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Soul Of The Sword (Shadow of the Fox #2)
by Julie Kagawa‘My new favourite series’ Ellen Oh, author of the Prophecy and Spirit Hunters series Return to Julie Kagawa’s beautiful and perilous land of shapeshifters, samurai and demons as Japanese mythology and magic swirl together in the New York Times bestselling author’s brand new adventure.
A Little Friendly Advice (Hq Young Adult Ebook Ser.)
by Siobhan VivianIf you can't trust your friends, who CAN you trust?
Lab Partners (A Wattpad Novel)
by Mora MontgomerySometimes, it all comes down to chemistry...Unassuming outcast Elliot Goldman is just trying to get through his final year of high school-until he meets his new lab partner, Jordan Hughes. Sweet, charming, and charismatic, Jordan opens Elliot's eyes to the possibilities around him, and gives him butterflies like nobody's business. Together they fight high school scrutiny, repel bullies with punk rock, and celebrate who they are in this heartwarming exploration of what it means to fall in love for the very first time.
The Disappearance Of Sloane Sullivan (Hq Young Adult Ebook Ser.)
by Gia CribbsThere are worse things than disappearing.
North Of Happy (Hq Young Adult Ebook Ser.)
by Adi AlsaidHis whole life has been mapped out for him…
Lifeblood: Firstlife Lifeblood Everlife (Hq Young Adult Ebook Ser.)
by Gena Showalter‘My Firstlife is over, but my Everlife is only now beginning.’
Everlife (An Everlife Novel #3)
by Gena ShowalterThere is an eternal truth most of the world has come to accept: Firstlife is merely a dress rehearsal, and real life begins after death.
Wandfasted: Wandfasted Light Mage (The Black Witch Chronicles #1)
by Laurie ForestMagic, romance and adventure collide in Wandfasted, the irresistible ebook prequel to The Black Witch by Laurie Forest.
Rebels Like Us (Hq Young Adult Ebook Ser.)
by Liz Reinhardt‘It's not like I never thought about being mixed race. I guess it was just that, in Brooklyn, everyone was competing to be unique or surprising. By comparison, I was boring, seriously. Really boring.’
Dead Little Mean Girl (Hq Young Adult Ebook Ser.)
by Eva DarrowsQuinn Littleton was a mean girl – a skinny blonde social terrorist in stilettos. She was everything Emma MacLaren hated. Until she died.
The First To Know: If I Fix You The First To Know (Hq Young Adult Ebook Ser.)
by Abigail JohnsonDon't miss the second gripping and heartfelt story from the author of If I Fix You! A girl's plan to find her father's birth family turns potentially devastating when the secret DNA test she has done reveals that she has a half brother her age she never knew about.
Drawing and Sketching (Collins Need to Know?)
by CollinsThis practical one-stop guide will show you all the techniques and inspiration you need to start drawing. To make your progress easier, it comes in a handy ebook format with colour illustrations and expert advice throughout.
The Victorian Era in Twenty-First Century Children’s and Adolescent Literature and Culture
by Sara K. Day Sonya Sawyer FritzVictorian literature for audiences of all ages provides a broad foundation upon which to explore complex and evolving ideas about young people. In turn, this collection argues, contemporary works for young people that draw on Victorian literature and culture ultimately reflect our own disruptions and upheavals, particularly as they relate to child and adolescent readers and our experiences of them. The essays therein suggest that we struggle now, as the Victorians did then, to assert a cohesive understanding of young readers, and that this lack of cohesion is a result of or a parallel to the disruptions taking place on a larger (even global) scale.
The Victorian Era in Twenty-First Century Children’s and Adolescent Literature and Culture (Children's Literature And Culture Ser.)
by Sonya Sawyer Fritz Sara K. DayVictorian literature for audiences of all ages provides a broad foundation upon which to explore complex and evolving ideas about young people. In turn, this collection argues, contemporary works for young people that draw on Victorian literature and culture ultimately reflect our own disruptions and upheavals, particularly as they relate to child and adolescent readers and our experiences of them. The essays therein suggest that we struggle now, as the Victorians did then, to assert a cohesive understanding of young readers, and that this lack of cohesion is a result of or a parallel to the disruptions taking place on a larger (even global) scale.
