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Maria Cross: Imaginative Patterns in a Group of Catholic Writers
by Conor Cruise O'BrienThe first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant.) In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjold, cerebral Secretary-General of the United Nations.'A most interesting and at times brilliant book, admirably and wittily written.'New Statesman'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator
Marguerite Duras: Apocalyptic Desires
by Leslie HillMarguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's The Lover Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
Marguerite Duras: Apocalyptic Desires
by Leslie HillMarguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's The Lover Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
Marguerite de Navarre's Shifting Gaze: Perspectives on gender, class, and politics in the Heptaméron (Women and Gender in the Early Modern World)
by Elizabeth Chesney ZeguraMarguerite de Navarre’s Heptaméron, composed in the 1540s and first published posthumously in 1558 and 1559, has long been an interpretive puzzle. De Navarre (1492-1549), sister of King Francis I of France, was a controversial figure in her lifetime. Her evangelical activities and proximity to the Crown placed her at the epicenter of her country’s internecine strife and societal unrest. Yet her short stories appear to offer few traces of the sociopolitical turbulence that surrounded her.In Marguerite de Navarre’s Shifting Gaze, however, Elizabeth Zegura argues that the Heptaméron’s innocuous appearance camouflages its serious insights into patriarchy and gender, social class, and early modern French politics, which emerge from an analysis of the text’s shifting perspectives. Zegura’s approach, which focuses on visual cues and alternative standpoints and viewing positions within the text, hinges upon foregrounding "les choses basses" (lowly things) to which the devisante (storyteller) Oisille draws our attention in nouvelle (novella) 2 of the Heptaméron, using this downward, archaeological gaze to excavate layers of the text that merit more extensive critical attention.While her conclusions cast a new light on the literature, life, and times of Marguerite de Navarre, they are nevertheless closely aligned with recent scholarship on this important historical and literary figure.
Marguerite de Navarre's Shifting Gaze: Perspectives on gender, class, and politics in the Heptaméron (Women and Gender in the Early Modern World)
by Elizabeth Chesney ZeguraMarguerite de Navarre’s Heptaméron, composed in the 1540s and first published posthumously in 1558 and 1559, has long been an interpretive puzzle. De Navarre (1492-1549), sister of King Francis I of France, was a controversial figure in her lifetime. Her evangelical activities and proximity to the Crown placed her at the epicenter of her country’s internecine strife and societal unrest. Yet her short stories appear to offer few traces of the sociopolitical turbulence that surrounded her.In Marguerite de Navarre’s Shifting Gaze, however, Elizabeth Zegura argues that the Heptaméron’s innocuous appearance camouflages its serious insights into patriarchy and gender, social class, and early modern French politics, which emerge from an analysis of the text’s shifting perspectives. Zegura’s approach, which focuses on visual cues and alternative standpoints and viewing positions within the text, hinges upon foregrounding "les choses basses" (lowly things) to which the devisante (storyteller) Oisille draws our attention in nouvelle (novella) 2 of the Heptaméron, using this downward, archaeological gaze to excavate layers of the text that merit more extensive critical attention.While her conclusions cast a new light on the literature, life, and times of Marguerite de Navarre, they are nevertheless closely aligned with recent scholarship on this important historical and literary figure.
The Marginalization of Poetry: Language Writing and Literary History
by Bob PerelmanLanguage writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."
The Marginalization of Poetry: Language Writing and Literary History
by Bob PerelmanLanguage writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."
Marginality in the Contemporary British Novel (Continuum Literary Studies)
by Nicola AllenThe 'Marginal' as a concept has become an integral part of the British novel as it stands at the turn of the century. Both popular and literary fiction since the mid-1970s has seen an increasing emphasis on the marginal subject. This study offers readings of a wide range of contemporary British novels that represent characters or communities at the margin of society. Nicola Allen analyses three conceptual categories representing the marginal subject in the contemporary British novel: the character of the misfit or outsider; the emergence of the grotesque; and the rediscovery of previously marginalized narratives such as myth and fantasy. This innovative and original monograph focuses on the contention that the contemporary novel of marginality conveys a belief in the socially transformative powers of narrative, and suggests that narrative has played a central role in bringing marginal politics and marginal issues to the fore in contemporary Britain.
