- Table View
- List View
Beyond The Echoesoweto
by Matsemela Manaka Geoffrey V. DavisFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Beyond The Echoesoweto
by Matsemela Manaka Geoffrey V. DavisFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Beyond Caring (Modern Plays)
by Alexander ZeldinI'm a hard worker. I don't push him to the . . . You know I don't go out for breaks when I'm not supposed to. I don't stay in the loo when I'm not supposed to. If I was that kind of person I could have him done for discrimination . . . I just get on with things you know.Four people arrive to work the night shift in a meat factory. They meet for the first time. They are employed as cleaners by a temp agency. They are all on zero-hours contracts.Every shift, they clean. Every four hours, they take a break. They drink tea or coffee together. They read magazines. They chat. As it gets light, they go home or to another job. The cycle goes on. And on. Strangers. Until something stirs, until isolated people get too close to one another, too fast.Alexander Zeldin's brutally honest and darkly humorous play, written through devising with the ensemble of the premiere production, exposes stories of an invisible class. It received its world premiere at The Yard on 1 July 2014 and transferred to the National Theatre's Temporary Theatre on 28 April 2015.
Beyond Caring (Modern Plays)
by Alexander ZeldinI'm a hard worker. I don't push him to the . . . You know I don't go out for breaks when I'm not supposed to. I don't stay in the loo when I'm not supposed to. If I was that kind of person I could have him done for discrimination . . . I just get on with things you know.Four people arrive to work the night shift in a meat factory. They meet for the first time. They are employed as cleaners by a temp agency. They are all on zero-hours contracts.Every shift, they clean. Every four hours, they take a break. They drink tea or coffee together. They read magazines. They chat. As it gets light, they go home or to another job. The cycle goes on. And on. Strangers. Until something stirs, until isolated people get too close to one another, too fast.Alexander Zeldin's brutally honest and darkly humorous play, written through devising with the ensemble of the premiere production, exposes stories of an invisible class. It received its world premiere at The Yard on 1 July 2014 and transferred to the National Theatre's Temporary Theatre on 28 April 2015.
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.
BEYOND BROADWAY C: The Pleasure and Promise of Musical Theatre Across America
by Professor Stacy WolfThe idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.
Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America
by Professor Stacy WolfThe idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.
Beyond The Bridge: Contemporary Danish Television Drama
by Tobias Hochscherf Heidi PhilipsenDrawing worldwide acclaim from critics and audiences alike, programmes like The Killing, Borgen, The Bridge and The Legacy demonstrate widespread fascination with Danish style, aesthetics and culture as seen through television narratives. This book uses familiar, alongside lesser known, case studies of drama series to demonstrate how the particular features of Danish production - from work cultures, to storytelling techniques and trans-national cooperation - have enhanced contemporary Danish drama's appeal both at home and abroad. The era of globalisation has blurred national and international television cultures and promoted regular cross-fertilisation between film and television industries. Important questions have emerged from this context surrounding, for example, the 'Americanisation' of foreign television formats, the meaning and practice behind the term 'quality television', and the purpose and efficacy of public service broadcasting. Beyond the Bridge tackles these issues in relation to Danish television, by examining the so-called 'scaffolded production processes' behind the making of quality serials and their thought-provoking content.Drawing on popular motifs from these celebrated dramas such as foreign politics, organised crime, global warming, and the impact of multinational corporations, this timely book provides crucial insight into the Danish dramas at the forefront of sophisticated, forward-thinking, fictional television.
Between You & Me
by Marisa CalinPhyre knows there is something life-changing about her new drama teacher, Mia, from the moment they meet. As Phyre rehearses for the school play, she comes to realize that the unrequited feelings she has for Mia go deeper than she's ever experienced. Especially with a teacher. Or a woman. All the while, Phyre's best friend-addressed throughout the story in the second person, as "you"-stands by, ready to help Phyre make sense of her feelings. But just as Mia doesn't understand what Phyre feels, Phyre can't fathom the depth of her best friend's feelings...until it's almost too late for a happy ending. Characters come to life through the innovative screenplay format of this dazzling debut, and unanswered questions-is "you" male or female?-will have readers talking.
