- Table View
- List View
Art Nouveau Design Fantasies in Full Color
by J. Habert-DysElegant and distinctive, these eye-catching motifs combine a refined naturalism with the sophistication of Art Nouveau. Created during the early years of Art Nouveau, they reflect the late nineteenth century interest in Japanese art, as well as the fresh excitement of a blossoming movement that's remained fashionable for well over a century.Sixty-six full-color images feature luxurious patterns and ornaments designed for ceramics, furniture, textiles, walls, and ceilings. Superbly reproduced from a rare folio, these decorations were formerly available only in high-priced antiquarian editions. This inexpensive compilation makes them readily accessible and royalty-free to graphic artists, crafters, and designers.
Art Nouveau And The Social Vision Of Modern Living: Belgian Artists In A European Context (Modern Architecture And Cultural Identity Ser.)
by Amy F. Ogata Richard A. EtlinArt Nouveau and the Social Vision of Modern Living considers the roles of primitivism and nationalism in Belgian Art Nouveau architecture and design.
Art Intervention in the City
by Hadas OphratThis book focuses on the phenomenon of art intervention—an expression of local initiatives by artists, collectives, and art centers wishing to influence the design of the space or make a change in its lifestyle. It pertains not only to acts of protest, but also to the creation of a new civil and political situation in which artists acknowledge their ability to constitute foci of power. These are reflected in acts such as squatting in abandoned buildings, restoring and redistributing them according to principles of social justice; mapping the city based on alternative parameters, such as revealing venues of collective memory or exposing the city's backyard; creating outdoor urban art galleries; and creating temporary architecture and alternative solutions in order to deal with the challenges we face in times of epidemic and environmental crisis. The art intervention phenomenon has intensified since the mid-1990s, so much so that even local authorities the world over have begun to adopt activist and artistic practices. Due to the intensive urbanization processes and current global threats, the creative trends and means surveyed in the book are crucial. This book will interest researchers, planners, urban planners, architects, social activists, local authority executives, art centers, artists, and designers.
Art Intervention in the City
by Hadas OphratThis book focuses on the phenomenon of art intervention—an expression of local initiatives by artists, collectives, and art centers wishing to influence the design of the space or make a change in its lifestyle. It pertains not only to acts of protest, but also to the creation of a new civil and political situation in which artists acknowledge their ability to constitute foci of power. These are reflected in acts such as squatting in abandoned buildings, restoring and redistributing them according to principles of social justice; mapping the city based on alternative parameters, such as revealing venues of collective memory or exposing the city's backyard; creating outdoor urban art galleries; and creating temporary architecture and alternative solutions in order to deal with the challenges we face in times of epidemic and environmental crisis. The art intervention phenomenon has intensified since the mid-1990s, so much so that even local authorities the world over have begun to adopt activist and artistic practices. Due to the intensive urbanization processes and current global threats, the creative trends and means surveyed in the book are crucial. This book will interest researchers, planners, urban planners, architects, social activists, local authority executives, art centers, artists, and designers.
Art Deco Design and Ornament
by Henri RapinA major design movement of the 1920s and 1930s, Art Deco drew its strength from architecture, modern art, primitivism, and industry. It gave us the Chrysler Building and Soviet post art -- and also gave us a legacy that continues to pulse with energy and excitement even today.In this rich collection of 349 images, the Art Deco style is evident in every draping vine, languid curve, bulging muscle, and geometric figure. It will leap out at you from friezes, plaques, sculpture, vases, doorways, tiles, furniture, arches, and more.It's a splendid book for anyone interested in the arts -- and for artists and craftsmen, a genuine wellspring of artistic ideas.
Art Deco: Design Fantasies
by E. H. RaskinDerived from a rare French publication of the 1920s, Fantaisies Oceanographiques, these beguiling images pulse with the flowing grace of aquatic life. The 30 full-color plates feature 56 abstract and figurative patterns in authentic Art Deco style. Whether simply browsed for pleasure or as a source of ideas for design or decorative projects, these playful images of marine plants and animals offer a wealth of inspiration.