Marginality in the Contemporary British Novel (Continuum Literary Studies)
by Nicola AllenThe 'Marginal' as a concept has become an integral part of the British novel as it stands at the turn of the century. Both popular and literary fiction since the mid-1970s has seen an increasing emphasis on the marginal subject. This study offers readings of a wide range of contemporary British novels that represent characters or communities at the margin of society. Nicola Allen analyses three conceptual categories representing the marginal subject in the contemporary British novel: the character of the misfit or outsider; the emergence of the grotesque; and the rediscovery of previously marginalized narratives such as myth and fantasy. This innovative and original monograph focuses on the contention that the contemporary novel of marginality conveys a belief in the socially transformative powers of narrative, and suggests that narrative has played a central role in bringing marginal politics and marginal issues to the fore in contemporary Britain.
Marginality, Canonicity, Passion (Classical Presences)
by Marco Formisano Christina Shuttleworth KrausIn recent years, the discipline of Classics has been experiencing a profound transformation affecting not only its methodologies and hermeneutic practices - how classicists read and interpret ancient literature - but also, and more importantly, the objects of classical study themselves. One of the most important factors has been the establishment of reception studies, examining the ways in which classical literature and culture have been appropriated or responded to in later ages and/or non-western cultures. This temporal and cultural expansion beyond the 'traditional' remit of the field has had many salutary effects, but reception studies are not without limitations: of particular consequence is a tendency to focus almost exclusively on the most canonical Greek and Latin texts which is partly due to the sheer scale on which they have been received, adapted, discussed, and alluded to since antiquity. By definition, reception studies are uninterested in texts which have had no 'success', but the result of an implicit adoption of canonicity as an unspoken criterion is the marginalization of other texts which, despite their inherent value, have not experienced so significant a Nachleben. This volume seeks to move beyond the questions of what is central, what is marginal, and why, to explore instead the range and significance of the classical canon and the processes by which it is shaped and changed by its reception in different academic and cultural environments. By examining the academic study of Classics from the interrelated titular perspectives of marginality, canonicity, and passion, it aims to unveil their many subtle implications and reopen a discussion not only about what makes the discipline unique, but also about what direction it might take in the future.
Marginality, Canonicity, Passion (Classical Presences)
In recent years, the discipline of Classics has been experiencing a profound transformation affecting not only its methodologies and hermeneutic practices - how classicists read and interpret ancient literature - but also, and more importantly, the objects of classical study themselves. One of the most important factors has been the establishment of reception studies, examining the ways in which classical literature and culture have been appropriated or responded to in later ages and/or non-western cultures. This temporal and cultural expansion beyond the 'traditional' remit of the field has had many salutary effects, but reception studies are not without limitations: of particular consequence is a tendency to focus almost exclusively on the most canonical Greek and Latin texts which is partly due to the sheer scale on which they have been received, adapted, discussed, and alluded to since antiquity. By definition, reception studies are uninterested in texts which have had no 'success', but the result of an implicit adoption of canonicity as an unspoken criterion is the marginalization of other texts which, despite their inherent value, have not experienced so significant a Nachleben. This volume seeks to move beyond the questions of what is central, what is marginal, and why, to explore instead the range and significance of the classical canon and the processes by which it is shaped and changed by its reception in different academic and cultural environments. By examining the academic study of Classics from the interrelated titular perspectives of marginality, canonicity, and passion, it aims to unveil their many subtle implications and reopen a discussion not only about what makes the discipline unique, but also about what direction it might take in the future.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Marginal Spaces and Cultures of Dissent in Socialist Romania's Black Sea (Modernity, Memory and Identity in South-East Europe)
by Ruxandra-Iuliana CanacheThis book analyzes two Romanian villages – 2 Mai and Vama Veche – as spaces of relative freedom during the last decades of socialist rule. This microhistorical study refutes simplistic views of the communist past which focus on political figures and events, and instead explores ordinary people and everyday life. Taking a multidisciplinary approach, it considers a broad range of sources, including official Communist Party documents, secret police files, personal memoirs, oral history interviews, ethnographic films, songs, and artistic performances. This book intertwines three narrative threads: that of the visitors (mainly members of the Romanian intelligentsia, young people, and hippies); that of the local inhabitants; and that of 'authority' (local and central state agents actively engaged in surveillance and supervision). In doing so, it interrogates the spectrum of consent/dissent and resistance/collaboration hitherto neglected in scholarship.
