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Inventing the Popular: Printing, Politics, and Poetics (Routledge Studies in Nineteenth Century Literature)
by Bettina R. LernerInventing the Popular: Working-Class Literature and Culture in Nineteenth-Century France explores texts written, published and disseminated by a politically and socially active group of working-class writers during the first half of the nineteenth century. Through a network of exchanges featuring newspapers, poems and prose fiction, these writers embraced a vision of popular culture that represented a clear departure from more traditional oral and printed forms of popular expression; at the same time, their writing strategically resisted nascent forms of mass culture, including the daily press and the serial novel. Coming into writing at a time when Romanticism had expanded beyond the borders of the lyric je, these poets explored the social dimensions of connectivity and social relation finding interlocutors and supporters in the likes of Pierre-Jean de Béranger, Alphonse de Lamartine, George Sand and Eugène Sue. The relationships they developed among themselves and the major figures of an increasingly socially-oriented Romanticism were as rich with emancipatory promise as well as with reactionary temptation. They constitute an extensive archive of everyday life and utopian anticipation that reframe social romanticism as a revelatory if problematic model of engaged writing.
Inventing the Novel: Bakhtin and Petronius Face to Face (Classics in Theory Series)
by R. Bracht BranhamInventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.
Inventing the Novel: Bakhtin and Petronius Face to Face (Classics in Theory Series)
by R. Bracht BranhamInventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.
Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (Stanford Studies in Jewish History and Culture)
by Maurice SamuelsIn this book, Maurice Samuels brings to light little known works of literature produced from 1830 to 1870 by the first generation of Jews born as French citizens. These writers, Samuels asserts, used fiction as a laboratory to experiment with new forms of Jewish identity relevant to the modern world. In their stories and novels, they responded to the stereotypical depictions of Jews in French culture while creatively adapting the forms and genres of the French literary tradition. They also offered innovative solutions to the central dilemmas of Jewish modernity in the French context—including how to reconcile their identities as Jews with the universalizing demands of the French revolutionary tradition. While their solutions ranged from complete assimilation to a modern brand of orthodoxy, these writers collectively illustrate the creativity of a community in the face of unprecedented upheaval.
Inventing the Gothic Corpse: The Thrill of Human Remains in the Eighteenth-Century Novel
by Yael ShapiraInventing the Gothic Corpse shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira’s book tracks this change at it unfolds in eighteenth-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver. In tracing this long historical arc, Shapira illuminates a hidden side of the history of the novel: the dead body, she shows, helps the fledgling literary form confront its own controversial ability to entertain. Her close scrutiny of fictional corpses across the long eighteenth century reveals how the dead body functions as a test of the novel’s intentions, a chance for novelists to declare their allegiances in the battle between the didactic and the “merely” pleasurable.
Inventing the Enemy
by Umberto Eco Richard DixonA collection of timely essays by the internationally acclaimed and bestselling essayist, philosopher, literary critic and author of The Name of the Rose and The Prague Cemetery.Inventing the Enemy covers a wide range of topics on which Umberto Eco has written and lectured over the last ten years, from the discussion of ideas that have inspired his earlier novels - exploring lost islands, mythical realms, and the medieval world in the process - to a disquisition on the theme that runs through his most recent novel, The Prague Cemetery, that every country needs an enemy, and if it doesn't have one, must invent it. Eco's lively new collection examines topics as diverse as St Thomas Aquinas's notions about the soul of an unborn child, indignant reviews of James Joyce's Ulysses by fascist journalists of the 1920s and 1930s, censorship, violence and Wikileaks.These are essays full of passion, curiosity, and obsessions by one of the world's most esteemed scholars and critically acclaimed, bestselling novelists.
