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christopher oscar peña: how to make an American Son; the strangers; a cautionary tail (Methuen Drama Play Collections)
by christopher oscar peña“Transcending 20th-century notions of race and culture, Peña's work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando's cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family. the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris' preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?
christopher oscar peña: how to make an American Son; the strangers; a cautionary tail (Methuen Drama Play Collections)
by christopher oscar peña“Transcending 20th-century notions of race and culture, Peña's work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando's cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family. the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris' preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?
Captain Amazing: Brilliant Adventures; Captain Amazing; Talk Show; Pomona (Modern Plays)
by Mr Alistair McDowallWhat do you do as Captain Amazing?Fight… baddies and things. Save people… make people go to bed when they're supposed to go to bed… Join the world's most unassuming superhero in Alistair McDowall's (Pomona, The Glow, X, all of it) critically-acclaimed masterpiece. From battling his arch-nemesis, to getting his daughter to school on time, follow Captain Amazing on his incredible adventures and discover how even the invincible aren't immune to tragedy.A hilarious and heart-breaking adventure which reminds us that one day, even the bravest of superheroes will need to hang up their cape… forever.This edition was published to coincide with the 10th anniversary production at London's Southwark Playhouse in May 2024.
Twentieth Century Scottish Drama (Canongate Classics #98)
by Cairns Craig Randall StevensEdited and introduced by Cairns Craig and Randall Stevenson. Ever since the major revival of dramatic writing and production in the 1970s, the style and the subject matter of Scottish writing for stage and screen has been a continuing influence on our contemporary culture, exciting, offending and challenging audiences in equal measure. Yet modern Scottish drama has a history of controversy, conflict and entertainment going back to the 1920s, notable at every turn for the vigour of its language and its direct confrontation with telling issues. The plays in this anthology offer a unique chance to grasp the different topics and also the recurrent themes of Scottish drama in the twentieth century. Gathered together in a single omnibus volume, there is the poetic eeriness of Barrie and the political commitment of Joe Corrie and Sue Glover; there is the Brechtian debate of Bridie and the verbal brilliance of John Byrne and Liz Lochhead; there is working-class experience and feminist insight; broad Scots and existential anxiety; street realism and a meeting with the devil; social injustice and raucous humour; historical comedy and tragic loss. Here is both the breadth and the continuity of the modern Scottish tradition in a single volume.
The Buddha of Suburbia (Modern Plays)
by Emma Rice Hanif KureishiMy name is Karim Amir, and I am an Englishman born and bred. Almost.South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham.Emma Rice adapts the award-winning 1990 novel, which was later turned into an acclaimed TV series, with Hanif Kureishi. On stage it becomes an irresistible, heart-breaking and joyful exploration of family, friends, sex, theatre and, ultimately, belonging.This edition was published to coincide with the world premiere at the RSC in April 2024.
The Buddha of Suburbia (Modern Plays)
by Emma Rice Hanif KureishiMy name is Karim Amir, and I am an Englishman born and bred. Almost.South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham.Emma Rice adapts the award-winning 1990 novel, which was later turned into an acclaimed TV series, with Hanif Kureishi. On stage it becomes an irresistible, heart-breaking and joyful exploration of family, friends, sex, theatre and, ultimately, belonging.This edition was published to coincide with the world premiere at the RSC in April 2024.
Second Chances: Shakespeare and Freud (The Anthony Hecht Lectures in the Humanities Series)
by Stephen Greenblatt Adam PhillipsA powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud In this fresh investigation, Stephen Greenblatt and Adam Phillips explore how the second chance has been an essential feature of the literary imagination and a promise so central to our existence that we try to reproduce it again and again. Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter. Both Shakespeare and Freud believed that we can narrate our life stories as tales of transformation, of momentous shifts, constrained by time and place but often still possible. Ranging from The Comedy of Errors to The Winter’s Tale, and from D. W. Winnicott to Marcel Proust, the authors challenge readers to imagine how, as Phillips writes, “it is the mending that matters.&rdquo
The Routledge Companion to Theatre-Fiction (Routledge Literature Handbooks)
by Graham WolfeNovelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels’ pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia Woolf, and Margaret Atwood, some of history’s most influential novelists have written theatre-fiction, and this Companion discusses many of these figures from new angles. But it also spotlights writers who have received less critical attention, such as Dorothy Leighton, Agustín de Rojas Villandrando, Ronald Firbank, Syed Mustafa Siraj, Li Yu, and Vicente Blasco Ibañez, bringing their work into conversation with a vital field. A valuable resource for students, scholars, and admirers of both theatre and novels, The Routledge Companion to Theatre-Fiction offers a wealth of new perspectives on topics of increasing critical concern, including intermediality, theatricality, antitheatricality, mimesis, diegesis, and performativity.