Between Us: Audiences, Affect and the In-Between (PDF)
by Lee Miller Joanne 'Bob' WhalleyThis is a book for audiences. It is a book about audiences. It is a book for anyone who watches, is watched, and all the spaces in between.Introducing the idea of performance as a shared transformative experience, this engaging book will help you make sense of the performer/audience interaction in a landscape where boundaries are collapsing. Drawing on themes of performance, exchange and the body, it offers an accessible entry into the philosophy of spectatorship.
Between Two Fires (Modern Plays)
by Sylvia PankhurstYou're between two fires…They're very warm sometimes.Noah Adamson is the first Leader of the Labour Party; frequently torn between his socialism and principled support for votes for women on the one hand and the more reactionary views of too many of his colleagues. A middle-aged married man; he is also in love with the young socialist suffragette Freda McLaird. Things look bleak for the cause and the man. Still Noah – inspired by his soulmate – has time for hope and beauty. He looks forward to a time when the movement will be stronger.Sylvia Pankhurst wrote this previously unpublished play when imprisoned for sedition in the infamous HMP Holloway in 1920/21. Deprived of writing materials in solitary confinement, the legendary activist composed this dramatisation of earlier times with her beloved Keir Hardie – Labour's founding leader – with a contraband pencil on prison issue toilet paper. It would be nearly a hundred years before Pankhurst's biographer Dr Rachel Holmes would discover the play via painstaking analysis of the delicate fragments jumbled into brown envelopes in the archives of the British Library. Holmes' arrangement of the incomplete text brings the poignant story to life in this startlingly topical drama that speaks directly to our own times.
Between Two Fires (Modern Plays)
by Sylvia PankhurstYou're between two fires…They're very warm sometimes.Noah Adamson is the first Leader of the Labour Party; frequently torn between his socialism and principled support for votes for women on the one hand and the more reactionary views of too many of his colleagues. A middle-aged married man; he is also in love with the young socialist suffragette Freda McLaird. Things look bleak for the cause and the man. Still Noah – inspired by his soulmate – has time for hope and beauty. He looks forward to a time when the movement will be stronger.Sylvia Pankhurst wrote this previously unpublished play when imprisoned for sedition in the infamous HMP Holloway in 1920/21. Deprived of writing materials in solitary confinement, the legendary activist composed this dramatisation of earlier times with her beloved Keir Hardie – Labour's founding leader – with a contraband pencil on prison issue toilet paper. It would be nearly a hundred years before Pankhurst's biographer Dr Rachel Holmes would discover the play via painstaking analysis of the delicate fragments jumbled into brown envelopes in the archives of the British Library. Holmes' arrangement of the incomplete text brings the poignant story to life in this startlingly topical drama that speaks directly to our own times.
Between the Lines: A Philosophy of Theatre
by Michael Y. BennettIn Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text. Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
Between the Lines: A Philosophy of Theatre
by Michael Y. BennettIn Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text. Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
Between Riverside and Crazy (Modern Plays)
by Stephen Adly Guirgis"Son, that girl, she's a nice girl, but she don't study accounting. Her lips move when she read the horoscope – that ain't the mark of a future accountant!"Since his wife died, ex-cop Walter 'Pops' Washington has filled his palatial rent-controlled apartment in one of Manhattan's most desirable areas with an oddball extended family of petty criminals. So now he's besieged by the landlords, who want him out, the NYPD, who want him to settle his lawsuit against them, and the ladies from the local church, who want to save his soul… But Pops, calm at the eye of the storm, is going to do precisely what Pops wants to do…Stephen Adly Guirgis' fast-moving Rabelaisian tragicomedy was a Broadway hit and won multiple awards, including the Pulitzer Prize for Drama. His other plays include Jesus Hopped the A-Train, The Last Days of Judas Iscariot and The Motherf**ker with the Hat.This edition was published to coincide with the UK premiere at the Hampstead Theatre, London in May 2024.
