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Doctor Who: The History Collection (DOCTOR WHO #222)
by Justin Richards Steve ColeWhen a squadron of RAF Hurricanes shoots down an unidentified aircraft over Turelhampton, the village is immediately evacuated. But why is the village still guarded by troops in 2001? When a television documentary crew break through the cordon looking for a story, they find they've recorded more than they'd bargained for. Caught up in both a deadly conspiracy and a historical mystery, retired Brigadier Lethbridge-Stewart calls upon his old friend the Doctor. Half-glimpsed demons watch from the shadows as the Doctor and the Brigadier travel back in time to discover the last, and deadliest, secret of the Second World War. An adventure set partly in the Second World War, featuring the Sixth Doctor as played by Colin Baker and Brigadier Lethbridge-Stewart.
Doctor Who: The Legends of Ashildr
by Justin Richards James Goss David Llewellyn Jenny T ColganAshildr, a young Viking girl, died helping the Doctor and Clara to save the village she loved. And for her heroism, the Doctor used alien technology to bring her back to life. Ashildr is now immortal – The Woman Who Lived. Since that day, Ashildr has kept journals to chronicle her extraordinary life. The Legends of Ashildr is a glimpse of some of those stories: the terrors she has faced, the battles she has won, and the treasures she has found.These are tales of a woman who lived longer than she should ever have lived – and lost more than she can even remember.An original novel featuring the Twelfth Doctor as played by Peter Capaldi, and Ashildr as played by Maisie Williams.
Doctor Who: 100 Illustrated Adventures (Doctor Who)
by Justin Richards Jon GreenA brand new guide illustrated with over 100 pieces of original fan art, showcasing the best stories from 54 years of Doctor Who. Profiling 100 of the most beloved Doctor Who TV stories, this book is filled with essential information and original art drawn by fans themselves. From thousands of entries, the illustrations inside were chosen as winning pieces as part of an official Puffin Doctor Who fan art compeition held in early 2017.Spanning the First Doctor's era to the Twelfth, this stunning book is a must-have Christmas gift and keepsake for any Doctor Who fan.
Doctor Who: The Eleventh Doctor's Last Stand (Doctor Who Ser.)
by Justin Richards Mark Morris George Mann Paul FinchAs it had been foretold, the armies of the Universe gathered at Trenzalore. Only one thing stood between the planet and destruction – the Doctor. For nine hundred years, he defended the planet, and the tiny town of Christmas, against the forces that would destroy it. He never knew how long he could keep the peace. He never knew what creatures would emerge from the snowy night to threaten him next. He knew only that at the end he would die on Trenzalore.Some of what happened during those terrible years is well documented. But most of it remains shrouded in mystery and darkness.Until now. This is a glimpse of just some of the terrors the people faced, the monstrous threats the Doctor defeated. These are the tales of the monsters who found themselves afraid - and of the one man who was not. (Tales of Trenzalore documents four of the Doctor’s adventures from different periods during the Siege of Trenzalore and the ensuing battle: Let it Snow – by Justin RichardsAn Apple a Day – by George MannStrangers in the Outland – by Paul FinchThe Dreaming – by Mark Morris)
Wolf Creek Father: Wolf Creek Father Cowboy Seeks A Bride Falling For The Enemy Accidental Fiancee (Mills And Boon Love Inspired Historical Ser.)
by Penny RichardsA Wife for the Sheriff?
Wolf Creek Homecoming: Winning Over The Wrangler Wolf Creek Homecoming A Bride For The Baron The Guardian's Promise (Mills And Boon Love Inspired Historical Ser.)
by Penny RichardsALL ROADS LEAD TO HOME Gabe Gentry used to live entirely in pursuit of carefree pleasure. It cost him his relationship with his brother, and with the one woman who believed in him. Now, with new-found faith, he’s coming home to Wolf Creek, Arkansas, hoping to find redemption and forgiveness, and maybe even a second chance at love.
Wolf Creek Wedding: The Husband Hunt The Duke's Marriage Mission Wolf Creek Wedding Finally A Bride (Mills And Boon Love Inspired Historical Ser.)
by Penny RichardsWidow Abby Carter hoped to find love again—unlikely with a man like Caleb Gentry, who doesn’t even believe in it. Their marriage isn’t ideal, but Abby’s two young children need security, and Caleb’s daughter needs a mother.
Downpour: Number 6 in series (Greywalker #6)
by Kat RichardsonAfter being shot in the back and dying - again - Harper's recovery has been hard. She's lost many of the powers she'd acquired since first becoming a Greywalker, and knows that if she dies one more time, she won't be coming back. Her only respite from the chaos is her work . . . until she sees a ghostly car accident for which there are no records. Worse still, the victim of the fatal wreck insists he was murdered, and that the nearby community of Sunset Lakes - called 'Blood Lake' by locals - is to blame.The picturesque area is an unlikely a haven for conspiracy but Harper soon learns that the icy waters of the lake hide a terrible power and a host of hellish beings. And both are held under the thrall of a sinister cabal that will use the darkest of arts to achieve their fiendish ends . . .