Inventing the Child (Children's Literature and Culture)
by John ZornadoNow in paperback, Inventing the Child is a highly entertaining, humorous, and at times acerbic account of what it means to be a child (and a parent) in America at the dawn of the new millennium. J. Zornado explores the history and development of the concept of childhood, starting with the works of Calvin, Freud, and Rousseau and culminating with the modern 'consumer' childhood of Dr. Spock and television. The volume discusses major media depictions of childhood and examines the ways in which parents use different forms of media to swaddle, educate, and entertain their children. Zornado argues that the stories we tell our children contain the ideologies of the dominant culture - which, more often than not, promote 'happiness' at all costs, materialism as the way to happiness, and above all, obedience to the dominant order.
Inventing the Child: Culture (Children's Literature and Culture #Vol. 17)
by John ZornadoNow in paperback, Inventing the Child is a highly entertaining, humorous, and at times acerbic account of what it means to be a child (and a parent) in America at the dawn of the new millennium. J. Zornado explores the history and development of the concept of childhood, starting with the works of Calvin, Freud, and Rousseau and culminating with the modern 'consumer' childhood of Dr. Spock and television. The volume discusses major media depictions of childhood and examines the ways in which parents use different forms of media to swaddle, educate, and entertain their children. Zornado argues that the stories we tell our children contain the ideologies of the dominant culture - which, more often than not, promote 'happiness' at all costs, materialism as the way to happiness, and above all, obedience to the dominant order.
Inventing the Child: Culture, Ideology and the Story of the Child
by Joseph L. ZornadoThis book traces the historical roots of Western culture's stories of childhood in which the child is subjugated to the adult. Going back 400 years, it looks again at Hamlet, fairy tales of the Brothers Grimm, and Walt Disney cartoons. Inventing the Child is a highly entertaining, humorous, and at times acerbic account of what it means to be a child (and a parent) in America at the dawn of the new millennium. John Zornado explores the history and development of the concept of childhood, starting with the works of Calvin, Freud, and Rousseau and culminating with the modern "consumer" childhood of Dr. Spock and television. The volume discusses major media depictions of childhood and examines the ways in which parents use different forms of media to swaddle, educate, and entertain their children. Zornado argues that the stories we tell our children contain the ideologies of the dominant culture--which, more often than not, promote "happiness" at all costs, materialism as the way to happiness, and above all, obedience to the dominant order.
Inventing the Child: Culture, Ideology and the Story of the Child
by Joseph L. ZornadoThis book traces the historical roots of Western culture's stories of childhood in which the child is subjugated to the adult. Going back 400 years, it looks again at Hamlet, fairy tales of the Brothers Grimm, and Walt Disney cartoons. Inventing the Child is a highly entertaining, humorous, and at times acerbic account of what it means to be a child (and a parent) in America at the dawn of the new millennium. John Zornado explores the history and development of the concept of childhood, starting with the works of Calvin, Freud, and Rousseau and culminating with the modern "consumer" childhood of Dr. Spock and television. The volume discusses major media depictions of childhood and examines the ways in which parents use different forms of media to swaddle, educate, and entertain their children. Zornado argues that the stories we tell our children contain the ideologies of the dominant culture--which, more often than not, promote "happiness" at all costs, materialism as the way to happiness, and above all, obedience to the dominant order.
Inventing Iron Man: The Possibility of a Human Machine
by E. Paul ZehrTony Stark has been battling bad guys and protecting innocent civilians since he first donned his mechanized armor in the 1963 debut of Iron Man in Marvel Comics. Over the years, Stark’s suit has allowed him to smash through walls, fly through the air like a human jet, control a bewildering array of weaponry by thought alone, and perform an uncountable number of other fantastic feats. The man who showed us all what it would take to become Batman probes whether science—and humankind—is up to the task of inventing a real-life Iron Man.E. Paul Zehr physically deconstructs Iron Man to find out how we could use modern-day technology to create a suit of armor similar to the one Stark made. Applying scientific principles and an incredibly creative mind to the question, Zehr looks at how Iron Man’s suit allows Stark to become a superhero. He discusses the mind-boggling and body-straining feats Iron Man performed to defeat villains like Crimson Dynamo, Iron Monger, and Whiplash and how such acts would play out in the real world. Zehr finds that science is nearing the point where a suit like Iron Man’s could be made. But superherodom is not just about technology. Zehr also discusses our own physical limitations and asks whether an extremely well-conditioned person could use Iron Man’s armor and do what he does.A scientifically sound look at brain-machine interfaces and the outer limits where neuroscience and neural plasticity meet, Inventing Iron Man is a fun comparison between comic book science fiction and modern science. If you’ve ever wondered whether you have what it takes to be the ultimate human-machine hero, then this book is for you.
