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An Introduction to Literary Studies

by Mario Klarer

The fourth edition of this classic beginner’s guide to literary studies has been fully updated throughout. Mario Klarer offers a concise and accessible discussion of central issues in English and world literature as well as film and television series. Starting with the basics of what constitutes a literary text, the book moves through an analysis of major genres, important periods, and key theoretical approaches to literature and film. It also looks at the practicalities of finding and referencing secondary sources when writing a research paper. The expanded new edition has been updated to include: a wider range of examples from world literature, cinema, and television series additional references to contemporary streaming formats updated chapters on postcolonial theory, cultural studies, gender theory, feminism, and queer theory new sections on digital humanities, ecocriticism, literary translations, and paratexts extended explanations of traditional genres, e.g., the epic, drama, and poetry a completely revised chapter on the most recent MLA guidelines with rules for citing new media formats The detailed glossary ensures that the book is accessible to readers of any level, making this an ideal self-study guide or a course book for Introduction to Literature classes.

An Introduction to Literary Studies

by Mario Klarer

The fourth edition of this classic beginner’s guide to literary studies has been fully updated throughout. Mario Klarer offers a concise and accessible discussion of central issues in English and world literature as well as film and television series. Starting with the basics of what constitutes a literary text, the book moves through an analysis of major genres, important periods, and key theoretical approaches to literature and film. It also looks at the practicalities of finding and referencing secondary sources when writing a research paper. The expanded new edition has been updated to include: a wider range of examples from world literature, cinema, and television series additional references to contemporary streaming formats updated chapters on postcolonial theory, cultural studies, gender theory, feminism, and queer theory new sections on digital humanities, ecocriticism, literary translations, and paratexts extended explanations of traditional genres, e.g., the epic, drama, and poetry a completely revised chapter on the most recent MLA guidelines with rules for citing new media formats The detailed glossary ensures that the book is accessible to readers of any level, making this an ideal self-study guide or a course book for Introduction to Literature classes.

Introduction to Literary Analysis: A Complete Methodology

by Louis Hébert

This book provides a complete guide to analyzing literary works, from an introduction of basic principles to the finer details. Separated into three sections, the book covers: • Principles—this looks at what literary analysis is, its three main components, and the various possible objects of analysis • Main components—introduces nearly 30 aspects of text analysis, such as style, themes, social aspects, and context, and then goes on to introduce nearly 50 approaches, such as literary history, ecocriticism, narratology, and sociology • The process of analysis—details the general structure of the analytical text, the structure of a pedagogical essay, the analysis of a theoretical element, possible “plans” for the analytical text, methods of argumentation, statements of opinion, hypotheses, the structure of paragraphs, and the use of citations. This book is a synthesis of established scholarship with new, original insights, making it an ideal introduction to the study of literature as well as a valuable companion throughout further study.

Introduction to Literary Analysis: A Complete Methodology

by Louis Hébert

This book provides a complete guide to analyzing literary works, from an introduction of basic principles to the finer details. Separated into three sections, the book covers: • Principles—this looks at what literary analysis is, its three main components, and the various possible objects of analysis • Main components—introduces nearly 30 aspects of text analysis, such as style, themes, social aspects, and context, and then goes on to introduce nearly 50 approaches, such as literary history, ecocriticism, narratology, and sociology • The process of analysis—details the general structure of the analytical text, the structure of a pedagogical essay, the analysis of a theoretical element, possible “plans” for the analytical text, methods of argumentation, statements of opinion, hypotheses, the structure of paragraphs, and the use of citations. This book is a synthesis of established scholarship with new, original insights, making it an ideal introduction to the study of literature as well as a valuable companion throughout further study.

An Introduction to Indian Aesthetics: History, Theory, and Theoreticians

by Mini Chandran Sreenath V.S.

The thinkers and philosophers of ancient India contemplated intensively and extensively about all aspects related to life, and art was one of the major domains they touched upon. A profound and intense analysis of the art experience in literature naturally led to the evolution of one of the most sophisticated and long-standing poetic systems in the world.An Introduction to Indian Aesthetics: History, Theory, and Theoreticians offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics-one of the most sophisticated and long-standing traditions of literary criticism in the ancient world. The book, despite its primary focus on the major exponents of each school, also aims to give the reader a good idea as to how these concepts were treated before and after their major practitioners. An important part of Sanskrit poetics that often intimidates a modern reader is its seemingly difficult terminology. This book particularly addresses this issue by using contemporary idioms for readers who have no background of Sanskrit. It also aims to draw points of comparison, wherever relevant, between certain concepts in Sanskrit poetics and their western counterparts.

