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Measure for Measure: With The Historie Of Promos And Cassandra... .

by William Shakespeare Julia Briggs Nicholas Arnold J. M. Nosworthy

In the Duke's absence from Vienna, his strict deputy Angelo revives an ancient law forbidding sex outside marriage. The young Claudio, whose fiancée is pregnant, is condemned to death by the law. His sister Isabella, soon to become a nun, pleads with Lord Angelo for her brother's life. But her purity so excites Angelo that he offers her a monstrous bargain - he will save Claudio if Isabella will visit him that night.

The Comedy of Errors: Webster's Italian Thesaurus Edition

by William Shakespeare Stanley Wells Randall Martin Paul Edmondson

Two sets of identical twins, separated at sea as children, find themselves in the same city for the first time as adults. Soon, their friends mistake the twins for one another and bewilderment abounds, as the wife of one man declares the other to be her husband, pronouncing him mad when he denies the claim. Exuberant, complex and brilliantly farcical, this is a hilarious comedy of confusion and ultimate reunion.

The Taming of the Shrew: Literary Touchstone Classic

by William Shakespeare G. R. Hibbard M. J. Kidnie

The beautiful but sharp-tongued Katherina has sworn never to accept the demands of any would-be husband. But when she is pursued by the wily Petruchio, it seems that she has finally met her match. And as he meets her own caustic words with a feigned, capricious cruelty, Katherina quickly comes to understand the absurdity of her shrewish behaviour, in one of the greatest of all comic battles of the sexes.

Troilus and Cressida: Webster's Korean Thesaurus Edition (The\arden Shakespeare Third Ser. #Vol. 24)

by William Shakespeare Colin Burrow R. A. Foakes

It is the seventh year of the Trojan War. The Greek army is camped outside Troy and Achilles - their military hero - refuses to fight. Inside the city Troilus, the Trojan King's son, falls in love with Cressida, whose father has defected to the Greek camp. In an exchange of prisoners the couple are split - they believe forever. The honour of lovers and soldiers is tested as a fierce battle begins and heroes must prove their worth.

Twelfth Night: Shakespeare Appreciated

by William Shakespeare Michael Dobson M. Mahood

One of the best-loved comedies ever written, Twelfth Night is perhaps Shakespeare's most lyrical as well as most experimental play. This Penguin Shakespeare edition is edited by M. M. Mahood with an introduction by Michael Dobson. 'If music be the food of love, play on...' Separated from her twin brother Sebastian after a shipwreck, Viola disguises herself as a boy to serve the Duke of Illyria. Wooing a countess on his behalf, she is stunned to find herself the object of his beloved's affections. With the arrival of Viola's brother, and a trick played upon the countess's steward, confusion reigns in this romantic comedy of mistaken identity. This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Twelfth Night, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary. William Shakespeare was born some time in late April 1564 in Stratford-upon-Avon and died in 1616. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. Stanley Wells is Emeritus Professor of the University of Birmingham and Honorary President of the Shakespeare Birthplace Trust. Michael Dobson is Director of the Shakespeare Institute and Professor of Shakespeare Studies at the University of Birmingham.'Unrequited love, melancholy, cruelty and joy held together in perfect balance' - Nicholas Hytner

Electra and Other Plays: Electra And Other Plays (Penguin Classics Series)

by Sophocles David Raeburn Pat Easterling

Sophocles’ innovative plays transformed Greek myths into dramas featuring complex human characters, through which he explored profound moral issues. Electra portrays the grief of a young woman for her father Agamemnon, who has been killed by her mother’s lover. Aeschylus and Euripides also dramatized this story, but the objectivity and humanity of Sophocles’ version provides a new perspective. Depicting the fall of a great hero, Ajax examines the enigma of power and weakness combined in one being, while the Women of Trachis portrays the tragic love and error of Heracles’ deserted wife Deianeira, and Philoctetes deals with the conflict between physical force and moral strength.

Plays and Fragments: The Plays And Fragments (World's Classics)

by Norma Miller Menander

Menander (c. 341-291 BC) was the foremost innovator of Greek New Comedy, a dramatic style that moved away from the fantastical to focus upon the problems of ordinary Athenians. This collection contains the full text of 'Old Cantankerous' (Dyskolos), the only surviving complete example of New Comedy, as well as fragments from works including 'The Girl from Samos' and 'The Rape of the Locks', all of which are concerned with domestic catastrophes, the hazards of love and the trials of family life. Written in a poetic style regarded by the ancients as second only to Homer, these polished works - profoundly influential upon both Roman playwrights such as Plautus and Terence, and the wider Western tradition - may be regarded as the first true comedies of manners.