Art Deco: Decorative Patterns in Full Color
by Christian StollDerived from various avant-garde painting styles of the early twentieth century, the Art Deco movement comprised a mix of Cubism, abstraction, distortion, and simplification. Geometric shapes and vibrant colors were popular elements of this sophisticated style of ornamentation that found expression in architecture and the applied arts.This collection of sensuous, bold and exotic motifs, reprinted from a rare 1910 portfolio, contains a wealth of arresting Art Deco wallpaper patterns. 160 striking, royalty-free designs--a must-have collection for designers and craftworkers--depict a breathtaking array of florals, geometrics, and abstract designs, all stunning in their presentation and elegant in their simplicity.
Art, Borders and Belonging: On Home and Migration
by Maria Photiou, Marsha MeskimmonArt, Borders and Belonging: On Home and Migration investigates how three associated concepts-house, home and homeland-are represented in contemporary global art. The volume brings together essays which explore the conditions of global migration as a process that is always both about departures and homecomings, indeed, home-makings, through which the construction of migratory narratives are made possible. Although centrally concerned with how recent and contemporary works of art can materialize the migratory experience of movement and (re)settlement, the contributions to this book also explore how curating and exhibition practices, at both local and global levels, can extend and challenge conventional narratives of art, borders and belonging. A growing number of artists migrate; some for better job opportunities and for the experience of different cultures, others not by choice but as a consequence of forced displacement caused economic or environmental collapse, or by political, religious or military destabilization. In recent years, the theme of migration has emerged as a dominant subject in art and curatorial practices. Art, Borders and Belonging thus seeks to explore how the migratory experience is generated and displayed through the lens of contemporary art. In considering the extent to which the visual arts are intertwined with real life events, this text acts as a vehicle of knowledge transfer of cultural perspectives and enhances the importance of understanding artistic interventions in relation to home, migration and belonging.
Art, Borders and Belonging: On Home and Migration
Art, Borders and Belonging: On Home and Migration investigates how three associated concepts-house, home and homeland-are represented in contemporary global art. The volume brings together essays which explore the conditions of global migration as a process that is always both about departures and homecomings, indeed, home-makings, through which the construction of migratory narratives are made possible. Although centrally concerned with how recent and contemporary works of art can materialize the migratory experience of movement and (re)settlement, the contributions to this book also explore how curating and exhibition practices, at both local and global levels, can extend and challenge conventional narratives of art, borders and belonging. A growing number of artists migrate; some for better job opportunities and for the experience of different cultures, others not by choice but as a consequence of forced displacement caused economic or environmental collapse, or by political, religious or military destabilization. In recent years, the theme of migration has emerged as a dominant subject in art and curatorial practices. Art, Borders and Belonging thus seeks to explore how the migratory experience is generated and displayed through the lens of contemporary art. In considering the extent to which the visual arts are intertwined with real life events, this text acts as a vehicle of knowledge transfer of cultural perspectives and enhances the importance of understanding artistic interventions in relation to home, migration and belonging.
The Art and Philosophy of the Garden
by David Fenner Ethan FennerThe Art and Philosophy of the Garden offers the first authoritative and comprehensive philosophical discussion of the aesthetics of gardens. Philosopher David Fenner and horticulturist Ethan Fenner address such questions as: what is a garden? Are some gardens works of art? What does it mean to appreciate gardens aesthetically? Given that gardens are always changing in a variety of ways, how is it possible to compare, evaluate, or find meaning in them? How can we interpret gardens? How do we value gardens and gardening? While grounded in Western thought, Fenner and Fenner bring to bear global ideas and examples of gardens and gardening techniques. Inspired by a surge of philosophical interest in gardening, Fenner and Fenner argue that some gardens are indeed works of art. They explore how we might understand the aesthetic properties of gardens, and focus on what it means to "read" the formal aspects of gardens -- what the authors call "garden form" -- as a basis for interpreting a garden. They discuss the intersection of gardens/gardening and value: questions such as what sort of value gardens possess; whether and how ethics are relevant to gardens; how gardens may be evaluated and compared; and the value of the practice of gardening. This comprehensive philosophical discussion on the aesthetics of gardens and gardening will not only interest those concerned with garden theory but will interest any thoughtful and intellectually curious gardener.
