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20th Century Media and the American Psyche: A Strange Love
by Charisse L'Pree Corsbie-MassayThis innovative text bridges media theory, psychology, and interpersonal communication by describing how our relationships with media emulate the relationships we develop with friends and romantic partners through their ability to replicate intimacy, regularity, and reciprocity. In research-rich, conversational chapters, the author applies psychological principles to understand how nine influential media technologies—theatrical film, recorded music, consumer market cameras, radio, network and cable television, tape cassettes, video gaming, and dial-up internet service providers—irreversibly changed the communication environment, culture, and psychological expectations that we then apply to future media technologies. With special attention to mediums absent from the traditional literature, including recorded music, cable television, and magnetic tape, this book encourages readers to critically reflect on their own past relationships with media and consider the present environment and the future of media given their own personal habits. 20th Century Media and the American Psyche is ideal for media studies, communication, and psychology students, scholars, and industry professionals, as well as anyone interested in a greater understanding of the psychological significance of media technology, usage, and adoption across the past 150 years.
20th Century Media and the American Psyche: A Strange Love
by Charisse L'Pree Corsbie-MassayThis innovative text bridges media theory, psychology, and interpersonal communication by describing how our relationships with media emulate the relationships we develop with friends and romantic partners through their ability to replicate intimacy, regularity, and reciprocity. In research-rich, conversational chapters, the author applies psychological principles to understand how nine influential media technologies—theatrical film, recorded music, consumer market cameras, radio, network and cable television, tape cassettes, video gaming, and dial-up internet service providers—irreversibly changed the communication environment, culture, and psychological expectations that we then apply to future media technologies. With special attention to mediums absent from the traditional literature, including recorded music, cable television, and magnetic tape, this book encourages readers to critically reflect on their own past relationships with media and consider the present environment and the future of media given their own personal habits. 20th Century Media and the American Psyche is ideal for media studies, communication, and psychology students, scholars, and industry professionals, as well as anyone interested in a greater understanding of the psychological significance of media technology, usage, and adoption across the past 150 years.
The 20th Century in Poetry
by Michael Hulse Simon RaeThis ground-breaking anthology presents in chronological order over 400 poems written in the twentieth century. The authors, both published poets themselves, give an overview of each period of history, while notes to the poems place each one in its historical context and trace the century's poetic development. Concise biographies for each poet complete the anthology.By organizing the poems in chronological order, readers will see poets in a new light. Here A.E. Houseman, for example, rubs shoulders with T.S. Eliot, showing that traditional forms can hold their own against the modernist orthodoxy. Here are poets rescued from oblivion, such as the suffragette who wrote a compelling poem about her mistreatment in Holloway Prison in 1912 or the medical offer who went into Belsen with the British troops producing an eye-witness poem of lasting power. All the major events of the twentieth century are reflected in the choice of poems within these pages. This richly rewarding collection makes invaluable reading for poetry lovers all over the world.
The 2020 Commission Report on the North Korean Attacks on The United States
by Dr Jeffrey LewisAmerica lost 1.4 million citizens in the North Korean attacks of 2020. This is the final, authorised report of the US government commission investigating the catastrophe.**As heard on BBC Radio 4 The World Tonight**‘The skies over the Korean Peninsula on March 21, 2020, were clear and blue . . .’ So begins this investigation by nuclear expert Dr Jeffrey Lewis into the horrific events of the three days that followed.While covering the fatal milestones — from North Korea’s accidental shootdown of a South Korean airliner to the tweet that triggered carnage — the report asks difficult questions about the conduct of world leaders along the path to war.Did President Trump and his advisers realise the dangers of provoking Kim Jong Un with social media posts? Was conflict inevitable, or could the peace talks of 2018 have been successful? Who, ultimately, is responsible for one of the greatest tragedies in world history?