The Cherry Orchard: In A New English Version (Modern Plays)
by Anton ChekhovThe orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten?Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too?Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov. For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece.This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.
The Cherry Orchard (Modern Plays)
by Anton ChekhovThe orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten?Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too?Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov. For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece.This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.
Under Milk Wood: Images By Peter Blake (Collins Classics)
by null Dylan ThomasHarperCollins is proud to present its new range of best-loved, essential classics. We are not wholly bad or good, who live our lives under Milk Wood. On a dark moonless night in spring, the seaside town of Llareggub sleeps. Dreams of hope and heartache unfurl, revealing the innermost desires and fears of its inhabitants. But when morning arrives, the chaotic muddle of everyday life begins again: the hardships, the gossip, the quarrels, the moments of tenderness and love, all intertwined in a spectacular chorus of voices. A much loved and celebrated modern classic, Dylan Thomas originally wrote Under Milk Wood as a radio drama and it was first broadcast by the BBC in 1954. Since then, Thomas’s masterful and humorous depiction of his characters continues to entertain and resonate with readers today.
Teaching Practical Theatrical 3D Printing: Creating Props for Production
by Robert C. BerlsTeaching Practical Theatrical 3D Printing: Creating Props for Production is a cohesive and practical guide for instructors teaching 3D printing techniques in stagecraft, costume and props courses.Written for the instructor, this book uses non-technical language to explain 3D printers, their workflows and products. Coverage includes the ins and outs of multiple filaments, pros and cons of different types of printers, shop or laboratory setup and safety concerns. The book features lesson plans, rubrics and class-tested sample student projects from design to finished product that highlight learning objectives and methodologies, as well as software and hardware usage explanations and common problems that can occur within design and printing. Step-by-step instructions are included for many types of projects, including fake noses, candlestick phones, buttons, 3D scans, historical recreations and linear actuators. The book also contains examples of poor, average and excellent work with grading explanations and guidance on how to help the student move to the next level with their projects. Chapter objectives, chapter summaries, checklists and reflection points facilitate an instructor in gaining confidence with 3D printers and incorporating their use in the classroom.Teaching Practical Theatrical 3D Printing is an excellent resource for instructors of Props and Costume Design and Construction courses that are interested in using state of the art tools and technology for theatre production.Fully editable files for every object featured in the book are available at www.routledge.com/9781032453279, allowing readers to jump-start their projects and giving them the flexibility to change and redesign the items to best fit their needs.
Teaching Practical Theatrical 3D Printing: Creating Props for Production
by Robert C. BerlsTeaching Practical Theatrical 3D Printing: Creating Props for Production is a cohesive and practical guide for instructors teaching 3D printing techniques in stagecraft, costume and props courses.Written for the instructor, this book uses non-technical language to explain 3D printers, their workflows and products. Coverage includes the ins and outs of multiple filaments, pros and cons of different types of printers, shop or laboratory setup and safety concerns. The book features lesson plans, rubrics and class-tested sample student projects from design to finished product that highlight learning objectives and methodologies, as well as software and hardware usage explanations and common problems that can occur within design and printing. Step-by-step instructions are included for many types of projects, including fake noses, candlestick phones, buttons, 3D scans, historical recreations and linear actuators. The book also contains examples of poor, average and excellent work with grading explanations and guidance on how to help the student move to the next level with their projects. Chapter objectives, chapter summaries, checklists and reflection points facilitate an instructor in gaining confidence with 3D printers and incorporating their use in the classroom.Teaching Practical Theatrical 3D Printing is an excellent resource for instructors of Props and Costume Design and Construction courses that are interested in using state of the art tools and technology for theatre production.Fully editable files for every object featured in the book are available at www.routledge.com/9781032453279, allowing readers to jump-start their projects and giving them the flexibility to change and redesign the items to best fit their needs.
