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Kleist-Jahrbuch 2016
Das aktuelle Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2015 mit den Reden der Preisträgerin Monika Rinck, der Vertrauensperson der Jury Heinrich Detering und des Präsidenten der Heinrich-von-Kleist-Gesellschaft Günter Blamberger. Darüber hinaus enthält das Jahrbuch Beiträge zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist.
Klopstock-Handbuch: Leben - Werk - Wirkung
by Mario GrizeljUnbestritten gehört Klopstock zu den Schlüsselautoren des 18. Jahrhunderts: Sein bloßer Name war eine Chiffre poetisch erhöhten Lebens. Und dennoch ist die akademische Rezeption seiner Werke von jeher recht spärlich erfolgt und war auch weitgehend großen Missverständnissen ausgesetzt. Vernachlässigung und Missdeutung sind sicherlich nicht zuletzt darauf zurückzuführen, dass der Fortschritt der Literaturgeschichte schon zu seinen Lebzeiten über ihn hinweggegangen zu sein schien. Nur langsam beginnt sich die Forschung von den sich hartnäckig haltenden Vorurteilen zu befreien und das – jenseits klassischer literaturgeschichtlicher Erzählungen – Zukunftsweisende, ja, Moderne und auch heute noch Aktuelle in Klopstocks Schaffen in den Blick zu nehmen.Das Klopstock-Handbuch setzt hier ganz bewusst neue Impulse und versammelt dafür ein möglichst breites Spektrum neuerer und neuester Forschungsperspektiven. Klopstock und sein Werk werden in den vielfältigen literarischen, rhetorischen, religiösen, politischen und gesellschaftlichen Umwälzungen des 18. Jahrhunderts verortet, deren Folgen bis heute zu spüren sind. Neben Interpretationen seiner Werke und der Darstellung seiner poetischen Konzepte liefert das Handbuch kontext- und diskursgeschichtliche Einbettungen ebenso wie Analysen zur Rhetorik und Metrik oder Überlegungen zu Politik und Sport.
Knowing One's Place in Contemporary Irish and Polish Poetry: Zagajewski, Mahon, Heaney, Hartwig
by Magdalena KayAre we allowed to choose where we belong? What pressures make us feel that we should belong somewhere? This book brings together four major poets-Heaney, Mahon, Zagajewski, and Hartwig-who ask themselves these questions throughout their lives. They start by assuming that we can choose not to belong, but know this is easier said than done. Something in them is awry, leading them to travel, emigrate, and return dissatisfied with all forms of belonging. Writer after writer has suggested that Polish and Irish literature bear some uncanny similarities, particularly in the 20th century, but few have explored these similarities in depth. Ireland and Poland, with their tangled histories of colonization, place a large premium upon knowing one's place. What happens, though, when a poet makes a career out of refusing to know her place in the way her culture expects? This book explores the consequences of this refusal, allowing these poets to answer such questions through their own poems, leading to surprising conclusions about the connection of knowledge and belonging, roots and identity.
Knowing One's Place in Contemporary Irish and Polish Poetry: Zagajewski, Mahon, Heaney, Hartwig
by Magdalena KayAre we allowed to choose where we belong? What pressures make us feel that we should belong somewhere? This book brings together four major poets-Heaney, Mahon, Zagajewski, and Hartwig-who ask themselves these questions throughout their lives. They start by assuming that we can choose not to belong, but know this is easier said than done. Something in them is awry, leading them to travel, emigrate, and return dissatisfied with all forms of belonging. Writer after writer has suggested that Polish and Irish literature bear some uncanny similarities, particularly in the 20th century, but few have explored these similarities in depth. Ireland and Poland, with their tangled histories of colonization, place a large premium upon knowing one's place. What happens, though, when a poet makes a career out of refusing to know her place in the way her culture expects? This book explores the consequences of this refusal, allowing these poets to answer such questions through their own poems, leading to surprising conclusions about the connection of knowledge and belonging, roots and identity.