The Art and Philosophy of the Garden
by David Fenner Ethan FennerThe Art and Philosophy of the Garden offers the first authoritative and comprehensive philosophical discussion of the aesthetics of gardens. Philosopher David Fenner and horticulturist Ethan Fenner address such questions as: what is a garden? Are some gardens works of art? What does it mean to appreciate gardens aesthetically? Given that gardens are always changing in a variety of ways, how is it possible to compare, evaluate, or find meaning in them? How can we interpret gardens? How do we value gardens and gardening? While grounded in Western thought, Fenner and Fenner bring to bear global ideas and examples of gardens and gardening techniques. Inspired by a surge of philosophical interest in gardening, Fenner and Fenner argue that some gardens are indeed works of art. They explore how we might understand the aesthetic properties of gardens, and focus on what it means to "read" the formal aspects of gardens -- what the authors call "garden form" -- as a basis for interpreting a garden. They discuss the intersection of gardens/gardening and value: questions such as what sort of value gardens possess; whether and how ethics are relevant to gardens; how gardens may be evaluated and compared; and the value of the practice of gardening. This comprehensive philosophical discussion on the aesthetics of gardens and gardening will not only interest those concerned with garden theory but will interest any thoughtful and intellectually curious gardener.
The Aromatherapy Garden: Growing Fragrant Plants for Happiness and Well-Being
by Kathi KevilleThe Aromatherapy Garden shows us how to create a beautiful, scent-filled garden. This detailed guide offers tips on how design for fragrance, with tips on where to place plants, how to layer the aroma, and advice on companion plants. A plant directory includes growing information and aromatherapy uses for 88 fragrant plants.
Architekturpsychologie Perspektiven: Band 2 Diskurs und Vermittlung
by Alexandra AbelIn der gebauten und vom Menschen beeinflussten Umwelt manifestiert sich unser Leben: Lebenshaltung, Lebensformen, Lebensentwurf. Indem man Architektur neu denkt, hat man daher das Potential, die derzeitige Form unseres Lebens zu überdenken. Ein solches Neu, Anders braucht eine Sensibilisierung für die Relevanz der gebauten Umwelt, für die Werte und Zielgrößen, die hinter einer bestimmten Gestaltung stehen und braucht einen gesamtgesellschaftlichen Diskurs zu der zentralen Frage: Wie wollen wir leben? Wie dürfen wir leben? Vor dem Hintergrund ökologischer und ökonomischer Fairness: Welche Lebensformen sind kompatibel mit einer möglichst hohen Lebensqualität für uns alle, als Teil eines Ökosystems, mit dem unser Wohlbefinden unauflöslich verbunden ist. In diesem Band kommen namhafte Expertinnen aus Österreich, der Schweiz und Deutschland aus den Disziplinen der Architektur, der Psychologie, der Kunst und Kunstdidaktik zu Wort, die sich zu der Relevanz und zu den Voraussetzungen einer solchen Debatte äußern.
Architekturpsychologie Perspektiven: Band 3 Entwurf und Prozess
by Martina GuhlWie findet die Begegnung von Psychologie und Architektur während des Entwurfs- und Planungsprozesses statt? In welchem Planungsabschnitt wird architekturpsychologisches Wissen relevant und einsetzbar? Welche Erkenntnisse liefert die urbane Architekturpsychologie für den städtebaulichen Diskurs? In diesem Buch bringen renommierte Expert*innen aus Deutschland, der Niederlande und der Schweiz aus den Disziplinen Architektur, Psychologie, Städtebau, Farbgestaltung und Kommunikationspsychologie ihr Pionierwissen ein.