Testmatch (Nhb Modern Plays Ser.)
by Kate AttwellPresent day, it's the Women's Cricket World Cup: England vs India. There's a rain delay. Tensions mount, ambitions are laid bare and a whole new tactical game begins. Calcutta, in the eighteenth century. Two British colonial administrators encounter challenges on the field of play that threaten the entire regime. In this game of integrity and power, past and present collide… Kate Attwell's funny, provocative play explores and explodes the mythology of fair play. First performed in 2019 at American Conservatory Theater in San Francisco, it received its British premiere in 2024, produced by the Orange Tree Theatre, ETT and Octagon Theatre, Bolton, and directed by Diane Page. 'Genuinely funny, refreshingly unusual, accomplished… Split into two acts, wildly contrasted on the surface but each informing the other to sometimes surprising effect, Testmatch often recalls Caryl Churchill at her most absurd and mould-breaking… tremendously entertaining' - WhatsOnStage 'A play that bristles with ideas' - The Stage 'Kate Attwell's journey through cricket wittily interrogates wilful ignorance in the face of corruption and brutality… her taut writing coils [her characters'] emotions tightly, pinpointing their urgent, full-bodied need to win… a smart, messy, angry reckoning with history and the idea of good sportsmanship' - Guardian 'Lively and energetic' - Reviews Hub 'Enjoyable… a satire on colonialism that starts off light and builds to something rather more bleak and damning… Attwelll's text is witty and impressive' - Time Out
Boys from the Blackstuff (Modern Plays)
by Mr James GrahamGizza job. Go on, gizzit, go 'head, giz it if you've got it, giz it, I can do it. Giz it then. Go 'head, gizza job.80s' Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find the jobs, avoid the 'sniffers' and see if you can have a laugh along the way. 40 years after Alan Bleasdale's ground-breaking television series of the same name was essential viewing, this edition is published to coincide with the co-production between the Liverpool Royal Court and London's National Theatre, in April 2024.
Boys from the Blackstuff (Modern Plays)
by Mr James GrahamGizza job. Go on, gizzit, go 'head, giz it if you've got it, giz it, I can do it. Giz it then. Go 'head, gizza job.80s' Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find the jobs, avoid the 'sniffers' and see if you can have a laugh along the way. 40 years after Alan Bleasdale's ground-breaking television series of the same name was essential viewing, this edition is published to coincide with the co-production between the Liverpool Royal Court and London's National Theatre, in April 2024.
English Kings Killing Foreigners (Modern Plays)
by Nina Bowers Philip ArdittiSo we've been cast in a post-war English Nationalist Anti-Fascist Kebab Shop reimagining of Henry V set in the future?The death of a national sweetheart. A friendship tested by a bloody act. An infamous production of Shakespeare's Henry V. A tell-all dark comedy that peels back the skin of English cultural identity to reveal the steaming battlefields that lie beneath. Would you die for your country?From rehearsal room microaggressions, to the battlefields of France, into the bureaucracy of applying for citizenship, join Shakespeare's Globe Ensemble veterans Nina Bowers and Philip Arditti in English Kings Killing Foreigners as they explore their histories alongside England's own as unwilling actors in a national story.This edition was published to coincide with the world premiere of RealFake Theatre and Camden People's Theatre co-production at Camden People's Theatre in April 2024.
