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Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800-1900
by Paula Bernat BennettBased entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.
Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800-1900
by Paula Bernat BennettBased entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.
Bright Travellers
by Fiona BensonWinner of the 2015 Geoffrey Faber Memorial PrizeWinner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full CollectionShortlisted for the 2015 T. S. Eliot PrizeShortlisted for the 2014 Forward Prize for Best First CollectionIn this remarkable, intensely moving, first collection, Fiona Benson shows her fascination with human experience. The poems move on archaeological fast-forward from submerged Devonian forests and a Paleolithic cave-bear skull to the site of decommissioned submarines at HMNB Devonport, where the sea is ‘still a torpedo-path, / an Armageddon road’. She explores the shared human continuum of bodily longing – from the Prehistoric maker of a wooden fertility fetish, to a modern-day couple wading through summer pollen – and the timeless cycles of conception, birth and child-rearing. A central sequence of dramatic monologues addressed to Van Gogh allows for a focussed exploration of depression, violence, passion and creativity. In these poems, as in all the poems in this impressive debut, we feel keenly the sense of life lived at the edge of threat – catastrophe, even – but also on the cusp of beauty and happiness. Other poems about the bewildering loss of miscarriage are hard to read and impossible to forget, moving with grace and authority through great grief to arrive at a hard-won destination of selfless, unqualified love.‘I remember again / the corridor / of the labour ward // and that woman / sitting weeping / with her man // having given birth / to a death – / small grey face, // no breath, / something you cannot help / but love – // habibi, akushla, /I go home alone / but carry you, // courie you, / little slipped thing, / to the ends of the earth.’
Ephemeron
by Fiona Benson*SHORTLISTED FOR THE 2021 FORWARD PRIZE FOR BEST SINGLE POEM*The poems in Ephemeron deal with the short-lived and transitory - whether it's the brief, urgent lives of the first section, 'Insect Love Songs', the abrupt, anguished, physical and emotional changes during secondary school, as remembered in 'Boarding-School Tales', or parenting's day-by-day shifts through love and fear, hurt and healing, in 'Daughter Mother'. The long central section, 'Translations from the Pasiphaë', gathers these themes together in a blistering, unforgettable re-telling of the Greek myth of the Minotaur, as seen from the point of view of the bull-child's mother - the betrayed and violated Pasiphaë. The familiar legend of the dashing male hero slaying the monster in the labyrinth is transformed here into a story of ordinary people caught up in an extraordinary cycle of violence, power and the abuse of power. At the centre lies Pasiphaë calling for her son: 'They took him away from me/and they killed him in the dark, for years.'Telling uncomfortable truths, going deep into male and female drives and desires, our most tender and vulnerable places, and speaking of them in frank, unshrinking ways - these poems are afraid, certainly, but also beautiful, resolute and brave.
Vertigo & Ghost
by Fiona Benson**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019****WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019****SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE**Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – hourly – basis. The book shifts, in its second half, to an intimate and lyrical document of depression and family life. It sounds out the complex and ambivalent terrain of early motherhood – its anxieties and claustrophobias as well as its gifts of tenderness and love – reclaiming the sanctuary of domestic private life, and the right to raise children in peace and safety. Vertigo & Ghost is an important, necessary book, hugely impressive in its range and risk, and dramatic in its currency: a collection that speaks out with clarity, grace and bravery against the abuse of power.
This Poem Doesn't Rhyme (Puffin Poetry Ser.)
by Gerard BensonAn award-winning collection from Gerard Benson, creator of Poems on the Underground.James Berry and Wendy Cope appear alongside Milton and Shakespeare amongst others to make a wonderfully diverse, fun and exciting collection of verse that shows that poetry doesn't have to rhyme.
Poems on the Underground: A New Edition (Poems On The Underground Ser.)
by Gerard Benson Judith Chernaik Cicely HerbertThis wonderful new edition of Poems on the Underground is published to celebrate the 150th anniversary of the Underground in 2013. Here 230 poems old and new, romantic, comic and sublime explore such diverse topics as love, London, exile, families, dreams, war, music and the seasons, and feature poets from Sappho to Carol Ann Duffy and Wendy Cope, including Chaucer and Shakespeare, Milton, Blake and Shelley, Whitman and Dickinson, Yeats and Auden, Seamus Heaney and Derek Walcott and a host of younger poets. It includes a new foreword and over two dozen poems not included in previous anthologies.