Architectures of Occupation in the Australian Short Story: Literature and the Built Environment after 1900
by Patrick WestPatrick West’s Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism.West argues that the predominance of tropes of place within cultural and critical expressions of Australian post-colonialism should be re-balanced through attention to spatial strategies of anti-colonial power. To elaborate the raw material of such strategies, West develops interdisciplinary close readings of keynote stories within three female-authored, pan-twentieth century, Australian short-story collections: Bush Studies by Barbara Baynton (1902); Kiss on the Lips and Other Stories by Katharine Susannah Prichard (1932); and White Turtle: A Collection of Short Stories by Merlinda Bobis (1999). The capacity of the short-story form to prompt creative and politically germinal engagements with species of space associated with architecture and buildings is underscored. Relatedly, West argues that the recent resurgence of binary thought—on local, national, and international scales—occasions an approach to the short-story collections shaped by binary relationships like a dichotomy of inside and outside. Concluding his argument, West connects the literary and architectural critiques of the story collections to the wicked problem, linked to ongoing colonial violences, of improving Australian Indigenous housing outcomes.Innovative and interdisciplinary, this book will be of interest to scholars and students of Literary, Architectural, and Postcolonial Studies. .
Architectures of Occupation in the Australian Short Story: Literature and the Built Environment after 1900
by Patrick WestPatrick West’s Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism.West argues that the predominance of tropes of place within cultural and critical expressions of Australian post-colonialism should be re-balanced through attention to spatial strategies of anti-colonial power. To elaborate the raw material of such strategies, West develops interdisciplinary close readings of keynote stories within three female-authored, pan-twentieth century, Australian short-story collections: Bush Studies by Barbara Baynton (1902); Kiss on the Lips and Other Stories by Katharine Susannah Prichard (1932); and White Turtle: A Collection of Short Stories by Merlinda Bobis (1999). The capacity of the short-story form to prompt creative and politically germinal engagements with species of space associated with architecture and buildings is underscored. Relatedly, West argues that the recent resurgence of binary thought—on local, national, and international scales—occasions an approach to the short-story collections shaped by binary relationships like a dichotomy of inside and outside. Concluding his argument, West connects the literary and architectural critiques of the story collections to the wicked problem, linked to ongoing colonial violences, of improving Australian Indigenous housing outcomes.Innovative and interdisciplinary, this book will be of interest to scholars and students of Literary, Architectural, and Postcolonial Studies. .
Architecture’s Disability Problem (Routledge Research in Architecture)
by Wanda Katja LiebermannArchitecture’s Disability Problem explores the intersection of architecture and disability in the United States from the perspective of professional practice. This book uncovers why, despite the profound effect of the Americans with Disabilities Act on the architectural profession, there has been so little interest in design for disability in mainstream architecture. To counter this, the book investigates alternative approaches to designing with disability, through three case studies. These showcase both buildings and how design processes driven by disabled people shape design and professional roles.Combining historical research, formal and discourse analysis, and interviews with people who design, construct, use buildings, and advocate for access, the book develops a social understanding of how the buildings work at functional, affective, and symbolic levels. Architecture’s Disability Problem is aimed at three primary readers: practicing architects, architectural scholars, and members of disability scholar-activist communities. Grounded in detailed design studies, the author hopes to unearth the social meaning-making of architecture related to disability. Ultimately, the book makes an argument for a focus on disability in its own right—as well as on the body—in place of the dominance of formal, object-oriented approaches.This book presents and argues for a fundamental shift in the way architectural education, policy, and practice views and engages with disability. It will be key reading for students, researchers, practitioners and policy-makers.