English Kings Killing Foreigners (Modern Plays)
by Nina Bowers Philip ArdittiSo we've been cast in a post-war English Nationalist Anti-Fascist Kebab Shop reimagining of Henry V set in the future?The death of a national sweetheart. A friendship tested by a bloody act. An infamous production of Shakespeare's Henry V. A tell-all dark comedy that peels back the skin of English cultural identity to reveal the steaming battlefields that lie beneath. Would you die for your country?From rehearsal room microaggressions, to the battlefields of France, into the bureaucracy of applying for citizenship, join Shakespeare's Globe Ensemble veterans Nina Bowers and Philip Arditti in English Kings Killing Foreigners as they explore their histories alongside England's own as unwilling actors in a national story.This edition was published to coincide with the world premiere of RealFake Theatre and Camden People's Theatre co-production at Camden People's Theatre in April 2024.
The Brief Life & Mysterious Death of Boris III, King of Bulgaria (Modern Plays)
by Sasha Wilson Joseph CullenYour country, sir. Your people. Your responsibility.It rather does fall to you to make things right.Clean up your father's mess.Winner of the 2023 Off West End 'Best Ensemble' AwardRunner Up for the 2023 BBC Writersroom Popcorn Award for Best New WritingWinner of the 2020 VAULT Festival Origins AwardThe year is 1943 and Bulgaria has just told Hitler where to stick it. Europe's major powers are at war and King Boris III must choose a side or be swept away. A raucous and poignant tale in which a bunch of underdogs use every trick in the book to outwit the Nazis and save nearly 50,000 Jewish lives.Award-winning Out Of The Forest Theatre's irreverent comedy - featuring live music inspired by Bulgarian and Jewish folk tunes - tells the incredible true story that the world forgot.This is a unique story in 20th century European history. Prepare to be enthralled as The Brief Life & Mysterious Death of Boris III, King of Bulgaria weaves a tale that delves deep into history, leaving you both informed and spellbound.This edition was published to coincide with the initial run at New York City's Brits Off Broadway festival at 59E59 Theatre in May 2024, before the show toured the UK in June 2024.
The Brief Life & Mysterious Death of Boris III, King of Bulgaria (Modern Plays)
by Sasha Wilson Joseph CullenYour country, sir. Your people. Your responsibility.It rather does fall to you to make things right.Clean up your father's mess.Winner of the 2023 Off West End 'Best Ensemble' AwardRunner Up for the 2023 BBC Writersroom Popcorn Award for Best New WritingWinner of the 2020 VAULT Festival Origins AwardThe year is 1943 and Bulgaria has just told Hitler where to stick it. Europe's major powers are at war and King Boris III must choose a side or be swept away. A raucous and poignant tale in which a bunch of underdogs use every trick in the book to outwit the Nazis and save nearly 50,000 Jewish lives.Award-winning Out Of The Forest Theatre's irreverent comedy - featuring live music inspired by Bulgarian and Jewish folk tunes - tells the incredible true story that the world forgot.This is a unique story in 20th century European history. Prepare to be enthralled as The Brief Life & Mysterious Death of Boris III, King of Bulgaria weaves a tale that delves deep into history, leaving you both informed and spellbound.This edition was published to coincide with the initial run at New York City's Brits Off Broadway festival at 59E59 Theatre in May 2024, before the show toured the UK in June 2024.
Shakespeare's Once and Future Child: Speculations on Sovereignty
by Joseph CampanaA study of Shakespeare’s child figures in relation to their own political moment, as well as our own. Politicians are fond of saying that “children are the future.” How did the child become a figure for our political hopes? Joseph Campana’s book locates the source of this idea in transformations of childhood and political sovereignty during the age of Shakespeare, changes spectacularly dramatized by the playwright himself. Shakespeare’s works feature far more child figures—and more politically entangled children—than other literary or theatrical works of the era. Campana delves into this rich corpus to show how children and childhood expose assumptions about the shape of an ideal polity, the nature of citizenship, the growing importance of population and demographics, and the question of what is or is not human. As our ability to imagine viable futures on our planet feels ever more limited, and as children take up legal proceedings to sue on behalf of the future, it behooves us to understand the way past child figures haunt our conversations about intergenerational justice. Shakespeare offers critical precedents for questions we still struggle to answer.