The Beloved Does Not Bite: Moral Vampires and the Humans Who Love Them (Children's Literature and Culture)
by Debra DudekIn this new monograph, author Debra Dudek defines a new era of vampire texts in which vampires have moved from their iconic dark, feared, often seductive figure lingering in alleys, to the beloved and morally sensitive vampire winning the affections of teen protagonists throughout pop culture. Dudek takes a close look at three hugely-popular vampire series for young adults, drawing parallels between the TV series Buffy the Vampire Slayer, the Twilight Saga novels/films, and The Vampire Diaries TV series/book series. By defining a new era of vampire texts and situating these three series within this transition, The Beloved Does Not Bite signals their significance and lays the groundwork for future scholarship on the flourishing genre of paranormal romances for young adults.
Italian Children’s Literature and National Identity: Childhood, Melancholy, Modernity (Children's Literature and Culture)
by Maria TruglioThis book bridges the fields of Children’s Literature and Italian Studies by examining how turn-of-the-century children’s books forged a unified national identity for the new Italian State. Through contextualized close readings of a wide range of texts, Truglio shows how the 19th-century concept of recapitulation, which held that ontogeny (the individual’s development) repeats phylogeny (the evolution of the species), underlies the strategies of this corpus. Italian fairy tales, novels, poems, and short stories imply that the personal development of the child corresponds to and hence naturalizes the modernizing development of the nation. In the context of Italy’s uneven and ambivalent modernization, these narrative trajectories are enabled by a developmental melancholia. Using a psychoanalytic lens, and in dialogue with recent Anglophone Children’s Literature criticism, this study proposes that national identity was constructed via a process of renouncing and incorporating paternal and maternal figures, rendered as compulsory steps into maturity and modernity. With chapters on the heroic figure of Garibaldi, the Orientalized depiction of the South, and the role of girls in formation narratives, this book discloses how melancholic itineraries produced gendered national subjects. This study engages both well-known Italian texts, such as Collodi’s The Adventures of Pinocchio and De Amicis’ Heart, and books that have fallen into obscurity by authors such as Baccini, Treves, Gianelli, and Nuccio. Its approach and corpus shed light on questions being examined by Italianists, Children’s Literature scholars, and social and cultural historians with an interest in national identity formation.
Italian Children’s Literature and National Identity: Childhood, Melancholy, Modernity (Children's Literature and Culture)
by Maria TruglioThis book bridges the fields of Children’s Literature and Italian Studies by examining how turn-of-the-century children’s books forged a unified national identity for the new Italian State. Through contextualized close readings of a wide range of texts, Truglio shows how the 19th-century concept of recapitulation, which held that ontogeny (the individual’s development) repeats phylogeny (the evolution of the species), underlies the strategies of this corpus. Italian fairy tales, novels, poems, and short stories imply that the personal development of the child corresponds to and hence naturalizes the modernizing development of the nation. In the context of Italy’s uneven and ambivalent modernization, these narrative trajectories are enabled by a developmental melancholia. Using a psychoanalytic lens, and in dialogue with recent Anglophone Children’s Literature criticism, this study proposes that national identity was constructed via a process of renouncing and incorporating paternal and maternal figures, rendered as compulsory steps into maturity and modernity. With chapters on the heroic figure of Garibaldi, the Orientalized depiction of the South, and the role of girls in formation narratives, this book discloses how melancholic itineraries produced gendered national subjects. This study engages both well-known Italian texts, such as Collodi’s The Adventures of Pinocchio and De Amicis’ Heart, and books that have fallen into obscurity by authors such as Baccini, Treves, Gianelli, and Nuccio. Its approach and corpus shed light on questions being examined by Italianists, Children’s Literature scholars, and social and cultural historians with an interest in national identity formation.
