Browse Results

Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the Help Center.

Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.

• Bookshare Web Reader - A customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
• DAISY (Digital Accessible Information System) - A digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
• BRF (Braille Refreshable Format) - Digital Braille for use with refreshable Braille devices and Braille embossers.
• MP3 (MPEG audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
• DAISY Audio - Similar to the DAISY option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivonas Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.
• EPUB - A standard e-book format that can be read on many tools, such as iBooks, Readium or others.
• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

Ulster American (Modern Plays)

Would you mind if I asked you a troubling question?Jay is the Oscar-winning actor taking the lead in a new play that connects with his Irish roots. Leigh is the ambitious director who will do anything to get noticed. Ruth is the Northern Irish playwright whose voice must be heard.The stage is set for great success, but when the three meet to discuss the play's challenges and provocations, a line is crossed and the heated discussion quickly escalates to a violent climax. Exploring consent, abuses of power and the confusions of cultural identity, Ulster American is confrontational, brutally funny and not for the faint of heart. David Ireland's recent plays include Cyprus Avenue which won the James Tait Black Award 2017 and Best Play at the Irish Times Theatre Awards 2017. This edition is published to coincide with the world premiere at the Traverse Theatre, Edinburgh, in summer 2018.

Ulster American (Modern Plays)

Would you mind if I asked you a troubling question?Jay is the Oscar-winning actor taking the lead in a new play that connects with his Irish roots. Leigh is the ambitious director who will do anything to get noticed. Ruth is the Northern Irish playwright whose voice must be heard.The stage is set for great success, but when the three meet to discuss the play's challenges and provocations, a line is crossed and the heated discussion quickly escalates to a violent climax. Exploring consent, abuses of power and the confusions of cultural identity, Ulster American is confrontational, brutally funny and not for the faint of heart. David Ireland's recent plays include Cyprus Avenue which won the James Tait Black Award 2017 and Best Play at the Irish Times Theatre Awards 2017. This edition is published to coincide with the world premiere at the Traverse Theatre, Edinburgh, in summer 2018.

Ulster American (Modern Plays)

Would you mind if I asked you a troubling question?An Oscar-winning American actor, an English director and a Northern Irish playwright are about to begin rehearsals for a new play - one that could transform each of their careers. But when it turns out that they're not on the same page, the night threatens to spiral out of control.Power dynamics, cultural identity and the perils of being a woman in the entertainment industry; nothing is off limits in this pitch-black comedy from the award-winning playwright David Ireland.This edition is published to coincide with the revival at Riverside Studios, London, in December 2023.

Ulster American (Modern Plays)

Would you mind if I asked you a troubling question?An Oscar-winning American actor, an English director and a Northern Irish playwright are about to begin rehearsals for a new play - one that could transform each of their careers. But when it turns out that they're not on the same page, the night threatens to spiral out of control.Power dynamics, cultural identity and the perils of being a woman in the entertainment industry; nothing is off limits in this pitch-black comedy from the award-winning playwright David Ireland.This edition is published to coincide with the revival at Riverside Studios, London, in December 2023.

Ukrainian New Drama after the Euromaidan Revolution: Take the Rubbish Out, Sasha; A Time Traveller's Guide to Donbas; Pilates Time; Bomb; House of Ghosts. Why. We. Fled. Donbas; I Don't Remember the Name; The Mother by Gorky; Tolyk the Diaryman

Ukraine's remarkable aptitude for resilience and grassroots activism, as witnessed since February 2022, is closely connected to a process that began with the Euromaidan Revolution in 2013-14, when over two million Ukrainians took to the streets in defense of democracy and human rights. In the months directly following the Revolution, Russia illegally occupied Ukraine's Crimean Peninsula, and began funneling both arms and troops into the eastern region of Donbas to fuel a conflict between the Ukrainian army and a small group of radical separatists. Since that time, Ukrainians have been working diligently to build the society in which they have wanted to live, all while fighting Russia and its proxies in Europe's forgotten war. Ukrainian New Drama After the Euromaidan Revolution brings together key works from the country's impressively generative post-Revolutionary period, many of them published here in English for the first time. As well as established voices from the European theatre repertoire such as Natalka Vorozhbyt and Maksym Kurochkin, this collection also features iconic plays from Ukraine's post-Maidan generation of playwrights Natalka Blok, Andrii Bondarenko, Anastsiia Kosodii, Lena Lagushonkova, Olha Matsiupa, and Kateryna Penkova. Considered together, these plays reflect the diversity of voices in Ukraine as a country seeking to comprehend both the personal and political consequences of the Revolution, the war, and all that has come since. A key element to the remarkable culture of defiance and resistance that Ukrainians created in these years has been new approaches to arts activism, particularly in the performing arts. In the eight years between Euromaidan and the full-scale invasion, Ukraine witnessed an incredible boom in socially engaged performance practice. Playwriting in particular has become an essential genre through which artists have sought to bear witness to the repercussions of the war and to create spaces for the reclaiming of historical and cultural narratives; Ukrainian New Drama After the Euromaidan Revolution captures this spirit and published this necessary and vital work in English for the very first time.

