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Unpublished Works of Lytton Strachey (The Pickering Masters)

A core member of the Bloomsbury Group, Lytton Strachey (1880–1932) is recognized for his radical influence on the new school of psychological biography. This volume collects for the first time Strachey’s previously unpublished essays, dialogues and stories.

The Unpublished Letters of Thomas Moore

Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 5 (The\pickering Masters Ser.)

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 5

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 4

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 4

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 3

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 3 (The\pickering Masters Ser.)

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 2

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 2

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 1

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 1

Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.

Unpremeditated Verse: Feeling and Perception in "Paradise Lost"

The focus of this study is on the working of Milton's sensibilities and the reader’s response to the materials of the poem. Professor Shumaker demonstrates the special resonance Milton gave to Paradise Lost through his development of its mythic quality and through the emotive patterns in the poem. Shumaker describes the effect on the reader’s subconscious responses of Milton’s choice of visual and auditory images. Underlying the treatment is an assumption that during the act of composition the poet’s mind is often stirred to its depths and registers with astonishing fidelity what is happening on all the levels of his psyche, conscious and unconscious.Originally published in 1967.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Unpathed Waters: Studies in the Influence of the Voyages on Elizabethan Literature

First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

Unpathed Waters: Studies in the Influence of the Voyages on Elizabethan Literature

First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

Unparalleled Poetry: A Cognitive Approach to the Free-Rhythm Verse of the Hebrew Bible (COGNITION AND POETICS SERIES)

For more than 250 years, biblical Hebrew poetry scholarship has been dominated by metrical assumptions and the idea of parallelism. While a consensus is emerging that biblical poetry is not metrical, no consensus has arisen regarding what parallelism is, or what makes biblical poetry "verse" or "poetry" in the absence of meter, graphical lineation, and end-marking of lines. Unparalleled Poetry claims that a new paradigm for biblical poetry is needed, a paradigm that is disentangled from parallelism as well as meter. Drawing from the Cognitive Poetics work of Reuven Tsur, Emmylou Grosser reorients the discussion of biblical poetic structure to how poetic structure can be heard and perceived. She argues that the line-units of biblical poetry emerge in the cognitive experience of the listener/reader and provides an account of the free-rhythm versification system of biblical poetry. Grosser's cognitive approach to biblical poetry accounts for the wide diversity of lines and poems in the Bible and illuminates both the structures of biblical poetry and the artistry of potential effects. Unparalleled Poetry presents a rewarding new paradigm for readers of the Bible, while modeling new possibilities for the study of nonmetrical poetries and phenomena called "parallelism" throughout the world.

Unparalleled Poetry: A Cognitive Approach to the Free-Rhythm Verse of the Hebrew Bible (COGNITION AND POETICS SERIES)

For more than 250 years, biblical Hebrew poetry scholarship has been dominated by metrical assumptions and the idea of parallelism. While a consensus is emerging that biblical poetry is not metrical, no consensus has arisen regarding what parallelism is, or what makes biblical poetry "verse" or "poetry" in the absence of meter, graphical lineation, and end-marking of lines. Unparalleled Poetry claims that a new paradigm for biblical poetry is needed, a paradigm that is disentangled from parallelism as well as meter. Drawing from the Cognitive Poetics work of Reuven Tsur, Emmylou Grosser reorients the discussion of biblical poetic structure to how poetic structure can be heard and perceived. She argues that the line-units of biblical poetry emerge in the cognitive experience of the listener/reader and provides an account of the free-rhythm versification system of biblical poetry. Grosser's cognitive approach to biblical poetry accounts for the wide diversity of lines and poems in the Bible and illuminates both the structures of biblical poetry and the artistry of potential effects. Unparalleled Poetry presents a rewarding new paradigm for readers of the Bible, while modeling new possibilities for the study of nonmetrical poetries and phenomena called "parallelism" throughout the world.

Unpacking Metaphor-related Prepositions in Political Discourse: From Polysemous to Powerful (Routledge Research on New Waves in Pragmatics)

This book explores the context around why English prepositions are used in figurative language more frequently than nouns and verbs, using corpus-based evidence to examine the most often used prepositions and how they are employed and for what purpose. While research on cognitive approaches to metaphor has significantly expanded in recent decades, little attention has been paid to prepositions as vehicles of figurative language, owing to their polysemous, complex, and inconsistent nature. To bridge this gap, Ounis introduces an innovative conceptual framework that integrates conceptual metaphor theory, diachronic linguistics, and discourse pragmatics. Drawing upon an extensive corpus of American presidential inaugural addresses, this book considers the linguistic, conceptual, pragmatic, and contextual dimensions of English prepositions, revealing the fascinating interplay between language, culture, and cognition. This volume will be of interest to scholars in pragmatics, metaphor studies, English language, rhetoric studies, and historical linguistics.