Knowing Shakespeare: Senses, Embodiment and Cognition (Palgrave Shakespeare Studies)
by Lowell Gallagher and Shankar RamanA collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Kumara Kuruparar's Mathurai Kalampakam
by Kumara KurupararVenpa is one of the poetic formats of classical Tamil. Poet Kumara Kuruparar glorifies Lord Murugan of Tiruchendur in sixty one verses. Sakalakalavalli Malai is a nine verses poem praising Goddess Saraswati (God of Wisdom). Neethi Neri Vilakkam is a 101 verses poems preaching morals and ethics everyone should bear in mind.
Kumukanda
by Kayo Chingonyi"A brilliant debut - a tender, nostalgic and at times darkly hilarious exploration of black boyhood, masculinity and grief - from one of my favourite writers". (Warsan Shire). Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.
La Vita Nuova: Love Poems (Macmillan Collector's Library)
by Dante AlighieriLa Vita Nuova (The New Life) is Dante’s first major work. Set in thirteenth-century Florence, Dante describes his love for Beatrice through poems, sonnets and prose. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is the English translation by Dante Gabriel Rossetti, which was first published in The Early Italian Poets in 1861 and then reissued in 1874 by Dante and his circle. It was met with great acclaim acknowledging Rossetti’s skill as a meticulous and poetic translator.From the first time the poet sets eyes on Beatrice, he says ‘love quite governed my soul’ and his devotion to her knows no end. By recalling each meeting with Beatrice, including a rejection by her, this short book is at once a heartfelt account of youthful love and a religious allegory. La Vita Nuova serves as an important precursor to Dante’s masterpiece, The Divine Comedy.
Labors of Innocence in Early Modern England
by Joanna PicciottoIn seventeenth-century England, intellectuals of all kinds discovered their idealized self-image in the Adam who investigated, named, and commanded the creatures. Reinvented as the agent of innocent curiosity, Adam was central to the project of redefining contemplation as a productive and public labor. It was by identifying with creation’s original sovereign, Joanna Picciotto argues, that early modern scientists, poets, and pamphleteers claimed authority as both workers and “public persons.” Tracking an ethos of imitatio Adami across a wide range of disciplines and devotions, Picciotto reveals how practical efforts to restore paradise generated the modern concept of objectivity and a novel understanding of the author as an agent of estranged perception. Finally, she shows how the effort to restore Adam as a working collective transformed the corpus mysticum into a public. Offering new readings of key texts by writers such as Robert Hooke, John Locke, Andrew Marvell, Joseph Addison, and most of all John Milton, Labors of Innocence in Early Modern England advances a new account of the relationship between Protestantism, experimental science, the public sphere, and intellectual labor itself.
Labyrinths (Heinemann African Writers Ser.)
by Christopher OkigboLabyrinths is the celebrated collection of Christopher Okigbo's most renowned poems which cemented his reputation as one of Nigeria's greatest poets.In this powerful collection, Okigbo's renowned talent is showcased in vivid clarity as each poem draws the reader into an arresting world of myth and contemplation – a maze of spiritual homecomings, divine dreams, and the long-drums of the dead.Including Paths of Thunder, his final and most famous sequence of poems that prophesised a nation overcome by war. Written shortly before he was killed in the Nigerian-Biafran War, Okigbo predicted his own death and left behind a legacy as a leading figure of postcolonial poetry.'The finest Nigerian poet of his generation [and] one of the most remarkable anywhere in our time. Chinua Achebe'There are poets who have a magical presence in the literature of their lands... Christopher Okigbo is one such poet.' Ben Okri'One of the genuine renaissance people of our generation.' Wole Soyinka
Lady Caroline Lamb: A Biography
by P. DouglassLady Caroline Lamb , among Lord Byron's many lovers, stands out - vilified, portrayed as a self-destructive nymphomaniac - her true story has never been told. Now, Paul Douglass provides the first unbiased treatment of a woman whose passions and independence were incompatible with the age in which she lived. Taking into account a traumatic childhood, Douglass explores Lamb's so-called 'erotomania' and tendency towards drug abuse and madness - problems she and Byron had in common. In this portrait, she emerges as a person who sacrificed much for the welfare of a sick child, and became an artist in her own right. Douglass illuminates her novels and poetry, her literary friendships, and the lifelong support of her husband and her publisher, John Murray.
