrible being so far away from Karim, but the worst part is that Karim doesn't make the effort to visit. Love shouldn't be only on the weekends.Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim - and when will his old life and new life collide?
The Conference of the Birds: The Selected Sufi Poetry Of Farid Ud-din Attar (Ways Of Mysticism Ser. #Vol. 1)
by Farid AttarComposed in the twelfth century in north-eastern Iran, Attar's great mystical poem is among the most significant of all works of Persian literature. A marvellous, allegorical rendering of the Islamic doctrine of Sufism - an esoteric system concerned with the search for truth through God - it describes the consequences of the conference of the birds of the world when they meet to begin the search for their ideal king, the Simorgh bird. On hearing that to find him they must undertake an arduous journey, the birds soon express their reservations to their leader, the hoopoe. With eloquence and insight, however, the hoopoe calms their fears, using a series of riddling parables to provide guidance in the search for spiritual truth. By turns witty and profound, The Conference of the Birds transforms deep belief into magnificent poetry.
LVOE: Poems, Epigrams & Aphorisms
by AtticusFrom the internationally bestselling author of Love Her Wild, The Dark Between Stars, and The Truth About Magic comes LVOE., a dazzling new journey into the great unknown by Atticus. Featuring over 250 brand new poems, this sees Atticus take his readers on an enthralling, unforgettable new adventure. For the first time since he began writing, three-time New York Times bestselling author Atticus is inviting readers to take a look behind the mask as he embarks on a powerful journey inward in search of love, peace, and acceptance.His fourth poetry collection, LVOE., is a study into himself. Using his instantly recognisable lyrical style, gorgeous black-and-white illustrations, and relatable themes, Atticus will once again dazzle readers, inspiring them to also look within. This collection will feature all-new poems, each paired with beautiful sketches that bring the words alive from the page.An exploration of self-love, meditation, meaning, loss, and romance, LVOE. is a look forward, a look backward, but most importantly a look inward to the often confusing yet hopeful human experience.
LVOE II
by AtticusIn the highly anticipated follow-up to LVOE: Poems, Epigrams & Aphorisms, three-time New York Times bestselling author Atticus is inviting readers to take a deeper look behind the mask as he continues his powerful journey inward in search of love, peace, and acceptance.LVOE. Volume II is an expanded exploration of self-love, meditation, meaning, loss, and romance from the internet's favourite poet. Atticus implores his instantly recognizable lyrical style, gorgeous illustrations, and relatable themes to once again dazzle readers, inspiring them to look within. This collection will feature all-new poems, each paired with beautiful sketches that bring the words alive from the page.LVOE. Volume II looks forward, backward, but most importantly inward to the often confusing yet hopeful human experience.
Derek Attridge in Conversation (Critical Voices)
by Derek AttridgeThis volume of conversation not only provides a succinct philosophical biography that highlights the wide range of Attridge's interests. It likewise foregrounds his energetic engagements with literary theory, poetics, and stylistics, as well as his reassessments of contemporary philosophy and literary ideas, specifically those pertaining to the work Jacques Derrida, James Joyce, and J. M. Coetzee. Readers will find in this book a wonderful balancing act as Attridge negotiates the dynamics between the orthodoxies of critical practice and the strategic interventions of deconstructive reading. This book, with an appendix of a chronological listing of Attridge's publications, is an accessible and provocative introduction to the ideas of one of the most brilliant critical voices and generous presences in literary studies in the Anglophone world.
Derek Attridge in Conversation (Critical Voices)
by Derek AttridgeThis volume of conversation not only provides a succinct philosophical biography that highlights the wide range of Attridge's interests. It likewise foregrounds his energetic engagements with literary theory, poetics, and stylistics, as well as his reassessments of contemporary philosophy and literary ideas, specifically those pertaining to the work Jacques Derrida, James Joyce, and J. M. Coetzee. Readers will find in this book a wonderful balancing act as Attridge negotiates the dynamics between the orthodoxies of critical practice and the strategic interventions of deconstructive reading. This book, with an appendix of a chronological listing of Attridge's publications, is an accessible and provocative introduction to the ideas of one of the most brilliant critical voices and generous presences in literary studies in the Anglophone world.
