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What is African American Literature? (Wiley-Blackwell Manifestos)

by Margo N. Crawford

After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

What is African American Literature? (Wiley-Blackwell Manifestos)

by Margo N. Crawford

After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

What Is a Jewish Classicist?: Essays on the Personal Voice and Disciplinary Politics (Rubicon)

by Simon Goldhill

In recent years, there has been no issue that has convulsed academia and its role in society more stridently than the personal politics of its institutions: who has access to education? How does who you are change what you study and how you engage with it? How does scholarship reflect the politics of society – how should it? These new essays from one of the best-known scholars of ancient Greece offer a refreshing and provocative contribution to these discussions. What is a Jewish Classicist? analyses how the personal voice of a scholar plays a role in scholarship, how religion and cultural identity are acted out within an academic discipline, and how translation, the heart of any engagement with the literature of antiquity, is a transformational practice. Topical, engaging, revelatory, this book opens a sharp and personal perspective on how and why the study of antiquity has become such a battlefield in contemporary culture. The first essay looks at how academics can and should talk about themselves, and how such positionality affects a scholar's work – can anyone can tell his or her own story with enough self-consciousness, sophistication and care? The second essay, which gives the book its title, takes a more socio-anthropological approach to the discipline, and asks how its patterns of inclusion and exclusion, its strategies of identification and recognition, have contributed to the shape of the discipline of classics. This initial enquiry opens into a fascinating history of change – how Jews were excluded from the discipline for many years but gradually after the Second World war became more easily assimilated into it. This in turn raises difficult questions for the current focus on race and colour as the defining aspects of personal identification, and about how academia reflects or contributes to the broader politics of society. The third essay takes a different historical approach and looks at the infrastructure or technology of the discipline through one of its integral and time-honoured practices, namely, translation. It discusses how translation, far from being a mere technique, is a transformational activity that helps make each classicist what they are. Indeed, each generation needs its own translations as each era redefines its relation to antiquity.

What Is a Jewish Classicist?: Essays on the Personal Voice and Disciplinary Politics (Rubicon)

by Simon Goldhill

In recent years, there has been no issue that has convulsed academia and its role in society more stridently than the personal politics of its institutions: who has access to education? How does who you are change what you study and how you engage with it? How does scholarship reflect the politics of society – how should it? These new essays from one of the best-known scholars of ancient Greece offer a refreshing and provocative contribution to these discussions. What is a Jewish Classicist? analyses how the personal voice of a scholar plays a role in scholarship, how religion and cultural identity are acted out within an academic discipline, and how translation, the heart of any engagement with the literature of antiquity, is a transformational practice. Topical, engaging, revelatory, this book opens a sharp and personal perspective on how and why the study of antiquity has become such a battlefield in contemporary culture. The first essay looks at how academics can and should talk about themselves, and how such positionality affects a scholar's work – can anyone can tell his or her own story with enough self-consciousness, sophistication and care? The second essay, which gives the book its title, takes a more socio-anthropological approach to the discipline, and asks how its patterns of inclusion and exclusion, its strategies of identification and recognition, have contributed to the shape of the discipline of classics. This initial enquiry opens into a fascinating history of change – how Jews were excluded from the discipline for many years but gradually after the Second World war became more easily assimilated into it. This in turn raises difficult questions for the current focus on race and colour as the defining aspects of personal identification, and about how academia reflects or contributes to the broader politics of society. The third essay takes a different historical approach and looks at the infrastructure or technology of the discipline through one of its integral and time-honoured practices, namely, translation. It discusses how translation, far from being a mere technique, is a transformational activity that helps make each classicist what they are. Indeed, each generation needs its own translations as each era redefines its relation to antiquity.

What is a Crocodile's Favourite Thing?

by Ben Hawkes

Is a crocodile's favourite thing doing ballet while dressed as a princess? Or maybe it's eating a dirty pants sandwich? Or what about riding a car made out of a sausage? There's silliness galore and a twist in the tale, when dinnertime comes for our croc...