The Lady of the Lake
by Sir Walter Scott"The Lady of the Lake is a narrative poem by Sir Walter Scott, first published in 1810. Set in the Trossachs region of Scotland, it comprises six cantos, each of which concerns the action of a single day. The poem has three main plots: the contest among three men, Roderick Dhu, James Fitz-James, and Malcolm Graeme, to win the love of Ellen Douglas; the feud and reconciliation of King James V of Scotland and James Douglas; and a war between the lowland Scots (led by James V) and the highland clans (led by Roderick Dhu of Clan Alpine). The poem was tremendously influential in the nineteenth century, and did much to inspire the Highland Revival. By the late twentieth century, however, the poem was virtually forgotten. Its influence is thus indirect: Schubert's Ave Maria, Rossini's La donna del lago (1819), the racist custom of cross burning, the last name of U.S. abolitionist Frederick Douglass, and the song "Hail to the Chief" were all inspired by the poem.
Ladybird Favourite Nursery Rhymes
by Ladybird BooksThis beautiful hardback Ladybird treasury of favourite nursery rhymes is a beautifully illustrated introduction to many well-loved rhymes that are perfect for sharing with young children from 3+.With more than 100 rhymes including favourites such as Three Blind Mice, The Owl and the Pussy-cat, Humpty Dumpty and Head, Shoulders, Knees and Toes, there is a rhyme for everyone in this collection of animal, action, story, food, counting and bedtime rhymes.
The Lais of Marie De France: With Two Further Lais in the Original Old French (Penguin Classics)
by Marie France Keith BusbyMarie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.
The Lame God (Swenson Poetry Award #16)
by M. B. McLatcheyWinner of 2013 May Swenson Poetry AwardIn The Lame God, author M. B. McLatchey reminds us of the inevitable bond between art and empathy. With a controlled language that finds its echo chamber in the immortal themes and characters of classical literature, this courageous work accompanies the author on her journey through a parent’s anguish in the face of a horrific crime. Using the art of poetry she gives voice to a suffering—and a love—that might otherwise go unheard. The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.
Lament (Rough Trade Edition)
by Briony BaxBriony Bax leads the reader through the brutal world of mental illness and specifically an account of an individual’s journey with schizophrenia. A world where sections, court rooms, locked wards, tribunals, and assessment centres form the backdrop of the daily living of sufferers and caregivers. Through honesty and testimony, it shines a light on the disastrous effects of government austerity measures on the mentally ill.
Lamia
by John KeatsThough not one of John Keats' very best poems, Lamia is a major work and essential for anyone interested in him. It has his signature unparalleled beauty but is also unusually thoughtful, with intriguing musings on illusion vs. reality and the nature of love, beauty, and art. Keats' lament about empiricism destroying natural wonder has heavily influenced everyone from Edgar Allen Poe to Richard Dawkins, and Lamia remains central to the art/nature vs. science debate. The story is also interesting in itself; Keats brings a fantasy world vividly to life, draws us in emotionally, and even has a devastating ending. Finally, the poem is impressive technically, showing Keats' growing couplet mastery. One should certainly read his best-known works first, but this should be an early stop; that said, the fact that it is virtually every Keats collection makes a standalone very hard to justify. The important thing at any rate is to read it in some form.
Lamia, Isabella, The Eve of St Agnes and Other Poems (Penguin Clothbound Poetry)
by John KeatsIn the summer of 1820, Keats published this collection, his third and final volume of poetry. A few months earlier, he had started coughing up blood; the following February, he would die of tuberculosis in Rome, aged just twenty-five. This volume contains his greatest work, written in an astonishing burst of creative genius in 1819. It includes 'Lamia', his tale of love and betrayal in ancient Corinth; the haunting medieval romance of 'The Eve of St Agnes'; and his six famous odes, now considered among the most famous verse in the language.
The Lammas Hireling
by Ian DuhigIan Duhig has long inspired a fervent and devoted following. With The Lammas Hireling - the title poem having already won both the National Poetry Competition and the Forward Prize for Best Poem - Duhig has produced his most accessible and exciting volume to date, and looks set to reach a whole new audience. A poet of lightning wit and great erudition, Duhig is also a master balladeer and storyteller who shows that poetry is still the most powerful way in which our social history - our lives, loves and work - can be celebrated and commemorated.
