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Stranger, Baby
by Emily BerryEmily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'
Unexhausted Time
by Emily BerryUnexhausted Time inhabits a world of dream and dawn, in which thoughts touch us 'like soft rain', and all the elements are brought closer in.Feelings, messages, symbols, visions . . . Emily Berry's latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet 'nothing goes away'. Here life's innumerable impressions, moods, seasons and déjà vus collect and disarrange themselves, while a glowing, companionable 'I' travels the mind's landscapes in hope of refuge and transformation amid these displaced moments in time. Whether one reads Unexhausted Time as a long poem to step into or a series of titled and untitled fragments to pick up and cherish, the work is healing and inspiring, always asking how we might harness the power of naming without losing life's 'magic unknownness'. By offering these intangible encounters, Emily Berry more truly presents 'what being alive is'.'Emily Berry has a refreshingly free, not to say incendiary, approach to poetry.' Observer
Only One of Me
by James BerryOnly One of Me is a stunning collection of the best-loved children's poems from award-winning poet James Berry, filled with warm and colourful memories of a Caribbean childhood, and featuring a new introduction by much-loved children's poet, John Agard. This new edition of James' definitive collection showcases the very best work from a poet who was instrumental in the British Caribbean poetry movement and who's words are just as relevant now as they were twenty years ago.
Black Country
by Liz BerryWINNER OF THE FORWARD PRIZE BEST FIRST COLLECTION 2014*PBS Recommendation 2014*‘When I became a bird, Lord, nothing could not stop me…’In Black Country, Liz Berry takes flight: to Wrens Nest, Gosty Hill, Tipton-on-Cut; to the places of home. The poems move from the magic of childhood – bostin fittle at Nanny’s, summers before school – into deeper, darker territory: sensual love, enchanted weddings, and the promise of new life. In Berry’s hands, the ordinary is transformed: her characters shift shapes, her eye is unusual, her ear attuned to the sounds of the Black Country, with ‘vowels ferrous as nails, consonants / you could lick the coal from.’ Ablaze with energy and full of the rich dialect of the West Midlands, this is an incandescent debut from a poet of dazzling talent and verve.
The Home Child: from the Forward Prize-winning author of Black Country
by Liz Berry*WINNER OF THE WRITERS' PRIZE - BOOK OF THE YEAR*Inspired by a true story, The Home Child is a beautiful novel-in-verse about a child far from home‘Ground-breaking’ Benjamin Zephaniah * ‘Beautifully crafted’ Guardian * ‘Extraordinary’ Hannah LoweIn 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return or see her family again.With nothing to call her own, the wild beauty of her surroundings is the only solace Eliza has – until another Home Child, a boy, arrives at the farm and changes everything.Inspired by the true story of Liz Berry’s great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home.‘One of the outstanding books of this year. Although this is a historical tale its resonance is timeless’ Sunday Times‘Deeply moving. A graceful, delicate book, stunning in its emotional depth... I know I'll return to it many times in the future’ Megan Hunter, author of The End We Start From
The Republic of Motherhood
by Liz Berry*'The Republic of Motherhood' Winner of the Forward Prize for Best Single Poem*‘I crossed the border into the Republic of Motherhoodand found it a queendom, a wild queendom.’In this bold and resonant gathering of poems, Liz Berry turns her distinctive voice to the transformative experience of new motherhood. Her poems sing the body electric, from the joy and anguish of becoming a mother, through its darkest hours to its brightest days. With honesty and unabashed beauty, they bear witness to that most tender of times – when a new life arrives, and everything changes.
Shakespeare in Performance: Castings and Metamorphoses
by Ralph BerryThese studies of Shakespeare in performance take stage history as a means of knowing the play. Half these studies deal with casting: doubling, Chorus and the crowd, the star of Hamlet and Measure for Measure. The transformations of The Tempest and Dramatis Personae are analysed. Audience control is studied in King Lear, through Cordelia's asides, in Richard II with its subversive laughter, and in Henry IV with its scenic alternation of pleasure and duty. Performance is the realization of identity.
The Peace of Wild Things: And Other Poems
by Wendell BerryIf you stop and look around you, you'll start to see. Tall marigolds darkening. A spring wind blowing. The woods awake with sound. On the wooden porch, your love smiling. Dew-wet red berries in a cup. On the hills, the beginnings of green, clover and grass to be pasture. The fowls singing and then settling for the night. Bright, silent, thousands of stars. You come into the peace of simple things. From the author of the 'compelling' and 'luminous' essays of The World-Ending Fire comes a slim volume of poems. Tender and intimate, these are consoling songs of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging. They celebrate and elevate what is sensuous about life, and invite us to pause and appreciate what is good in life, to stop and savour our fleeting moments of earthly enjoyment. And, when fear for the future keeps us awake at night, to come into the peace of wild things.