Inventing Iron Man: The Possibility of a Human Machine
by E. Paul ZehrTony Stark has been battling bad guys and protecting innocent civilians since he first donned his mechanized armor in the 1963 debut of Iron Man in Marvel Comics. Over the years, Stark’s suit has allowed him to smash through walls, fly through the air like a human jet, control a bewildering array of weaponry by thought alone, and perform an uncountable number of other fantastic feats. The man who showed us all what it would take to become Batman probes whether science—and humankind—is up to the task of inventing a real-life Iron Man.E. Paul Zehr physically deconstructs Iron Man to find out how we could use modern-day technology to create a suit of armor similar to the one Stark made. Applying scientific principles and an incredibly creative mind to the question, Zehr looks at how Iron Man’s suit allows Stark to become a superhero. He discusses the mind-boggling and body-straining feats Iron Man performed to defeat villains like Crimson Dynamo, Iron Monger, and Whiplash and how such acts would play out in the real world. Zehr finds that science is nearing the point where a suit like Iron Man’s could be made. But superherodom is not just about technology. Zehr also discusses our own physical limitations and asks whether an extremely well-conditioned person could use Iron Man’s armor and do what he does.A scientifically sound look at brain-machine interfaces and the outer limits where neuroscience and neural plasticity meet, Inventing Iron Man is a fun comparison between comic book science fiction and modern science. If you’ve ever wondered whether you have what it takes to be the ultimate human-machine hero, then this book is for you.
Inventing Ireland: The Literature of a Modern Nation (Convergences Ser. #16)
by Declan KiberdKiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.
Inventing India: A History of India in English-Language Fiction
by R. CraneWorking at the interface of historical and fictional writing, Ralph Crane considers the history of India from the Revolt of 1857 to the Emergency of 1975 as it is presented in the works of twentieth-century novelists, both Indian and British, who have written about particular periods of Indian history from within various periods of literary history. A constant thread in the book is the exploration of the use of paintings as iconography and allegory, used in the novels to reveal aspects of British-Indian relationships.
Inventing Edward Lear
by Sara LodgeEdward Lear—the father of nonsense—wrote some of the best-loved poems in English. He was also admired as a naturalist, landscape painter, travel writer, and composer. Awkward but funny, absurdly sympathetic, Lear invented himself as a Victorian character. Sara Lodge offers a moving account of one of the era’s most influential creative figures.
Inventing Eden: Primitivism, Millennialism, and the Making of New England
by Zachary McLeod HutchinsPrevious scholars have noted the Puritans' edenic descriptions of New World landscapes, but Inventing Eden is the first study to fully uncover the integral relationship between the New England interest in paradise and the numerous iconic intellectual artifacts and social movements of colonial North America. Harvard Yard, the Bay Psalm Book, and the Quaker use of antiquated pronouns like thee and thou: these are products of a seventeenth-century desire for Eden. So, too, are the evangelical emphasis of the Great Awakening, the doctrine of natural law popularized by the Declaration of Independence, and the first United States judicial decision abolishing slavery. Be it public nudity or Freemasonry, Zachary Hutchins convincingly shows how a shared wish to bring paradise into the pragmatic details of colonial living had a profound effect on early New England life and its substantial culture of letters. Spanning two centuries and surveying the works of major British and American thinkers from James Harrington and John Milton to Anne Hutchinson and Benjamin Franklin, Inventing Eden is the history of an idea that irrevocably altered the theology, literature, and culture of colonial New England -- and, eventually, the new republic.