Ukrainian New Drama after the Euromaidan Revolution: Take the Rubbish Out, Sasha; A Time Traveller's Guide to Donbas; Pilates Time; Bomb; House of Ghosts. Why. We. Fled. Donbas; I Don't Remember the Name; The Mother by Gorky; Tolyk the Diaryman

Ukraine's remarkable aptitude for resilience and grassroots activism, as witnessed since February 2022, is closely connected to a process that began with the Euromaidan Revolution in 2013-14, when over two million Ukrainians took to the streets in defense of democracy and human rights. In the months directly following the Revolution, Russia illegally occupied Ukraine's Crimean Peninsula, and began funneling both arms and troops into the eastern region of Donbas to fuel a conflict between the Ukrainian army and a small group of radical separatists. Since that time, Ukrainians have been working diligently to build the society in which they have wanted to live, all while fighting Russia and its proxies in Europe's forgotten war. Ukrainian New Drama After the Euromaidan Revolution brings together key works from the country's impressively generative post-Revolutionary period, many of them published here in English for the first time. As well as established voices from the European theatre repertoire such as Natalka Vorozhbyt and Maksym Kurochkin, this collection also features iconic plays from Ukraine's post-Maidan generation of playwrights Natalka Blok, Andrii Bondarenko, Anastsiia Kosodii, Lena Lagushonkova, Olha Matsiupa, and Kateryna Penkova. Considered together, these plays reflect the diversity of voices in Ukraine as a country seeking to comprehend both the personal and political consequences of the Revolution, the war, and all that has come since. A key element to the remarkable culture of defiance and resistance that Ukrainians created in these years has been new approaches to arts activism, particularly in the performing arts. In the eight years between Euromaidan and the full-scale invasion, Ukraine witnessed an incredible boom in socially engaged performance practice. Playwriting in particular has become an essential genre through which artists have sought to bear witness to the repercussions of the war and to create spaces for the reclaiming of historical and cultural narratives; Ukrainian New Drama After the Euromaidan Revolution captures this spirit and published this necessary and vital work in English for the very first time.

The Ugly Spirit (Oberon Modern Plays)

Berlin. 1973.A soprano lies dead on a blanket.The human mind will not function when it is hot. Only when it is cool and dispassionate.If you are not careful you will no longer be human. If you are not careful you will become animals covered in sand. You are our descendants. You are very special.Some of you are to be precisely registered and preserved. You will become our most important historical monument.’Bessie and Jessie have been stuck in a bombed ballroom. They are also stuck together. There appears to be no escape. Bessie is happy to be stuck. Surely it is better than being alone? Jessie often went blue as a child.Jessie clutches the last unopened Christmas present.They are instructed by a voice, The Special Detachment, who only eats strawberries, and keeps the world in order.Bessie and Jessie have a model train set. The train is driven by a live rodent. The train has been moving for too many years.The train is about to fall off its tracks.

Ugly Chief (Oberon Modern Plays)

In 2013, Mike was diagnosed with Motor Neurone Disease and given five years to live. Mike’s daughter Victoria was put in charge of planning the funeral.But a year later the doctors realised they had misdiagnosed Mike. Victoria and Mike decided to go ahead with the funeral anyway and Victoria went to Port Talbot to train as a funeral director. Ugly Chief plays out the funeral Victoria planned.

Ugly (Oberon Modern Plays)

In a world ever more focused upon global warming, climate change and the increased scarcity of resources Ugly is a dark comedy set in a future where food and water are dangerously scarce. A tale of four people who may have to kill their angels and become more like their devils if they are going to survive. Emotional, intense and visceral, this play breaks rules. It will also break your heart…Ugly is not pretty, a timely reminder of what we are doing to our planet.....reading it might just change your life.

