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Kleist-Jahrbuch 2011

Das Jahrbuch dokumentiert die Gründung der Heinrich-von-Kleist-Gesellschaft im Jahr 1960, die Verleihung des Kleist-Preises 2010, die internationale Tagung Kleist/Politik 2010 in Berlin sowie die Eröffnung der Ausstellung Kleist: Krise und Experiment . Beiträge und Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist beschließen den Band.

Labyrinths (Heinemann African Writers Ser.)

Labyrinths is the celebrated collection of Christopher Okigbo's most renowned poems which cemented his reputation as one of Nigeria's greatest poets.In this powerful collection, Okigbo's renowned talent is showcased in vivid clarity as each poem draws the reader into an arresting world of myth and contemplation – a maze of spiritual homecomings, divine dreams, and the long-drums of the dead.Including Paths of Thunder, his final and most famous sequence of poems that prophesised a nation overcome by war. Written shortly before he was killed in the Nigerian-Biafran War, Okigbo predicted his own death and left behind a legacy as a leading figure of postcolonial poetry.'The finest Nigerian poet of his generation [and] one of the most remarkable anywhere in our time. Chinua Achebe'There are poets who have a magical presence in the literature of their lands... Christopher Okigbo is one such poet.' Ben Okri'One of the genuine renaissance people of our generation.' Wole Soyinka

Laughter Before Sleep

One of America’s most eminent nature poets, Robert Pack has won the acclaim of writers, critics, and readers from Stephen Jay Gould to Mark Strand. In his latest collection, Laughter Before Sleep, Pack carries on his themes of family and friends, responsibility to the natural world of evolved diversity, the transience of life, the fragility of happiness, and the consolations offered by art and music. Laughter Before Sleep weighs the nature of endings from the perspective of old age and embraces the humor and play of memory that keep mortality at bay.As we are carried along with Pack’s lyrical, sensitive, and intelligent verse, he takes us on a moving but often comic journey toward the end of life. In the opening section, Pack composes poems that meditate upon a sense of his own diminishing and the meaning of absences. The middle sections form episodes of a memoir in verse, moving from family to history and back again, reflecting on the power of anecdote to shape a life in retrospect. With the final section, Pack recalls his unfulfilled plan to raise penguins in Montana, offers a panegyric on Darwin’s nose, and makes the mistake of trying to impress a police officer with a book of poems. Filled with charm and wit but also with philosophical melancholy, Laughter Before Sleep is a superb addition to the poet’s oeuvre.

Laughter Before Sleep

One of America’s most eminent nature poets, Robert Pack has won the acclaim of writers, critics, and readers from Stephen Jay Gould to Mark Strand. In his latest collection, Laughter Before Sleep, Pack carries on his themes of family and friends, responsibility to the natural world of evolved diversity, the transience of life, the fragility of happiness, and the consolations offered by art and music. Laughter Before Sleep weighs the nature of endings from the perspective of old age and embraces the humor and play of memory that keep mortality at bay.As we are carried along with Pack’s lyrical, sensitive, and intelligent verse, he takes us on a moving but often comic journey toward the end of life. In the opening section, Pack composes poems that meditate upon a sense of his own diminishing and the meaning of absences. The middle sections form episodes of a memoir in verse, moving from family to history and back again, reflecting on the power of anecdote to shape a life in retrospect. With the final section, Pack recalls his unfulfilled plan to raise penguins in Montana, offers a panegyric on Darwin’s nose, and makes the mistake of trying to impress a police officer with a book of poems. Filled with charm and wit but also with philosophical melancholy, Laughter Before Sleep is a superb addition to the poet’s oeuvre.

The Less Deceived

Philip Larkin's second collection, The Less Deceived was published by The Marvell Press in 1955, and now appears for the first time in Faber covers.The eye can hardly pick them out From the cold shade they shelter in, Till wind distresses tail and mane; Then one crops grass, and moves about - The other seeming to look on - And stands anonymous again. from 'At Grass'

Letters of Blood and other works in English (PDF)

This collection brings together for the first time select works in English by the major Swedish modernist poet and critic Göran Printz-Påhlson. It was Printz-Påhlson who introduced poetic modernism to Scandinavia, and his essays and poems delve deeply into English, American, and continental modernist traditions. As well as "Letters of Blood", the collection includes the full text of "The Words of the Tribe", a major statement on modern poetics, in which Printz-Påhlson explores the significance of primitivism in Romanticism and Modernism, and the nature of metaphor and literary materialism. The collection also includes essays on style, irony, realism, and the relationship between historical drama and historical fiction, as well as studies of American poetry. Printz-Påhlson's poetry in English continues to explore these themes by different, often surprisingly innovative, means.

The Life in the Sonnets (Shakespeare Now!)