Inventing Agency: Essays on the Literary and Philosophical Production of the Modern Subject
by Claudia Brodsky Eloy LaBradaInventing Agency addresses some of the most central and pressing concerns in criticism, theory, and philosophy today. As new metaphysics of the realia of power and independently animated objects have replaced ancient conceptualizations of substance, being, and causation, the question of the "subject†?-of the capability for just such conceptual change, for acting to any effect whatsoever-has reemerged with fresh critical urgency. Writing on theories and fictions of the subject from Aristotle to Althusser and Fielding to Flaubert, the contributors to Inventing Agency explore the unprecedented productions of the subject as agent-of cognition, aesthetic experience and judgment, imagination and representation, and moral and political action-that together define the "revolution†? in reflection that Kant called "the Age of Critique.†? Informed by expertise in such interrelated fields as continental and analytic philosophy and literary history, Marxian and utopian theory, poetics and cultural criticism, moral theory and theory of sensibility, and feminist and disability studies, Inventing Agency addresses the invention of subjecthood by philosophical and literary conceptions of the specifically human capacities that continue to reveal the prospect of social-individual and historical-agency in action. This collection on the productions of the subject is vital reading for anyone engaged in thinking about where the categories of contemporary theory come from, and where they might lead next.
Inventing Agency: Essays on the Literary and Philosophical Production of the Modern Subject
by Claudia Brodsky Eloy LaBradaInventing Agency addresses some of the most central and pressing concerns in criticism, theory, and philosophy today. As new metaphysics of the realia of power and independently animated objects have replaced ancient conceptualizations of substance, being, and causation, the question of the “subject”-of the capability for just such conceptual change, for acting to any effect whatsoever-has reemerged with fresh critical urgency. Writing on theories and fictions of the subject from Aristotle to Althusser and Fielding to Flaubert, the contributors to Inventing Agency explore the unprecedented productions of the subject as agent-of cognition, aesthetic experience and judgment, imagination and representation, and moral and political action-that together define the “revolution” in reflection that Kant called “the Age of Critique.” Informed by expertise in such interrelated fields as continental and analytic philosophy and literary history, Marxian and utopian theory, poetics and cultural criticism, moral theory and theory of sensibility, and feminist and disability studies, Inventing Agency addresses the invention of subjecthood by philosophical and literary conceptions of the specifically human capacities that continue to reveal the prospect of social-individual and historical-agency in action. This collection on the productions of the subject is vital reading for anyone engaged in thinking about where the categories of contemporary theory come from, and where they might lead next.
Inventare des Goethe- und Schiller-Archivs: Band 2: Der Goethebestand1.Teil: Gedichte
by Jürgen GrußDas Goethe- und Schiller-Archiv in Weimar umfasst heute etwa 110 größere und kleinere handschriftliche Nachlässe von Dichtern, Schriftstellern, Musikern, bildenden Künstlern und Gelehrten aus der Zeit vom 18. Jahrhundert bis zur Mitte des 20. Jahrhunderts.
The Invasion of the Tearling: (The Tearling Trilogy 2) (The Tearling Trilogy #2)
by Erika JohansenWith each passing day, Kelsea Glynn is growing into her new responsibilities as Queen of the Tearling. By stopping the shipments of slaves to the neighbouring kingdom of Mortmesne, she crossed the Red Queen, a brutal ruler whose power derives from dark magic, who is sending her fearsome army into the Tearling to take what is hers. And nothing can stop the invasion.But as the Mort army draws ever closer, Kelsea develops a mysterious connection to a time before the Crossing, and she finds herself relying on a strange and possibly dangerous ally: a woman named Lily, fighting for her life in a world where being female can feel like a crime. The fate of the Tearling – and that of Kelsea’s own soul – may rest with Lily and her story, but Kelsea may not have enough time to find out.In this dazzling sequel to her bestselling debut The Queen of the Tearling, Erika Johansen brings back favourite characters, including the Mace and the Red Queen, and introduces unforgettable new players, adding exciting layers to her multidimensional tale of magic, mystery and a fierce young heroine.
