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Mark My Words: Profiles of Punctuation in Modern Literature
by Lee Clark MitchellWhy are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.
Mark Forysth's Gemel Edition: The Etymologicon and The Horologicon ebook bundle
by Mark ForsythThe Etymologicon springs from Mark Forsyth’s Inky Fool blog about the strange connections between words. The Horologicon – which means ‘a book of things appropriate to each hour’ - follows a day in the life of unusual, beautiful and forgotten English words.
Mark Antony and Popular Culture: Masculinity and the Construction of an Icon (International Library Of Cultural Studies)
by Rachael KellyWho was Mark Antony? Popular culture remembers him as a deeply flawed character whose excessive appetites cost him an empire. From Shakespeare to the silver screen, Mark Antony's notoriety for drunkenness and decadence have survived and flourished in contemporary pop culture representations. But drunkenness and decadence were gendered concepts in Roman political discourse, and their use in constructing Mark Antony is not as straightforward as it might appear. In this fascinating account of a classical figure and his reception in popular culture, Rachael Kelly traces the evolution of the Mark Antony myth in Hollywood historical epic film and television. Examining the recurring tropes behind Richard Burton's Byronic dilettante and James Purefoy's amoral, impulsive bully-boy, Kelly deftly reveals the part these representations have to play in transmitting and interrogating a discourse of hegemonic masculinity that stretches all the way from Plutarch to the present day. Diplomacy.
Maritime Mobilities in Anglophone Literature and Culture (Maritime Literature and Culture)
by Alexandra Ganser Charne LaveryThis open access edited collection explores various aspects of how oceanic im/ mobilities have been framed and articulated in the literary and cultural imagination. It covers the entanglements of maritime mobility and immobility as they are articulated and problematized in selected literature and cultural forms from the early modern period to the present. In particular, it brings cultural mobility studies into conversation with the maritime and oceanic humanities. The contributors examine the interface between the traditional Eurocentric imagination of the sea as romantic and metaphorical, and the materiality of the sea as a deathbed for racialized and illegalized humans as well as non-human populations
Maritime Fiction: Sailors and the Sea in British and American Novels, 1719-1917
by J. PeckIn this important new study, John Peck examines the cultural significance of maritime novels from Defoe through to Conrad. Focusing in particular on the image of the body, he illustrates how these works are built around the disparity between the masculine and often brutal regime of the ship and the civilised values of those who remain on the shore. The first comprehensive discussion of its subject, Maritime Fiction is an original exploration of the relationship between national identity, fiction and the sea.
Mariner: A Voyage with Samuel Taylor Coleridge (Studies In Theology And The Arts Ser.)
by Reverend Dr Malcolm Guite'The story of Coleridge's life does undoubtedly echo that of his poem; this is a book that provides rewarding rereadings of both' - The Sunday TimesA new biography of Samuel Taylor Coleridge, shaped and structured around the story he himself tells in his most famous poem, 'The Rime of the Ancient Mariner'. Though the 'Mariner' was written in 1797 when Coleridge was only twenty-five, it was an astonishingly prescient poem. As Coleridge himself came to realise much later, this tale - of a journey that starts in high hopes and good spirits, but leads to a profound encounter with human fallibility, darkness, alienation, loneliness and dread, before coming home to a renewal of faith and vocation - was to be the shape of his own life. In this rich new biography, academic, priest and poet Malcolm Guite draws out how with an uncanny clarity, image after image and event after event in the poem became emblems of what Coleridge was later to suffer and discover. Of course 'The Rime of the Ancient Mariner' is more than just an individual's story: it is also a profound exploration of the human condition and, as Coleridge says in his gloss, our 'loneliness and fixedness'. But the poem also offers hope, release, and recovery; and Guite also draws out the continuing relevance of Coleridge's life and writing to our own time.'Forcefully and convincingly argued' - The Telegraph
Marina Carr and Greek Tragedy: Feminist Myths of Monstrosity (Routledge Studies in Irish Literature)
by Salomé PaulMarina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
Marina Carr and Greek Tragedy: Feminist Myths of Monstrosity (Routledge Studies in Irish Literature)
by Salomé PaulMarina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
Marina Carr: Sixteen Possible Glimpses; Phaedra Backwards; The Map of Argentina; Hecuba; Indigo
by Marina CarrThis third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015.Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.