An Introduction to Indian Aesthetics: History, Theory, and Theoreticians

by Mini Chandran Sreenath V.S.

The thinkers and philosophers of ancient India contemplated intensively and extensively about all aspects related to life, and art was one of the major domains they touched upon. A profound and intense analysis of the art experience in literature naturally led to the evolution of one of the most sophisticated and long-standing poetic systems in the world.An Introduction to Indian Aesthetics: History, Theory, and Theoreticians offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics-one of the most sophisticated and long-standing traditions of literary criticism in the ancient world. The book, despite its primary focus on the major exponents of each school, also aims to give the reader a good idea as to how these concepts were treated before and after their major practitioners. An important part of Sanskrit poetics that often intimidates a modern reader is its seemingly difficult terminology. This book particularly addresses this issue by using contemporary idioms for readers who have no background of Sanskrit. It also aims to draw points of comparison, wherever relevant, between certain concepts in Sanskrit poetics and their western counterparts.

Introduction to Guoxue: Traditional Chinese Thoughts, Culture, and Learning

by Zhang Taiyan

This book is a collection of Zhang Taiyan's lectures on traditional Chinese thoughts, culture, and learning. Zhang Taiyan is known for his role as an active proponent of Guoxue (Chinese learning) in modern China. This title comprises the transcripts of a series of his lectures on Guoxue given in Shanghai between April and June 1922, and serves as an insightful and influential companion to Guoxue. It systematically introduces the research methods of Guoxue and the development and schools of Chinese classical studies, Chinese philosophy, and Chinese literature, and provides a brilliant analysis of representative figures and works from various periods. It also touches on a wide range of topics in Chinese history, philology, paleography, bibliology, and geography. This book provides Guoxue with many new and thought-provoking ideas and plays a crucial role in the dissemination of Guoxue throughout the world. This title will be essential reading for students and scholars of Sinology and Chinese Studies, as well as for the general public interested in traditional Chinese culture.

Introduction to Guoxue: Traditional Chinese Thoughts, Culture, and Learning

by Zhang Taiyan

This book is a collection of Zhang Taiyan's lectures on traditional Chinese thoughts, culture, and learning. Zhang Taiyan is known for his role as an active proponent of Guoxue (Chinese learning) in modern China. This title comprises the transcripts of a series of his lectures on Guoxue given in Shanghai between April and June 1922, and serves as an insightful and influential companion to Guoxue. It systematically introduces the research methods of Guoxue and the development and schools of Chinese classical studies, Chinese philosophy, and Chinese literature, and provides a brilliant analysis of representative figures and works from various periods. It also touches on a wide range of topics in Chinese history, philology, paleography, bibliology, and geography. This book provides Guoxue with many new and thought-provoking ideas and plays a crucial role in the dissemination of Guoxue throughout the world. This title will be essential reading for students and scholars of Sinology and Chinese Studies, as well as for the general public interested in traditional Chinese culture.

An Introduction To Greek Tragedy

by Ruth Scodel

This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.

An Introduction to German Literature, 1871-1990

by Raymond Furness Malcolm Humble

The book is an invaluable guide to the literature of the German-speaking countries of the last one hundred and twenty years. It takes as its starting point the Grnderzeit and its prevailing ethos; it traces the breakthrough of die Moderne (Naturalism), the attitudes of fin de sicle aestheticism, the eruption of expressionism, the literature of the Weimar Republic, of Nazism and exile. The post-1945 division is discussed with regard to the divergent literary preoccupations which it engendered: the authors portray West German society as well as that of the former GDR. Their book is able to take stock briefly of the impact on literature of the events of November 9th, 1989.

An Introduction to Gaelic Fiction

by Moray Watson

This is the first book to provide a thorough introduction to Gaelic fiction. It traces the evolution of the form over the last century and focuses on the major developments that have led to the recent flourishing in Gaelic fiction publishing. The book follows a broadly chronological structure. The early chapters examine the emergence of fiction at the beginning of the last century, and discuss the cultural context. This leads into a broad exploration of the various kinds of fiction that have been written throughout the century. All of the novels and novellas are examined in turn, from Dùn-Aluinn to Dìleas Donn and Shrapnel, and the book also deals with all the short story collections and a large bulk of the uncollected fiction. As well as covering the work of well-known authors like Iain Moireach, Tormod Caimbeul and Iain Mac a' Ghobhainn, the book has space for many of the lesser-known names that have appeared in magazines such as Gairm. The final chapters focus on the current state of scholarship and criticism of Gaelic fiction and discuss the most recent and remarkable initiatives that have more than sustained the viability of fiction in the Gaelic language. Key Features * The only introduction to Gaelic fiction available * Analyses all novels and novellas, all short story collections, and much of the uncollected fiction * Places Gaelic fiction within a wider context * Examines the critical approaches taken to the fiction so far and introduces research areas that must be explored

An Introduction to Gaelic Fiction

by Moray Watson

The first book to provide a thorough introduction to Gaelic fiction. It traces the evolution of the form over the last century and focuses on the major developments that have led to the recent flourishing in Gaelic fiction publishing.