The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers
by Derek AttridgeWas the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers
by Derek AttridgeWas the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
Moving Words: Forms Of English Poetry
by Derek AttridgeThe contemporary reader of English poetry is able to take pleasure in the sounds and movements of the English language in works written over the past eight centuries, and to find poems that convey powerful emotions and vivid images from this entire period. This book investigates the ways in which poets have exploited the resources of the language as a spoken medium - its characteristic rhythms, its phonetic qualities, its deployment of syntax - to write verse that continues to move and delight. The chapters in the first of the two parts examine a number of issues relating to poetic form: the resurgence of interest in formal questions in recent years, the role of syntactic phrasing in the operation of poetry, the function of rhyme, and the relation between sound and sense. The second part is concerned with rhythm and metre, explaining and demonstrating 'beat prosody' as a tool of poetic analysis, and discussing three major traditions in English versification: the free four-beat form used in much popular verse, the controlled power of the iambic pentameter, and the twentieth-century invention of free verse. All these topics are discussed by means of particular case studies, from the metrical form of a thirteenth-century lyric to uses of sound in recent poetry. Among the many poets whose work is considered are Spenser, Milton, Dryden, Keats, Tennyson, Hardy, Yeats, Frost, Ashbery, Hill, Plath, Paterson, and Prynne. Drawing on Derek Attridge's forty-five years of engagement with the forms of poetry, this volume provides extensive evidence of the importance of close attention to the moving and sounding of language in the poems we enjoy.
Poetic Rhythm: An Introduction (PDF)
by Derek AttridgeThis is the first introduction to rhythm and meter that begins where students are: as speakers of English familiar with the rhythms of ordinary spoken language, and of popular verse such as nursery rhymes, song and rap. Poetic Rhythm builds on this knowledge and experience, taking the reader from the most basic questions about the rhythms of spoken English to the elaborate achievements of past and present poets. Terminology is straightforward, the simple system of scansion that is introduced is suitable for both handwriting and computer use, and there are frequent practical exercises. Chapters deal with the elements of verse, English speech rhythms, the major types of metrical poetry, free verse, and the role of sense and syntax. Poetic Rhythm will help readers of poetry experience and enjoy its rhythms in all their power, subtlety and diversity, and will serve as an invaluable tool for those who wish to write or discuss poetry in English at a basic as well as a more advanced level.
Poetics and Politics of Shame in Postcolonial Literature (Routledge Research in Postcolonial Literatures)
by David Attwell Annalisa Pes Susanna ZinatoPoetics and Politics of Shame in Postcolonial Literature provides a new and wide-ranging appraisal of shame in colonial and postcolonial literature in English. Bringing together young and established voices in postcolonial studies, these essays tackle shame and racism, shame and agency, shame and ethical recognition, the problem of shamelessness, the shame of willed forgetfulness. Linked by a common thread of reflections on shame and literary writing, the essays consider specifically whether the aesthetic and ethical capacities of literature enable a measure of stability or recuperation in the presence of shame’s destructive potential. The obscenity of the in-human, both in the colonial setting and in aftermaths that show little sign of abating, entails the acute significance of shame as a subject for continuing and urgent critical attention.
Poetics and Politics of Shame in Postcolonial Literature (Routledge Research in Postcolonial Literatures)
by David Attwell Annalisa Pes Susanna ZinatoPoetics and Politics of Shame in Postcolonial Literature provides a new and wide-ranging appraisal of shame in colonial and postcolonial literature in English. Bringing together young and established voices in postcolonial studies, these essays tackle shame and racism, shame and agency, shame and ethical recognition, the problem of shamelessness, the shame of willed forgetfulness. Linked by a common thread of reflections on shame and literary writing, the essays consider specifically whether the aesthetic and ethical capacities of literature enable a measure of stability or recuperation in the presence of shame’s destructive potential. The obscenity of the in-human, both in the colonial setting and in aftermaths that show little sign of abating, entails the acute significance of shame as a subject for continuing and urgent critical attention.
The Circle Game (A List)
by Margaret AtwoodThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood's best and most famous poems, The Circle Game won the 1966 Governor General's Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.