Architecture’s Disability Problem (Routledge Research in Architecture)
by Wanda Katja LiebermannArchitecture’s Disability Problem explores the intersection of architecture and disability in the United States from the perspective of professional practice. This book uncovers why, despite the profound effect of the Americans with Disabilities Act on the architectural profession, there has been so little interest in design for disability in mainstream architecture. To counter this, the book investigates alternative approaches to designing with disability, through three case studies. These showcase both buildings and how design processes driven by disabled people shape design and professional roles.Combining historical research, formal and discourse analysis, and interviews with people who design, construct, use buildings, and advocate for access, the book develops a social understanding of how the buildings work at functional, affective, and symbolic levels. Architecture’s Disability Problem is aimed at three primary readers: practicing architects, architectural scholars, and members of disability scholar-activist communities. Grounded in detailed design studies, the author hopes to unearth the social meaning-making of architecture related to disability. Ultimately, the book makes an argument for a focus on disability in its own right—as well as on the body—in place of the dominance of formal, object-oriented approaches.This book presents and argues for a fundamental shift in the way architectural education, policy, and practice views and engages with disability. It will be key reading for students, researchers, practitioners and policy-makers.
The Architecture Portfolio Guidebook: The Essentials You Need to Succeed
by Vincent HuiThe Architecture Portfolio Guidebook shows you how to make portfolios for both academic and professional needs to provide reviewers exactly what they are looking for. In school, architecture curricula nurture the knowledge and skills to develop design work to varying levels of presentation. In the profession, those skills are further developed and applied in the creation of the built environment. In both contexts, a portfolio is a core component for admission and advancement. This book provides key strategies to: • develop an understanding of the unique needs of professional and academic organizations; • identify applicants’ key differentiators; • highlight how applicants present themselves in their portfolios to address institutional needs; • create successful reinforcing documentation; • communicate using portfolios. Rather than proposing generic solutions, this book details the successful practices for portfolio creation by addressing portfolio creation academically and professionally. Supporting insights and examples from leading academics and architects from around the world reinforce the themes presented in this guidebook. An ideal read for students and professionals of architecture, landscape architecture, interior design, and urban design, looking to advance their studies and careers.
The Architecture Portfolio Guidebook: The Essentials You Need to Succeed
by Vincent HuiThe Architecture Portfolio Guidebook shows you how to make portfolios for both academic and professional needs to provide reviewers exactly what they are looking for. In school, architecture curricula nurture the knowledge and skills to develop design work to varying levels of presentation. In the profession, those skills are further developed and applied in the creation of the built environment. In both contexts, a portfolio is a core component for admission and advancement. This book provides key strategies to: • develop an understanding of the unique needs of professional and academic organizations; • identify applicants’ key differentiators; • highlight how applicants present themselves in their portfolios to address institutional needs; • create successful reinforcing documentation; • communicate using portfolios. Rather than proposing generic solutions, this book details the successful practices for portfolio creation by addressing portfolio creation academically and professionally. Supporting insights and examples from leading academics and architects from around the world reinforce the themes presented in this guidebook. An ideal read for students and professionals of architecture, landscape architecture, interior design, and urban design, looking to advance their studies and careers.
Architecture of Threshold Spaces: A Critique of the Ideologies of Hyperconnectivity and Segregation in the Socio-Political Context (Routledge Research in Architecture)
by Laurence KimmelThis book explores the relationship between architecture and philosophy through a discussion on threshold spaces linking public space with publicly accessible buildings. It explores the connection between exterior and interior and how this creates and affects interactions between people and the social dynamics of the city. Building on an existing body of literature, the book engages with critical philosophy and discusses how it can be applied to architecture. In a similar vein to Walter Benjamin’s descriptions of the Parisian Arcades in the nineteenth century, the book identifies the conditions under which thresholds reveal and impact social life. It utilises a wide range of illustrated international case studies from architects in Japan, Norway, Finland, France, Portugal, Italy, the USA, Australia, Mexico, and Brazil. Within the examples, thresholds become enhancers of social interactions and highlight broader socio-political contexts in public and private space. Architecture of Threshold Spaces is an enlightening contribution to knowledge on contemporary architecture, politics and philosophy for students, academics, and architects.
