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Bond Plays: Lear; The Sea; Narrow Road to the Deep North; Black Mass; Passion (Contemporary Dramatists)
by Edward BondThe internationally acclaimed dramatist Edward Bond endures as one of the towering figures of contemporary British theatre. His plays are read at schools and university level. "Edward Bond is the most radical playwright to have emerged from the sixtiLear - "Bond's greatest (and biggest) play ... It is even more topical now and will become more so as man's inhumanity gains subtle sophistication with the twenty-first century's approach" (The Times); The Sea - "It blends wild farce with tragedy and ends with a sliver of hope ... what makes the play fascinating is Bond's bleak poetry and social comedy" (Guardian); Narrow Road to the Deep North - "His best piece so far ... No one else could have written it" (The Times); Black Mass, written for performance at an anti-apartheid demonstration: "A Georg Grosz picture come to life ... the only possible kind of artistic imagery through which to speak of such evil" (Listener); Passion - a play for CND: "Mingles comedy and high anger with absolute sureness." (Guardian)Edward Bond is "one of our outstanding playwrights ... He is already an acknowledged classic" (Plays and Players)
Bond Plays: The Bundle; Human Cannon; Jackets; In the Company of Men (Contemporary Dramatists)
by Edward BondOne of Britain's greatest living contemporary dramatists, Edward Bond is widely studied by schools and colleges. The collection includes a commentary by the author.The Bundle - "A complex and marvellously written play" (The Times); Jackets - "An astonishingly powerful piece of political, polemic poetry" (Guardian); Human Cannon charts the struggle against Fascism in Spain through the stories of the village community of Estarobon; In the Company of Men, a vivid and coruscating attack on the values encapsulated by boardroom power games, was described by the RSC as "a vast meditation on the twenty-first century."Edward Bond "is one of the two or three major playwrights - and arguably the only one - to emerge since the fifties" (Observer)
Bond Plays: The War Plays; Choruses from After the Assassinations (Contemporary Dramatists)
by Edward BondPlays Six includes some of the most acclaimed work of Edward Bond, one of Britain's greatest living contemporary dramatists, who is widely studied by schools and colleges. The collection includes a commentary by the author.The collection includes The War Plays and Choruses from After the Assasinations. In The War Plays (Red Black and Ignorant, The Tin Can People, Great Peace): "Bond particularises daunting themes and subjects, but examines them within the context of every day life. His platform is a trilogy of plays that deal with the aftermath of a nuclear holocaust. The first, - a quick, telling chronicle of a life destroyed before it ever got lived - puts forth Bond's notions of contemporary cultural corruption and conditioning. In play two the demoralised inheritors of a ravaged earth try to rationalise an existence predicated on death. The third play enlarges the issues by focussing on a post-apocalyptic Mother Courage for whom schizoid suffering becomes a survival technique." (Time Out). In Choruses From After The Assassinations, Bond forecasts questions fifty years into the future, in an age of escalating militarism.Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)
Bond Plays: Innocence; Window, Tune, Balancing Act; The Edge (Contemporary Dramatists)
by Edward BondEdward Bond Plays:9 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope's Wedding, and Early Morning. The volume comprises five new plays and a comprehensive introduction by the author exploring theories of writing and theatre. Innocence is the final play in The Paris Pentad, a dramatic epic stretching from the 1940s to the end of the twenty-first century. The conflicts at the heart of civilisation have erupted into violence, and the characters in Innocence must seek refuge in each other to escape the cruelty of war.Window, Tune, Balancing Act and The Edge are plays commissioned by The Big Brum Theatre. With themes of drug use, violence, suicide, and mother-son relations, the plays focus on problems directly aimed at modern youth culture. Ideally suited to students, performers and particularly university showcases, they are short, interesting and powerful pieces. This edition also includes some of Bond's previously unpublished Theatre Poems.
Bond Plays: The Crime of the Twenty-First Century; Olly's Prison; Coffee (Contemporary Dramatists)
by Edward BondThe latest collection of plays by one of Europe's most important playwrights.THE CRIME OF THE TWENTY-FIRST CENTURY: The past has been abolished and geography - even the sky - is changed. A woman lives in a vast desert of white rubble. A tiny group of people comes seeking a hiding place - and is exposed to the deepest questions of human existence.OLLY'S PRISON: an ordinary city flat. Evening. A man tries to talk to his daughter. She will not answer. Slowly their world turns to tragedy and a search begins that lasts for years.COFFEE: A young man alone in a room. A stranger enters. Together they journey into a dark forest...When the men return to the daylight world, they are involved in a trivial incident. It is hardly more than a gesture - yet it is something that once happened and in its triviality captures the history of our century and confronts us with the deepest questions about ourselves."A great playwright - many, particularly in continental Europe, would say the greatest living English playwright." Independent"A play by one of Britain's greatest playwrights is an event." TES
Bombing People (Oberon Modern Playwrights)
by Roy SmilesBombing People was originally staged at Jermyn Street Theatre in 2000 (with a brilliant central performance from Michael Fitzgerald as the lead) and restaged in Sweden in 2006.It concerns Ralph Sherman, an advertising executive, who finds himself in an asylum in the Deep South in 1962 after an incident where he tried to attack President Kennedy outside of the UN building armed with only a tomato. As the play progresses he begins to tell the tale of the Enola Gay and his part in the atomic bombing of Hiroshima seventeen years before. Is it just another fantasy or was Ralph actually part of one of the most infamous acts in military history? Only by facing his true past, which he has long denied, can Ralph reclaim what is left of his sanity.