A passionately argued account of the value of experience and emotion in reading Shakespeare's sonnets and of the importance of reading poetry aloud.

The Literary Heritage of the Arabs: An Anthology

The Literary Heritage of the Arabs samples some of the finest literature produced by Arab writers in the last 1,500 years. The selection of poetry and prose spans many genres and styles, conveying the full range of Arab experiences and perspectives - from the tragic to the comic, the wistful to the mystical, the courtly to the lowly, and the Arab East to Andalusia. The reader of this anthology will become aware of the extent to which this vibrant and distinctive literary heritage has always been both receptive to the currents from neighbouring cultures and influential in the evolution of other literary traditions, in South Asia, Western Europe and beyond. Thus, the reader will discover, behind local colours and different literary conventions, our common humanity.

Live Poetry: An Integrated Approach To Poetry In Performance

Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a ‘Live Poetry’ boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological ‘toolkit’ for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry’s evolution through its current ‘spoken word’ renaissance.

Lord Byron

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender lightWhich heaven to gaudy day denies.-- She Walks in Beauty

Love Poems, Letters, and Remedies of Ovid

Widely praised for his recent translations of Boethius and Ariosto, David R. Slavitt returns to Ovid, once again bringing to the contemporary ear the spirited, idiomatic, audacious charms of this master poet. The love described here is the anguished, ruinous kind, for which Ovid was among the first to find expression. In the Amores, he testifies to the male experience, and in the companion Heroides—through a series of dramatic monologues addressed to absent lovers—he imagines how love goes for women. “You think she is ardent with you? So was she ardent with him,” cries Oenone to Paris. Sappho, revisiting the forest where she lay with Phaon, sighs, “The place / without your presence is just another place. / You were what made it magic.” The Remedia Amoris sees love as a sickness, and offers curative advice: “The beginning is your best chance to resist”; “Try to avoid onions, / imported or domestic. And arugula is bad. / Whatever may incline your body to Venus / keep away from.” The voices of men and women produce a volley of extravagant laments over love’s inconstancy and confusions, as though elegance and vigor of expression might compensate for heartache. Though these love poems come to us across millennia, Slavitt’s translations, introduced by Pulitzer Prize winner Michael Dirda, ensure that their sentiments have not faded with the passage of time. They delight us with their wit, even as we weep a little in recognition.

Maggot: Poems

In his eleventh full-length collection, Paul Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are 'sex and the dead', Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its 'subject' the urge to memorialize the scenes of fatal car accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title-sequence but many of the round-songs that characterize Maggot and has led Angela Leighton, writing in the TLS, to see these new poems (on their earlier appearance in Plan B, an interim volume which included several of the poems in Maggot) as giving readers 'a thrilling, wild, fairground ride, with few let-ups for the squeamish.'

Melancholy Experience in Literature of the Long Eighteenth Century: Before Depression, 1660-1800

Arising from a research project on depression in the eighteenth century, this book discusses the experience of depressive states both in terms of existing modes of thought and expression, and of attempts to describe and live with suffering. It also asks what present-day society can learn about depression from the eighteenth-century experience.

Memorial: A Version Of Homer's Iliad

Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald

Metaphor and Shakespearean Drama: Unchaste Signification (Early Modern Literature in History)

Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.

Milton's Latin Poems

In this collection, esteemed poet and translator David R. Slavitt brings to life John Milton’s Latin poetry with deft, imaginative modern English translations.While Milton is recognized as one of the most learned English poets in history, his Latin poetry is less well known. Slavitt’s careful rendering brings Milton’s Latin poems—many written in his late teens—into the present. He keeps true to the style of the originals, showing Milton’s maturing poetic voice and the freedom he found working in Latin. On the Gunpowder PlotO, sly Guy Fawkes, you plotted against your king and the British lords, but did you intend to be kindand make up for your malice in this thing with at least a show of piety? Do we findan intention, perhaps, of sending the members of court up to the sky in a chariot made of firethe way Elijah traveled. Or do I distort the simple wickedness of your desire?Featuring an introduction by Gordon Teskey, this comprehensive English-language collection of Milton’s Latin poems pays due respect to a master. Poetry lovers, Milton fans, and scholars of either will welcome, enjoy, and learn from this work.

Mind The Gap: Band 12/Copper (Collins Big Cat Ser.)

**Missing**: Essays on the Late Writings of Robert Duncan (Modern and Contemporary Poetry and Poetics)

This collection of essays focuses on the remarkable late writings of Robert Duncan. Although praised by reviewers, Duncan's last two books of poetry have yet to receive the critical attention they merit. Written by a cast of emerging and established scholars, these essays bring together a diverse set of approaches to reading Duncan's writing.