The Miser and Other Plays

by David Wood David Coward Jean-Baptiste Moliere

Molière combined all the traditional elements of comedy - wit, slapstick, spectacle and satire - to create richly sophisticated and enduringly popular dramas. The Miser is the story of Harpagon, a mean-spirited old man who becomes obsessed with making money out of the marriage of his children, while The Hypochondriac, another study in obsession, is a brilliant satire on the medical profession. The School for Wives, in which an ageing domestic tyrant is foiled in his plans to marry his young ward, provoked such an outcry that Molière followed it with The School for Wives Criticized - a witty retort to those who disapproved of the play's supposed immorality. And while Don Juan is the darkest and most tragic of all the plays in this collection, it still mocks the soullessness of the skinflint with scathing irony.

The School for Scandal and Other Plays: The Critic (Oxford World's Classics)

by Richard Sheridan Eric Rump

The three plays collected in this volume demonstrate Sheridan's unerring ability to create unrivalled comedy out of ingenious plots, witty repartee, farcical situations and flamboyant characters. And while he never overtly moralizes, Sheridan uses brilliant comedy to deflate hypocrisy and satirize the manners of his age. In The Rivals, Captain Absolute becomes his own rival for the hand of Lydia Languish - wooing her under another name, while her aunt, the verbally inept Mrs Malaprop, wishes her to marry the real Captain. School for Scandal continues the theme of imposture when Sir Oliver tests his nephews by appearing to them in disguise, and learns that reputation and the approval of society are of little value. And The Critic, featuring the pompous Puff and the arrogant Sneer, is a mocking depiction of the theatre, playwrights and, of course, critics.

The Misanthrope and Other Plays

by John Wood David Coward Jean-Baptiste Moliere

In the seventeenth century, Molière raised comedy to the pitch of great art and, three centuries later, his plays are still a source of delight. He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.

The Birds and Other Plays

by Aristophanes David Barrett Alan H. Sommerstein

The plays in this volume all contain Aristophanes' trademark bawdy comedy and dazzling verbal agility. In THE BIRDS, two frustrated Athenians join the birds to build the utopian city of 'Much Cuckoo in the Clouds'. THE KNIGHTS is a venomous satire on Cleon, a prominent Athenian demagogue, while THE ASSEMBLY WOMEN deals with the battle of the sexes as the women of Athens infiltrate the all-male Assembly in disguise. The lengthy conflict with Sparta is the subject of PEACE, inspired by the hope of a settlement in 421 BC, and WEALTH reflects on the economic catastrophe that hit Athens after the war.

Journey's End (Penguin Modern Classics)

by R. C. Sherriff

Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ...Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story

by Stanley Wells

'Enjoyable, lively … such a pleasure to read … renders the drama of Shakespeare’s contemporaries more than fringe entertainment’ Independent Shakespeare is one of the greatest of all English figures, considered a genius for all time. Yet as this enthralling book shows, he was at heart a man of the theatre, one among a community of artists in the teeming world of Renaissance London – from the enigmatic spy Christopher Marlowe to the self-aggrandizing Ben Jonson, from the actor Richard Burbage to the brilliant Thomas Middleton. By bringing Shakespeare’s contemporaries to life, Shakespeare & Co throws fresh new light on the man himself. ‘Warm, cheerful, generous … Wells sketches a whole gallery of Shakespeare’s fellow playwrights … He brings each vividly to life, making you feel that you’ve met them personally in some Blackfriars tavern’ Simon Callow ‘It was a time and place teeming with excitement, anecdote and incident, and Wells, in this richly enjoyable work, brings it to life with a novelist’s sense of the telling detail’ Dominic Dromgoole ‘Enthralling’ Observer‘This is one of the most sane and exciting books on Shakespeare I have read for a long time’ Scotland on Sunday

The Pot of Gold and Other Plays (Penguin Classics Series)

by Plautus

One of the supreme comic writers of the Roman world, Plautus (c.254-184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare's The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types - including deceitful twins, scheming slaves, bitter old men and swaggering soldiers - creating an entertaining critique of Roman life and values.

The Complete Plays: Dr. Faustus (The Everyman Library #No. 102)

by Christopher Marlowe

Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in THE JEW OF MALTA, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

Shakespearean Tragedy: Lectures On Hamlet, Othello, King Lear And Macbeth (Barnes And Noble Library Of Essential Reading)

by John Bayley A. Bradley

A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become "real" at all' writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth.Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.