A Lamp Brighter than Foxfire: Poems (Mountain West Poetry Series)
by Andrew S. Nicholson"In Andrew S. Nicholson’s A Lamp Brighter than Foxfire, what is most alive is color, that which gives itself freely, generously: ‘Follow the hopeful as they green the day’ (‘My Garage Fills with an Ever-Increasing Number of Dandelions’). Threaded throughout with Genesis, wherein Jacob wrestles an angel, this gorgeous debut collection builds a ladder firmly rooted here: in sun and earth; in varying and multiple shades of orange; in trials of father and son; in books and paintings; in abandoned casinos; in countries far from home; and/or in the sound of a door closing. Nicholson’s poems come from a man standing by himself, in what George Oppen called the ‘shipwreck of the singular,’ which includes everybody. I’m moved by the luminous generosity, the moral clarity of this work. A Lamp Brighter than Foxfire is news that will stay news.” —Claudia Keelan, author of The Devotion Field, Missing Her, and O, Heart "'Who doesn’t nurse a secret love?' asks Andrew S. Nicholson in visionary poems that reveal secret worlds cradled inside this one. Whether considering the casinos of Las Vegas, a fresco in Pompeii, or scenes from the Hebrew Bible, the poet endures one of desire’s more fraught paradoxes: its unchanging ability to bring change, to turn the known into the unknown. These poems bravely attend to such transformations the way Jacob—the book’s patron saint—wrestles with the angel, 'lifting all the flesh / that he can lose.' I admire this poet who knows that blessing doesn’t arrive without loss, who remembers 'I was loved once. / Beneath that love, a kindness took root.' The same sweet feeling lingers long after this book is closed. Dear reader: savor it." —Brian Teare "Andrew S. Nicholson’s A Lamp Brighter than Foxfire is a gorgeous book. His graceful, playful poems enchant us ('I try to make out the stranger’s face, but he’s shrinking: / a melting gray blur, an ever-smaller thorn.') and transform us ('Sink into the bathwater, any way is a way / to journey toward that joining'). Nicholson has become one of the great poets of a new and radical kind of pastoral." —Joseph Lease Opening the space between the ordinary and the visionary, the poems in A Lamp Brighter than Foxfire uncover an intimate relationship with the world, from Las Vegas to Italy to the American Midwest. From a lime glowing in an orchard to a miraculous childhood attempt at levitation, Andrew S. Nicholson’s poems ground themselves in the commonplace and leap for the luminous. Central to this collection are poems that retell stories of Jacob from the Old Testament, relocated behind casinos, glimpsed in miniature on kitchen floors, and heard speaking in a moment of decay. Through these retellings, Nicholson examines the creation of self, family relationships, and a generative sense of the divine.
Landscape and Literature 1830-1914: Nature, Text, Aura
by R. EbbatsonThis study examines the vital centrality of 'readings' of nature in a variety of literary forms in the period 1830-1914. It is exploratory and original in approach, stressing the philosophical and cultural implications in a range of texts from Tennyson, Hardy, Jefferies and Thomas.
Landscape With Chainsaw: Poems (Cape Poetry Ser.)
by James LasdunJames Lasdun's third book of poems explores the themes and tensions of his last two with a new boldness and exuberance, in a series of poems about life in the Catskill mountains outside Woodstock, where the author moved with his family some years ago. Questions of exile and belonging, cutting ties and forming new bonds, figure prominently, as does the struggle to find a viable relationship with the natural world of the mountain wilderness - at once a stunning companion and a ferocious competitor. Out of this - 'the need to carve out a niche for ourselves;/our singular relation to what we love' - rises the book's central image: the chainsaw. Very much a real machine (given to the alarmed poet by his wife), it also comes to form a complex symbol in which all manner of human traits are reflected with an intense, often comical, brilliance.A brilliantly assured, deftly lyrical sequence, Landscape with Chainsaw melds passion with wit, the classical with the quotidian, in a thrilling meditation on history, love, cultural identity and the anxiety of displacement. As an examination of the complexities of deracination and domesticity, it marks the matured genius of one of England's most important poets.