Introduction to French Classical Tragedy

by C.J. Gossip

An Introduction to Ford Madox Ford

by Rob Hawkes Ashley Chantler

For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford's work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford's theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade's End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford's writing and illustrates the importance of engaging with secondary sources.

An Introduction to Ford Madox Ford

by Rob Hawkes Ashley Chantler

For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford's work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford's theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade's End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford's writing and illustrates the importance of engaging with secondary sources.

Introduction to Ethical Literary Criticism (China Perspectives)

by Nie Zhenzhao

This title is a thorough introduction to ethical literary criticism, defined as a critical methodology to interpret literature from the perspective of ethics, with the whole set of concepts and theories elucidated and textual analyses provided. While building on ideas from both western ethical criticism and the Chinese tradition of moral criticism, ethical literary criticism acts as a counterpoint to the former's lack of theoretical foundations and applicable methodologies and the latter's tendency to make subjective moral judgments. Developed into a coherent theoretical framework, it asserts the ethical nature and edifying function of literature and thereby seeks to highlight in the literary text the ethical relationship and moral order among human beings and within society in the historical context. Though provocative to a degree, the arguments and methodological toolbox used inject a unique ethical dimension into literary criticism and will help readers understand anew the ethical and social potency of literature. The book's theoretical elucidation, examples from practical criticism and introduction to key terminologies make this book an essential guide for students and general readers interested in ethical literary criticism and a valuable read for scholars of literary criticism, ethical criticism and literary theory.

Introduction to Ethical Literary Criticism (China Perspectives)

by Nie Zhenzhao

This title is a thorough introduction to ethical literary criticism, defined as a critical methodology to interpret literature from the perspective of ethics, with the whole set of concepts and theories elucidated and textual analyses provided. While building on ideas from both western ethical criticism and the Chinese tradition of moral criticism, ethical literary criticism acts as a counterpoint to the former's lack of theoretical foundations and applicable methodologies and the latter's tendency to make subjective moral judgments. Developed into a coherent theoretical framework, it asserts the ethical nature and edifying function of literature and thereby seeks to highlight in the literary text the ethical relationship and moral order among human beings and within society in the historical context. Though provocative to a degree, the arguments and methodological toolbox used inject a unique ethical dimension into literary criticism and will help readers understand anew the ethical and social potency of literature. The book's theoretical elucidation, examples from practical criticism and introduction to key terminologies make this book an essential guide for students and general readers interested in ethical literary criticism and a valuable read for scholars of literary criticism, ethical criticism and literary theory.

An Introduction to English Poetry

by James Fenton

James Fenton's An Introduction to English Poetry offers a master class for both the reader and writer of poetry. Simply and elegantly written and discussing the work of poets as wide ranging as W. H. Auden, Dylan Thomas, Tennyson, Kipling, Milton and Blake, it covers all varieties of poetic practice in English.'It is hard to imagine a beginner who could not learn from [this book]. If you know a young poet, give them this' The Times Literary Supplement

An Introduction to Eighteenth-Century Fiction: Raising the Novel

by John Skinner

The formal and expressive range of canonic eighteenth-century fiction is enourmous: between them Defoe, Richardson, Fielding, Smollett and Sterne seem to have anticipated just about every question confronting the modern novelist; and Aphra Behn even raises a number of issues overlooked by her male successors. But one might also reverse the coin: much of what is present in these writers will today seem remote and bizarre. There is, in fact, only one novelist from the 'long' eighteenth century who is not an endangered species outside the protectorates of university English departments: Jane Austen. Plenty of people read her, moreover, without the need for secondary literature. These reservations were taken into account in the writing of this book.An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to English fiction from Aphra Behn to Jane Austen. It deals with novel criticism, canon formation and relations between genre and gender. The second part of the book contains an extensive discussion of Richardson and Fielding, followed by paired readings of major eighteenth-century novels, juxtaposing texts by Behn and Defoe, Sterne and Smollett, Lennox and Burney among others. The various sections of the book, and even the individual chapters, may be read independently or in any order. Works are discussed in a way intended to help students who have not read them, and even engage with some who never will. The author consumes eighteenth-century fiction avidly, but has tried to write a reader-friendly survey for those who may not.