Greywalker: Number 1 in series (Greywalker #1)
by Kat RichardsonMeet Harper Blaine. She also sees dead people...Harper Blaine is a small-time private investigator trying to earn a living when a low-life savagely assaults her, leaving her for dead. For two minutes, to be precise. When Harper comes to in the hospital, she begins to feel a bit ...strange. She sees things that can only be described as weird-shapes emerging from a foggy grey mist, snarling teeth, creatures roaring. But Harper's not crazy. Her "death" has made her a Greywalker - able to move between our world and the mysterious, cross-over zone where things that go bump in the night exist. And her new gift (or curse) is about to drag her into that world of vampires and ghosts, magic and witches, necromancers and sinister artifacts. Whether she likes it or not.
Labyrinth: Number 5 in series (Greywalker #5)
by Kat RichardsonJust back from London, Harper picked up some new skills while she was away. But instead of taking the time to hone them, she'd rather focus on what's important. Like finding the two-bit perp who 'killed' her. She's convinced he's a valuable clue in the puzzle of her past and her missing father, as well as a key to figuring out who's trying to manipulate her powers and why. There's just one problem. Turns out the man who "killed" her was murdered himself while she was away. Lucky for Harper, she has an airtight alibi, but that doesn't mean the police are going to play nice. With Seattle's recent surge in violence - thanks to the vampires - she's already under suspicion. Which means Harper has to watch her step. Because finding the ghost of her 'killer' - and rescuing her father - will mean entering into the Grey. And with her growing powers pulling her more deeply into that paranormal world, Harper's afraid she may not be able to come back out...
Poltergeist: Number 2 in series (Greywalker #2)
by Kat RichardsonMeet Harper Blaine. She doesn't just see dead people... Harper Blaine was your average small-time PI until she died - for two minutes. Now she's a Greywalker - walking the thin line between the living world and the paranormal realm. And she's discovering that her new abilities are landing her all sorts of "strange" cases. In the days leading up to Halloween, Harper's been hired by a university research group that is attempting to create an artificial poltergeist. The head researcher suspects someone is deliberately faking the phenomena, but Harper's investigation reveals something else entirely - they've succeeded. And when one of the group's members is killed in a brutal and inexplicable fashion, Harper must determine whether the killer is the ghost itself, or someone all too human.
Underground: Number 3 in series (Greywalker #3)
by Kat RichardsonHarper Blaine was just an average small-time private investigator until she died - for two minutes. Now Harper is a Greywalker, walking the thin line between the living world and the paranormal realm. And her new abilities are landing her all sorts of strange cases.In the cold of winter, Pioneer Square's homeless are turning up dead and mutilated, and zombies have been seen roaming the streets of the underground - the city buried beneath modern Seattle. When Harper's friend Quinton fears he may be implicated in the deaths, he persuades her to investigate their mysterious cause. But when Harper turns to the city's vampire denizens for help, they want nothing to do with her or with the investigation. For this creature is no vampire. Someone has unleashed a monster of ancient legend upon the Underground, and Harper must deal with both the living and the dead to put a stop to it . . . unless it stops her first.
Vanished: Number 4 in series (Greywalker #4)
by Kat RichardsonFor Seattle investigator Harper Blaine, her own case may prove the most difficult to solve. Why did she - as opposed to others with near-death experiences - become a Greywalker? When Harper begins digging into her own past, she unearths some unpleasant truths about her father's early death as well as a mysterious puzzle. She sets out to find his ghost but encounters only a void where he should be, leaving her with more unanswered questions.Before she can continue her search, Harper gets an offer she can't refuse to go to London and pursue an investigation on behalf of some very demanding vampires. But there are unpleasant surprises waiting for her, and Harper soon discovers her present trouble in England is entangled with her dark past back in Seattle - and her ultimate destiny as a Greywalker.
One Hundred Wishes: Independent Reading Gold 9 (Reading Champion #6)
by Enid RichemontMiserable, old Stan lives on his own, just counting his money. And when his fairy godmother grants him three wishes, all he can think of is wishing for more wishes and greedily hoarding them. But the wishes escape, and Stan's world is about to get a whole lot brighter. This story celebrates friendship, however it may find you.Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.
Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark
by Laurence A. RickelsCritique of Fantasy, Vol. 1: Between a Crypt and a Datemark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy’s restraining order. With George Lucas’s Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize. Freud’s notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction – as heralding a new metaphysics and a new planetary going on interstellar civilization – a mainstay of its cultural anthropology with B-genres.