What Is a Classic?: Postcolonial Rewriting and Invention of the Canon (Cultural Memory in the Present)

by Ankhi Mukherjee

What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.

What I'm Looking For: Selected Poems 2005–2017

by Maureen N. McLane

Gathering the best of her first five collections, a 'sexy, cerebral and romantic' introduction to one of the US's most charismatic and original poetsLoose-limbed, freewheeling and conversational yet musically taut, Maureen N. McLane's poetry has been described as having 'a tonal register somewhere between teenage fangirl and Wordsworth professor' (London Review of Books). What I'm Looking For gathers selections from her first five books of poetry, from the mixture of love poems and breezy skewerings of Great Literature that characterize her debut, Same Life, to the later collections' shadowing of a mind roaming wittily through nature, philosophy, music and sex, and the bravura life-story-in-episodes of Mz N: the serial.Brainy, funny, passionate, uncool and always utterly charming, these 'sexy, cerebral and romantic' poems (The New York Times Book Review) will make you 'laugh, cry and think in quick succession, or all at once' (Sarah Howe).

What If We Stopped Pretending?

by Jonathan Franzen

The climate change is coming. To prepare for it, we need to admit that we can’t prevent it.

What If We Fall in Love? (Mills And Boon Vintage Cherish Ser. #1572)

by Teresa Southwick

He had a secret–and it was a doozy! Sheriff Grady O'Connor's twins–the girls he loved more than anything–were actually fathered by Jensen Stevens's late husband. And now their uncle wanted to claim them for their legacy. Well, not while Grady was in charge!

What If the Queen Should Die?

by John-Paul Flintoff

Windsor Castle, 1714. Queen Anne has known her share of tragedy and grief: betrayed by her father; plagued by illness and obesity; cursed to lose all seventeen of her children.Now she is dying with no living offspring, and the question of who will succeed her hangs over the court, fuelling political intrigue and fear. There are two likely successors: James Stuart, the half-brother she has always refused to acknowledge, and George of Hanover, the cousin who once turned her down for marriage.Neither is ideal. She hates them both.As courtiers, politicians and sycophants plot to steer the succession to their own advantage, Queen Anne must finally face the past. For nothing can be resolved until she comes to terms with her children's deaths and repairs the terrible wrong she committed many years before . . .With familiar characters – including three of the most important writers in English literature: Daniel Defoe (Robinson Crusoe), Jonathan Swift (Gulliver's Travels), and fashionable poet Alexander Pope – and a gripping plot, What If the Queen Should Die? is the thrilling historical tale of Britain's most tragic queen.

What If, Pig?

by Linzie Hunter

You’re not going to find a more heartwarming and dynamic duo than Pig and Mouse! Join Pig as he learns how to turn his “what if" worries from anxiety to optimism, all with the help of his loving friend Mouse.

What If. . . Loki Was Worthy?: A Loki and Valkyrie Story

by Madeleine Roux

Loki and Valkyrie seek redemption in the first adventure of an epic new multiversal series that reimagines the origins of iconic Marvel heroes.So many worlds, so little time. Infinite possibilities, creating infinite realities. Long have I watched the trickster god sow chaos. But...what if Loki saved Asgard from Tony Stark's revenge?Thor - Son of Odin, God of Thunder, wielder of the hammer Mjolnir - is dead. And Loki is responsible.It was only meant to be a joke - tampering with the Destroyer, changing Thor's course to Midgard - a bit of mischief with a chance of maiming. But Loki's harmless prank spiraled out of control, unleashing death and destruction on New York City and the heroes sworn to protect it. The city was saved, but at the cost of Thor's life.Furious and heartbroken, the All-Father banishes Loki to Earth for his crime. Loki finds himself in a realm of boxed wine, instant noodles, and some sort of regional performance troupe known as the "Buffalo Bills." It's a meager existence, far from Asgard's grand courts, but he finds his new friend, Brian the Gecko, a much more engaging companion than the sycophants back home. A true meeting of the minds. Loki is the God of Mischief - but he knows, deep down, that he never truly deserved to stand next to their father's golden child Thor, as two true sons of Odin.Yet, he cannot even endure his exile in peaceful isolation. A Valkyrie - Hel-bent on carrying out her oath to Thor - barges into his trailer-home with his brother's final words from the beyond: a plea to find a certain Dr. Jane Foster and pass on Mjolnir to its rightful heir.While Loki struggles to fulfil his brother's last request, the far-reaching consequences of his fatal prank return to haunt him. Blinded by grief from those he lost in the chaos wrought by Asgard, Iron Man vows revenge on those who consider themselves gods. Determined to protect the Earth from the might of this unpredictable alien power, he forges Asgard's own weaponry into a lethal suit of armor, set on eradicating any tether between their worlds. Consequences be damned. When Asgard looks to Loki for salvation, he must answer the question: Am I truly worthy?

