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Iphigenia in Splott (Modern Plays)
by Gary OwenWhat is gonna happen, when we can't take it anymore?Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it.Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more.Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric this September after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre., winning the Best New Play at the UK Theatre Awards 2015.This edition published to coincide the production at the Lyric Hammersmith, London, in September 2022.
Iphigenia in Splott (Modern Plays)
by Gary OwenWhat is gonna happen, when we can't take it anymore?Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it.Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more.Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric this September after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre., winning the Best New Play at the UK Theatre Awards 2015.This edition published to coincide the production at the Lyric Hammersmith, London, in September 2022.
Iphigenia in Aulis: (two Versions)
by Andy Hinds Martine CuypersThe first version of Iphigenia in Aulis in this volume is a translation of the complete text as it has come down to us via the only surviving manuscript – a highly corrupt text containing numerous interpolations by hands other than Euripides. The second, shorter version offers a tried and tested, more performable ‘stage’ version of the play. This translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeare’s Language), and Classics scholar, Dr. Martine Cuypers (Trinity College Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as ‘performable’ in the theatre, as it is ‘readable’ in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader. Iphigenia in Aulis is released as a companion volume to Hinds’ translation of The Oresteia. Iphigenia represents Euripides’ version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus’ version of the continuation and conclusion of the saga.
Iphigenia among the Taurians
by EuripidesI am Iphigenia, daughter of the daughter of Tyndareus My father killed me Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.
Iphigenia among the Taurians
by EuripidesI am Iphigenia, daughter of the daughter of Tyndareus My father killed me Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.
Iphigenia among the Taurians
by EuripidesI am Iphigenia, daughter of the daughter of Tyndareus My father killed me Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.
Iphigenia among the Taurians
by EuripidesI am Iphigenia, daughter of the daughter of Tyndareus My father killed me Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.
Iphigenia (Oberon Classics)
by Meredith Oakes Johann Wolfgang von GoetheThe Greek fleet bound for Troy is becalmed. For the sake of a wind, Agamemnon, leader of the Greek forces, is persuaded that he must sacrifice his daughter Iphigenia. But as the priest raises his knife to slit the child’s throat, the goddess Diana spirits her away. Clytemnestra, Agamemnon’s wife, believing her beloved daughter to be dead, slays her husband in revenge on his return from the Trojan wars. Their son, Orestes, avenges his father’s death by killing his mother. Now, years later, as Iphigenia, a prisoner of the temple of Diana, looks across the sea to Greece, longing to return home, her brother Orestes arrives...
Iphigeneia in Tauris (Greek Tragedy in New Translations)
by EuripidesThe modern reader may have difficulty conceiving of Iphigeneia in Tauris as tragedy, for the term in our sense is associated with downfall, death, and disaster. But to the ancient Greeks, the use of heroic legend, the tragic diction and meters, and the tragic actors would have defined it as pure tragedy, the happy ending notwithstanding. While not one of his "deep" dramatic works, the play is Euripidean in many respects, above all in its recurrent theme of escape, symbolized in the rescue of Iphigeneia by Artemis, to whom she was about to be sacrificed. Richmond Lattimore--who has been called the dean of American translators--has translated Iphigeneia in Tauris with skill and subtlety, revealing it as one of the most delicately written and beautifully contrived of the Euripidean "romances."
The Ipcress File
by Len DeightonLen Deighton’s classic first novel, whose protagonist is a nameless spy – later christened Harry Palmer and made famous worldwide in the iconic 1960s film starring Michael Caine.
The IPCRESS File (Penguin Modern Classics)
by Len Deighton'A stone-cold Cold War classic' Toby Litt, GuardianA high-ranking scientist has been kidnapped. A secret British intelligence agency must find out why. But as the quarry is pursued from grimy Soho to the other side of the world, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton's sensational debut The IPCRESS File rewrote the spy thriller and became the defining novel of 1960's London.'Changed the shape of the espionage thriller ... there is an infectious energy about this book which makes it a joy to read' Daily Telegraph
The Ipcress File (Penguin Modern Classics)
by Len Deighton*NOW A MAJOR NEW TV SERIES*A high-ranking scientist has been kidnapped. A secret British intelligence agency must find out why. But as the quarry is pursued from grimy Soho to the other side of the world, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton's sensational debut The Ipcress File rewrote the spy thriller and became the defining novel of 1960's London.'Changed the shape of the espionage thriller ... there is an infectious energy about this book which makes it a joy to read' Daily Telegraph
The Iowa Baseball Confederacy
by W. P. KinsellaFrom the author of Shoeless Joe, the book that inspired the movie Field of Dreams.
Ionic Barrier
by Denis Hughes Von KellarThey worked hard, these men in secret places, their aim and object the conquest of space. Obstacles were many, not the least among them being a shortage of financial backing. But at last a day came when a guided projectile was launched on its journey into space. Only then did the worst snag of all become apparent...
The Ionian Mission: Aubrey/maturin Series, Book 8 (Aubrey-Maturin #8)
by Patrick O’BrianWhether close to home or far away, there are no safe harbours while Napoleon seeks to dominate the known world.
Ionesco: A Study of His Plays (Routledge Revivals)
by Richard CoeFirst published in 1971, Ionesco is a study of the plays written by the absurdist playwright Eugene Ionesco. Eugene Ionesco’s play La Cantatrice Chauve, first presented in 1950, established him as one of the most provocative leaders of post-war ‘Theatre of the Absurd’. By 1970, his work had been performed by leading actors and companies all over the world. The author attempts to understand this enigmatic playwright and his plays, while trying to explore the reasons behind his quick popularity. This book will be of interest to students of literature, drama, philosophy, and history.