Uday Shankar and His Transcultural Experimentations: Dancing Modernity (Transnational Theatre Histories)

This monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b – 1977d). His popularity in Europe and America as an Oriental male dancer in the first half of the 20th century, and his worldwide recognition as the Ambassador of Indian culture, are brought into a historiographical perspective within the cultural and social reforms of early twentieth century India. By exploring his artistic journey beyond India in the period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.

Tyrant: Shakespeare On Power

'Brilliant' - Sunday TimesHow does a truly disastrous leader – a sociopath, a demagogue, a tyrant – come to power? How, and why, does a tyrant hold on to power? And what goes on in the hidden recesses of the tyrant's soul? For help in understanding our most urgent contemporary dilemmas, William Shakespeare has no peer.As an ageing, tenacious Elizabeth I clung to power, a talented playwright probed the social and psychological roots and the twisted consequences of tyranny. What he discovered in his characters remains remarkably relevant today. With uncanny insight, he shone a spotlight on the infantile psychology and unquenchable narcissistic appetites of demagogues and imagined how they might be stopped.In Tyrant, Stephen Greenblatt examines the themes of power and tyranny in some of Shakespeare’s most famous plays -- from the dominating figures of Richard III, Julius Caesar, Hamlet, Macbeth, and Coriolanus to the subtle tyranny found in Measure for Measure and The Winter's Tale.Tyrant is a highly relevant exploration of Shakespeare’s work that sheds new light on the workings of power.

Tyranny and Usurpation: The New Prince and Lawmaking Violence in Early Modern Drama (English Association Monographs: English at the Interface #5)

In the middle years of the sixteenth century, English drama witnessed the emergence of the ‘tyrant by entrie’ or the usurper, who supplanted earlier ‘tyrant by the administration’ as the main antihero of political drama. This usurper or, in Machiavellian terms principe nuove, was the prince without dynastic claims who creates his sovereignty by dint of his own ‘virtù’ and through an act of ‘lawmaking’ violence. Early Tudor morality plays were exclusively concerned with the legitimate monarch who becomes a tyrant; in the political drama of the first half of the sixteenth century, we do not encounter a single instance of usurpation among the texts that are still available to us. In contrast, the historical and tragic plays of the late Elizabethan and Jacobean periods teem with illegitimate monarchs. Almost all of Shakespeare’s history plays, at least four of his ten tragedies, and even a few of his comedies feature usurpation or potential usurpation of sovereign power as a crucial plot device. Why and how does usurpation emerge as a preoccupation in English theatre? What are the political, historical, legal, and dramaturgical transformations that influence and are influenced by this moment of emergence? As the first book-length study devoted exclusively to the study of usurpation and tyranny in sixteenth-century drama and politics, Tyranny and Usurpation: The New Prince and Lawmaking Violence will challenge existing disciplinary boundaries in order to engage with these critical questions.

Typical Girls (Modern Plays)

In a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?Written by Morgan Lloyd Malcolm (Emilia), Typical Girls is a funny, fierce and furious part-gig, part-play, co-commissioned by Clean Break theatre company.

Typical Girls (Modern Plays)

In a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?Written by Morgan Lloyd Malcolm (Emilia), Typical Girls is a funny, fierce and furious part-gig, part-play, co-commissioned by Clean Break theatre company.

Typical (Oberon Modern Plays)

From the makers of 2018 hit Queens of Sheba comes this powerful new play by Ryan Calais Cameron, following the events over one typical night out that is turned upside down by racism and police brutality. Typical uncovers the man and the humanity behind a real-life story: a Black ex-serviceman who spent his life fighting for his country and ends up fighting for his life in police custody.

The Two Worlds of Charlie F.

Welcome to our war The Two Worlds of Charlie F. is a soldier's view of service, injury and recovery. Moving from the war in Afghanistan, through the dream world of morphine-induced hallucinations to the physio rooms of Headley Court, the play explores the consequences of injury, both physical and psychological, and its effects on others as the soldiers fight to win the new battle for survival at home. Drawn from the personal experience of the wounded, injured and sick Service personnel involved, Owen Sheers's The Two Worlds of Charlie F. premiered at the Theatre Royal Haymarket, London, in January 2012 and toured nationally that summer.

Two Plays for Young People: The Flying Machine; Smashed Eggs (Oberon Plays For Young People Ser.)