Marginal Notes: Social Reading and the Literal Margins (New Directions in Book History)
by Paul Tankard Patrick SpeddingMarginal Notes: Social Reading and the Literal Margins offers an account of literary marginalia based on original research from a range of unique archival sources, from mid-16th-century France to early 20th-century Tasmania. Chapters examine marginal commentary from 17th-century China, 18th-century Britain, and 19th-century America, investigating the reputations, as reflected by attentive readers, of He Zhou, Pierre Bayle, Samuel Johnson, Thomas Warton, and Sir Walter Scott. The marginal writers include Jacques Gohory, Mary Astell, Hester Thrale, Herman Melville, the young daughters of the Broome family in Gloucestershire, and the patrons of the library of the Huon Mechanics’ Institute, Tasmania. Though marginalia is often proscribed and frequently hidden or overlooked, the collection reveals the enduring power of marginalia, concluding with studies of the ethics of annotation and the resurrected life of marginalia in digital environments.
Marginal Men: Edward Thomas; Ivor Gurney; J. R. Ackerley (Language, Discourse, Society)
by Piers GrayIn prose and poetry the selections contained here reveal the personal experiences, feelings and angst of three English writers who lived through World War I.
Margherita Sarrocchi's Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (Palgrave Studies in Literature, Science and Medicine)
by Meredith K. RayThis book examines a pivotal moment in the history of science and women’s place in it. Meredith Ray offers the first in-depth study and complete English translation of the fascinating correspondence between Margherita Sarrocchi (1560-1617), a natural philosopher and author of the epic poem, Scanderbeide (1623), and famed astronomer, Galileo Galilei. Their correspondence, undertaken soon after the publication of Galileo’s Sidereus Nuncius, reveals how Sarrocchi approached Galileo for his help revising her epic poem, offering, in return, her endorsement of his recent telescopic discoveries. Situated against the vibrant and often contentious backdrop of early modern intellectual and academic culture, their letters illustrate, in miniature, that the Scientific Revolution was, in fact, the product of a long evolution with roots in the deep connections between literary and scientific exchanges.
Margery Kempe and the Lonely Reader
by Rebecca KrugSince its rediscovery in 1934, the fifteenth-century Book of Margery Kempe has become a canonical text for students of medieval Christian mysticism and spirituality. Its author was a fifteenth-century English laywoman who, after the birth of her first child, experienced vivid religious visions and vowed to lead a deeply religious life while remaining part of the secular world. After twenty years, Kempe began to compose with the help of scribes a book of consolation, a type of devotional writing found in late medieval religious culture that taught readers how to find spiritual comfort and how to feel about one's spiritual life. In Margery Kempe and the Lonely Reader, Rebecca Krug shows how and why Kempe wrote her Book, arguing that in her engagement with written culture she discovered a desire to experience spiritual comfort and to interact with fellow believers who also sought to live lives of intense emotional engagement.An unlikely candidate for authorship in the late medieval period given her gender and lack of formal education, Kempe wrote her Book as a revisionary act. Krug shows how the Book reinterprets concepts from late medieval devotional writing (comfort, despair, shame, fear, and loneliness) in its search to create a spiritual community that reaches out to and includes Kempe, her friends, family, advisers, and potential readers. Krug offers a fresh analysis of the Book as a written work and draws attention to the importance of reading, revision, and collaboration for understanding both Kempe’s particular decision to write and the social conditions of late medieval women’s authorship.
Margaret Tyler: Printed Writings 1500–1640: Series 1, Part One, Volume 8 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part One)
by Kathryn CoadThe biography of Margaret Tyler remains speculative. It is known that she served the Howard family (Thomas Howard, Duke of Norfolk) in some capacity. Her level of education has been described as ’amazing’ for a woman who was outside of the aristocracy and possibly a middle-class servant. Her translation (published 1579 or 1580) of Diego Ortún]ez de Calahorra’s romance, Espejo de principes y cavalleros, Part I, from the original Spanish, marks not only a notable moment in book history but also the beginning of the popularity and availability of continental romance in England. Tyler was the first woman to publish a romance in England and the first English translator to work from the original Spanish. Because of the negative association of women with romance (considered a masculine domain) and the general cultural restrictions on female authorship, Tyler’s bold defence of her translation in the dedication and preface is remarkable, and as it is the earliest Englishwoman’s defence of women’s literary work, it has sometimes earned her the title of the first English feminist.