Architecture of Threshold Spaces: A Critique of the Ideologies of Hyperconnectivity and Segregation in the Socio-Political Context (Routledge Research in Architecture)
by Laurence KimmelThis book explores the relationship between architecture and philosophy through a discussion on threshold spaces linking public space with publicly accessible buildings. It explores the connection between exterior and interior and how this creates and affects interactions between people and the social dynamics of the city. Building on an existing body of literature, the book engages with critical philosophy and discusses how it can be applied to architecture. In a similar vein to Walter Benjamin’s descriptions of the Parisian Arcades in the nineteenth century, the book identifies the conditions under which thresholds reveal and impact social life. It utilises a wide range of illustrated international case studies from architects in Japan, Norway, Finland, France, Portugal, Italy, the USA, Australia, Mexico, and Brazil. Within the examples, thresholds become enhancers of social interactions and highlight broader socio-political contexts in public and private space. Architecture of Threshold Spaces is an enlightening contribution to knowledge on contemporary architecture, politics and philosophy for students, academics, and architects.
The Architecture of the Facade
by Randall KormanThe Architecture of the Facade provides a comprehensive study of the facade as both a physical and cultural artifact, highlighting its significance as a critical component of the civic realm and arguing for the restoration of the art of the facade as both a subject of study within academia and an aspiration within the profession at large. As the principal surface of mediation, contextualization, and representation, the facade carries the lion’s share of responsibility for containing the internal environment and confronting the outer world. And yet, in recent decades, the very question of what exactly a facade is has been raised by the dramatic changes in building technology, advances of parametric design, and the ubiquity of autonomous buildings. The Architecture of the Facade addresses these and other related issues. The book is organized into 12 chapters, with each chapter focusing on a particular aspect of the phenomenon of the facade such as those of wall, the frame, transparency, and the role of the facade in civic space. Korman also discusses proportional systems, the language of composition, the role of precedent, the importance of context, and much more. Over 350 photos and diagrams provide readers with a variety of examples of artful facades throughout history. Online teaching resources that accompany this book include a course syllabus, a glossary, and a Pinterest tack board of facades. This book will be of great interest to students in architecture studios as well as instructors and professional architects interested in facade design.
The Architecture of the Facade
by Randall KormanThe Architecture of the Facade provides a comprehensive study of the facade as both a physical and cultural artifact, highlighting its significance as a critical component of the civic realm and arguing for the restoration of the art of the facade as both a subject of study within academia and an aspiration within the profession at large. As the principal surface of mediation, contextualization, and representation, the facade carries the lion’s share of responsibility for containing the internal environment and confronting the outer world. And yet, in recent decades, the very question of what exactly a facade is has been raised by the dramatic changes in building technology, advances of parametric design, and the ubiquity of autonomous buildings. The Architecture of the Facade addresses these and other related issues. The book is organized into 12 chapters, with each chapter focusing on a particular aspect of the phenomenon of the facade such as those of wall, the frame, transparency, and the role of the facade in civic space. Korman also discusses proportional systems, the language of composition, the role of precedent, the importance of context, and much more. Over 350 photos and diagrams provide readers with a variety of examples of artful facades throughout history. Online teaching resources that accompany this book include a course syllabus, a glossary, and a Pinterest tack board of facades. This book will be of great interest to students in architecture studios as well as instructors and professional architects interested in facade design.
The architecture of social reform: Housing, tradition, and German Modernism (Studies in Design and Material Culture)
by Isabel RoussetThe architecture of social reform explores the fascinating intellectual origins of modern architecture’s obsession with domesticity. Copiously illustrated, Rousset’s revealing analysis demonstrates how questions over aesthetics, style, urbanization, and technology that gripped the modernist imagination were deeply ingrained in a larger concern to reform society through housing. The increasing demand for new housing in Germany’s rapidly growing cities fostered critical exchanges between a heterogeneous group of actors, including architects, urban theorists, planners, and social scientists, who called for society to be freed from class antagonism through the provision of good, modest, traditionally-minded domestic design. Offering a compelling account of architecture’s ability to act socially, the book provocatively argues that architectural theory underwent its most critical epistemological transformation in relation to the dynamics of modern class politics long before the arrival of the avant-garde.