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Chaucer and the Country of the Stars: Poetic Uses of Astrological Imagery (PDF)
by Chauncy WoodProfessor Wood examines in detail the astrological references in The Canterbury Tales, Troilus and Criseyde, and The Complaint of Mars, using mediaeval source materials not only to elucidate the technicalities of the imagery but also to analyze its poetic function.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Philosophers' Poets (Routledge Revivals)
by David WoodFirst published in 1990, Philosophers’ Poets is a collection of case studies of philosophers’ readings of poets and other distinctive writers. There are those, for example, who find in literary examples ways of exploring the concrete significance of philosophical assertions or distinctions. Others find in poetic discourse linguistic resources simply not available to philosophy, yet of vital importance to it. This is particularly true of philosophers of the limit, such as Heidegger, Derrida, Levinas and Adorno, for whom the very possibility of philosophy was in question. Despite the diversity of subjects covered, the collection maintains an integrity and identity. Above all, it shows how contemporary Continental philosophy raises the issue of philosophy and literature anew in a way that is appealing and challenging.
The Shock of the Real: Romanticism and Visual Culture,1760-1860
by G. WoodAlready in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.
On Empson
by Michael WoodFrom one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary criticsAre literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure.Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
On Empson
by Michael WoodFrom one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary criticsAre literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure.Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
Sidney’s Arcadia and the conflicts of virtue (G - Reference,information And Interdisciplinary Subjects Ser.)
by Richard James WoodWood reads Philip Sidney’s New Arcadia in the light of the ethos known as Philippism after the followers of Philip Melanchthon the Protestant theologian. He employs a critical paradigm previously used to discuss Sidney’s Defence of Poesy and narrows the gap that critics have found between Sidney’s theory and literary practice. This book is a valuable resource for scholars and researchers in the fields of literary and religious studies.Various strands of philosophical, political and theological thought are accommodated within the New Arcadia, which conforms to the kind of literature praised by Melanchthon for its examples of virtue. Employing the same philosophy, Sidney, in his letter to Queen Elizabeth and in his fiction, arrogates to himself the role of court counsellor. Robert Devereux also draws, Wood argues, on the optimistic and conciliatory philosophy signified by Sidney’s New Arcadia.
Sidney’s Arcadia and the conflicts of virtue
by Richard James WoodWood reads Philip Sidney’s New Arcadia in the light of the ethos known as Philippism after the followers of Philip Melanchthon the Protestant theologian. He employs a critical paradigm previously used to discuss Sidney’s Defence of Poesy and narrows the gap that critics have found between Sidney’s theory and literary practice. This book is a valuable resource for scholars and researchers in the fields of literary and religious studies. Various strands of philosophical, political and theological thought are accommodated within the New Arcadia, which conforms to the kind of literature praised by Melanchthon for its examples of virtue. Employing the same philosophy, Sidney, in his letter to Queen Elizabeth and in his fiction, arrogates to himself the role of court counsellor. Robert Devereux also draws, Wood argues, on the optimistic and conciliatory philosophy signified by Sidney’s New Arcadia.
Metaphor and Belief in The Faerie Queene
by Rufus WoodRufus Wood contextualizes his study of The Faerie Queene through an initial discussion of attitudes towards metaphor expressed in Elizabethan poetry. He reveals how Elizabethan writers voice a commitment to metaphor as a means of discovering and exploring their world and shows how the concept of a metaphoric principle of structure underlying Elizabethan poetics generates an exciting interpretation of The Faerie Queene. The debate which emerges concerning the use and abuse of metaphor in allegorical poetry provides a valuable contribution to the field of Spenser studies in particular and Renaissance literature in general.
Robert Browning: A Literary Life (Literary Lives)
by S. WoodBrowning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key nineteenth-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.
Money and the Age of Shakespeare: Essays in New Economic Criticism (Early Modern Cultural Studies 1500–1700)
by L. WoodbridgeIn this collection literary scholars, theorists and historians deploy new economic techniques to illuminate English Renaissance literature in fresh ways. Contributors variously explore poetry's precarious perch between gift and commodity; the longing for family in The Comedy of Errors as symbolically expressing the alienating pressures of mercantilism; Measure for Measure 's representation of singlewomen and the feminization of poverty; the collision between two views of money in a possible collaboration between Shakespeare and Middleton; the cultural spread of an accounting mentality and quantitative thinking; and money as it crosses the frontier between price and pricelessness, and from early bodily-injury insurance schemes to The Merchant of Venice .
Carla
by Carla WoodburnIn this book you will find a collection of Carla's poetry written over a lifetime up until now. This book of poetry has been a labour of love. The collection is an expression of love, lust, reality and surrealism, written from the heart. The poems are a direct result of the way Carla Woodburn views life and expresses the situations around her. Inspiration is taken from everyday occurrences and Carla likes to think she's used alchemy to transform these situations into a beautiful collection of poetry hailing from Scotland. A joyful and funny collection of poetry that can be enjoyed by adults and poetry lovers around the globe. This collection is a lifetime’s work of Carla's and is lovingly dedicated to Carla's family.