Ionesco: A Study of His Plays (Routledge Revivals)
by Richard CoeFirst published in 1971, Ionesco is a study of the plays written by the absurdist playwright Eugene Ionesco. Eugene Ionesco’s play La Cantatrice Chauve, first presented in 1950, established him as one of the most provocative leaders of post-war ‘Theatre of the Absurd’. By 1970, his work had been performed by leading actors and companies all over the world. The author attempts to understand this enigmatic playwright and his plays, while trying to explore the reasons behind his quick popularity. This book will be of interest to students of literature, drama, philosophy, and history.
Ionbhá: The Empathy Book for Ireland
by Cillian Murphy Pat Dolan Gillian Browne Mark BrennanIonbhá or empathy is a core element of wisdom and a universal language of the soul. It brings joy to the everyday, making the unbearable bearable. “We need empathy in schools just as we need empathy in the world right now” - Cillian Murphy, Actor and Patron of the UNESCO Child and Family Research Centre. The wide range of contributions to the publication Ionbhá act like a compass, guiding us on things that really matter in life. Reflections on empathy illuminate its healing properties, vividly opening our eyes to the countless ways in which its power can shape us all. This collection shows that no matter how big or small, empathetic actions have a massive impact. Although we rarely appreciate how these actions affect people and their communities, they often reverberate long after we act. 89 contributors include Michael D. Higgins, Hozier, Tolü Makay, The Edge, Rachael Blackmore, Blindboy Boatclub, Mary Coughlan, Clodagh Finn, Katy Hyland, Imelda May, Brendan O’Connor, Louise O’Neill, Valery Biden Owens and citizens from all walks of life. All royalties from the sale of this book will go directly to delivering the Activating Social Empathy education programme in Irish schools and youth work organisations.
The Ion War
by Colin KappWhen Major Dam Stormdragon was chosen to serve as part of Castilia's military tithe to the Mother World he had no choice but to go - much as he loathed Terra and everything she stood for. He knew that given the combination of arrogance and paranoia that Terrans displayed towards all Colonials he was at best in for a miserable year - and that at worst he would find himself taking part in a military action against his fellow Colonials. He also knew that the increasing ferocity with which the Terrans responded to the slightest balking of the Imperial Will meant that one day soon the Hub Worlds would have to fight, or that Terra's madness would destroy them all. What Stormdragon could not know was that the Mother World was already set on obliterating her children, and that he himself would be Terra's secret weapon in the most dreadful conflict in the history of Man.
Ion (Classical Dramatists)
by EuripidesA translation of one of Euripides' finest plays by one of Britain's most experienced translatorsIon is the story of the abandoned child Ion, reunited with her mother Xouthos
Ion (Classical Dramatists)
by EuripidesA translation of one of Euripides' finest plays by one of Britain's most experienced translatorsIon is the story of the abandoned child Ion, reunited with her mother Xouthos
Ion (Greek Tragedy in New Translations)
by EuripidesSeries Copy Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, The Greek Tragedies in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. One of Euripides' late plays, Ion is a complex enactment of the changing relations between the human and divine orders and the way in which our understanding of the gods is mediated and re-visioned by myths. The story begins years before the play begins, with the rape of the mortal Kreousa, queen of Athens, by Apollo. Kreousa bears Apollos' child in secret then abandons it. Unbeknownst to her, Apollo has the child brought to his temple at Delphi to be reared by the priestess as ward of the shrine. Many years later, Kreousa, now married to the foreigner Xouthos but childless, comes to Delphi seeking prophecy about children. Apollo, however, speaking through the oracle, bestows the temple ward, Ion, on Xouthos as his child. Enraged, Kreousa conspires to kill as an interloper the very son she has despaired of finding. After mother and son both try to kill each other, the priestess reveals the birth tokens that permit Kreousa to recognize and embrace the child she thought was dead. Ion discovers the truth of his parentage and departs for Athens, as a mixed blood of humanity and divinity, to participate in the life of the polis. In Ion, disturbing riptides of thought and feeling run just below the often shimmering surfaces of Euripidean melodrama. Although the play contains some of Euripides' most beautiful lyrical writing, it quivers throughout with near disasters, poorly informed actions and misdirected intentions that almost result in catastrophe. Kreousa says at one point that good and evil do not mix, but Euripides' argument, and what the youthful Ion strives to understand, is that human beings are not only compounded of good and evil, but that the two are often the same thing differently experienced, differently understood, just as beauty and violence are mixed both in the gods and in the mortal world.
Ioláni; or, Tahíti as It Was: A Romance
by Wilkie Collins Ira B. NadelWritten 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Ioláni is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous.The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Ioláni , and the heroic young woman, Idüa, who bears his child. Determined to defy the Tahitian custom of killing firstborn children, Idüa and her friend Aimáta flee with the baby and take refuge among Ioláni's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Ioláni is a major literary event: a century and half late, Wilkie Collins makes his literary debut.Originally published in 1999.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Inward Turn of Narrative
by Erich Kahler Richard Winston Clara WinstonErich Kahler sees cultural history as a subtle process in which reality plays upon consciousness and consciousness itself is forever transforming reality. He traces the ebb and flow of this relationship by studying changes in narrative form from its beginnings in the Gilgamesh Cycle to the end of the eighteenth century. The general direction is toward a growing inwardness, he finds; what takes place is an expansion of consciousness as man constantly draws outer space, the contents of a more and more complex world, into what Rilke called Weltinnenraum, "inner space."Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Inward Storm (Mills And Boon Modern Ser.)
by Penny JordanPenny Jordan needs no introduction as arguably the most recognisable name writing for Mills & Boon. We have celebrated her wonderful writing with a special collection, many of which for the first time in eBook format and all available right now.