Iphigenia, Phaedra, Athaliah

by Jean Racine John Cairncross

Strongly influenced by Classical drama, Jean Racine (1639-99) broke away from the grandiose theatricality of baroque drama to create works of intense psychological realism, with characters manipulated by cruel and vengeful gods. Iphigenia depicts a princess's absolute submission to her father's will, despite his determination to sacrifice her to gain divine favour before going to war. Described by Voltaire as 'the masterpiece of the human mind', Phaedra shows a woman's struggle to overcome her overwhelming passion for her stepson - an obsession that brings destruction to a noble family. And Athaliah portrays a ruthless pagan queen, who defies Jehovah in her desperate attempt to keep the throne of Jerusalem from its legitimate heir.

The Importance of Being Earnest and Other Plays: With Facsimile Of First-night Programme (aziloth Books) (Collected Works Of Oscar Wilde #Vol. 9)

by Oscar Wilde Richard Cave

Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. Includes Lady Windermere's Fan, Salome, A Woman of No Importance, An Ideal Husband, A Florentine Tragedy and The Importance of Being Earnest, which appears in full with the "Grigsby" scene which originally made up the fourth act.

The Robbers and Wallenstein (Penguin Classics Series)

by Friedrich Schiller F. Lamport

Friedrich Schiller (1759-1805) was one of the most influential of all playwrights, the author of deeply moving dramas that explored human fears, desires and ideals. Written at the age of twenty-one, The Robbers was his first play. A passionate consideration of liberty, fraternity and deep betrayal, it quickly established his fame throughout Germany and wider Europe. Wallenstein, produced nineteen years later, is regarded as Schiller's masterpiece: a deeply moving exploration of a flawed general's struggle to bring the Thirty Years War to an end against the will of his Emperor. Depicting the deep corruption caused by constant fighting between Protestants and Catholics, it is at once a meditation on the unbounded possible strength of humanity, and a tragic recognition of what can happen when men allow themselves to be weak.

Japanese No Dramas

by Royall Tyler

Japanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.

Lysistrata and Other Plays: The Acharnians, The Clouds, Lysistrata

by Aristophanes Alan H. Sommerstein

Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist. This collection includes Lysistrata, the hilariously bawdy anti-war fantasy; The Acharnians, a plea for peace set against the background of the long war with Sparta; and The Clouds, a satire on contemporary philosophy.

Faust, Part I: Ein Mythos Und Seine Bearbeitungen (Faust)

by David Constantine Goethe

Goethe's Faust reworks the late-medieval myth of Dr Faust, a brilliant scholar so disillusioned he resolves to make a contract or wager with the devil, Mephistopheles. The devil will do all he asks on Earth and seek to grant him a moment in life so glorious that he will wish it to last for ever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe's great work the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a life beyond his study and - in rejuvenated form - winning the love of the charming and beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire and self-delusion, Faust, served by the devil, heads inexorably towards destruction.

Medea and Other Plays: Medea And Other Plays (World's Classics)

by Euripides Philip Vellacott

Medea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking and horrific of all the Greek tragedies. Dominating the play is Medea herself, a towering and powerful figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis, a tragicomedy, is based on a magical myth in which Death is overcome, and The Children of Heracles examines the conflict between might and right, while Hippolytus deals with self-destructive integrity and moral dilemmas. These plays show Euripides transforming the awesome figures of Greek mythology into recognizable, fallible human beings.

The Oresteian Trilogy (Penguin Classics)

by Aeschylus Philip Vellacott

Aeschylus (525-c.456 bc) set his great trilogy in the immediate aftermath of the Fall of Troy, when King Agamemnon returns to Argos, a victor in war. Agamemnon depicts the hero's discovery that his family has been destroyed by his wife's infidelity and ends with his death at her callous hand. Clytemnestra's crime is repaid in The Choephori when her outraged son Orestes kills both her and her lover. The Eumenides then follows Orestes as he is hounded to Athens by the Furies' law of vengeance and depicts Athene replacing the bloody cycle of revenge with a system of civil justice. Written in the years after the Battle of Marathon, The Oresteian Trilogy affirmed the deliverance of democratic Athens not only from Persian conquest, but also from its own barbaric past.

Plays: The Seagull [and] The Cherry Orchard

by Anton Chekhov Peter Carson

At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The Seagull contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of Uncle Vanya, his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In Three Sisters the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy The Cherry Orchard portrays characters futilely clinging to the past as their land is sold from underneath them.

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