Cycles: A collection of Haiku poetry (Wordcatcher Modern Poetry)
by Joe WoodhouseCycles, Joe Woodhouse’s first collection of Haiku poetry, explores a journey through two contrasting landscapes: the City and the Sea. Chronicling an emigration from Wales to London, and on to the vibrant Spanish coastal town of Sitges, these poems capture micro-moments in nature that amplify and interrogate the thoughts, sensations, feelings and emotions of the ever-fluctuating human condition as one makes their way through the cycles of life.
Nearly 30: 29 poems on turning 30 (Wordcatcher Modern Poetry)
by Joe WoodhouseDrawing on experiences lived before a landmark birthday, Nearly 30 is Joe Woodhouse's exciting debut poetry collection. The digital revolution and the way it has fundamentally changed human existence; modern love, relationships and sex; the lasting effects of religion on society and the inescapable effects of ageing are all given moments in this structurally varied collection of poems from a striking new voice on the British poetry scene.
Island To Island (Chatto Poetry Ser.)
by Gerard WoodwardIn Island to Island, his third collection of poetry for Chatto, Gerard Woodward ventures into more hostile, less familiar territory. An Arabian desert, the moon, thinly-populated archipelagos are all visited in what emerges as an investigation into the nature of social space. A giraffe trapper finds that a successful trap must closely resemble a giraffe's own home; the 'suburban glass' of starter-home conservatories glazes and crysallises the lives of newly-weds. With his characteristic exuberance and ability to stand the world on its head, Woodward combines tichly imagined poems about half-invented lands with poetry that transforms the ordinary into the fantastical, where baths become oceans and ceilings lunar landscapes. Nor is the body exempt from this exploration of borders and limits. In one poem, two 'gurning' contestants find that they've overstepped some boundary of humanness and in 'The Madness of Heracles', a long retelling of the myth of the twelve labours, human strength is put to the test in a poem which evolves into a rhapsody of love, loss, toil and redemption.
The Seacunny
by Gerard WoodwardGerard Woodward’s poetry has long been admired for its sharp and unflinching eye, its fearless surrealism, its blacker-than-black humour, and its ability to find a little abyss in any detail, no matter how innocuous or domestic. Here, his considerations of trampolines, bird-tables and lightbulbs will leave the reader unable to regard those things in quite the same way again; they will also find science-fiction novels compressed to a few stanzas, strange potted biographies, and lists of edicts from long-dead tyrants. However, The Seacunny finds this inimitable voice extend itself in new and unexpected directions, with the poet turning to the natural world and to human relationships in ways that are affecting as they are surprising. This is a book of astonishing range, and declares a new lyric direction in Woodward’s poetry.
The Vulture
by Gerard WoodwardThe vulture, the presiding genius of Gerard Woodward’s collection, is at once sympathetic and awful, intimate and other. Woodward naturally positions himself at uncomfortable borders and thresholds, and in doing so alerts us to the flimsiness of the conceits of home, of family and human culture. Many poets have challenged our lazy habit of addressing nature though the pathetic fallacy; few have had the nerve to consciously embrace it as a subversive strategy, through which we can explore the strange intimacies we share with other life-forms. The Vulture shows insects and animals and plants invade, infect and fuse with us at every turn; elsewhere, the architecture of our lives, our houses, gardens, careers and bodies, are revealed as the provisional drafts they are. No contemporary poet unsettles like Woodward: he does so through no easy surrealism, but instead an extraordinary ability to render our home the alien planet it is, and give conscious voice and vivid shape to the terrible sense of precariousness that lies just below our waking state.
The Poems of Browning: 1862 - 1871 (Longman Annotated English Poets)
by John Woolford Daniel Karlin Joseph PhelanThe Poems of Robert Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his Browning's early years, while volume three (1847-61) covered the period of his marriage to Elizabeth Barrett and residence in Italy. Volume four (1862-71) deals with the decade following Elizabeth's death and Browning's return to England. These years saw the appearance of some of his most significant work, and a steady rise in his critical reputation. In Dramatis Personae (1864), Browning uses his characteristic "dramatic" mode to expose predicaments of thought and feeling, in characters ranging from Shakespeare's Caliban to the cheating medium, "Mr Sludge"; other poems dramatize Browning's complicated feelings about the deceptions and self-deceptions of romantic love. Balaustion's Adventure (1871) is an engaging reworking of Euripides' Alcestis, whose theme, the resurrection of a beloved lost wife, has poignant personal resonance for Browning;while Prince Hohenstiel-Schwangau, published in the same year, offers a thinly-veiled account of the life and actions of Napoleon III, the recently deposed Emperor of France, over whom Browning and Elizabeth had quarrelled. In these two long poems, Browning can be seen engaged in the dialogue with Elizabeth that was to shape much of his work during the remainder of his writing life.