The Poetry of Ted Hughes: Language, Illusion & Beyond (Longman Studies In Twentieth Century Literature)
by Dr Paul BentleyThis text provides a lucid and accessible introduction to the poetry of Ted Hughes, a major figure in twentieth- century poetry whose work is concerned with the forces of nature and their interaction with the human mind. It is also the first full length study to place Hughes's poetry in the context of significant developments in literary theory that have occured during his life, drawing in particular on the 'French theorists'- Jacques Lacan, Julia Kristeva, and Roland Barthes. The study sheds new light on Hughes's prosody, and on such matters as Hughes's relation to the 'Movement' poets, the influence of Sylvia Plath, his relation to Romanticism, his interest in myth and shamanism, and the implications of the Laureateship for his work. The poems are presented in chronological order, tracing the development of Hughes's highly distinctive style. The study also discusses Hughes's recently published non-fiction- Winter Pollen (1994) and Shakespeare and the Goddess of Complete Being (1992). The Poetry of Ted Hughes is indispensable for all students and academics interested in contemporary poetry and culture.
The Poetry of Ted Hughes: Language, Illusion & Beyond (Longman Studies In Twentieth Century Literature)
by Dr Paul BentleyThis text provides a lucid and accessible introduction to the poetry of Ted Hughes, a major figure in twentieth- century poetry whose work is concerned with the forces of nature and their interaction with the human mind. It is also the first full length study to place Hughes's poetry in the context of significant developments in literary theory that have occured during his life, drawing in particular on the 'French theorists'- Jacques Lacan, Julia Kristeva, and Roland Barthes. The study sheds new light on Hughes's prosody, and on such matters as Hughes's relation to the 'Movement' poets, the influence of Sylvia Plath, his relation to Romanticism, his interest in myth and shamanism, and the implications of the Laureateship for his work. The poems are presented in chronological order, tracing the development of Hughes's highly distinctive style. The study also discusses Hughes's recently published non-fiction- Winter Pollen (1994) and Shakespeare and the Goddess of Complete Being (1992). The Poetry of Ted Hughes is indispensable for all students and academics interested in contemporary poetry and culture.
Ted Hughes, Class and Violence
by Paul BentleyTed Hughes is now widely regarded as a major figure in twentieth-century poetry. Critical literature has often characterized him primarily as a mythologizer of nature but the impact of Hughes's class background on his poems has received relatively little attention. Ted Hughes, Class and Violence is the first full length study to take the measure of the importance of class in Hughes. Paul Bentley here revisits such crucial topics as the controversy over 'natural' violence in Hughes's early poems, Hughes's relationship with Philip Larkin and with Seamus Heaney, the Laureateship, and Hughes's revisiting of his relationship with Sylvia Plath in Birthday Letters (1998), through the lens of Hughes's cultural background and class bearings. Drawing on discussions of violence by such cultural theorists as Slavoj Žižek and Terry Eagleton, the book presents new political readings of familiar Hughes poems, alongside consideration of posthumously collected poems and letters, to reveal a picture of a complex, fraught, and deeply ambivalent poet.
Ted Hughes, Class and Violence (Continuum Literary Studies)
by Paul BentleyTed Hughes is widely regarded as a major figure in twentieth-century poetry, but the impact of Hughes's class background on his work has received little attention. This is the first full length study to take the measure of the importance of class in Hughes. It presents a radically new version of Hughes that challenges the image of Hughes as primarily a nature poet, as well as the image of the Tory Laureate. The controversy over 'natural' violence in Hughes's early poems, Hughes's relationship with Seamus Heaney, the Laureateship, and Hughes's revisiting of his relationship with Sylvia Plath in Birthday Letters (1998), are reconsidered in terms of Hughes's class background. Drawing on the thinking of cultural theorists such as Slavoj Žižek, Terry Eagleton, and Julia Kristeva, the book presents new political readings of familiar Hughes poems, alongside consideration of posthumously collected poems and letters, to reveal a surprising picture of a profoundly class-conscious poet.
