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The Routledge Anthology of British Women Playwrights, 1777-1843
by Thomas C. Crochunis Michael E. SinatraThe Routledge Anthology of British Women Playwrights, 1777-1843 brings together ten eclectic plays by female dramatists and writers, to stimulate a rich discussion of women, writing, and theatre history. Ranging through tragedy, comedy, musical theatre and mixed-genre texts, this volume celebrates the breadth and experimental spirit of women's eighteenth- and nineteenth-century dramatic writing. Each play is accompanied by an introductory essay that addresses its sociopolitical and theatrical contexts, and outlines its performance and reception history. The selections included here invite teachers and their students to study particular works by authors of note, but also to consider the differences between works written for page and stage. While many of the plays are recognizable as published dramas, they have been placed alongside textual artifacts that suggest plays or theatrical events of which no definitive record exists, as well as supplementary materials that invite teachers to engage their students in exploring women's dramatic writing in this era. Organized in chronological order, The Routledge Anthology of British Women Playwrights, 1777-1843 traces a history of women's writing across genres and styles, offering an invaluable resource to students and teachers alike.
The Routledge Anthology of British Women Playwrights, 1777-1843
by Thomas C. Crochunis Michael E. SinatraThe Routledge Anthology of British Women Playwrights, 1777-1843 brings together ten eclectic plays by female dramatists and writers, to stimulate a rich discussion of women, writing, and theatre history. Ranging through tragedy, comedy, musical theatre and mixed-genre texts, this volume celebrates the breadth and experimental spirit of women's eighteenth- and nineteenth-century dramatic writing. Each play is accompanied by an introductory essay that addresses its sociopolitical and theatrical contexts, and outlines its performance and reception history. The selections included here invite teachers and their students to study particular works by authors of note, but also to consider the differences between works written for page and stage. While many of the plays are recognizable as published dramas, they have been placed alongside textual artifacts that suggest plays or theatrical events of which no definitive record exists, as well as supplementary materials that invite teachers to engage their students in exploring women's dramatic writing in this era. Organized in chronological order, The Routledge Anthology of British Women Playwrights, 1777-1843 traces a history of women's writing across genres and styles, offering an invaluable resource to students and teachers alike.
Routes (Modern Plays)
by Rachel De-LahayAnka got in and is here for good.Olufemi is being coached to break back in.Bashir has been here forever but he's just been sent to limbo.Lisa wants to send them all home. Welcome to England.A journey into to the heart of what it is to be a citizen, and finding a place where you belong.A cutting new play about immigration and exile, and what happens when people fall through the cracks, Routes opens up the borders of friendship and family.
Routes (Modern Plays)
by Rachel De-LahayAnka got in and is here for good.Olufemi is being coached to break back in.Bashir has been here forever but he's just been sent to limbo.Lisa wants to send them all home. Welcome to England.A journey into to the heart of what it is to be a citizen, and finding a place where you belong.A cutting new play about immigration and exile, and what happens when people fall through the cracks, Routes opens up the borders of friendship and family.
The Roundabout (Oberon Modern Plays)
by J. B. Priestley‘Communism’s all right for a gentleman like yourself, but you’ll get over it.’ The Kettlewells are a dysfunctional family. Richard is an old Etonian whose business ventures are failing. Over one crowded weekend, his daughter Pamela, whom he hardly knows, returns from Russia, a passionate communist; his ex-wife and mistress both turn up; and his butler has a big win at the races. The Roundabout is a funny, touching, highly perceptive look at England in the 1930s, when it looked, just possibly, as if the social order might be changing.
Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018
by Hilary Fannin Arthur Riordan Sonya Kelly Shane Mac Bhaird Morna Regan Ellen CranitchCelebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird – as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change.
Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018
by Hilary Fannin Arthur Riordan Sonya Kelly Shane Mac Bhaird Morna Regan Ellen CranitchCelebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird – as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change.
Rough Girls (Modern Plays)
by Tara Lynne O'Neil'Football is all very well as a game for Rough Girls but it is hardly suitable for delicate boys.' Oscar Wilde The making of Belfast's first all-female football team.This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 – 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time. This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
Rough Girls (Modern Plays)
by Tara Lynne O'Neil'Football is all very well as a game for Rough Girls but it is hardly suitable for delicate boys.' Oscar Wilde The making of Belfast's first all-female football team.This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 – 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time. This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
Rough Crossings: Britain, The Slaves And The American Revolution (Oberon Modern Plays)
by Simon Schama Caryl PhilipsSimon Schama’s extraordinary novel in a new stage adaptation by Caryl Philips.As the American War of Independence reaches its climax, a plantation slave and a British Naval Officer embark on an epic journey in search of freedom. Divided by barriers of race but united in their ambitions for equality, their convictions will change attitudes towards slavery forever. Sweeping from the Deep South of America to the scorched earth of West Africa, Rough Crossings is a compelling true story that marks the 200th anniversary of the abolition of the slave trade in the British Empire. Rough Crossings was staged by Headlong Theatre Company which opened at Birmingham Rep in September 2007 and toured the Lyric Hammersmith, Liverpool Playhouse and West Yorkshire Playhouse.