Critique of Fantasy, Vol. 2: The Contest between B-Genres
by Laurence A. RickelsIn The Contest between B-Genres, the “Space Trilogy” by J.R.R. Tolkien’s friend and colleague C.S. Lewis and the roster of American science fictions that Gotthard Günther selected and glossed for the German readership in 1952 demarcate the ring in which the contestants face off. In carrying out in fiction the joust that Tolkien proclaimed in his manifesto essay “On Fairy-Stories,” Lewis challenged the visions of travel through time and space that were the mainstays of modern science fiction. In the facing corner, Günther recognized in American science fiction the first stirrings of a new mythic storytelling that would supplant the staple of an expiring metaphysics, the fairy-story basic to Tolkien and Lewis’s fantasy genre. The B-genres science fiction and fantasy were contemporaries of cinema’s emergence out of the scientific and experimental study and recording of motion made visible. In an early work like H.G. Wells’s The Time Machine, which Tolkien credited as work of fantasy, the transport through time – the ununderstood crux of this literary experiment – is conveyed through a cinematic–fantastic component in the narrative, reflecting optical innovations and forecasting the movies to come. Although the historical onset of the rivalry between the B-genres is packed with literary examples, adaptation (acknowledged or not) followed out the rebound of wish fantasy between literary descriptions of the ununderstood and their cinematic counterparts, visual and special effects. The arrival of the digital relation out of the crucible of the unknown and the special effect seemed at last to award the fantasy genre the trophy in its contest with science fiction. And yet, although science fiction indeed failed to predict the digital future, fantasy did not so much succeed as draw benefit from the mere resemblance of fantasying to the new relation. While it follows that digitization is the fantasy that is true (and not, as Tolkien had hoped, the Christian Gospel), the newly renewed B-genre without borders found support in another revaluation that was underway in the other B-genre. Once its future orientation was “history,” science fiction began indwelling the ruins of its faulty forecasts. By its new allegorical momentum, science fiction supplied captions of legibility and history to the reconfigured borderlands it cohabited with fantasy. The second volume also attends, then, to the hybrids that owed their formation to these changes, both anticipated and realized. Extending through the topography of the borderlands, works by J.G. Ballard, Ursula Le Guin, and John Boorman, among others, occupy and cathect a context of speculative fiction that suspended and blended the strict contest requirements constitutive of the separate B-genres.
Critique of Fantasy, Vol. 3: The Block of Fame
by Laurence A. RickelsIn The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler’s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn’t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings. Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed – the killing off of the dead until dead dead – there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life’s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud’s translation of Marie Bonaparte’s transference gift, a memoir recounting her premature mourning for her sick chow and the dog’s recovery from cancer of the jaw. In Bergler’s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism’s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay “Notes on Kafka” between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the “constellation” that he and Benjamin had originally developed to outlast the culture industry’s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation’s recovery when he argues that Kafka’s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déjà vu as the portals to a collective future. The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era’s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume’s mapping of our second nature as daydreamer believers.
The Emperor of Absurdia
by Chris RiddellWelcome to Absurdia: a strange and wonderful land where nothing is quite what it seems. Trees are birds, umbrellas are trees, and the sky is thick with snoring fish. Join one small boy as he tumbles out of bed into a crazy dreamland of wardrobe monsters, dragons - and amazing adventure.This gloriously rich and beautiful picture book comes from the award winning Chris Riddell, a uniquely talented author/illustrator at the height of his powers. With a story to enchant the youngest readers, and pictures to gasp and pore over whatever your age, The Emperor of Absurdia is an extraordinary example of wonderful storytelling. Also available: Wendel and the Robots.
Goth Girl and the Fete Worse Than Death (Goth Girl #2)
by Chris RiddellPacked full of beautiful black-and-white illustrations from author Chris Riddell, Goth Girl and the Fete Worse Than Death is the second in this ghostly, funny series from the Costa Award winner Chris Riddell.Preparations for the Ghastly-Gorm Garden Party and bake-off are under way. Celebrity cooks are arriving at the hall for the big event and, true to form, Maltravers, the indoor gamekeeper, is acting suspiciously. Very suspiciously . . .Elsewhere at Ghastly-Gorm, Ada's wardrobe-dwelling lady's maid Marylebone has received a marriage proposal. Ada vows to aid the course of true love – and find out what Maltravers is up to – but amidst all this activity, everyone, including her father, appears to have forgotten her birthday!Though they can be enjoyed in any order, continue this deliciously dark series with Goth Girl and the Wuthering Fright and Goth Girl and the Sinister Symphony.