Cats in Chaos
by Peter BentlyA hilarious new picture book from Roald Dahl Funny Prize-winning author Peter Bently and the incredibly talented illustrator John Bond, creators of Dogs in Disguise.
Dogs in Disguise
by Peter BentlyAn exciting new collaboration between the Roald Dahl Funny Prize-winning author Peter Bently and the incredibly talented illustrator John Bond!
Hamster Heroes
by Peter BentlyThe latest pet-themed picture book from Roald Dahl Funny Prize-winning author Peter Bently and the incredibly talented illustrator John Bond, creators of Dogs in Disguise.
I am Dog
by Peter BentlyHave you ever wondered just what goes on in a dog's head? Now you can find out in this funny rhyming story!I am Dog. Dog is me. I like walkies. I like tree.I like rolls in foxy pong. Foxy pong is nice and strong!A day in the life of a dog... told from the dog's point of view. Follow one cheeky little dog, as it sniffs, rolls and races through a fun-filled day. There are sticks to fetch, ducks to chase, tasty treats to chomp... and of course, cuddles!I Am Dog is the perfect book for dog lovers of all ages. Created by Peter Bently and Chris Chatterton, illustrator of the bestselling Ten Minutes to Bed series.
Rich Witch, Poor Witch
by Peter BentlyA funny, rhyming tale about friendship, kindness... and witches! From Peter Bently and Jim Field – the illustrator of the bestselling Oi Frog books.There once were twin witches named Rita and Rose, who each had a wart on the end of her nose...Twin witches Rita and Rose couldn't be more different. Rose is poor and helps others for free, while Rita is rich and charges clients huge fees. When Princess Anna Lucinda Cecilia Grace is too glum to even smile, Witch Rita is summoned to cheer her up. She conjures up exquisite tiaras, fabulous frocks, delicious treats and even a pet dragon – with no success.But, as Witch Rose knows, sometimes you don't need an expensive wand to work magic!A hilarious story about the importance of being kind and making time for others – the perfect book to read together at Halloween, or any time of the year.
Spookermarket
by Peter BentlyA frighteningly funny picture book, perfect for sharing at Halloween and beyond!Where do werewolves get their greens?Where do banshees buy their beans?Where do ogres get suppliesof tasty ear-and-eyeball pies?Welcome to the Spookermarket, where ghouls and frights shop by night. But when a mischievous genie escapes to cause chaos in the supermarket aisles, can everybody work together to outwit this troublesome customer?A laugh-out-loud adventure from award-winning author Peter Bently and acclaimed illustrator Steph Laberis.
Touchstones Now: An Anthology of Poetry for Key Stage 3 (PDF)
by Michael BentonMany thousands of pupils have developed a love of poetry through the classic Touchstones series. Now this bestselling Key Stage 3 anthology - celebrating its 40th anniversary - has been completely updated to meet the demands of today's classroom and the 2008 National Curriculum.
Towards a Poetics of Literary Biography
by Michael BentonDrawing upon a wide range of biographies of literary subjects, from Shakespeare and Wordsworth to William Golding and V.S. Naipaul, this book develops a poetics of literary biography based on the triangular relationships of lives, works and times and how narrative operates in holding them together. Biography is seen as a hybrid genre in which historical and fictional elements are imaginatively combined. It considers the roles of story-telling, factual data in the art of life-writing, and the literariness of its language. It includes a case study of the biography of Ellen Terry, discussion of the controversial relationship between a subject's life and works, 'biographical criticism' and, through the issue of gender, the social and cultural changes biographies reflect. It frames a poetics on the basis of its strategy and tactics and demonstrates how the literal truth of verifiable data and the poetic truth of what is narrated are interdependent.