The Bomb: A Partial History (Oberon Modern Playwrights)
by Various VariousThe Bomb: A Partial History is a political history of the nuclear bomb and its proliferation from 1940 to the present day, staged as part of the ‘Tricycle Goes Nuclear’ season. Presented in two parts, FIRST BLAST: ‘Proliferation’ and SECOND BLAST: ‘Present Dangers’, ten leading playwrights tackle the nuclear weapons debate. This collection also includes ANADYR’ by Elena Gremina (translated from the Russian by Sasha Dugdale), which received a reading as part of the festival at the Tricycle Theatre.
Bold Girls (PDF)
by Rona Munro Elisabeth SharpThis play, a specified text for Revised Higher English, is the story of three women in war-torn Belfast. Although their men have been killed or imprisoned for their political activities, everyday life must go on. However, the arrival of a disturbing young girl and the revelations which follow threaten to disrupt their friendship. The main themes are largely domestic - relationships between women and within families, dreams and homemaking. The language is colloquial with Irish idioms, and many contemporary references, and there is a poignant ending. The play is aimed at students of English, particularly those studying Higher Grade English. In 1991 Rona Munro won the Susan Smith Blackburn Award and "The Evening Standard" Most Promising Playwright Award for "Bold Girls".
Boguslaw Schaeffer: An Anthology (Oberon Modern Playwrights)
by Boguslaw Schaeffer Magda RomanskaI place Boguslaw Schaeffer's genius firmly at the centre of the European cultural heritage which expressed avant-gardism during my lifetime.' Richard DemarcoThis anthology of plays by Boguslaw Schaeffer, a Polish playwright, composer, musicologist and graphic designer, includes his most frequently performed works: Scenario for a Non-Existing, but Possible Instrumental Actor (1976), Quartet for Four Actors (1979), and Scenario for Three Actors (1987). The plays are examples of Instrumental Theatre. Like Schaeffer’s microtonal compositions, they are carefully structured and employ cyclical repetitions, and codes. Schaeffer’s most famous instrumental play, the Quartet for Four Actors, has been so successful that it has been staged by practically every Polish theatre. Scenario for a Non-Existing, but Possible Instrumental Actor, opened in 1976 and has since been staged over 1,500 times around the world. During its 40-year run, it has been critically acclaimed and has won many awards, including the 1995 Grand Prix at New York’s Theatre Festival. Winner of many prestigious international awards, Scenario for Three Actors, has been a permanent fixture in many Polish theatres since its premiere. Schaeffer is a universal artist, unafraid to explore a range of fields, forms, and subject matter, and his theatre, like his music, defies previous, established conventions and techniques, surprising its audiences with innovative and invigorating form and style.
The Bogus Woman (Oberon Modern Plays)
by Kay AdsheadA young woman arrives in a strange country. A woman who has committed no crime. She is indefinitely confined, humiliated and racially and sexually abused. She witnesses her guards’ petty dishonesty and casual brutality. She sees innocents scapegoated and worst of all she hears the authorities lie and lie again. The country is England. It is 1997.The Bogus Woman was produced at the Traverse Theatre, Edinburgh in 2000 and at the Bush Theatre, London in 2001.
Body Voice Imagination: ImageWork Training and the Chekhov Technique (A\theatre Arts Book Ser.)
by David ZinderFirst published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
Body Voice Imagination: ImageWork Training and the Chekhov Technique
by David ZinderFirst published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
The Body of an American (Oberon Modern Plays)
by Dan O'BrienMogadishu, 1993. Paul is a Canadian photojournalist who is about to take a picture that will win him the Pulitzer Prize. Princeton, the present day, Dan is an American writer who is struggling to finish his play about ghosts. Both men live worlds apart but a chance encounter over the airwaves sparks an extraordinary friendship that sees them journey from some of the most dangerous places on earth to the depths of the human soul. Flying from Kabul to the Canadian High Arctic, The Body of an American sees two actors jump between more than thirty roles in an exhilarating new form of documentary drama. It urgently places these two men’s battles – both public and private – against a backdrop of some of the world’s most iconic images of war.