Goth Girl and the Ghost of a Mouse (Goth Girl #1)
by Chris RiddellFull of adventure and humour, Goth Girl and the Ghost of a Mouse is the beautifully illustrated winner of the Costa Award – presented here in a gorgeous hardcover. From Chris Riddell, author of the Ottoline series, it is perfect for fans of Howl's Moving Castle and Netflix's Wednesday. Ada Goth is the only child of Lord Goth. The two live together in the enormous Ghastly-Gorm Hall. Lord Goth believes that children should be heard and not seen, so Ada has to wear large clumpy boots so that he can always hear her coming. This makes it hard for her to make friends and, if she's honest, she's rather lonely.Then one day William and Emily Cabbage come to stay at the house, and together with a ghostly mouse called Ishmael they and Ada begin to unravel a dastardly plot that Maltravers, the mysterious indoor gamekeeper, is hatching. Ada and her friends must work together to foil Maltravers before it's too late!Though they can be enjoyed in any order, continue this deliciously dark series with Goth Girl and the Fete Worse Than Death and Goth Girl and the Wuthering Fright.
Goth Girl and the Sinister Symphony (Goth Girl #4)
by Chris RiddellThere are musical goings-on and a mystery for Ada to solve in Goth Girl and the Sinister Symphony, the fourth beautifully illustrated adventure in the series from Chris Riddell, 2015–2017 Children's Laureate and author of the Ottoline books.Lord Goth is throwing a music festival at Ghastly-Gorm Hall, with performances from the finest composers in the land. Ada can't wait, but it's quite distracting when her grandmother is trying to find her father a fashionable new wife. And there's a faun living in her wardrobe. Worst of all, Maltravers is up to his old tricks and Ada must make sure everything goes to plan. Luckily, help is at hand – from a very interesting house guest . . .For more in the deliciously dark series, check out the first book and winner of the Costa Children's Book Award, Goth Girl and the Ghost of a Mouse.
Goth Girl and the Wuthering Fright (Goth Girl #3)
by Chris RiddellThe third beautifully illustrated book in the series, Goth Girl and the Fete Worse Than Death is a funny, spooky adventure from the Costa Award-winning author of the Ottoline books, Chris Riddell.People are flocking to Ghastly-Gorm Hall from far and wide to compete in Lord Goth's literary dog show. The esteemed judges are in place and the contestants are all ready to win. Sir Walter Splott is preparing his Lanarkshire Lurcher, Plain Austen is preening her Hampshire Blue Bloodhound and Homily Dickinson and her Yankee Doodle Poodle are raring to go. But there's something strange going on at Ghastly-Gorm – mysterious footprints, howls in the night and some suspiciously chewed shoes. With their new friends the Vicarage sisters – Charlotte, Emily and Anne – can Ada and the Attic Club work out what's going on before the next full moon?Though they can be enjoyed in any order, continue this deliciously dark series with Goth Girl and the Sinister Symphony.
Guardians of Magic (The Cloud Horse Chronicles #1)
by Chris RiddellGuardians of Magic is an exciting, magical adventure from the Costa Award-winning creator of Goth Girl and Ottoline, Chris Riddell. This fantastic quest is fully illustrated in black and white in Chris's trademark intricate style.Meet the Guardians of Magic: Zam, Phoebe and Bathsheba, three children who don’t yet know how powerful they are . . .In a place where fairy tales don’t behave, and magic brings danger, enemies of magic are working together to destroy it. Unless the three brave Guardians fight back and believe in the impossible, soon magic and the mysterious cloud horses will be gone . . .The Cloud Horse Chronicles continue in Tiggy Thistle and the Lost Guardians.
Ottoline and the Purple Fox (Ottoline #4)
by Chris RiddellOttoline is back in Ottoline and the Purple Fox, a beautifully illustrated adventure from former Children's Laureate, Chris Riddell.Ottoline and Mr Munroe love puzzles, clues and mysteries. One day, they meet an enigmatic purple fox, who offers to take them on a night-time urban safari. The fox shows them all the hidden animals of the city and Ottoline makes notes on them in her field notebook. Mr Munroe is making notes too - on the anonymous poems he finds stuck to lampposts on their journey. Who is the secretive poet, and how can he and Ottoline help them mend their broken heart?
Tiggy Thistle and the Lost Guardians (The Cloud Horse Chronicles #2)
by Chris RiddellTiggy Thistle and the Lost Guardians is the second and final title in The Cloud Horse Chronicles duology, the exciting magical adventure from the Costa Award-winning creator of Goth Girl and 2015–2017 UK Children's Laureate Chris Riddell. The Guardians of Magic disappeared ten years ago, leaving the Kingdom of Thrynne in the icy grip of a powerful sorceress. Most people have fled in desperate search of warmer lands, escaping the Ice Monsters that roam the streets. Meanwhile, young Tiggy Thistle lives hidden and safe with a kindly Badger until the day she meets one of the crafty Stiltskin brothers and she has to run from her happy home. So begins Tiggy's quest to find Zam, Phoebe and Bathsheba – the lost Guardians and their beautiful Cloud Horses – the only people, she believes, who can save Thrynne from the curse of endless winter.