An Introduction to Eighteenth-Century Fiction: Raising the Novel

by John Skinner

The formal and expressive range of canonic eighteenth-century fiction is enourmous: between them Defoe, Richardson, Fielding, Smollett and Sterne seem to have anticipated just about every question confronting the modern novelist; and Aphra Behn even raises a number of issues overlooked by her male successors. But one might also reverse the coin: much of what is present in these writers will today seem remote and bizarre. There is, in fact, only one novelist from the 'long' eighteenth century who is not an endangered species outside the protectorates of university English departments: Jane Austen. Plenty of people read her, moreover, without the need for secondary literature. These reservations were taken into account in the writing of this book.An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to English fiction from Aphra Behn to Jane Austen. It deals with novel criticism, canon formation and relations between genre and gender. The second part of the book contains an extensive discussion of Richardson and Fielding, followed by paired readings of major eighteenth-century novels, juxtaposing texts by Behn and Defoe, Sterne and Smollett, Lennox and Burney among others. The various sections of the book, and even the individual chapters, may be read independently or in any order. Works are discussed in a way intended to help students who have not read them, and even engage with some who never will. The author consumes eighteenth-century fiction avidly, but has tried to write a reader-friendly survey for those who may not.

Introduction to Digital Humanities: Enhancing Scholarship with the Use of Technology (Routledge Focus on Literature)

by Kathryn C. Wymer

Introduction to Digital Humanities is designed for researchers, teachers, and learners in humanities subject areas who wish to align their work with the field of digital humanities. Many institutions are encouraging digital approaches to the humanities, and this book offers guidance for students and scholars wishing to make that move by reflecting on why and when digital humanities tools might usefully be applied to engage in the kind of inquiry that is the basis for study in humanities disciplines. In other words, this book puts the "humanities" before the "digital" and offers the reader a conceptual framework for how digital projects can advance research and study in the humanities. Both established and early career humanities scholars who wish to embrace digital possibilities in their research and teaching will find insights on current approaches to the digital humanities, as well as helpful studies of successful projects.

Introduction to Digital Humanities: Enhancing Scholarship with the Use of Technology (Routledge Focus on Literature)

by Kathryn C. Wymer

Introduction to Digital Humanities is designed for researchers, teachers, and learners in humanities subject areas who wish to align their work with the field of digital humanities. Many institutions are encouraging digital approaches to the humanities, and this book offers guidance for students and scholars wishing to make that move by reflecting on why and when digital humanities tools might usefully be applied to engage in the kind of inquiry that is the basis for study in humanities disciplines. In other words, this book puts the "humanities" before the "digital" and offers the reader a conceptual framework for how digital projects can advance research and study in the humanities. Both established and early career humanities scholars who wish to embrace digital possibilities in their research and teaching will find insights on current approaches to the digital humanities, as well as helpful studies of successful projects.

Introduction to Cybersemiotics: A Transdisciplinary Perspective (Biosemiotics #21)

by Carlos Vidales Søren Brier

This book traces the origins and evolution of cybersemiotics, beginning with the integration of semiotics into the theoretical framework of cybernetics and information theory. The book opens with chapters that situate the roots of cybersemiotics in Peircean semiotics, describe the advent of the Information Age and cybernetics, and lay out the proposition that notions of system, communication, self-reference, information, meaning, form, autopoiesis, and self-control are of equal topical interest to semiotics and systems theory. Subsequent chapters introduce a cybersemiotic viewpoint on the capacity of arts and other practices for knowing. This suggests pathways for developing Practice as Research and practice-led research, and prompts the reader to view this new configuration in cybersemiotic terms. Other contributors discuss cultural and perceptual shifts that lead to interaction with hybrid environments such as Alexa. The relationship of storytelling and cybersemiotics is covered at chapter length, and another chapter describes an individual-collectivity dialectics, in which the latter (Commind) constrains the former (interactants), but the former fuels the latter. The concluding chapter begins with the observation that digital technologies have infiltrated every corner of the metropolis - homes, workplaces, and places of leisure - to the extent that cities and bodies have transformed into interconnected interfaces. The book challenges the reader to participate in a broader discussion of the potential, limitations, alternatives, and criticisms of cybersemiotics.

An Introduction to Criticism: Literature - Film - Culture (Coursesmart Ser.)

by Michael Ryan

An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically

An Introduction to Criticism: Literature - Film - Culture

by Michael Ryan

An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically

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