2019 FIFA Women’s World Cup: Media, Fandom, and Soccer’s Biggest Stage
by Molly Yanity Danielle Sarver CoombsThis book examines the most prolific international women’s football tournament—the FIFA Women’s World Cup—through media, fandom and how mediated women’s soccer can improve on a global scale. Women’s soccer has exploded in terms of media exposure, television audiences and live spectatorship. This book explores those macro-level issues, while also digging into micro-level topics such as Megan Rapinoe’s celebrations and political activism, VAR reviews, LGBTQ imagery, and cultural obstacles for women’s football in Central-Eastern Europe and Nigeria. Using an interdisciplinary approach, scholars look at issues through the lenses of feminist theory, cultural studies, rhetorical criticism, political economy, performative sport fandom, autoethnography, and more. Thus, the book is important reading for students, researchers and media practitioners with interests in women’s soccer, gender in sports media, coverage of women’s sport, and sport fandom.
The 2010s: A Decade of Contemporary British Fiction (The Decades Series)
by Nick Bentley, Emily Horton, Nick Hubble and Philip TewThis volume relates the British fiction of the decade to the contexts in which it was written and received in order to examine and explain contemporary trends, such as the rise of a new working-class fiction, the ongoing development of separate national literatures of Scotland, Wales and Ireland, and shifts in modes of attention and reading. From the aftermath of the 2008 global financial crash to the Covid-19 pandemic of 2020, the 2010s have been a decade of an ongoing crisis which has penetrated every area of everyday life. Internationally, there has been an ongoing shift of global power from the US to China, and events and developments such as the election of Donald Trump as US President, the emergence of the Black Lives Matter movement, the rise of the populist right across Europe and very gradually the incipient effects variously of AI. Nationally, there has been a decade of austerity economics punctuated by divisive referendums on Scottish independence and whether Britain should leave or remain in the EU. Balancing critical surveys with in-depth readings of work by authors who have helped define this turbulent decade, including Nicola Barker, Anna Burns, Jonathan Coe, Alys Conran, Bernadine Evaristo, Mohsin Hamid, James Kelman, James Robertson, Kamila Shamsie, Ali Smith, Zadie Smith and Adam Thirlwell, among others, this volume illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
The 2010s: A Decade of Contemporary British Fiction (The Decades Series)
This volume relates the British fiction of the decade to the contexts in which it was written and received in order to examine and explain contemporary trends, such as the rise of a new working-class fiction, the ongoing development of separate national literatures of Scotland, Wales and Ireland, and shifts in modes of attention and reading. From the aftermath of the 2008 global financial crash to the Covid-19 pandemic of 2020, the 2010s have been a decade of an ongoing crisis which has penetrated every area of everyday life. Internationally, there has been an ongoing shift of global power from the US to China, and events and developments such as the election of Donald Trump as US President, the emergence of the Black Lives Matter movement, the rise of the populist right across Europe and very gradually the incipient effects variously of AI. Nationally, there has been a decade of austerity economics punctuated by divisive referendums on Scottish independence and whether Britain should leave or remain in the EU. Balancing critical surveys with in-depth readings of work by authors who have helped define this turbulent decade, including Nicola Barker, Anna Burns, Jonathan Coe, Alys Conran, Bernadine Evaristo, Mohsin Hamid, James Kelman, James Robertson, Kamila Shamsie, Ali Smith, Zadie Smith and Adam Thirlwell, among others, this volume illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
2000s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Bentley Nick Hubble Leigh WilsonHow did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.
2000s, The: A Decade Of Contemporary British Fiction (The\decades Ser.)
by Nick Bentley Nick Hubble Leigh WilsonHow did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.
200 Years of National Philologies: From Romanticism to Globalization
by Christoph StrosetzkiThe 17 contributions in this volume pursue a positioning of the philologies, which - based on the 'Volksgeist' (popular spirit) of the 19th century and the cultural studies of the 20th century - must reposition themselves in the 21st century. The contributions address questions such as: What changes are occurring with increasing globalization? Are national literatures increasingly being absorbed into the so-called "world literature"? The authors come from the fields of Romance studies, German studies and English studies. They deal with topics of literary historiography, canonization, comparative literature, and also questions of the future.