Marina Carr: On Raftery’s Hill; Ariel; Woman and Scarecrow; The Cordelia Dream; Marble
by Marina CarrOn Raftery's Hill'This is a play that howls to be seen; its courage is matched only by its dramatic power.' Sunday IndependentAriel'An astonishing piece of theatre. Interweaving themes drawn from Irish, Greek and biblical myth, she spins a tale of power that is honest, emotional, dark and true . . . Die to see it.' Irish ExaminerWoman and Scarecrow'Drama doesn't come much richer or stranger than this death-bed lament. Ravishing in its dense, literary language, it is as visceral as it is intellectual. It lingers not only in the ear and brain, but in the imagination and the gut. An extraordinary brew, bittersweet and totally intoxicating.' The TimesThe Cordelia Dream'A brave piece and clearly charged with deep feeling. . . This is certainly unsettling territory and Carr boldly goes for it.' Financial TimesMarble'An extraordinary play that lures us in with a promise of the recognisable only to drag us screaming into the soaring, magnificent possibilities of love and the destruction that it wreaks.' Irish Independent
Marina Carr: Pastures of the Unknown
by Melissa SihraThis book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
Marilynne Robinson's Worldly Gospel: A Philosophical Account of Her Christian Vision (New Directions in Religion and Literature)
by Ryan S. Kemp Jordan RodgersIn her five novels and many essays, Marilynne Robinson develops a distinctive Christian vision animated by a powerfully affirmative and sacramental attitude toward the physical world and everyday human life.An in-depth philosophical exploration of her work – from Gilead to her extensive non-fiction writing – Marilynne Robinson's Worldly Gospel reads the author's theology as articulating a compelling response to the claim that Christianity is an otherworldly religion whose adherents seek through it to escape the misfortunes of this life. Ryan Kemp and Jordan Rodgers argue that Robinson's work challenges the modern atheistic tradition dating back to Friedrich Nietzsche to present a unique form of contemporary faith that seeks to affirm the world rather than deny its claims.
Marilynne Robinson's Worldly Gospel: A Philosophical Account of Her Christian Vision (New Directions in Religion and Literature)
by Ryan S. Kemp Jordan RodgersIn her five novels and many essays, Marilynne Robinson develops a distinctive Christian vision animated by a powerfully affirmative and sacramental attitude toward the physical world and everyday human life.An in-depth philosophical exploration of her work – from Gilead to her extensive non-fiction writing – Marilynne Robinson's Worldly Gospel reads the author's theology as articulating a compelling response to the claim that Christianity is an otherworldly religion whose adherents seek through it to escape the misfortunes of this life. Ryan Kemp and Jordan Rodgers argue that Robinson's work challenges the modern atheistic tradition dating back to Friedrich Nietzsche to present a unique form of contemporary faith that seeks to affirm the world rather than deny its claims.
Marilynne Robinson, Theologian of the Ordinary
by Andrew CunningMarilynne Robinson, Theologian of the Ordinary posits that Robinson's widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson's published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion.This book demonstrates that the Ordinary is the source of Robinson's writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson's notion of transcendence emerges. Robinson's theology is one centered on the material reality of the world and on the subjective nature of one's encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson's fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson's metaphysics.
Marilynne Robinson, Theologian of the Ordinary
by Andrew CunningMarilynne Robinson, Theologian of the Ordinary posits that Robinson's widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson's published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion.This book demonstrates that the Ordinary is the source of Robinson's writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson's notion of transcendence emerges. Robinson's theology is one centered on the material reality of the world and on the subjective nature of one's encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson's fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson's metaphysics.
Marilynne Robinson (Contemporary American and Canadian Writers)
by Paul Jenner Sharon Monteith Tessa Roynon Lucy Clarke Jack Baker Christopher Lloyd Steve Gronert Ellerhoff Nahem Yousaf Rachel Sykes Anna Maguire Elliott Jennifer Daly Emily Hammerton-Barry Alex Engebretson Daniel Robert King Maria Elena Carpintero Torres-Quevedo Makayla C. SteinerBest known for a trilogy of historical novels set in the fictional town of Gilead, Iowa, Marilynne Robinson is a prolific writer, teacher, and public speaker, who has won the Pulitzer Prize and was awarded the National Humanities Medal by Barack Obama. This collection intervenes in Robinson’s growing critical reputation, pointing to new and exciting links between the author, the historical settings of her novels, and the contemporary themes of her fictional, educational, and theoretical work. Introduced by a critical discussion from Professors Bridget Bennett, Sarah Churchwell, and Richard King, Marilynne Robinson features analysis from a range of international academics, and explores debates in race, gender, environment, critical theory, and more, to suggest new and innovative readings of her work.
Marilynne Robinson (Contemporary American and Canadian Writers)
by Rachel Sykes Anna Maguire Elliott Jennifer DalyBest known for a trilogy of historical novels set in the fictional town of Gilead, Iowa, Marilynne Robinson is a prolific writer, teacher, and public speaker, who has won the Pulitzer Prize and was awarded the National Humanities Medal by Barack Obama. This collection intervenes in Robinson’s growing critical reputation, pointing to new and exciting links between the author, the historical settings of her novels, and the contemporary themes of her fictional, educational, and theoretical work. Introduced by a critical discussion from Professors Bridget Bennett, Sarah Churchwell, and Richard King, Marilynne Robinson features analysis from a range of international academics, and explores debates in race, gender, environment, critical theory, and more, to suggest new and innovative readings of her work.