The Selected Letters of John Berryman
by John BerrymanA wide-ranging, first-of-its-kind selection of Berryman’s correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America’s major poets.The Selected Letters of John Berryman assembles for the first time the poet’s voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words.Included are more than 600 letters to almost 200 people—editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman’s ambitions, as well as the challenges of practicing his art within the confines of the publishing industry and contemporary critical expectations. Correspondence with Ezra Pound, Robert Lowell, Delmore Schwartz, Adrienne Rich, Saul Bellow, and other writers demonstrates Berryman’s sustained involvement in the development of literary culture in the postwar United States. We also see Berryman responding in detail to the work of writers such as Carolyn Kizer and William Meredith and encouraging the next generation—Edward Hoagland, Valerie Trueblood, and others. The letters show Berryman to be an energetic and generous interlocutor, but they also make plain his struggles with personal and familial trauma, at every stage of his career.An introduction by editors Philip Coleman and Calista McRae explains the careful selection of letters and contextualizes the materials within Berryman’s career. Reinforcing the critical and creative interconnectedness of Berryman’s work and personal life, The Selected Letters confirms his place as one of the most original voices of his generation and opens new horizons for appreciating and interpreting his poems.
Gothic Hauntings: Melancholy Crypts and Textual Ghosts
by Christine BerthinWhat is buried in the crypts of the Gothic? Building on psychoanalytic research on haunting, cryptonymy and melancholy, as well as on French philosophies of language, this book explores how haunting is not just a Gothic narrative device but the symptom of an impossibility of representation and of an irreparable loss at the heart of language.
Resolved Soul: A Study of Marvell's Major Poems
by Ann E. BerthoffIntellectual power and subtlety are as important to a definition of Marvell's style as grace of feeling, says the author of this highly original study, which illuminates the philosophical character of the poetry by exploring the ways of Marvell's imagination.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Cultural Translation and Postcolonial Poetry
by A. BeryThis book uses the framework of cultural translation to explore the work of six significant modern writers from Ireland, India, Australia and the Caribbean. Written in an accessible and approachable style, it will be of interest not only to specialists in postcolonial literatures, but also readers of modern and contemporary poetry more generally.
Harvest Bells: New and Uncollected Poems by John Betjeman
by John BetjemanJohn Betjeman's unforgettable poems on landscape and suburbia, desire and death, faith and doubt, helped to establish him as the beloved voice of a nation. Yet the ten books of poetry he published individually, later assembled in the Collected Poems, were an incomplete representation of his poetic oeuvre. Many poems published in journals or magazines were excluded from Betjeman's books by him or his editors and a substantial number of finished poems were never printed at all, remaining unknown to readers – until now.In this exquisite new edition of Betjeman's verse editor Kevin Gardner promises new treasures for 'Betj's' admirers the world over. Betjeman wrote many of these poems in the late 1920s and early 1930s, when he was still developing his unique poetic voice. They reveal a young poet experimenting with both Modernism and post-Romanticism, yet influenced by Shelley and Pope among others. Some of these poems are profoundly psychological, personal and deeply affecting to read today. Several have the delicate and eccentric touch of much of his early poetry and shed new light on his growth as a young poet, while many others reflect the sustained maturity of his later verse. Almost all are typically amusing and highly witty in the style typical of Betjeman; some verge on the bawdy and even, in one instance, point towards homosexuality. These charming and surprising new discoveries, found in archives as far apart as Austin, Texas, and Christ Church, Oxford, will delight poetry lovers and introduce a whole new generation to Betjeman's unforgettable work.
Harvest Bells: New and Uncollected Poems by John Betjeman
by John BetjemanJohn Betjeman's unforgettable poems on landscape and suburbia, desire and death, faith and doubt, helped to establish him as the beloved voice of a nation. Yet the ten books of poetry he published individually, later assembled in the Collected Poems, were an incomplete representation of his poetic oeuvre. Many poems published in journals or magazines were excluded from Betjeman's books by him or his editors and a substantial number of finished poems were never printed at all, remaining unknown to readers – until now.In this exquisite new edition of Betjeman's verse editor Kevin Gardner promises new treasures for 'Betj's' admirers the world over. Betjeman wrote many of these poems in the late 1920s and early 1930s, when he was still developing his unique poetic voice. They reveal a young poet experimenting with both Modernism and post-Romanticism, yet influenced by Shelley and Pope among others. Some of these poems are profoundly psychological, personal and deeply affecting to read today. Several have the delicate and eccentric touch of much of his early poetry and shed new light on his growth as a young poet, while many others reflect the sustained maturity of his later verse. Almost all are typically amusing and highly witty in the style typical of Betjeman; some verge on the bawdy and even, in one instance, point towards homosexuality. These charming and surprising new discoveries, found in archives as far apart as Austin, Texas, and Christ Church, Oxford, will delight poetry lovers and introduce a whole new generation to Betjeman's unforgettable work.
