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The Oxford Handbook of Shakespeare and Race (Oxford Handbooks)
by Patricia AkhimiePremodern critical race studies, long intertwined with Shakespeare studies, has broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom. Replete with fresh readings of the plays and poems, The Oxford Handbook of Shakespeare and Race brings together some of the most important scholars thinking about the subject today. The volume offers a thorough overview of the most significant theoretical and methodological paradigms such as critical race theory, feminist, and postcolonial studies; a dynamic look at intersections of race with queer, trans, disability, and indigenous studies; and a vibrant array of new approaches from ecocriticism, to animality, and human rights, from book history, to scholarly editing, and repertory studies; and an exploration of Shakespeare and race in our contemporary moment through discussions of political activism, pedagogy, visual arts, film, and theatre. Woven through the collection are the voices of practicing theatre professionals who have grappled with the challenges of race and racism both in performance and in the profession itself.
The Oxford Handbook of the Global Stage Musical (Oxford Handbooks)
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Peggy Webling and the Story behind Frankenstein: The Making of a Hollywood Monster
by Peggy Webling Dorian Gieseler Greenbaum Professor Bruce GraverThe 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
People, Places and Things (Modern Plays)
by Duncan Macmillan"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial TimesEmma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York. This edition is published to coincide with the return to the West End in June, 2024
Performance Studies: Key Words, Concepts and Theories
by Bryan ReynoldsThe field of performance studies analyses the production and impact of on-stage performance, such as in a theatre or circus, and off-stage performance, such as cultural rituals and political protests. Performance Studies: Key Words, Concepts and Theories introduces students to 34 key topics seen as paramount to the future of performance studies in a series of short, engaging essays by an international team of distinguished scholars. Each essay contributes to the wide-ranging, adventurous and conscientious nature that makes performance studies such an innovative, valuable and exciting field.
Performing Folk Songs: Affect, Landscape and Repertoire
by Dr. Elizabeth BennettPerforming Folk Songs is the first full-length volume to explore English folk singing from the perspective of performance studies. Using archival sources, family repertoire and recorded performances of interviewees, this book argues that archives and repertoires are produced in sensory environments and through embodied encounters. Autoethnography, sensory ethnography, life-writing and landscape writing are used to explore the affective and emotional aspects of learning songs 'by heart'. Drawing on her experience as a folk singer, Bennett contributes to discourse on English folk traditions in the 21st century and brings performance scholarship to the contemporary folk song resurgence. In analyzing the performance of English folk songs in the affective context of the archive and the landscape, the book engages with and contributes original insights to scholarship on folk music, performance studies, affect theory, cultural geography and intangible cultural heritage studies.
Performing Left Populism: Performance, Politics and the People (Methuen Drama Agitations: Text, Politics and Performances)
by William C. Boles Anja HartlThis interdisciplinary volume offers new insights into the connections between populism and performance. As a driving force of the contemporary left, the populist logic offers a way for progressive politics to radicalize actions against the elite, fostering greater democratization of societies at a time of socio-political and environmental crisis. Exploring the populist roots of a number of performances, the contributors to this study analyze the potentials and limits of the new forms of left populism for more democratic ways of living together. Combining performance studies and political theory, Performing Left Populism demonstrates how various performance practices give rise to populism. It shows how both civic performances (including grassroots, civil movements, political speeches, state policies and media campaigns) and artistic performances (such as theatre, dance, music and artistic activism) contribute to these processes. By these means, the book examines the processes of constructing 'a people' through both the real/civic and imaginary/artistic perspectives. Offering scholars and practitioners a thought-provoking analysis of the ways in which performance can be viewed politically, as a social practice capable of mobilizing alternative ways of living and invigorating democracy, this study expands the debate about left populism towards strategies of mobilization, collectivism and democratic politics.
Pericles, Prince of Tyre
by William ShakespeareAfter Prince Pericles puzzles out a terrible secret about the king of Antioch, he flees the city and sets sail on his ship. His adventures bring him love and marriage, but his greatest tragedies and triumps lay ahead as he voyages home.
Peter Pan Goes Wrong: 2023 West End Edition (Modern Plays)
by Mr Henry Lewis Jonathan Sayer Mr Henry ShieldsIn one of Chris' productions, due to an ill-timed haircut Rapunzel had to be imprisoned in a bungalow. But now with no further ado, please put your hands together for J.M. Barrie's Christmas classic: Peter Pan!The inept and accident-prone Cornley Polytechnic Drama Society set out to present J. M. Barrie's classic tale of Peter Pan, their most audacious production to date. Flying? Pyrotechnics? Sharp hooks? What ensues is two acts of hysterical disaster. You'll laugh, they'll cry. Something so wrong has never been so right.From the mischievous minds of the West End and Edinburgh hit The Play That Goes Wrong comes this highly original, chaos-filled re-telling of J.M. Barrie's much-loved classic.Peter Pan Goes Wrong received its world premiere at the Pleasance Theatre, London, on 10 December 2013 and transferred to the West End on 4 December 2015. The show opened on Broadway on 19 April 2023, and this updated edition was published to coincide with the show returning to the West End for a limited 2023 Christmas season.
Pied Piper: A Hip Hop Family Musical (Plays for Young People)
by Conrad MurraySometimes they eat cheeseSometimes they eat breadThey even eat the tiny crumbs that fall under the bedThey eat jellyThey eat egg!They eat peasAnd stinky old brie….A rat will eat anything… anything… anything.It's the eve of the mayoral election, and the kids of Hamelin aren't happy. The mayor and owner of the local pie factory has imposed a music ban, and to make matters worse, there's a serious rat problem. But, there have been whispers of a mysterious rat catcher in town… people listen to the powerful message created by his singing… his pipes... Can this curious stranger help Hamelin to find its voice once more? Conrad Murray's Pied Piper is a raucous musical re-imagining of a medieval fairy-tale. The original production featured a hugely talented cast of beatboxers, musicians and special guest performances from the local community.A Battersea Arts Centre, Beatbox Academy & rODIUM co-production conceived, written and co-directed by Conrad Murray, this edition was published to coincide with the start of the UK tour at Battersea Arts Centre, London, in October 2023.
Plays from Contemporary Hungary: Prah, Prime Location, Sunday Lunch, The Dead Man, The Bat (Methuen Drama Play Collections)
by Krisztina Tóth Janos Hay György SpiróA unique collection of five contemporary plays from 21st-century Hungary, translated into English for the first time. Written by some of Hungary's most highly prolific and commercially successful dramatic voices, these plays are being produced in their native Hungary by theatres that do not adhere to Viktor Orbán's values and offer a counterpoint to the commercial Boulevard Theatre scene of Budapest.Translator and theatre-maker Szilvi Naray-Davey champions these unheard voices through her performable and dramatically engaging translations. The plays are aimed at micro-budget productions and offer a special opportunity for students and small theatre companies alike to engage with these witty, politically irreverent plays, finally in English.Each of the selected playwrights has been in direct conflict with the Hungarian government and has been demonised by the state-controlled press. The five plays are thematically threaded together by their common use of strong leading female protagonists with an overarching theme of the family unit. Through the edited introduction the themes and feminine translation strategy discusses how the plays offer a microcosmic lens for understanding the paradox that today's Hungary exemplifies, making this a necessary study into the world of contemporary Hungary through drama.
The Plays of Maura Laverty: Liffey Lane, Tolka Row, A Tree in the Crescent
Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.
Polyeucte
by Pierre CorneilleThis is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.