Shakespeare's Once and Future Child: Speculations on Sovereignty
by Joseph CampanaA study of Shakespeare’s child figures in relation to their own political moment, as well as our own. Politicians are fond of saying that “children are the future.” How did the child become a figure for our political hopes? Joseph Campana’s book locates the source of this idea in transformations of childhood and political sovereignty during the age of Shakespeare, changes spectacularly dramatized by the playwright himself. Shakespeare’s works feature far more child figures—and more politically entangled children—than other literary or theatrical works of the era. Campana delves into this rich corpus to show how children and childhood expose assumptions about the shape of an ideal polity, the nature of citizenship, the growing importance of population and demographics, and the question of what is or is not human. As our ability to imagine viable futures on our planet feels ever more limited, and as children take up legal proceedings to sue on behalf of the future, it behooves us to understand the way past child figures haunt our conversations about intergenerational justice. Shakespeare offers critical precedents for questions we still struggle to answer.
Multilingual Dramaturgies: Towards New European Theatre (New Dramaturgies)
by Kasia LechMultilingual Dramaturgies provides a study of dramaturgical practices in contemporary multilingual theatre in Europe. Featuring interviews with international theatremakers, the book gives an insight into diverse approaches towards multilingual theatre and its dramaturgy that reflect cultural, political, and economic landscapes of contemporary Europe, its inhabitants, and its theatres. First-hand accounts are contextualized to reveal a complex set of negotiations involved in the creative and political tasks of staging multilingualism and engaging the audience, as well as in practical issues like funding and developing working models. Using interviews with practitioners from a diverse range of theatrical backgrounds and career levels, and with various models of financial support, Multilingual Dramaturgies also offers an insight into different attitudes towards multilingualism in European theatres. The book illuminates not only the potential for multilingual dramaturgies, but also the practical and creative difficulties involved in making them. By bringing the voices of artists together and providing a critical commentary, the book reveals multilingual dramaturgies as webbed practices of differences that also offer new ways of understanding and performing identity in a European context. Multilingual Dramaturgies sheds light on an exciting theatre practice, argues for its central role in Europe and highlights potential directions for its further development.
Housemates Returns: Is Dat U Yh?; Before I Go (Modern Plays)
by dkfash Tobi King BakareThese two electric pieces of work originated from Brixton House's Housemates Festival in summer 2023, back to grace the stage for Housemates Returns in 2024.Is Dat U Yh? by dkfash: A time where laughter was free and nonsense was all we knew. Tamagotchis, Pokémon and alien babies. Tolu and the 'Back Of the Bus Queens' relive and rediscover their love of home, in this joyous and wacky adventure down memory lane. Surreal memories, short stories and nonsense! Theatre. Dance. Lyricism and school daze nostalgia!Before I Go by Tobi King Bakare: Ajani can talk. He can host parties, talk to girls, charm any living being. However, he finds it hard to express himself to the people he cares about the most. When he dies and gets stuck in Limbo, he is given an ultimatum: 'Learn how to "properly" communicate or remain here forever'. Ajani takes on the quest and embarks on a poetic journey of discovery, unlearning and healing. This edition was published to coincide with the start of the Housemates Returns productions at London's Brixton House Theatre in April 2024.
Housemates Returns: Is Dat U Yh?; Before I Go (Modern Plays)
by dkfash Tobi King BakareThese two electric pieces of work originated from Brixton House's Housemates Festival in summer 2023, back to grace the stage for Housemates Returns in 2024.Is Dat U Yh? by dkfash: A time where laughter was free and nonsense was all we knew. Tamagotchis, Pokémon and alien babies. Tolu and the 'Back Of the Bus Queens' relive and rediscover their love of home, in this joyous and wacky adventure down memory lane. Surreal memories, short stories and nonsense! Theatre. Dance. Lyricism and school daze nostalgia!Before I Go by Tobi King Bakare: Ajani can talk. He can host parties, talk to girls, charm any living being. However, he finds it hard to express himself to the people he cares about the most. When he dies and gets stuck in Limbo, he is given an ultimatum: 'Learn how to "properly" communicate or remain here forever'. Ajani takes on the quest and embarks on a poetic journey of discovery, unlearning and healing. This edition was published to coincide with the start of the Housemates Returns productions at London's Brixton House Theatre in April 2024.