200 Words to Help You Talk about Philosophy
by Anja SteinbauerHave you have ever felt at a disadvantage when joining in a conversation on a subject that you aren't confident about? If yes, this new book series is for you. Each book features definitions of two hundred words frequently used to describe and discuss a smart subject.200 Words to Help You Talk About Philosophy is designed to demystify jargon-based philosophic language and make you at ease holding a conversation on the topic. Philosophy can be baffling, as well as fascinating, to the best of us. Let Anja Steinbauer guide you through doubt, dialectic, Dao, and much more. The book is written with digestible text enabling a quick and easy understanding of various topics while broadening your philosophical vocabulary. 200 Words to Help You Talk About Philosophy is one of two new titles beginning a series of smart subjects, also including art, psychology, and music.
200 Words to Help You Talk about Art
by Ben StreetHave you have ever felt at a disadvantage when joining in a conversation on a subject that you aren't confident about? If yes, this new book series is for you. Each book features definitions of two hundred words frequently used to describe and discuss a smart subject.200 Words to Help You Talk About Art is designed to demystify jargon-based art language and make you at ease holding a conversation on the topic. Art can be intimidating to the uninitiated, but with Ben Street's help you'll know your Dada from your diptych in no time. The book is written with digestible text enabling a quick and easy understanding of various topics while broadening your artistic vocabulary.200 Words to Help You Talk About Art is one of two new titles beginning a series of smart subjects, also including philosophy, psychology, and music.
200 Tricky Spellings in Cartoons: Visual Mnemonics for Everyone - US edition
by Lidia StantonThe new revised edition of Lidia Stanton's bestselling book of cartoons demystifying over 200 of the most difficult spellings, fully adapted for a US readership. The book is structured around confusing pairs of words, such as homophones or words that 'go together', tricky everyday words and tricky academic words, with memorable illustrations on every page to help you connect the word's meaning and graphical features with its spelling pattern. This is not a traditional spelling book, but a resource that will really get you thinking, and laughing out loud. This guide encourages active learning and recollection, breaking away from repetitive methods such as 'look, cover, write, check', enabling you to effortlessly recall and identify once-confusing spelling patterns.
200 Tricky Spellings in Cartoons: Visual Mnemonics for Everyone - UK edition
by Lidia StantonThe new revised edition of Lidia Stanton's bestselling book of mnemonics demystifying over 200 of the most difficult spellings. The book is structured around confusing pairs of words, such as homophones or words that 'go together', tricky everyday words and tricky academic words, with memorable illustrations on every page to help you connect the word's meaning and graphical features with how it's spelt. This is not a traditional spelling book, but a resource that will really get you thinking, and laughing out loud. This guide encourages active learning and recollection, breaking away from repetitive methods such as 'look, cover, write, check', enabling you to effortlessly recall and identify once-confusing spelling patterns.
200 Jahre Nationalphilologien: Von der Romantik zur Globalisierung (Abhandlungen zur Literaturwissenschaft)
by Christoph StrosetzkiDie 17 Beiträge dieses Bandes verfolgen eine Standortbestimmung der Philologien, die – ausgehend vom Volksgeist des 19. und der Kulturkunde des 20. Jahrhunderts – sich im 21. Jahrhundert neu positionieren müssen. Die einzelnen Beiträge gehen auf Fragen ein wie: Welche Veränderungen treten mit zunehmender Globalisierung ein? Gehen die Nationalliteraturen immer mehr in der sog „Weltliteratur“ auf? Die Autorinnen und Autoren stammen aus der Romanistik, Germanistik und Anglistik. Sie behandeln Themen der Literaturgeschichtsschreibung, der Kanonisierung, der Komparatistik und auch Zukunftsfragen.