Life isn’t much fun for the two children trapped on Ward One of St Ruth’s Hospital for Damaged Eyes in The Flying Machine. But then a new boy arrives at the hospital and he is soon leading a revolt against Nurse Cakebread’s hard regime. Armed with a set of blueprints and a cunning escape plan, he turns everything on the ward upside down. Full of laughs and action The Flying Machine is a play of heroic deeds, despicable schemes and acts of amazing bravery. In Smashed Eggs - winner of the Arts Council Children's Award in 2003 - Titus and Miranda are being driven crazy by their mum's ridiculous rules. She has a rule for everything: what to have for breakfast, what to wear when mopping and even a timetable for polishing wellingtons. One day, Miranda leads Titus on a journey which changes the way they look at the world forever. What would happen if they disobey mum?

Two Plays by Olga Mukhina

Olga Mukhina is one of the most talented, young playwrights in Russia. Born in Moscow in 1970, she has already garnered enviable praise from critics and audiences throughout Russia and Europe since her first play, Tanya-Tanya, was performed in 1996. Tanya-Tanya is an atmospheric, poetic tale that observes three couples at a suburban Moscow home who dance, drink champagne, kiss, fall in and out of love, and struggle with dignity and humor to keep some semblance of control over their lives. The parallels with Chekhovian drama are undeniable and clearly intended by the author. You, Mukhina's most recent work, is a love poem to her hometown of Moscow as well as a scathing attack on the apathy of people blindly wrapped up in their own happiness and sorrow.

Two Plays by Olga Mukhina (Russian Theatre Archive Ser. #Vol. 18)

Olga Mukhina is one of the most talented, young playwrights in Russia. Born in Moscow in 1970, she has already garnered enviable praise from critics and audiences throughout Russia and Europe since her first play, Tanya-Tanya, was performed in 1996. Tanya-Tanya is an atmospheric, poetic tale that observes three couples at a suburban Moscow home who dance, drink champagne, kiss, fall in and out of love, and struggle with dignity and humor to keep some semblance of control over their lives. The parallels with Chekhovian drama are undeniable and clearly intended by the author. You, Mukhina's most recent work, is a love poem to her hometown of Moscow as well as a scathing attack on the apathy of people blindly wrapped up in their own happiness and sorrow.

The Two Noble Kinsmen, Revised Edition: Third Series (The Arden Shakespeare Third Series #Ser. 3)

This tragi-comedy is one of the plays we know Shakespeare worked with a collaborator on -- John Fletcher -- and is based on Chaucer's Knight's Tale. This revised edition includes a new introductory essay bringing the edition up-to-date in terms of both the play's performance and critical history, and in particular with current thinking about the nature of Shakespeare's collaboration with other playwrights. As scholars have begun to discover more about this aspect of his career, interest in the play has grown. This revised edition is ideal for undergraduate study, offering on-page annotations to the play text as well as a lengthy, illustrated introduction.

The Two Noble Kinsmen, Revised Edition: Third Series (The Arden Shakespeare Third Series)

This tragi-comedy is one of the plays we know Shakespeare worked with a collaborator on -- John Fletcher -- and is based on Chaucer's Knight's Tale. This revised edition includes a new introductory essay bringing the edition up-to-date in terms of both the play's performance and critical history, and in particular with current thinking about the nature of Shakespeare's collaboration with other playwrights. As scholars have begun to discover more about this aspect of his career, interest in the play has grown. This revised edition is ideal for undergraduate study, offering on-page annotations to the play text as well as a lengthy, illustrated introduction.

The Two Noble Kinsmen

The Two Noble Kinsmen (The\malone Society Reprints Ser. #No. 169)

Considered by Thomas de Quincey to be 'perhaps the most superb work in the language', The Two Noble Kinsmen is set in Athens and was co-written by Shakespeare with John Fletcher. This Penguin Shakespeare edition is edited by N. W. Bawcutt with an introduction by Peter Swaab.'Once, he kissed me. I loved my lips the better ten days after'When Theseus, Duke of Athens, learns that the ruler of Thebes has killed three noble kings he swears to take revenge. But after Athens triumphs over the rival city, Theseus is struck by the bravery of two Theban cousins and orders his surgeons to attend to them. Soon, the cousins' lifelong friendship is threatened, as both become overwhelmed with love for the duke's beautiful sister.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

Two Men of Sandy Bar

Two Man Show (Oberon Modern Plays)

Men have all the power. John and Dan keep hearing people say that men have all the power, but it doesn’t feel like that to them. Abbi and Helen are making a show about Man and men. Because we all have to pull together now. We want to talk about masculinity and patriarchy but the words that exist aren’t good enough. So there’s music and dance too. RashDash return with their playful new show about gender and language. Two women play two women playing two men.