Body Movement: Coping with the Environment
by Irmgard Bartenieff Dori Lewis"'Irmgard Bartenieff has a profound knowledge of the human body and how it moves. I am delighted that this will now be made available to many more people.'." -- George Balanchine of Director, New York City Ballet"'Irmgard Bartenieff's pioneering work in the multiple applications of Labananalysis has had a transforming influence on many areas of movement training. Her careful and detailed development of the spatial principles into active corrective work has illuminated and altered the training of people as varied as dancers, choreographers, physical therapists, movement and dance therapists, and psychotherapists. Anthropologists and non-verbal communication researchers have found their world view necessarily altered by her fundamental innovations. The field of body/mind work will need to adapt to include her clear working through of basic principles.'." -- Kayla Kazahn Zalk of President, American Dance Guild
Body Movement: Coping with the Environment
by Irmgard Bartenieff Dori Lewis"'Irmgard Bartenieff has a profound knowledge of the human body and how it moves. I am delighted that this will now be made available to many more people.'." -- George Balanchine of Director, New York City Ballet"'Irmgard Bartenieff's pioneering work in the multiple applications of Labananalysis has had a transforming influence on many areas of movement training. Her careful and detailed development of the spatial principles into active corrective work has illuminated and altered the training of people as varied as dancers, choreographers, physical therapists, movement and dance therapists, and psychotherapists. Anthropologists and non-verbal communication researchers have found their world view necessarily altered by her fundamental innovations. The field of body/mind work will need to adapt to include her clear working through of basic principles.'." -- Kayla Kazahn Zalk of President, American Dance Guild
The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts
by Linda O KeeffeThe Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.
The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts
by Linda O Keeffe Isabel NogueiraThe Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.
The Body in Performance
by Patrick CampbellLively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area. Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.
The Body in Performance
by Patrick CampbellLively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area. Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.
The Body and the Arts
by Corinne SaundersThe Body and the Arts focuses on the dynamic relation between the body and the arts: the body as inspiration, subject, symbol and medium. Contributors from a variety of disciplines explore this relation across a range of periods and art forms, spanning medicine, literature from the classical period to the present, and visual and performing arts.
Body and Event in Howard Barker's Drama: From Catastrophe to Anastrophe in The Castle and Other Plays
by Alireza FakhrkonandehThis book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).
Bodies Unfinished (Oberon Modern Plays)
by Lewis HetheringtonAlan loves his work. He doesn't love his wife, his mother or his only child, so he aims to break free and live for himself. Alan’s going to sort this mess out – this huge, horrific mess that is his life. He’s got a plan. He’s going to stop playing the husband, the father, the son and find himself. He’s going to sort it out once and for all.Bodies Unfinished opens at The Brockley Jack Theatre on 12th July 2011.
The Bodies That Were Not Ours: And Other Writings
by Coco FuscoInterdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.Engaging and provocative, these essays, interviews, performance scripts and fotonovelas take readers on a tour of our current multicultural landscape. Fusco explores such issues as sex tourism in Cuba as a barometer of the island's entry into the global economy, Frantz Fanon's theorization of metropolitan blackness, and artistic and net activist responses to the effects of free trade on the Mexican populace. She interviews such postcolonial personnae as Isaac Julien, Hilton Als and Tracey Moffatt. Approaching the dynamics of cultural fusion from many angles, Fusco's satires, commentaries, and sociological inquiries collapse boundaries, and form a sustained meditation on how the forces of globalization impact upon the making of art.
The Bodies That Were Not Ours: And Other Writings
by Coco FuscoInterdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.Engaging and provocative, these essays, interviews, performance scripts and fotonovelas take readers on a tour of our current multicultural landscape. Fusco explores such issues as sex tourism in Cuba as a barometer of the island's entry into the global economy, Frantz Fanon's theorization of metropolitan blackness, and artistic and net activist responses to the effects of free trade on the Mexican populace. She interviews such postcolonial personnae as Isaac Julien, Hilton Als and Tracey Moffatt. Approaching the dynamics of cultural fusion from many angles, Fusco's satires, commentaries, and sociological inquiries collapse boundaries, and form a sustained meditation on how the forces of globalization impact upon the making of art.
The Bodies of Others: Essays on Ethics and Representation (Thinking Through Theatre)
by José A. SánchezAvailable in English for the first time, The Bodies of Others investigates, through a series of close readings of several theatrical and film productions in Europe and South America, the relationship between “representation” (including theatrical representation) and ethics (defined as an ongoing relational negotiation, as opposed to a set of universal moral laws).The main concepts are exposed through a comparative analysis of historical processes, political actions and artistic works from different periods. Thus, the dialogue between the film La carrose d'or by Jean Renoir (1952) and Rosa Cuchillo by Yuyachkani (2006) serves to address the problem of the multiple meanings of representation. The dialogue between the play El Señor Galíndez by Eduardo Pavlovsky (1973), the performance The Conquest of America by Las Yeguas del Apocalipsis (1989) and the novel 2666 (2004) by Roberto Bolaño allows the concept of an 'ethic of the body' to be addressed. Other key concepts such as identity, care, cruelty, violence, memory and testimony are considered through investigation of work such as Angelica Liddel's theatre pieces, Rabih Mroué and Lina Majdalanie's performances, Albertina Carri, Basilio Martín Patino and Apichatpong Weerasethakul's films, and Mapa Teatro's trans-disciplinary creations.