John Betjeman Collected Poems
by John BetjemanCollected Poems made publishing history when it first appeared, and has now sold more than two million copies, to an ever-growing readership. This newly expanded edition includes Betjeman's verse autobiography, Summoned by Bells. With a new Introduction by Poet Laureate, Andrew Motion, Collected Poems is the definitive Betjeman companion.
Badiou, Poem and Subject
by Tom BetteridgeReinterpreting Badiou's philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou's radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan's collective and ephemeral subject of 'anabasis', and Beckett's disjunctive 'Two' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou's innovative readings of both Celan's poetry and the 'latent poem' in Beckett's late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou's philosophical encounter with poetry, and its political ramifications.
Badiou, Poem and Subject
by Tom BetteridgeReinterpreting Badiou's philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou's radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan's collective and ephemeral subject of 'anabasis', and Beckett's disjunctive 'Two' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou's innovative readings of both Celan's poetry and the 'latent poem' in Beckett's late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou's philosophical encounter with poetry, and its political ramifications.
Reading as Belief: Language Writing, Poetics, Faith
by J. BettridgeReading as Belief advances the provocative idea that the disruptive techniques of recent innovative poetry require readers to become believers, occupying the same philosophical ground as the religious faithful. Pairing the poets Charles Bernstein and Bruce Andrews with John Calvin and Jonathan Edwards, and drawing on the work of diverse thinkers such as Wendy Brown, Ludwig Wittgenstein, Walter Benjamin, Stanley Cavell, William James, and Gilles Deleuze, this book demonstrates how belief, faith and language-attuned critical inquiry share an epistemology, one concerned with making meaning in the absence of certainty. Bettridge argues that recognizing such common ground helps overcome the cultural and philosophical impasse following the collapse of modernity s central narratives about language and liberal subjectivity.
Avant-Garde Pieties: Aesthetics, Race, and the Renewal of Innovative Poetics (Routledge Interdisciplinary Perspectives On Literature Ser.)
by Joel BettridgeAvant-Garde Pieties tells a new story about innovative poetry; it argues that the avant-garde-now more than a century old-persists in its ability to nurture interesting, provocative, meaningful, and moving poems, despite its profound cultural failings and its self-devouring theoretical compulsions. It can do so because a humanistic strain of its radical poetics compels adherents to argue over the meaning of their shared political and aesthetic beliefs. In ways that can be productively thought of as religious in structure, this process fosters a perpetual state of crisis and renewal, always returning innovative poetry to its founding modernist commitments as a way to debate what the avant-garde is-what it should and does look like, and what it should and does value. Consequently, Avant-Garde Pieties makes way for a radical poetics defined not by formal gestures, but by its debate with itself about itself. It is a debate that honors the tradition's intellectual founding as well as its cultural present, which includes aesthetic multiformity, racialized and gendered modes of authorship, experiences of the sacred, political activism, and generosity in critical disagreement.
Avant-Garde Pieties: Aesthetics, Race, and the Renewal of Innovative Poetics
by Joel BettridgeAvant-Garde Pieties tells a new story about innovative poetry; it argues that the avant-garde-now more than a century old-persists in its ability to nurture interesting, provocative, meaningful, and moving poems, despite its profound cultural failings and its self-devouring theoretical compulsions. It can do so because a humanistic strain of its radical poetics compels adherents to argue over the meaning of their shared political and aesthetic beliefs. In ways that can be productively thought of as religious in structure, this process fosters a perpetual state of crisis and renewal, always returning innovative poetry to its founding modernist commitments as a way to debate what the avant-garde is-what it should and does look like, and what it should and does value. Consequently, Avant-Garde Pieties makes way for a radical poetics defined not by formal gestures, but by its debate with itself about itself. It is a debate that honors the tradition's intellectual founding as well as its cultural present, which includes aesthetic multiformity, racialized and gendered modes of authorship, experiences of the sacred, political activism, and generosity in critical disagreement.
Victorian Poetry (Oxford Handbooks Ser.)
by Matthew Bevis Sir James Dingemans'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements—'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication—provocative, seminal volume that will offer a lasting contribution to future studies in the area.
"Schön wie ein Gott und männlich wie ein Held": Zur Rolle des weiblichen Geschlechtscharakters für die Konstituierung des männlichen Aufklärungshelden in den frühen Dramen Schillers
by Karen Beyer
Pandiyan Parisu
by BharadidasanPandiyan Parisu is a very popular drama written in poetic form by Pavendhar Bharadidasan.It is the story of Velan and Annam and Vezha Mannan along with few other characters told effectively in a very simple fashion that makes it very appealing to its readers.