Rotterdam (Modern Plays)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016.
Rotterdam (Modern Plays)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015
Rotterdam (Modern Plays)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016.
Rotterdam (Modern Plays)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015
Rotterdam (Student Editions)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, this volume contains:- an introduction outlining the plays themes, context and performance history- the full text of the play- extensive textual notes- questions for further study.
Rotterdam (Student Editions)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, this volume contains:- an introduction outlining the plays themes, context and performance history- the full text of the play- extensive textual notes- questions for further study.
Rosmersholm (Oberon Modern Plays)
by Henrik Ibsen Duncan MacmillanDuncan Macmillan's stunning and resonant adaptation of Henrik Ibsen’s Rosmersholm. This revival of a masterpiece charts love, politics, past and future, with plenty of twists thrown in for good measure. Rosmersholm is positioned against the backdrop of a looming election, an atmosphere of uncertainty and a bloodthirsty press. In the grand house of an influential dynasty, John Rosmer holds the future in his hands. As he wanders the line between idealism and a painful past, he finds himself ever more torn.Award-winning writer and director Duncan Macmillan has a glittering resume of stage works to his name, including the highly acclaimed People Places and Things and Every Brilliant Thing. He has accrued an array of awards throughout his career and has twice been nominated for an Olivier Award for Best New Play.
Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing: Text and Performance (Text and Performance)
by Robert GordonVery few modern plays have generated as much excitement in the theatre as Rosencrantz and Guildenstern Are Dead, Jumpers and The Real Thing. Are they merely witty entertainments or do they demand consideration as serious works of dramatic art? The metatheatrical form of each of the plays is shown to reflect Stoppard's view that the human race has suffered an irreversible fall from grace. Part I analyses how philosophical themes are articulated through the travesty of clichd literary and theatrical forms. Part II evokes a sense of the dazzling comic experience created by the first performance of each play.
Rosencrantz and Guildenstern Are Dead: Downloadable Response Journal (Tom Stoppard Ser.)
by Tom StoppardRosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.'One of the most original and engaging of post-war plays.' Daily Telegraph
The Rose Tattoo and Other Plays (Penguin Modern Classics)
by Tennessee WilliamsIn these three exotic, steamy dramas Tennessee Williams portrays loss, faded lives and passionate love affairs.The Rose Tattoo is set in a bustling, Sicilian-American community, where newly widowed Serafina is paralysed by grief, until she has her romantic illusions about her dead husband shattered and rediscovers her true nature as a fiery prima donna, in a life-affirming celebration of love and sex. Tennessee Williams explores a new 'wild and unrestricted' theatrical form in the colourful tropical fantasy Camino Real, while Orpheus Descending, however, takes us into the dark territory of the Deep South: the corrupt hell of a small, brutal township, where a forbidden and tragic love affair sparks horrific violence.
Rose Rage: Adapted from Shakespeare's Henry VI plays (Oberon Modern Plays Ser.)
by William Shakespeare Edward Hall Roger WarrenA startling adaptation of Shakespeare’s Henry VI trilogy, presented by Propellor Productions at the Watermill Theatre, Newbury in 2001. It tells the exciting collapse of Henry V’s empire and the chaos of the Wars of the Roses, from which arises the anarchic figure of the future Richard III.
Rose Campion and the Curse of the Doomstone (Rose Campion)
by Lyn GardnerBusiness has never been better for Campion's Palace of Variety and Wonders - and the music hall is about to open its doors to its biggest act yet: the Illustrious Gandini, the stage magician known as the Great Wizard of the North. But when the Doomstone Diamond - a priceless jewel with a disturbing history - is stolen during one of Gandini's performances, Campion's finds itself under threat once more, and Rose Campion and her friends will need all their wits about them to find the thief and uncover the secrets of the magician's mysterious past...
Rose (Modern Plays)
by Martin ShermanI'm eighty years old. I find that unforgivable and suddenly it's a millennium and I stink of the past century, but what can I do?Rose is a survivor. Her remarkable life began in a tiny Russian village, took her to Warsaw's ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavoured nights in Miami beach.The play is both a sharply drawn portrait of a feisty Jewish woman and a moving reminder of some of the events that shaped the century.Rose, written by the celebrated author of Bent, premiered in May 1999 at the Royal National Theatre London.
Rose: Cracks; Bent; Messiah; Rose (Modern Plays)
by Martin ShermanI'm eighty years old. I find that unforgivable and suddenly it's a millennium and I stink of the past century, but what can I do?Rose is a survivor. Her remarkable life began in a tiny Russian village, took her to Warsaw's ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavoured nights in Miami beach.The play is both a sharply drawn portrait of a feisty Jewish woman and a moving reminder of some of the events that shaped the century.Rose, written by the celebrated author of Bent, premiered in May 1999 at the Royal National Theatre London.