1990s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble Philip Tew Leigh WilsonHow did social, cultural and political events in Britain during the 1990s shape contemporary British Fiction? From the fall of the Berlin Wall to the turn of the millennium, the 1990s witnessed a realignment of global politics. Against the changing international scene, this volume uses events abroad and in Britain to examine and explain the changes taking place in British fiction, including: the celebration of national identities, fuelled by the move toward political devolution in Northern Ireland, Scotland and Wales; the literary optimism in urban ethnic fictions written by a new generation of authors, born and raised in Britain; the popularity of neo-Victorian fiction. Critical surveys are balanced by in-depth readings of work by the authors who defined the decade, including A.S. Byatt, Hanif Kureishi, Will Self, Caryl Phillips and Irvine Welsh: an approach that illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
1990s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble Philip Tew Leigh WilsonHow did social, cultural and political events in Britain during the 1990s shape contemporary British Fiction? From the fall of the Berlin Wall to the turn of the millennium, the 1990s witnessed a realignment of global politics. Against the changing international scene, this volume uses events abroad and in Britain to examine and explain the changes taking place in British fiction, including: the celebration of national identities, fuelled by the move toward political devolution in Northern Ireland, Scotland and Wales; the literary optimism in urban ethnic fictions written by a new generation of authors, born and raised in Britain; the popularity of neo-Victorian fiction. Critical surveys are balanced by in-depth readings of work by the authors who defined the decade, including A.S. Byatt, Hanif Kureishi, Will Self, Caryl Phillips and Irvine Welsh: an approach that illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
1984-George Orwell - Novel: १९८४-जॉर्ज ऑरवेलने - कादंबरी
by George Orwell‘१९८४’ हे पुस्तक अशाचपैकी एक आहे. जॉर्ज ऑरवेलने १९४८ साली हे पुस्तक लिहिले. भविष्यकाळातील सर्वंकष हुकूमशाहीचे चित्रण त्यात केले आहे. या पुस्तकाचा बोलबाला सर्व जगात जसा झाला, तसाच तो महाराष्ट्रातही झाला. ३६ सालात जगातील सुमारे ६२ भाषांत या पुस्तकाची भाषांतरे झाली. मराठीत मात्र मी या पुस्तकाचे केलेले भाषांतर प्रसिद्ध होण्यासाठी ३१ डिसेंबर १९८४ ही तारीख उजाडावी लागली. तेव्हा कुठे मराठी भाषा ही भाषांतराच्या यादीत ६३वी भाषा ठरली. त्या वेळी प्रकाशन समारंभाला श्री. ग. प्र. प्रधान (समाजवादी), श्री. ना. ग. गोरे (समाजवादी), श्री. प्रभाकर उर्ध्वरेषे (कम्युनिस्ट) इत्यादी राजकीय नेते उपस्थित होते. त्यांनी या पुस्तकाची मुक्त कंठाने स्तुती केली. १९८४ सालानंतर २७ वर्षांनी या पुस्तकाची दुसरी आवृत्ती बाजारात येत आहे. जॉर्ज ऑरवेलने म्हणतात की, आणीबाणीत अनेक प्रकाशकांना मी विचारले असता या पुस्तकाचे भाषांतर प्रसिद्ध करण्यास ते कचरले. त्यामागे भीती होती अन् ही भीती हीच हुकूमशहाची शक्ती असते. हुकूमशाही म्हणजे नेमके काय, हे ऑरवेलने यात दाखवले आहे. भीतीचा वापर केल्यावरही हुकूमशहाचे समाधान होत नाही. त्याला जनतेने स्वेच्छेने त्याच्यावर प्रेम करावे, त्याची भक्ती करावी असे वाटत असते. कोणतेही राजकीय तत्त्वज्ञान हा केवळ हुकूमशहा बनण्यासाठी घेतलेला आधार असतो. ‘खरी हुकूमशाही माणसाच्या रक्तातच असते काय?’ असा प्रश्न हे पुस्तक वाचल्यावर वाचकाला नक्की पडेल. तसेच हूकूमशाही अगदी टोकाला गेल्यावर काय काय घडू शकते, हे या पुस्तकात फार चांगले दर्शवले आहे.
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction? Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary. Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers. Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction?Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary.Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers.Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.