Touchstones: A Teaching Anthology of Poetry
by Michael Benton Peter BentonDevelop a love for poetry at key stage three with the trusted Touchstones series. This diverse selection of over 150 poems features thought-provoking contemporary voices and much-loved favourites. Touchstones: A Teaching Anthology of Poetry will help you to:· Explain and contextualise poems across a broad range of genres and themes· Support your lessons with over 100 ready-made activities designed for independent, paired and group work· Challenge your students with additional activities specifically designed to stretch their learning· Build the skills required for the poetry element of the latest GCSE English Literature specifications, with chapters dedicated to comparative and unseen poetry· Introduce a range of poets commonly studied at GCSE, from William Wordsworth to Imtiaz Dharker· Introduce a range of contemporary poets, such as Kate Clanchy and Holly McNish, alongside more familiar classics· Support the implementation of the 2014 national curriculum at Key Stage 3
Touchstones: A Teaching Anthology of Poetry
by Peter Benton Michael BentonDevelop a love for poetry at key stage three with the trusted Touchstones series. This diverse selection of over 150 poems features thought-provoking contemporary voices and much-loved favourites. Touchstones: A Teaching Anthology of Poetry will help you to:· Explain and contextualise poems across a broad range of genres and themes· Support your lessons with over 100 ready-made activities designed for independent, paired and group work· Challenge your students with additional activities specifically designed to stretch their learning· Build the skills required for the poetry element of the latest GCSE English Literature specifications, with chapters dedicated to comparative and unseen poetry· Introduce a range of poets commonly studied at GCSE, from William Wordsworth to Imtiaz Dharker· Introduce a range of contemporary poets, such as Kate Clanchy and Holly McNish, alongside more familiar classics· Support the implementation of the 2014 national curriculum at Key Stage 3
Thomas Hardy’s Elegiac Prose and Poetry: Codes of Bereavement
by Galia BenzimanThis book examines the transition from traditional to modern elegy through a close study of Thomas Hardy’s oeuvre and its commitment to mourning and remembrance. Hardy is usually read as an avowed elegist who writes against the collective forgetfulness typical of the late-Victorian era. But Hardy, as argued here, is dialectically implicated in the very cultural and psychological amnesia that he resists, as her book demonstrates by expanding the corpus of study beyond the spousal elegies (the “Poems of 1912-1913”) to include a wide variety of poems, novels and short stories that deal with bereavement and mourning. Locating the modern aspect of Hardy’s elegiac writing in this ambivalence and in the subversion of memory as unreliable, the book explores the textual moments at which Hardy challenges binary dichotomies such as forgetting vs. remembering, narcissism vs. unselfish commitment, grief vs. betrayal, the work of mourning vs. melancholia, presence vs. absence. The book's analysis allows us to relate Hardy’s elegiac poetics, and particularly his description of the mourner as a writer, to shifting late-Victorian conceptualizations of death, memory, art, science and gender relations.
Creating Romantic Obsession: Scorpions in the Mind (Palgrave Studies in Literature, Science and Medicine)
by Kathleen Béres RogersMost of us have, at one time, been obsessed with something, but how did obsession become a mental illness? This book examines literary, medical, and philosophical texts to argue that what we call obsession became a disease in the Romantic era and reflects the era’s anxieties. Using a number of literary texts, some well-known (like Mary Shelley’s 1818 Frankenstein and Edgar Allan Poe’s 1843 “The Tell Tale Heart”) and some not (like Charlotte Dacre’s 1811 The Passions and Charles Brockden Brown’s 1787 Edgar Huntly), the book looks at “vigilia”, an overly intense curiosity, “intellectual monomania”, an obsession with study, “nymphomania” and “erotomania”, gendered forms of desire, “revolutiana”, an obsession with sublime violence and military service, and “ideality,” an obsession with an idea. The coda argues that traces of these Romantic constructs can be seen in popular accounts of obsession today.
Bertolt Brecht (Sammlung Metzler)
by Günter Berg Wolfgang JeskeBrecht als Dramatiker, Lyriker, Erzähler und Theoretiker. Brechts Werke werden nach einer allgemeinen Einführung verschiedenen Werkgruppen und Phasen zugeordnet, z.B. Musikdramen, Wirtschaftsdramen, Lehrstücke, Bearbeitungen. Ergänzt werden die Werkerläuterungen um Angaben zu Entstehung, Fassungen, Erstdruck, verarbeiteten Quellen, MitarbeiterInnen, Inszenierungen, etc.
Coleridge and the Crisis of Reason
by R. BerkeleyThis exciting new study examines Coleridge's understanding of the Pantheism Controversy - the crisis of reason in German philosophy - revealing the context informing Coleridge's understanding of German thinkers. It establishes the central importance of the contested status of reason for Coleridge's poetry and later religious thought.