The Beloved Does Not Bite: Moral Vampires and the Humans Who Love Them (Children's Literature and Culture)
by Debra DudekIn this new monograph, author Debra Dudek defines a new era of vampire texts in which vampires have moved from their iconic dark, feared, often seductive figure lingering in alleys, to the beloved and morally sensitive vampire winning the affections of teen protagonists throughout pop culture. Dudek takes a close look at three hugely-popular vampire series for young adults, drawing parallels between the TV series Buffy the Vampire Slayer, the Twilight Saga novels/films, and The Vampire Diaries TV series/book series. By defining a new era of vampire texts and situating these three series within this transition, The Beloved Does Not Bite signals their significance and lays the groundwork for future scholarship on the flourishing genre of paranormal romances for young adults.
Soul Taken: Soul Taken / Soul Possessed / Soul Betrayed (The Life After trilogy #1)
by Katlyn DuncanAfter-life just got a lot more complicated
Pretty Funny
by Rebecca Elliott"This book is filled with loveable characters, witty dialogue and proper LOLS which made recording the audiobook hard - because I kept giggling!" Sharon RooneyDoes anyone ever really want to 'fall' in love? Knowing me I'll just trip over it and graze my knee on the gravel of humiliation.Haylah Swinton is fairly confident she's brilliant at being a girl. She's an ace best friend, a loving daughter, and an INCREDIBLY patient sister to her four-year-old total nutter of a brother, Noah. But she has a secret. She wants to be a stand-up comedian, but she's pretty sure girls like her - big girls, girls who don't get all the boys, girls who a lot of people don't see - don't belong on stage. That hasn't stopped her dreaming though, and when the seemingly perfect opportunity to write routines for older, cooler, impossibly funny Leo arises . . . well, what's a girl to do? But is Leo quite an interested in helping Haylah as he says he is? Will Haylah ever find the courage to step into the spotlight herself? And when oh when will people stop telling her she's 'funny for a girl'?!
Animals and Their Children in Victorian Culture (Perspectives on the Non-Human in Literature and Culture)
by Brenda Ayres Sarah Elizabeth MaierWhether a secularized morality, biblical worldview, or unstated set of mores, the Victorian period can and always will be distinguished from those before and after for its pervasive sense of the "proper way" of thinking, speaking, doing, and acting. Animals in literature taught Victorian children how to be behave. If you are a postmodern posthumanist, you might argue, "But the animals in literature did not write their own accounts." Animal characters may be the creations of writers’ imagination, but animals did and do exist in their own right, as did and do humans. The original essays in Animals and Their Children in Victorian explore the representation of animals in children’s literature by resisting an anthropomorphized perception of them. Instead of focusing on the domestication of animals, this book analyzes how animals in literature "civilize" children, teaching them how to get along with fellow creatures—both human and nonhuman.
Battling Girlhood: Sympathy, Social Justice, and the Tomboy Figure in American Literature
by Kristen B. ProehlFrom Jo March of Little Women (1868) to Katniss Everdeen of The Hunger Games (2008), the American tomboy figure has evolved into an icon of modern girlhood and symbol of female empowerment. Battling Girlhood: Sympathy, Social Justice, and the Tomboy Figure in American Literature traces the development of the tomboy figure from its origins in nineteenth-century sentimental novels to twentieth- and twenty-first-century literature and film.
Battling Girlhood: Sympathy, Social Justice, and the Tomboy Figure in American Literature
by Kristen B. ProehlFrom Jo March of Little Women (1868) to Katniss Everdeen of The Hunger Games (2008), the American tomboy figure has evolved into an icon of modern girlhood and symbol of female empowerment. Battling Girlhood: Sympathy, Social Justice, and the Tomboy Figure in American Literature traces the development of the tomboy figure from its origins in nineteenth-century sentimental novels to twentieth- and twenty-first-century literature and film.