Marie NDiaye: Blankness and Recognition (Contemporary French and Francophone Cultures #30)
by Andrew AsibongAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye’s world lurks an indefinable ‘blankness’ which makes it impossible for the reader to decode narrative at the level of psychology or event. NDiaye’s texts explore social stigmata and familial disintegration with a violence unmatched by any of her contemporaries, but in doing so they remain as strangely affectless and ‘unrecognizable’ as their dissociated protagonists. Considering each of NDiaye’s works in chronological order (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye’s portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern – and reluctantly postcolonial – ‘blank arts’.
Marie Madeleine Jodin 1741–1790: Actress, Philosophe and Feminist (Women and Gender in the Early Modern World)
by Felicia Gordon P.N. FurbankThe life story of Marie-Madeleine Jodin opens an exciting new perspective on the world of 18th-century women, European court theatres, and, most strikingly, entails the remarkable discovery of a previously unknown French feminist. In 1790, Jodin, a protégée of Denis Diderot and a former actress, published a treatise entitled Vues législatives pour les femmes (Legislative Views for Women), which can lay claim to being the first signed, female-authored feminist manifesto of the French Revolutionary period, and which reveals Jodin's wide reading in women's history and feminist writing since ancient times. This new critical and contextual biography traces the turbulent life of an extraordinary woman, focusing particularly on her transformation from artisan's daughter, to tragic actress, to Enlightenment intellectual and feminist. The authors analyze the confrontations and scandals that beset her career, and read her feminist treatise-here reproduced, for the first time in English, in its entirety-as the summation of a chaotic but passionate existence. Also presented for the first time in English, fully set in their biographical and historical context, are the twenty-one letters that constitute Diderot's correspondence with Jodin. The varied and fascinating documentation concerning Jodin, which has only recently been discovered, provides a window on the world of 18th-century women. While memoirs and biographies of aristocratic women and upwardly mobile salonières such as Mme. Geoffrin and Mme. Roland are legion, chronicles of the lives of individual women lower down the social ladder are far fewer in number. A contemporary of Mary Wollstonecraft and Olympe de Gouges, Jodin argued for the social reform of working-class women, particularly prostitutes, to render them worthy to exercise the rights of citizenship.
Marie Madeleine Jodin 1741–1790: Actress, Philosophe and Feminist (Women and Gender in the Early Modern World)
by Felicia Gordon P.N. FurbankThe life story of Marie-Madeleine Jodin opens an exciting new perspective on the world of 18th-century women, European court theatres, and, most strikingly, entails the remarkable discovery of a previously unknown French feminist. In 1790, Jodin, a protégée of Denis Diderot and a former actress, published a treatise entitled Vues législatives pour les femmes (Legislative Views for Women), which can lay claim to being the first signed, female-authored feminist manifesto of the French Revolutionary period, and which reveals Jodin's wide reading in women's history and feminist writing since ancient times. This new critical and contextual biography traces the turbulent life of an extraordinary woman, focusing particularly on her transformation from artisan's daughter, to tragic actress, to Enlightenment intellectual and feminist. The authors analyze the confrontations and scandals that beset her career, and read her feminist treatise-here reproduced, for the first time in English, in its entirety-as the summation of a chaotic but passionate existence. Also presented for the first time in English, fully set in their biographical and historical context, are the twenty-one letters that constitute Diderot's correspondence with Jodin. The varied and fascinating documentation concerning Jodin, which has only recently been discovered, provides a window on the world of 18th-century women. While memoirs and biographies of aristocratic women and upwardly mobile salonières such as Mme. Geoffrin and Mme. Roland are legion, chronicles of the lives of individual women lower down the social ladder are far fewer in number. A contemporary of Mary Wollstonecraft and Olympe de Gouges, Jodin argued for the social reform of working-class women, particularly prostitutes, to render them worthy to exercise the rights of citizenship.
Marie Duval: Maverick Victorian Cartoonist (Interventions: Rethinking the Nineteenth Century)
by Simon Grennan Roger Sabin Julian WaiteMarie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Marie Duval: Maverick Victorian Cartoonist (Interventions: Rethinking the Nineteenth Century)
by Simon Grennan Roger Sabin Julian WaiteMarie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Marianne Moore and the Cultures of Modernity
by Victoria BazinVictoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.
Marianne Moore and the Cultures of Modernity
by Victoria BazinVictoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.
Marianne Moore and the Archives (Clemson University Press w/ LUP)
by Jeff W. WestoverThe essays that comprise Marianne Moore and the Archives: From Material Culture to the Digital Humanities use new archival research to explore the work of this major American modernist poet, providing innovative approaches to Moore’s career as it is documented in her archives. The volume represents new interpretations of archival materials found at the Rosenbach Museum and Library in Philadelphia, where Moore’s collection is held. This volume is also the first that draws upon the Marianne Moore Digital Archive (MMDA), a major project that is digitizing, transcribing, and annotating Moore’s notebooks for use by scholars, students, and non-academics to make these materials more widely accessible.