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Greg the Sausage Roll: Discover the laugh out loud NO 1 Sunday Times bestselling series (Greg the Sausage Roll)
by Mark Hoyle Roxanne HoyleSun's out, crumbs out - Greg the Sausage Roll is SO EXCITED to be jetting off on his first-ever holiday! He's ready to hop on a plane to paradise for some FUN IN THE SUN! Karaoke, splashing in the pool, ice cream - Greg's ready to try it all and have the BEST HOLIDAY EVER!But will he miss his sausage-roll sweetheart, Gloria, and all his friends back at the bakery?Developed and written by the social media phenomenon that is LadBaby - the king and queen of sausage rolls - and creators of the hilarious No. 1 bestseller Greg the Sausage Roll: Santa's Little Helper.
Rediscovering Rubén Darío through Translation
by Dr. Carlos F. GrigsbyA long overdue examination of Rubén Darío's multilingual work and influences alongside the contexts and politics of canonization in world literature. Rediscovering Rubén Darío through Translation addresses the peculiar obscurity of Darío by asking these questions: How can one of the most important writers of a major world language be almost entirely unknown in the English-speaking world? How is it that other writers of the same language (e.g., Lorca or García Márquez) achieve widespread recognition in the anglophone world, while he remains unnoticed? What role does translation play in this? What can it tell us about the way in which world literature is articulated? Carlos F. Grigsby approaches Darío's oeuvre through translation. In doing so, he explores not only the place of Darío in the translation of Spanish American literature into English, but also the place of translation in Darío's own writing. The result is a double-sided painting, as it were: the recto is titled “Translation in Darío” and the verso “Darío in Translation.” This book challenges the field of world literature by revealing some of the biases present in its representation of Spanish American literature. It adopts a multilingual framework – chiefly using English, Spanish, French, and to a lesser degree Latin and Catalan – in analyzing Darío's writing alongside that of his contemporaries. As a result, it reveals the multilingualism of Darío's own writing, opening new avenues for the study of his work and of Spanish American modernismo more generally.
Rediscovering Rubén Darío through Translation
by Dr. Carlos F. GrigsbyA long overdue examination of Rubén Darío's multilingual work and influences alongside the contexts and politics of canonization in world literature. Rediscovering Rubén Darío through Translation addresses the peculiar obscurity of Darío by asking these questions: How can one of the most important writers of a major world language be almost entirely unknown in the English-speaking world? How is it that other writers of the same language (e.g., Lorca or García Márquez) achieve widespread recognition in the anglophone world, while he remains unnoticed? What role does translation play in this? What can it tell us about the way in which world literature is articulated? Carlos F. Grigsby approaches Darío's oeuvre through translation. In doing so, he explores not only the place of Darío in the translation of Spanish American literature into English, but also the place of translation in Darío's own writing. The result is a double-sided painting, as it were: the recto is titled “Translation in Darío” and the verso “Darío in Translation.” This book challenges the field of world literature by revealing some of the biases present in its representation of Spanish American literature. It adopts a multilingual framework – chiefly using English, Spanish, French, and to a lesser degree Latin and Catalan – in analyzing Darío's writing alongside that of his contemporaries. As a result, it reveals the multilingualism of Darío's own writing, opening new avenues for the study of his work and of Spanish American modernismo more generally.
Return to My Native Land (Penguin Modern Classics)
by Aimé Césaire'The undisputed masterpiece of négritude and a poetic milestone of anti-colonialism' Guardian'We shall speak. We shall sing. We shall shout.'This blazing autobiographical poem by the founder of the négritude movement became a rallying cry for decolonisation when it appeared in 1939. Following one man's return from Europe to his homeland of Martinique, it is a reckoning with the trauma of slavery and exploitation, and a triumphant anthem for Black identity, one which reclaims and remakes language itself.'Nothing less than the greatest lyrical monument of this time' André Breton'A Césaire poem explodes and whirls about itself like a rocket, suns burst forth whirling and exploding' Jean-Paul Sartre'The most influential Francophone Caribbean writer of his generation' IndependentTranslated by John Berger and Anna Bostock
Rochester and the pursuit of pleasure
by Larry D CarverRochester and the pursuit of pleasure provides a reading of Rochester’s poems, dramatic works, and letters in a biographical context. In doing so, it sheds light on a central vexed issue in Rochester criticism, the relationship of the poet to his speaker. It also reveals that Rochester’s work clusters about a central theme, the pursuit of pleasure, a pursuit motivated by a courtship of purity that grew out of Rochester’s Christian and God-fearing upbringing. This rhetoric of courtship, in turn, reveals the unity of Rochester’s work as the courtier and his various personae try to persuade his audiences, secular and divine, of his worth.
Rochester and the pursuit of pleasure
by Larry D CarverRochester and the pursuit of pleasure provides a reading of Rochester’s poems, dramatic works, and letters in a biographical context. In doing so, it sheds light on a central vexed issue in Rochester criticism, the relationship of the poet to his speaker. It also reveals that Rochester’s work clusters about a central theme, the pursuit of pleasure, a pursuit motivated by a courtship of purity that grew out of Rochester’s Christian and God-fearing upbringing. This rhetoric of courtship, in turn, reveals the unity of Rochester’s work as the courtier and his various personae try to persuade his audiences, secular and divine, of his worth.