Between Riverside and Crazy (Modern Plays)
by Stephen Adly Guirgis"Son, that girl, she's a nice girl, but she don't study accounting. Her lips move when she read the horoscope – that ain't the mark of a future accountant!"Since his wife died, ex-cop Walter 'Pops' Washington has filled his palatial rent-controlled apartment in one of Manhattan's most desirable areas with an oddball extended family of petty criminals. So now he's besieged by the landlords, who want him out, the NYPD, who want him to settle his lawsuit against them, and the ladies from the local church, who want to save his soul… But Pops, calm at the eye of the storm, is going to do precisely what Pops wants to do…Stephen Adly Guirgis' fast-moving Rabelaisian tragicomedy was a Broadway hit and won multiple awards, including the Pulitzer Prize for Drama. His other plays include Jesus Hopped the A-Train, The Last Days of Judas Iscariot and The Motherf**ker with the Hat.This edition was published to coincide with the UK premiere at the Hampstead Theatre, London in May 2024.
Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition (Classical Presences)
by Nurit YaariHow does a theatrical tradition emerge in the fields of dramatic writing and artistic performance? How can a culture in which theatre played no part in the past create a theatrical tradition in the modern world? How do political and social conditions affect the encounter between cultures, and what role do they play in creating a theatre with a distinctive identity? This volume attempts to answer these and other questions in the first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years. Exploring how engagement with classical culture has shaped the evolution of Israel's theatrical identity, it draws on both dramatic and aesthetic issues - from mise en scène to 'post dramatic' performance - and offers ground-breaking analysis of a wide range of translations and adaptations of Greek drama, as well as new writing inspired by Greek antiquity. The detailed discussion of how the performances of these works were created and staged at key points in the development of Israeli culture not only sheds new light on the reception of ancient Greek drama in an important theatrical and cultural context, but also offers a new and illuminating perspective on artistic responses to the fateful political, social, and cultural events in Israel's recent history.
Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition (Classical Presences)
by Nurit YaariHow does a theatrical tradition emerge in the fields of dramatic writing and artistic performance? How can a culture in which theatre played no part in the past create a theatrical tradition in the modern world? How do political and social conditions affect the encounter between cultures, and what role do they play in creating a theatre with a distinctive identity? This volume attempts to answer these and other questions in the first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years. Exploring how engagement with classical culture has shaped the evolution of Israel's theatrical identity, it draws on both dramatic and aesthetic issues - from mise en scène to 'post dramatic' performance - and offers ground-breaking analysis of a wide range of translations and adaptations of Greek drama, as well as new writing inspired by Greek antiquity. The detailed discussion of how the performances of these works were created and staged at key points in the development of Israeli culture not only sheds new light on the reception of ancient Greek drama in an important theatrical and cultural context, but also offers a new and illuminating perspective on artistic responses to the fateful political, social, and cultural events in Israel's recent history.
Betts: Plays Two (Oberon Modern Playwrights)
by Torben BettsIncludes the plays Incarcerator, Five Visions of the Faithful, Silence and Violence, The Last Days of Desire, The Biggleswades.With an Introduction by David Pownall, and an essay by Peter CrazeA volume of language-rich, theatrically-ambitious tragedies. Betts’ hugely popular verse drama Incarcerator (White Bear and BAC) was a Time Out Critics' Choice, while his Five Visions of the Faithful (White Bear), is a series of uncompromising narratives exploring freedom, faith, death and desire. In Silence and Violence the wife of a war hero seduces a much-reviled sculptor as Betts examines the artist’s quest for self-expression in a Philistine state. Betts’ first radio play, The Last Days of Desire, was commissioned by the BBC.