What If I'm Pregnant...? (Mills And Boon Cherish Ser. #1)

by Carla Cassidy

Colette Carson didn't need a man in her life, but she wanted a baby more than anything. So she headed to the local sperm bank to make her dream come true.

What If He’s the One: Kathy Jay

by Kathy Jay

The one that got away – is now LA’s hottest property!

What If...?

by Anthony Browne

Joe is nervous about his first big party, and as Mum walks him along the darkening street to his friend’s house, his imagination starts to run wild. They search for the right place, looking through the windows, wondering "What if...?" while making surprising discoveries along the way.

What If: Short Stories To Spark Diversity Dialogue

by Rebecca Donovan

What if you had a second chance to meet someone for the first time?Cal Logan is shocked to see Nicole Bentley sitting across from him at a coffee shop thousands of miles from their hometown. After all, no one has seen or heard from her since they graduated over a year ago. Except this girl isn't Nicole.She looks exactly like Cal's shy childhood crush, but her name is Nyelle Preston and she has no idea who he is. This girl is impulsive and daring, her passion for life infectious. The complete opposite of Nicole. Cal finds himself utterly fascinated-and falling hard. But Nyelle is also extremely secretive. And the closer he comes to finding out what she's hiding, the less he wants to know.When the secrets from the past and present collide, one thing becomes clear: Nothing is what it seems.

What If?

by Martina Reilly

When seventeen-year-old Lily discovers she's pregnant, she has to make a choice that will determine the rest of her life.Now, nearly sixty years later, in the late stages of Alzheimer's, Lily has been admitted to Lakelands Nursing Home. Among her possessions, Zoe, a young helper, finds a diary with a note that it be read aloud to Lily's daughter Deirdre.The diary holds the truth to Lily's past and, as secrets are uncovered, a tale of fate and responsibility unfolds that binds the three women together.What If? is a compelling and beautiful story of love and loss, and how the choices we make don't have to define the rest of our lives.

What I Wish I’d Known When I Was Young: The Art And Science Of Growing Up

by Alice Thomson Rachel Sylvester

Loss and adversity are part of the human condition, but an imperfect past isn’t always an indicator of what’s to come.

What I Was (Bride Series)

by Meg Rosoff

'I was at boarding school in East Anglia, my third. I didn’t want to be there. But if there had been no school, there would be no Finn. He lived in a hut on the coast. He was like the hut, in fact – it took a while for both of them to warm up. But that is all I longed for. Finn, warming to me. A nod. Half a smile. Asking me to help on the boat. Not asking me to leave. I didn’t want it to end. Now I am waiting for the end, and looking back to the beginning.'Haunting, intense and with a surprising twist in the tale – What I Was is unlike anything you will have read before . . .

What I Want You to See

by Catherine Linka

A college freshman is swept into shaky moral territory within the cut-throat world of visual arts in this razor-sharp novel.Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work -- and warns her that she'll lose the merit-based award if she doesn't improve. Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen. Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with...but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her? Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

What I Thought Was True

by Huntley Fitzpatrick

Addictive, dreamy and contemporary YA romance at its very best! Perfect for fans of Morgan Matson, Stephanie Perkins and Rainbow Rowell's Fangirl.