Modern Poetry and Ethnography: Yeats, Frost, Warren, Heaney, and the Poet as Anthropologist

This study maps a new approach to the works of W.B. Yeats, Robert Frost, Robert Penn Warren, and Seamus Heaney. Sean Heuston combines interdisciplinary analysis, specifically ethnography, with close reading, and in so doing argues provocatively for the intersection of modern poetry studies and contemporary ethnographic theory.

New Poems Book Four

Charles Bukowski was one of America's best-known writers and one of its most influential and imitated poets. His slum upbringing, his succession of menial jobs and his experience of gritty urban America are all reflected in his Best Generation writing and poetry, for which he became a cult figure.Although in his lifetime Bukowski published over 45 books of poetry, hundreds of his poems were reserved for publication after his death. Following on from the success of three previous volumes, this fourth collection of these unique and previously unpublished poems, which Bukowski considered to be among his finest work, is essential for all readers and collectors of one of the most distinctive writers of recent years.

New Selected Poems: 1984-2004 (PDF)

'Carol Ann Duffy is the most humane and accessible poet of our time' Rose Tremain, Guardian New Selected Poems contains poems chosen by Carol Ann Duffy from her first six acclaimed collections, from Standing Female Nude to Feminine Gospels, and a handful of other poems collected here for the first time. Endlessly varied and wonderfully inventive, this volume is the perfect introduction for new readers, the essential selection for students, and a glorious sum of parts for old acquaintances.

Night

Among the poems that open Night, David Harsent's follow-up to his Forward Prize-winning collection Legion, is a startling sequence about a garden - but a garden unlike any other. It sets the tone for a book in which the sureties of daylight become uncertain: dark, unsettling narratives about what wakes in us when we escape our day-lit selves to visit a place where the dream-like and the nightmarish are never far apart. The book culminates in the seductive and brilliantly sustained 'Elsewhere', a noirish, labyrinthine quest-poem in which the protagonist is drawn ever onward through a series of encounters and reflections like an after-hours Orpheus, hard-bitten and harried by memory.

Noise That Stays Noise: Essays (Poets On Poetry)

Praise for Cole Swensen: "One of the most assured voices in contemporary poetry." ---Library Journal "Engaging and delightful." ---Publishers Weekly A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. Ezra Pound famously said that literature is "news that stays news," but recent experiments in poetry and the sciences allow us to enlarge the statement to bring information theory and biology to bear on the issue---in particular, how the information theory–based model of self-organization from noise offers a way to look at language as an art material as well as a mode of communication. This concept directs these essays on poetry by contemporary poet Cole Swensen. Noise That Stays Noise covers a variety of subjects relevant to contemporary poetry and will give the general reader a broad notion of the issues that inform discourse around poetry today. Space---the conceptual geometry of poetry and its concrete mise-en-page---is an underlying theme of this collection, sometimes approached directly through the work of other twentieth-century poets, sometimes more obliquely through considerations of the role of the visual arts in contemporary poetry. This question of space and the shapes it includes and acquires offers a different way to look at some familiar writers, such as Mallarmé and Olson, and a way to introduce several more recent writers who may not yet be known to the general public.

November

November is Sean O’Brien’s first collection since his widely celebrated The Drowned Book, the only book of poetry to have won both the Forward and T. S. Eliot prizes. November is haunted by the missing, the missed, the vanished, the uncounted, and the uncountable lost: lost sleep, connections, muses, books, the ghosts and gardens of childhood. Ultimately, these lead the poet to contemplate the most troubling absences: O’Brien’s elegies for his parents and friends form the heart of this book, and are the source of its pervasive note of départ. Elsewhere – as if a French window stood open to an English room – the islands, canals, railway stations and undergrounds of O’Brien’s landscape are swept by a strikingly Gallic air. This new note lends O’Brien’s recent poems a reinvigorated sense of the imaginative possible: November shows O’Brien at the height of his powers, with his intellect and imagination as gratifyingly restless as ever.

Now All Roads Lead to France: The Last Years of Edward Thomas

Edward Thomas was perhaps the most beguiling and influential of First World War poets. Now All Roads Lead to France is an account of his final five years, centred on his extraordinary friendship with Robert Frost and Thomas's fatal decision to fight in the war.The book also evokes an astonishingly creative moment in English literature, when London was a battleground for new, ambitious kinds of writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost and Rupert Brooke were 'making it new' - vehemently and pugnaciously. These larger-than-life characters surround a central figure, tormented by his work and his marriage. But as his friendship with Frost blossomed, Thomas wrote poem after poem, and his emotional affliction began to lift. In 1914 the two friends formed the ideas that would produce some of the most remarkable verse of the twentieth century. Their writing was far more than just war poetry, but it was World War I that put an ocean between them. Frost returned to the safety of New England while Thomas stayed to fight for the Old.It is these roads taken - and those not taken - that are at the heart of this remarkable book, which culminates in Thomas's tragic death on Easter Monday 1917.