Unpacking Metaphor-related Prepositions in Political Discourse: From Polysemous to Powerful (Routledge Research on New Waves in Pragmatics)

This book explores the context around why English prepositions are used in figurative language more frequently than nouns and verbs, using corpus-based evidence to examine the most often used prepositions and how they are employed and for what purpose. While research on cognitive approaches to metaphor has significantly expanded in recent decades, little attention has been paid to prepositions as vehicles of figurative language, owing to their polysemous, complex, and inconsistent nature. To bridge this gap, Ounis introduces an innovative conceptual framework that integrates conceptual metaphor theory, diachronic linguistics, and discourse pragmatics. Drawing upon an extensive corpus of American presidential inaugural addresses, this book considers the linguistic, conceptual, pragmatic, and contextual dimensions of English prepositions, revealing the fascinating interplay between language, culture, and cognition. This volume will be of interest to scholars in pragmatics, metaphor studies, English language, rhetoric studies, and historical linguistics.

Unpacking Fake News: An Educator's Guide To Navigating The Media With Students (PDF)

Since the 2016 presidential election, the term fake news has become part of the national discourse. In this book, leading civic education scholars unpack why fake news is effective and show K-12 educators how they can teach their students to be critical consumers of the political media they encounter.

Unpacking Creativity for Language Teaching

Before unlocking creativity, we must first unpack what it means. In this book, creativity is unravelled from various perspectives and the relevance for language teaching and learning is explored. Tin offers a coherent discussion of creativity, adopting an inclusive and integrated but, at the same time, focused approach to creativity. Divided into 12 chapters, the book covers: A critical review of the way the term ‘creativity’ is used, defined and written about in various disciplines Various models and theories of creativity, the product- and process-oriented views of creativity and their relevance for language teaching Three pillars on which creative language pedagogy should be based Over 60 practical tasks, applying theoretical arguments and principles of creativity to language teaching and learning Based on the author’s own practice and research on creativity over the last two decades, the book provides exciting new ideas for scholars and practitioners interested in creativity and creative language pedagogy. The book serves as an important contribution for students, teachers and scholars in the field of applied linguistics, language teaching and education.

Unpacking Creativity for Language Teaching

Before unlocking creativity, we must first unpack what it means. In this book, creativity is unravelled from various perspectives and the relevance for language teaching and learning is explored. Tin offers a coherent discussion of creativity, adopting an inclusive and integrated but, at the same time, focused approach to creativity. Divided into 12 chapters, the book covers: A critical review of the way the term ‘creativity’ is used, defined and written about in various disciplines Various models and theories of creativity, the product- and process-oriented views of creativity and their relevance for language teaching Three pillars on which creative language pedagogy should be based Over 60 practical tasks, applying theoretical arguments and principles of creativity to language teaching and learning Based on the author’s own practice and research on creativity over the last two decades, the book provides exciting new ideas for scholars and practitioners interested in creativity and creative language pedagogy. The book serves as an important contribution for students, teachers and scholars in the field of applied linguistics, language teaching and education.

Unoriginal Genius: Poetry by Other Means in the New Century

What is the place of individual genius in a global world of hyper-information— a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people’s words—framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, "personal" than was the hermetic poetry of the 1980s and 90s. Perloff traces this poetics of "unoriginal genius" from its paradigmatic work, Benjamin’s encyclopedic Arcades Project, a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian Concretism and Oulipo, both movements now understood as precursors of such hybrid citational texts as Charles Bernstein’s opera libretto Shadowtime and Susan Howe’s documentary lyric sequence The Midnight. Perloff also finds that the new syncretism extends to language: for example, to the French-Norwegian Caroline Bergvall writing in English and the Japanese Yoko Tawada, in German. Unoriginal Genius concludes with a discussion of Kenneth Goldsmith’s conceptualist book Traffic—a seemingly "pure’" radio transcript of one holiday weekend’s worth of traffic reports. In these instances and many others, Perloff shows us "poetry by other means" of great ingenuity, wit, and complexity.

Unofficial Selves: Character in the Novel from Dickens to the Present Day

Unnatural Narrative across Borders: Transnational and Comparative Perspectives (China Perspectives)

This book actively engages with current discussion of narratology, and unnatural narrative theory in particular. Unsatisfied with the hegemony of European and Anglo-American narrative theory, it calls for a transnational and comparative turn in unnatural narrative theory, the purpose of which is to draw readers’ attention to those periphery and marginalized narratives produced in places other than England and America. It places equal weight on theoretical exploration and critical practice. The book, in addition to offering a detailed account of current scholarship of unnatural narratology, examines its core issues and critical debates as well as outlining a set of directions for its future development. To present a counterpart of Western unnatural narrative studies, this book specifically takes a close look at the experimental narratives in China and Iraq either synchronically or diachronically. In doing so, it aims, on the one hand, to show how the unnatural narratives are written and to be explained differently from those Western unnatural narrative works, and on the other hand, to use the particular cases to challenge the existing narratological framework so as to further enrich and supplement it. The book will be useful and inspiring to those scholars working in such broad fields as narrative theory, literary criticism, cultural studies, semiotics, media studies, and comparative literature and world literature studies.