What I Never Told You

by Dawn Goodwin

How well do you know your children? And how well do they know you? When Helen Whitmore's stepson brings home a new girlfriend one evening, her already imperfect family begins to tip towards breaking point. Diana is smart, beautiful, feisty and clearly out to cause trouble.Then an old photograph resurfaces that threatens to uncover a long-buried secret, one that Helen has taken great care to keep hidden in the past. Only one person could have that photograph – and she is dead.Helen immediately suspects that Diana is connected somehow, but before she can confront her, Diana is found dead and the entire family has motive.An absolutely addictive, page-turning thriller perfect for Lisa Jewell, Liane Moriarty and Louise Candlish. Readers love What I Never Told You: 'WOWZERS!... I thought I had it all figured out but my god was I wrong!... Had me gripped... Dark, suspenseful, intense, atmospheric and gripping' Goodreads reviewer, ?????'I devoured this page turning story in a matter of hours and before I knew it the book was over!' Goodreads reviewer, ?????'Fantastic... I enjoyed every second of it... Heart-wrenching... Tragic at parts' Goodreads reviewer, ?????'You have no damn idea who to trust here and that's what I loved the most!... Fantastic and emotionally charged thriller... Grabs your attention from the start... Outstanding! Wild, crazy book!' Rubie Reads Books, ?????'Loved this book!! It had so many twists and turns. It kept me on the edge of my seat wondering what was going to happen next!!... You won't be disappointed!!' NetGalley reviewer, 5 stars'What a ride this book was!... Very well done!' Goodreads reviewer, ?????'Riveting... I couldn't put down... When polaroids start appearing she has to find out who is trying to get to her. I really enjoyed this book. I highly recommend' Goodreads reviewer, 5 stars'Exciting, thrilling, unputdownable' Goodreads reviewer, ?????'This book had everything... Surprises that you don't see coming, secrets and lies and lots of intrigue to hook your attention! Loved everything about this book and can't wait to read more by this author!' Goodreads reviewer, ?????

What I Loved: A Novel

by Siri Hustvedt

In 1975 art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a New York gallery. He buys the work, tracks down its creator, Bill Weschler, and the two men embark on a life-long friendship. This is the story of their intense and trouble relationship, of the women in their lives and their work, of art and hysteria, love and seduction and their sons - born the same year but whose lives take very different paths.

What I Love About You (Military Men Ser. #2)

by Rachel Gibson

New York Times bestselling author Rachel Gibson returns to your favourite sexy SEAL twins - this time telling the story of Blake.Once upon a time, Natalie Cooper had it all - as a high school cheerleader she could shake her pom-poms with the best of them. But several years down the line, she's paying the price of popularity when her husband runs off with a twenty-year-old bimbo. Now Natalie just wants to focus on running her photo shop (and some of the pictures she sees...well, she really shouldn't!) and just trying to be a good mum.Then she comes toe-to-manly chest with Blake Junger. 'Exiled' to a remote cabin in Truly, Idaho, Blake wants nothing to do with anyone. Instead, he's determined to struggle with his demons and win...all on his own. But he doesn't count on a pint-sized five-year-old visitor - or Natalie Cooper, the kid's lusciously curved mother - to break down his barriers...

What I Lick Before Your Face ... and Other Haikus By Dogs

by Jamie Coleman

__________________________You may take my ballsBut I will lick what remainsAnd then, dear, your faceImagine if your dog could talk to you. Better still, imagine if it could express its innermost feelings in poetic form. This hilarious, insightful book confirms what we've all long suspected - that inside every dog is the soul of a poet. From retrieving sticks to rivalry with cats; from cold winter walks to endlessly chasing tennis balls, no stone of a dog's life is left unturned.With a delightful photo alongside every haiku, this is the perfect gift for any dog lover.

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