Betts: Plays Three (Oberon Modern Playwrights)
by Torben BettsIncludes the plays The Optimist, The Swing of Things and The Company ManIn this third volume of his collected plays Torben Betts portrays a world of floundering, sub-alpha males and suicidally miserable women, of bullying parents, torturous childhoods and failing relationships, characters all baffled by the most basic question: how do we live good lives and be happy in the modern world?Set on Guy Fawke's Night The Optimist (2002) concerns a Government Defence Minister who must face up to the consequences of the choices he has made, both professionally and personally. The Swing of Things (2005) hilariously examines a world where status anxiety and affluenza seem to have corrupted the soul of a whole generation. In The Company Man (2006) a dying woman's last night is marred by the conflict between her accomplished yet emotionally damaged husband and their deeply troubled son.
Bette And Joan: Divine Feud
by Shaun Considine'An absolute must-read' VANITY FAIRBette Davis and Joan Crawford: two of the deadliest arch-rivals of all time. Born in the same year (though Davis swore 'Crawford is five years older than me if she's a day'), the two fought bitterly throughout their long and brilliant Hollywood careers. Joan became a star first, which always irked her rival, who suggested her success had come via the casting couch. 'It sure as hell beats the hard cold floor' was Crawford's scathing response. According to Davis, Crawford was not only a nymphomaniac but also 'vain, jealous and about as stable and trustworthy as a basket of snakes'. Crawford, in turn, accused Davis of stealing her glory and planning to destroy her.The two rivals fought over as many men as they did parts - when Bette fell in love with her co-star in DANGEROUS, Franchot Tone, Joan stepped in and married him. The women worked together only once, in the classic thriller WHATEVER HAPPENED TO BABY JANE?, in which their violent hatred of each other as rival sisters was no act.'Shaun Considine's story of the two divas is vastly informative and in parts hilarious' SUNDAY TELEGRAPH'Fascinating and vastly entertaining . . . all you want is more' TIME OUT 'Considine's well-researched book is an account of one of Hollywood's most extraordinary relationships' DAILY EXPRESS '[A] Scurrilously readable twin biography' MAIL ON SUNDAY'Considine's dual biography is a guilty pleasure' SUNDAY HERALD'Brilliant, outrageous and hysterical' Suranne Jones (Star of BBC One's Doctor Foster)
Betrayal: Betrayal; Monologue; One For The Road; Mountain Language; Family Voices; A Kind Of Alaska; Victoria Station; Precisely; The New World Order; Party Time; Moonlight: Ashes To Ashes; Celebration; Umbrellas; God's District; Apart From That (Pinter Plays Ser.)
by Harold Pinter'Betrayal is a new departure and a bold one . . . Pinter has found a way of making memory active and dramatic, giving an audience the experience of the mind's accelerating momentum as it pieces together the past with a combination of curiosity and regret. He shows man betrayed not only by man, but by time - a recurring theme which has found its proper scenic correlative . . . Pinter captures the psyche's sly manoeuvres for self-respect with a sardonic forgiveness . . . a master craftsman honouring his talent by setting it new, difficult tasks' New Society'There is hardly a line into which desire, pain, alarm, sorrow, rage or some kind of blend of feelings has not been compressed, like volatile gas in a cylinder less stable than it looks . . . Pinter's narrative method takes "what's next?" out of the spectator's and replaces it with the rather deeper "how?" and "why?" Why did love pass? How did these people cope with the lies, the evasions, the sudden dangers, panic and the contradictory feelings behind their own deftly engineered masks? The play's subject is not sex, not even adultery, but the politics of betrayal and the damage it inflicts on all involved.' The TimesFirst staged at the National Theatre in 1978, Betrayal was revived at the Almeida Theatre, London, in 1991. Twenty years after its first showing, it returned to the National in 1998.
Beth Henley: A Casebook (Casebooks on Modern Dramatists)
by Julia A. FesmireFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Beth Henley: A Casebook (Casebooks on Modern Dramatists #33)
by Julia A. FesmireFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.