The Poems of Browning: 1862 - 1871 (Longman Annotated English Poets)
by John Woolford Daniel Karlin Joseph PhelanThe Poems of Robert Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his Browning's early years, while volume three (1847-61) covered the period of his marriage to Elizabeth Barrett and residence in Italy. Volume four (1862-71) deals with the decade following Elizabeth's death and Browning's return to England. These years saw the appearance of some of his most significant work, and a steady rise in his critical reputation. In Dramatis Personae (1864), Browning uses his characteristic "dramatic" mode to expose predicaments of thought and feeling, in characters ranging from Shakespeare's Caliban to the cheating medium, "Mr Sludge"; other poems dramatize Browning's complicated feelings about the deceptions and self-deceptions of romantic love. Balaustion's Adventure (1871) is an engaging reworking of Euripides' Alcestis, whose theme, the resurrection of a beloved lost wife, has poignant personal resonance for Browning;while Prince Hohenstiel-Schwangau, published in the same year, offers a thinly-veiled account of the life and actions of Napoleon III, the recently deposed Emperor of France, over whom Browning and Elizabeth had quarrelled. In these two long poems, Browning can be seen engaged in the dialogue with Elizabeth that was to shape much of his work during the remainder of his writing life.
Aesop's Fables, Retold by Elli Woollard
by Elli WoollardA beautiful gift edition of Aesop’s Fables featuring eight classic stories, charmingly retold in rhyming verse with stunning illustrations.Bringing together the incredible talents of award-winning illustrator and Booktrust Time to Read favourite, Marta Altés and author and poet, Elli Woollard, this unique collection of Aesop’s Fables is a fresh and funny take on an enduring classic. Richly illustrated throughout by Marta Altés, author of Little Monkey, this is perfect for new and younger readers and will delight children and adults alike. Meet the town mouse and his country cousin, discover what happens to the boy who cried wolf one too many times and find out just how the tortoise beat the boastful hare.A perfect companion title to Just So Stories, created by the same winning team.Stories include:Two Travellers and the BearThe Hare and the TortoiseThe Boy who cried WolfThe Donkey in the Lion's SkinThe Dog and his ReflectionThe Baboon and the FoxThe Peacock and the CraneThe Town Mouse and the Country Mouse
The Dragon and the Nibblesome Knight: Book and CD Pack
by Elli WoollardWhen a kind young boy helps a strange-looking bird, a beautiful friendship forms. But what these two friends don't realise is that one is a young knight . . . and the other a young dragon! What will they do when they discover they are enemies and destined to FIGHT? The Dragon and the Nibblesome Knight is a bold, funny and heartwarming story from a perfect picture book pairing; the uniquely talented Elli Woollard and award-winning Benji Davies.Fairy tale fun from the creators of The Giant of Jum.
The Great Gran Plan
by Elli WoollardThe pig lives in a house in the middle of the wild wood.But inside the wild wood there's a bad wolf - and this hungry wolf wants a little pig for dinner! But a house made of bricks is hard to blow down, so instead of gobbling Pig, Wolf moves to plan B: gobbling Red Riding Hood's poor defenceless grandma! But his despicable plan is soon uncovered and Pig decides to rescue Gran! Will this plucky pig make it in time? A fabulously funny twist on two classic fairy tales: Little Red Riding Hood and The Three Little Pigs. The Great Gran Plan is the first book by an exciting picture book pairing: the uniquely talented author and poet, Elli Woollard and best-selling illustrator, Steven Lenton.
Grimms' Fairy Tales, Retold by Elli Woollard, Illustrated by Marta Altes
by Elli WoollardA beautiful gift edition of Grimms' Fairy Tales featuring five classic stories, charmingly retold in rhyming verse with stunning illustrations.Follow Little Red through the woods, where she encounters a wolf! Find out what happens when Hansel and Gretel meet a witch, and see who secretly stitches the poor shoemaker’s shoes. Who are the mysterious musicians of Bremen . . . and will Cinderella go to the ball, after all?Bringing together the incredible talents of award-winning illustrator and Booktrust Time to Read favourite, Marta Altés and author and poet, Elli Woollard, this unique collection of Grimms' Fairy Tales is a fresh and funny take on the iconic original tales by the brothers Grimm. Richly illustrated throughout by author of Little Monkey and New in Town, this is perfect for new and younger readers and will delight children and adults alike.A perfect companion title to Aesop’s Fables and Just So Stories, retold by Elli Woollard, created by the same winning team.Stories include:CinderellaLittle Red CapThe Musicians of BremenHansel and GretelThe Elves and the Shoemaker.
Life
by Elli WoollardFrom tiny dots of microscopic bacteria to enormous dinosaurs, through Ice Ages and the gallop of evolution, Elli Woollard's lyrical text is a pitch-perfect blend of storytelling, science and wonder. Life will fascinate and entertain the curious child, with Dorien Brouwers' immersive artwork heightening the beauty and inspiring awe in readers young and old.