Invasion of the Spirit People
by Juan Pablo VillalobosJuan Pablo Villalobos’s fifth novel adopts a gentle, fable-like tone, approaching the problem of racism from the perspective that any position as idiotic as xenophobia can only be fought with sheer absurdity.In an unnamed city, colonised by an unnamed world power, an immigrant named Gastón makes his living selling exotic vegetables to eateries around the city. He has a dog called Kitten, who’s been diagnosed with terminal cancer, and a good friend called Max, who’s in a deep depression after being forced to close his restaurant. Meanwhile, Max’s son, Pol, a scientist away on a scientific expedition into the Arctic, can offer little support.Faced with these dispiriting problems, Gastón begins a quest, or rather three: he must search for someone to put his dog to sleep humanely; he must find a space in which to open a new restaurant with Max; and he must look into the truth behind the news being sent back by Pol: that human life may be the by-product of an ancient alien attempt at colonisation . . . and those aliens might intend to make a return visit.
Invasion of the Living Ted (Night of the Living Ted #3)
by Barry HutchisonGrizz, the world’s most evil teddy bear, is back, and he’s out for revenge! It’s been three days since Grizz almost took over the world – again. Lisa Marie and Vernon have been interrogated by the police, and Bearvis and the Duds have been taken away to be studied. But things are far from over. Grizz has found a way to infiltrate the wireless networks and he’s planning his revenge. As all teddy bears come to life, Lisa Marie and Vernon must battle a King-Kong-sized teddy bear with a mind for evil. It looks like they’re going to need their furry friends back! The third title in this rollicking series featuring the totally indestructible and most evil of teddy bears! A laugh-out-loud read for fans of Pamela Butchart, Danny Wallace and David Baddiel.
Invasion of the Christmas Puddings
by Jeremy Strong'Tis the season to be jolly tra-la-la-la-la ... BUT WAIT!Father Christmas's EVIL brother, Bad Christmas, is plotting to take over the world.His poisonous Christmas puddings that turn humans into zombies are pouring through from The Other Side in their millions. Millions of Christmas puddings, all made of deadly sticky matter!But four children from Plumpot Primary have escaped the puddings. Are they in time to stop Bad Christmas and save the world?Prepare to be ... puddified!
Invasion of the Botty Snatchers (EDGE: I HERO: Toons)
by Steve Skidmore Steve BarlowTake on the role of a cartoon hero in this fully interactive, wacky, choose-your-own-destiny adventure story.Earth is under attack from a bunch of no-good botty-pinching aliens. It's Pantsageddon! YOU must help the commandoes find a way to stop the snatchers, or it's the end of us all!Written by the award-winning duo Steve Barlow and Steve Skidmore, and illustrated by the amazing Lee Robinson.Age appropriate for 6 to 8 year olds. Also suitable for reluctant readers and less confident older readers. Printed using a font approved by the British Dyslexia Association.
Invasion of Badger's Bottom (EDGE: Tommy Donbavand's Funny Shorts #6)
by Tommy DonbavandNothing ever happens in the sleepy town of Badger's Bottom. In fact, its only claim to fame is that it's the most BORING place to live in the universe. That's until a UFO lands in Jamie and Megan's back garden and invaders leap out to begin their conquest of Earth, under the command of Major Pain... Tommy Donbavand's Funny Shorts is a series of 4,000-word colour illustrated, chapter-based readers, which are perfect for bridging the gap between first chapter books and independent reading. Published by Franklin Watts EDGE, using off-white paper and a font recommended by the British Dyslexia Association.