Margaret Tyler: Printed Writings 1500–1640: Series 1, Part One, Volume 8 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part One)
by Kathryn CoadThe biography of Margaret Tyler remains speculative. It is known that she served the Howard family (Thomas Howard, Duke of Norfolk) in some capacity. Her level of education has been described as ’amazing’ for a woman who was outside of the aristocracy and possibly a middle-class servant. Her translation (published 1579 or 1580) of Diego Ortún]ez de Calahorra’s romance, Espejo de principes y cavalleros, Part I, from the original Spanish, marks not only a notable moment in book history but also the beginning of the popularity and availability of continental romance in England. Tyler was the first woman to publish a romance in England and the first English translator to work from the original Spanish. Because of the negative association of women with romance (considered a masculine domain) and the general cultural restrictions on female authorship, Tyler’s bold defence of her translation in the dedication and preface is remarkable, and as it is the earliest Englishwoman’s defence of women’s literary work, it has sometimes earned her the title of the first English feminist.
Margaret Thatcher Queen of Soho (Modern Plays)
by Jon Brittain Matt TedfordLook at us, Margaret - the press is on our side. We're heroes: the public is behind us, we're protecting our children, the party is united behind the cause. You can stand against it if you want, but you will stand alone.Margaret Thatcher, Britain's first female Prime Minister, gets lost around the streets of Soho on the eve of the vote for Section 28. Unwittingly, she finds herself quickly becoming a cabaret sensation within London's gay community.This camp political drag cabaret explores, through songs and laughter, homophobia and censorship, and how one person could have made a difference.Margaret Thatcher Queen of Soho received its world premiere at London's Theatre503 in June 2013 as part of the Thatcherwrite Festival, and was revived in a full production there in December 2013.
Margaret Thatcher Queen of Soho (Modern Plays)
by Jon Brittain Matt TedfordLook at us, Margaret - the press is on our side. We're heroes: the public is behind us, we're protecting our children, the party is united behind the cause. You can stand against it if you want, but you will stand alone.Margaret Thatcher, Britain's first female Prime Minister, gets lost around the streets of Soho on the eve of the vote for Section 28. Unwittingly, she finds herself quickly becoming a cabaret sensation within London's gay community.This camp political drag cabaret explores, through songs and laughter, homophobia and censorship, and how one person could have made a difference.Margaret Thatcher Queen of Soho received its world premiere at London's Theatre503 in June 2013 as part of the Thatcherwrite Festival, and was revived in a full production there in December 2013. This second edition is published to coincide with its transfer to the Leicester Square Theatre and Norwich Playhouse in March 2015, and the Edinburgh Festival Fringe in August 2015.
Margaret Thatcher Queen of Soho (Modern Plays)
by Jon Brittain Matt TedfordLook at us, Margaret - the press is on our side. We're heroes: the public is behind us, we're protecting our children, the party is united behind the cause. You can stand against it if you want, but you will stand alone.Margaret Thatcher, Britain's first female Prime Minister, gets lost around the streets of Soho on the eve of the vote for Section 28. Unwittingly, she finds herself quickly becoming a cabaret sensation within London's gay community.This camp political drag cabaret explores, through songs and laughter, homophobia and censorship, and how one person could have made a difference.Margaret Thatcher Queen of Soho received its world premiere at London's Theatre503 in June 2013 as part of the Thatcherwrite Festival, and was revived in a full production there in December 2013.
Margaret Thatcher Queen of Soho (Modern Plays)
by Jon Brittain Matt TedfordLook at us, Margaret - the press is on our side. We're heroes: the public is behind us, we're protecting our children, the party is united behind the cause. You can stand against it if you want, but you will stand alone.Margaret Thatcher, Britain's first female Prime Minister, gets lost around the streets of Soho on the eve of the vote for Section 28. Unwittingly, she finds herself quickly becoming a cabaret sensation within London's gay community.This camp political drag cabaret explores, through songs and laughter, homophobia and censorship, and how one person could have made a difference.Margaret Thatcher Queen of Soho received its world premiere at London's Theatre503 in June 2013 as part of the Thatcherwrite Festival, and was revived in a full production there in December 2013. This second edition is published to coincide with its transfer to the Leicester Square Theatre and Norwich Playhouse in March 2015, and the Edinburgh Festival Fringe in August 2015.
Margaret Paston’s Piety (The New Middle Ages)
by J. RosenthalDrawing on a close reading of nearly forty years' worth of personal letters and her will, and incorporating new archival material, Margaret Paston emerges from this study as the best example we have of how lay piety was negotiated and integrated into daily medieval life.